The Sturr Family Cemetery sits on a bend of the driveway of the Chabad Jewish Center of Northwest Bergen County and is a small cemetery that once sat on the edge of the J.H, Sturr farm.
The Sturr Family Cemetery
The farmhouse of the Sturr Family sits on the lot across the street from the cemetery property. This is located on a small buff on what was the edge of the farm.
The Sturr Family cemetery tombstones
The tombstones of the Courter and Carlouch family members
The grave of William Courter
The only visible tombstones that are left in the cemetery are an Ackerman family member, Anny Ackerman and members of the Courter and the Carlouch family’s (who must have married into the family).
The Ackerman family tombstones (the one to the right was unreadable)
The other tombstones are broken and no one is sure who is buried where in the cemetery.
The History of the Cemetery:
(From Find a Grave website)
The cemetery is located in Franklin Township, Bergen County, New Jersey, on what was once the family farm of J.H. Sturr. As of October 1991 only 6 markers were still remaining.
The Sturr Family Cemetery in full view
History of the House:
(From the Franklin Lakes Municipal Website)
H. Sturr House or Blue Meadow Farm Built 1860 378 Pulis Avenue, Block 1510, Lot 8 Franklin Lakes, New Jersey 07417
The Sturr House – also known as Blue Meadow Farm -is a handsome and little altered example of mid 19th century vernacular architecture which incorporates several stylistic elements such as gable returns and frieze area of the early 19th century Greek Revival style. The Borough of Franklin Lakes lists the erection year of the house as 1860.
The façade of this 2 ½ story house consists of clapboard. The front porch has five bays with square posts and a rectangular entrance door with rectangular sidelights. Two tall 1st story windows are on one side of the porch. A single hitching post with iron rings sits in front of the porch stairs. The building has a frieze area with linear design. Semi-circular headed louvered vents are in all gable ends. The rear of the house has a one story wing. There is a detached garage to the west side of the house as well as a round frame well. Further west of the house is a stable which has been extensively remodeled and converted into a residence in recent times. The house combined with associated structures is a significant remnant of the large farmsteads which ones dotted the Borough’s landscape prior to the recent suburban housing boom.
History of the Family:
(From the Franklin Lakes Municipal website)
This Sturr house and the nearby more altered house at 402 Pulis Avenue were duplicate structures and were probably built around the same time by members of the Sturr family. The 19th century Sturr family was descended from Conraedt Sturr who purchased 190 acres of land in this area with John Coeter from Robert Livingston in 1793.
The non-extant homestead and mill was located at present-day 930 Old Mill Road. It is known that Henry Sturr, the son of Conraedt, had a fanning mill at this location in 1850. In a will dated 1852 he bequeathed his property and mill to his grandsons John, Henry, and Daniel (Maria Braun – 1976 page 26 & 27).
The property along Pulis Avenue upon which these houses are situated was probably included in this will since the homes were built around the mid-19th century. Future deed research is recommended to identify the original builder and the construction date of the house (1861: H. Sturr, 1876 Estate of H.M. Sturr). Presently the house is privately owned and occupied.
One of the things I love about being a member the Metropolitan Museum of Art is the private Member’s Night ‘Met After Hours’ they hold about four times a year. The museum is open after the closing hours and it is a night of wondering the museum galleries, great music and entertainment and wonderful tours and talks in the galleries. You really experience the museum at its best and it does shine.
The lines move very quickly to get into the museum and with traffic getting into the City that night, I arrived about twenty minutes after opening and there were no crowds to face and I got right in. There’s always a sense of excitement on these nights.
The Grand Hall in the front of the museum decorated with Spring flowers
The beautiful Spring flowers lined all the urns around the Great Hall
The museum welcoming all the members of the museum at ‘The Met After Hours’
I started my walk around the galleries in the Greek Wing touring the main hallway. It still boggles my mind how old these statues are and I am looking at something almost two thousand years old.
The Museum’s collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 BCE) to the time of the Roman emperor Constantine’s conversion to Christianity in 312 CE. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans (Metropolitan Museum of Art website).
One of the statues that stood out that evening
I spent some time admiring the statues and the craftsmanship of the works along the hallway. The only problem is that most of the Greek and Roman Galleries were closed for the evening so I headed off to the Renaissance Wing. I love the luxury objects in the collection of silver and gold and again their craftsmanship is still unrivaled today. To make these objects takes intensive work and talent.
The timepieces show how advanced science had become and the importance of it in not just measurements but in beauty.
The lobby of the American Wing with the facade of what was a former bank and a Wall Street private mansion. I love the quiet elegance of this building and to think they moved it here piece by piece. The American Wing Cafe was open for the evening and the area was busy throughout the evening. It is nice to just sit and enjoy the views by the fountain. The artwork is beautiful.
Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded (Metropolitan Museum of Art website).
The evening then moved to the Egyptian Wing and the Temple of Dendur, where the entertainment and the cocktail bar was located.
The Temple of Dendur is the hub of activity on Members Nights
This small temple, built about 15 B.C., honored the goddess Isis and, beside her, Pedesi and Pihor, deified sons of a local Nubian ruler. On the outer walls between earth and sky are carved scenes of the king making offerings to deities who hold scepters and the ankh, the symbol of life. The figures are carved in sunk relief. In the brilliant Egyptian sunlight, shadows cast along the figures’ edges would have emphasized their outlines. Isis, Osiris, their son Horus, and the other deities are identified by their crowns and the inscriptions beside their figures (Metropolitan Museum of Art).
These scenes are repeated in two horizontal registers. The king is identified by his regalia and by his names, which appear close to his head in elongated oval shapes called cartouches; many of the cartouches simply read “pharaoh.” This king was actually Caesar Augustus of Rome, who, as ruler of Egypt, had himself depicted in the traditional regalia of the pharaoh. Augustus had many temples erected in Egyptian style, honoring Egyptian deities (Metropolitan Museum of Art).
The area was packed with patrons enjoying music and talking by the bars. The crowds were so large at the beginning of the evening that I waited until after 9:00pm for the second performance of the group playing. So I headed into the section of the Egyptian Wing to look at the galleries that were open. I love walking around the Egyptian Wing of the Met. It is one of the most extensive collections outside of Egypt and the most fascinating Mummy exhibition.
Admiring one of the Mummy exhibits in the Egyptian Wing
The Department of Egyptian Art was established in 1906 to oversee the Museum’s already sizable collection of art from ancient Egypt. In the same year, the Museum’s Board of Trustees voted to establish an Egyptian Expedition to conduct archaeological excavations in Egypt. Between 1906 and 1935, The Met’s Egyptian Expedition worked at a number of important sites, including Lisht in the north and Thebes in the south, and the objects gifted to The Met by the Egyptian antiquities service form the core of our collection. Over the years, the Department of Egyptian Art has also been able to acquire, through purchase and bequest, several important private collections (Metropolitan Museum of Art website).
The ancient tablets outside of the Mummy Exhibition
The Egyptian artwork outside the Mummy Room
The tablets outside the Mummy Room
When the whole gallery is open, it is a treasure trove of objects and information from each Dynasty. I have been mind-boggled by these galleries since I first visited the museum in the third grade for a class field trip. I remember sketching artifacts for a class project and am still fascinated about how old some of these objects are and condition they are still in after thousands of years. It is my favorite part of the museum.
By 9:00pm, the entertainment was starting again, so I joined other members for a cocktail and enjoyed the music in the Temple of Dendur Gallery.
The Temple of Dendur fully lit for the evening before the start of the entertainment
The signature cocktail of the evening, the Starlight Spritz
Enjoying a Starlight Spritz while listening to the music
The bartenders can mix a drink
After a long week at work, it was nice to relax and enjoy the music. The music that night was performed by artist Jasim Perales and Friends, an Afro-Latin Jazz performance. The music was relaxing and soulful and the crowd had a wonderful time.
The start of the music again at 9:00pm
The trio performing
A clip from the entertainment that night
The Master of Ceremonies that night, Jasim Perales
All good things come to an end and it was time leave. The night was dark and the winter air was crisp creating the perfect Winter evening to set out into for the walk back to Port Authority. The Upper East is so beautiful at night.
The front of the Met that night
The artwork is always so impressive outside the Met
It was in the low 40’s that evening and the perfect night for a walk around the Upper East Side and Midtown. It still surprises me after all these years of walking around Manhattan how beautiful the City really is at night.
It was another spectacular evening at the Metropolitan Museum of Art. Thank you to the Membership and Special Events Departments for hosting another wonderful evening.
The front of the library and museum in the Fall of 2025
The historic sign
I recently visited the Beach Haven Library and Museum in Beach Haven during the holiday season and discovered a historical library with a rich history in both the community and on Long Beach Island.
The museum on the second floor
On the second floor of the library is the history room of the Beach Haven Library that contains a collection of historic artifacts and ledgers from hotels and businesses on the island. Each of the case lines tells a different story of the community from the grand hotels that once lined the shore and have since disappeared to the lives of the families that once called the island home. When I talked with one of the librarians, she told me that estates from the area donate these items to the library and this has established their collection.
The second floor fireplace
The antique kitchen equipment
The second floor of the library has another fireplace where vintage pottery and kitchen items are on display. There are also decorative pieces of pottery lining the shelves.
Historic China inside the Emily Lloyd Wilson Secretarial desk. Her father designed the Baldwin Hotel in Beach Haven.
The historic ledger from the Parry Hotel
The library has another fireplace where extensive collection of hotel ledgers and artifacts.
Letters from Elizabeth Pharo proposing the Library in 1923
Short History of the Library:
(From the library pamphlet)
Mrs. Pharo presented to the library board a proposal to build the library entirely at her own expense. She contacted Philadelphia architect, R. Brognard Okie to design the library. He chose the model of a Pennsylvania Farmhouse. The library was completed in the Fall of 1924. The museum is now over a hundred years old.
The dedication to Elizabeth Pharo, who dedicated the museum.
The Long Beach Island House Guest Ledger and historic items from the historic Bond Hotel
The records of the past resort town Long Beach Island used to be with guests coming from New York City, Philadelphia and beyond.
Historic items from the Tuckerton & Long Beach Building Land and Improvement Association
The Engleside Hotel ledger and items from the hotel
The New Jersey Declaration towards the Declaration of Independence
Historic books and periodicals
The library has an interesting collection of vintage and antique books that have been donated to the collection.
Photo display on historic sites in Beach Haven and pictures of the original library
Some of the pictures are from the old library and the artifacts come from ships ground ashore. The library has a diverse collection of items to view.
The Compass from the historic shipwreck ‘Fortuna’ that wrecked off Ship Bottom in 1910 and historic boat
The second floor museum gallery holds the diverse collection of artifacts
The second floor of the 1928 building
The first floor of the library has all sorts of historical artifacts along the walls
The Holiday Kickoff in 2025:
I visited during the library’s Holiday Open House with games, trivia and activities. There was also live music in the afternoon. It was a way that the library gives back to the community. It was a nice family event with good food and nice conversation with people from the community.
The Holiday Open House
The fireplace was going when I was talking to the librarians
It was a very nice family event where patrons families could relax, have something to eat and play games with their children. The Liberians could not have been more friendly and engaging with the public.
The Children’s Room had a holiday challenge
The museum is a rare gem tucked not just on the second floor but along the shelves and tables of the entire historic library giving visitors a chance to see all these historic artifacts mixed in with the library book collection.
The History of the Beach Haven Library:
(from the library website)
Attempts to establish a library in Beach Haven had begun as early as the 1880’s with a gift of books for the town’s children by Dr. Edward Williams. Williams, along with Charles Parry of the Parry House and the Baldwin Hotel, was a partner in the Baldwin Locomotive Works. The library collection was first housed in the home of Samuel Copperthwaite on Engleside Avenue. It was later moved into one of the Sunday School rooms of the Kynett Methodist Church, which had been built in 1890.
After the old Quaker Meeting House was donated to the town by Walter Pharo, the Reverend Alexander Corson of the Methodist Church began work, with the help of his wife, to turn the former Meeting House into a viable library. By the time they left in 1908, it was well on its way.
In 1923, Walter’s widow, Elizabeth Pharo, presented the library’s board of trustees with a proposal to build, entirely at her own expense, a new library for the town. It would be sited two blocks away from the Methodist church on a corner lot which she owned at Third Street and Beach Avenue. The library would be dedicated to the memory of her husband’s parents, Archelaus Ridgway Pharo and Louisa Willits Pharo–the founders of Beach Haven–as well as to her late husband Walter.
Mrs. Pharo contracted R. Brognard Okie, one of Philadelphia’s finest architects, to design the new library. He chose as his model a Pennsylvania farmhouse–not an early lifesaving station, as some believed. Unlike a traditional farmhouse, however, it would be constructed entirely of brick and steel and include several stunning features: three working fireplaces, a vaulted ceiling, and an interior balcony encircling the first floor.
Tons of concrete were poured and steel girders for the new, two-story structure were already up by the spring of 1924 on the southeast corner of Beach Avenue at Third Street. Okie moved to Beach Haven to supervise every step of the construction, which was all done by local builder Floyd Cranmer. Ten railcar loads of bricks were used to build the solid outer walls and it was soon evident that the town was to have the finest library on the New Jersey coast.
As the library neared completion in the late fall of 1924, its beauty was already drawing praise. Every window in the structure was framed with long shutters of pale green, which gleamed against the white brick exterior. A sweeping, multi-dormered black roof added a grace seldom seen in a public building. Surrounded by a low, white picket fence and later, a well-kept green lawn, it added an incomparable dignity to what, in that time period, was the town’s main street, Beach Avenue.
There are two large colonial-style working fireplaces on the first floor. One is in the main room and the other is behind it in the long back room on the ocean side of the library. Today this room houses the Mystery collection and its solid, ten-foot table makes it useful as a meeting room. In the early years, however, it served a different function–it was designated as the men’s reading room, and there male patrons could sit in large comfortable chairs to read magazines and newspapers. It was well lit by two tall French windows and it opened out onto the screened porch on the north side.
The main reading room with its vaulted ceiling is encircled with a balcony reached by a spiral stone staircase, its steps topped with thick slabs of slate. The balcony flooring is of oak, as are all of the spindles in the railings. The upstairs walls are lined with books. One great window on the west side rises ten feet to the ceiling. The rest are all set into dormers. On the east wall behind the upstairs balcony there is a door where one may step down into a well-furnished little museum with high, beamed ceilings and a huge stone fireplace. It is filled with old hotel registers, deeds, diaries, photographs and other mementos of Beach Haven’s vibrant history.
The Beach Haven Public Library is a prime architectural treasure on Long Beach Island and a direct link to a colorful past that is the town’s most precious heritage. Mrs. Elizabeth Pharo’s gift to the town, itself now almost 100 years old, is as stunning as the day it was built. The taxpayers who support it are proud of its status as the only independent library in Ocean County and have chosen to keep it that way.
There is always a lot of excitement when a new art exhibition is ready to open. It is even better when the museum opens it to its members first before the public gets a glimpse. It gives a chance to see the exhibitions before it opens to the public.
The long line of MoMA members waiting to get into the museum for the opening night of Artist Ruth Asawa’s exhibition
I noticed this year especially and right before Thanksgiving, all the museums are throwing open their doors for Member’s Nights. I have been invited to five Members Nights at museums all over the City. You can’t attend them all.
The excitement the museum creates for these evenings
Video of entering the museum at the start of the opening with 80’s Japanese Pop Music
I think in an economy like this, these Members Nights are one of the best ways to engage with the membership for both donations and renewals of memberships especially before the holiday season. Plus it gives the members a wonderful night out to see the exhibitions ahead of time and enjoy the evening after a long week at work.
Born on a farm in Southern California, Asawa began her arts education when she was a teenager and she and her family were among the thousands of persons of Japanese descent who were forcibly incarcerated by the US government during World War II. It was at the internment camp that Asawa began taking classes in painting and drawing. After her release, Asawa studied to be a teacher but was unable to get a license because of her Japanese heritage, so she enrolled at Black Mountain College, an experimental art school in North Carolina. Asawa took classes from and worked alongside fellow artists Josef Albers, Robert Rauschenberg, Merce Cunningham, and R. Buckminster Fuller. Black Mountain was also where she met her husband, the architect Albert Lanier.
I loved her wire woven sculptures.
The wire woven sculptures were the standouts of the exhibition
I thought these were a unique design
I liked here colorful paintings, these are of her child’s footprints. I loved the idea that her children were involved with the art
The patrons enjoying the art
The display of the wire art
The displays were impressive and graceful
The colorful faces looked tired
The look of nature in the wire art in the form of trees
I loved her works of food
At the end of the exhibition and the evening, I joined everyone on the main floor where the bar and gift shop were located. The main floor was the busiest part of the museum. I wondered if some of these people even went upstairs to see the exhibition or just stayed downstairs to socialize.
The main floor of the museum is always packed with people
Share in the excitement of the Membership opening
These evenings always get my mind off the stress of life. It is nice to just be in Midtown Manhattan and be in the moment. It is nice to see art, hear music and walk through the museum.
Visiting a Museum: The Unique, Unusual, Obscure and Historical 