Tag: walking in Manhattan

Ukrainian Institute of America  2 East 79th Street New York, NY 10021

Ukrainian Institute of America 2 East 79th Street New York, NY 10021

Ukrainian Institute of America

2 East 79th Street

New York, NY  10021

(212) 288-8660

https://ukrainianinstitute.org/

Open: Sunday 12:00pm-6:00pm/Monday Closed/ Tuesday-Saturday 12:00pm-6:00pm

Fee: Adults $8.00/ Seniors $6.00/ Students with current ID $4.00/Children under 12 Free/ Members Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d5953575-Reviews-Ukrainian_Institute_of_America-New_York_City_New_York.html?m=19905

 

I was really impressed by the Ukrainian Institute of America on a recent visit. I must have passed this building a hundred times on my way to the Metropolitan Museum of Art and never thought twice of it. I was sorry  I did as you will miss a lot by not walking in. The galleries are really impressive and the main gallery on the bottom gives you an interesting look at the history of the Ukrainian.

The first floor gallery discusses the formation of the country, a bit about its history and its ties to Europe and to Russia, its religious past and the current state of affairs of the country including its recent split of the eastern sections of the country and Crimea to Russia. Its a country in turmoil considering they want to join the European Union. It is a country in flux and on the cusp of entering the 21st Century with some of its past still tugging at it. Like all countries, it will prevail on the will of it’s people. There is a lot of solid history here and a country ready to enter its future.

 

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The artwork of artist Vasyl Diadyniuk

The second and third floor galleries are full of art work from Ukrainian artists that is on sale and each of the galleries is dedicated to certain artists selling their works at somewhat hefty prices. Still you get to see the developments of the artists both here and abroad.

The forth floor is dedicated to special exhibitions. There are two shows going on now. One is by artist Vasyl Diadyniuk and another show is by artist Alexander Archipenko.

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The artwork of artist Alexander Archipenko

The Museum has an interesting history.

 

Ukrainian Institute of America History:

The Ukrainian Institute of America Inc. is a non-profit organization whose primary mission is to showcase and support Ukrainian culture. To that end, the Institute affords the general public an opportunity to learn about Ukraine and how the Ukrainian spirit expresses itself, with special emphasis on the creative arts.

Founded more than fifty years ago by William Dzus, a prominent Ukrainian industrialist and philanthropist, the Institute sponsors:

*Art exhibitions

*Music concerts

*film screenings

*theater presentations

*Poetry readings

*Lectures and symposia

*Educational programs

*Children’s events

*Documentation center

The history of the building:

The building that is home to the Institute, the National Historic Landmark Harry F. Sinclair House is one of the few remaining examples of the splendid mansions that prominent citizens of New York City built in the 19th Century. The mansion was built in 1897 for Isaac D. Fletcher, a wealthy banker and broker, by the architect C.P.H. Gilbert. Executed in Gothic Revival style, the building is richly decorated with intricate crockets, carvings, moldings, pinnacles and other exquisite details. Six stories high, partly surrounded by a dry moat, the Institute features stately rooms that are magnificently proportioned and lavishly finished (Institute History).

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The C.P.H. Gilbert house

In 1887, manufacturer, Isaac D. Fletcher, commissioned famed Gilded Age architect, C.P.H. Gilbert to design the mansion. When Mr. Fletcher died,  left this mansion and his art collection to the Metropolitan Museum of Art, which sold it to Harry F. Sinclair, founder of Sinclair Oil Company and also famous for his involvement in the Teapot Dome affair. The last private owner was Augustus Van Horne Stuyvesant Jr., the last descendant of Peter Stuyvesant, who was the first governor of New Amsterdam, today’s New York City bought the house in 1930 and lived here with his sister, Anne. The house was sold as part of the estate when Mr. Stuyvesant died in 1953. The Ukrainian Institute of America acquired the mansion in 1955 (Institute History).

A key goal of the Institute is to continue to preserve this extraordinary fragment of the city’s history for the benefit of all citizens of New York. The house still retains its wooden moldings and the house looks as if its residents just moved out.

The Leslie-Lohman Museum of Gay and Lesbian Art         26 Wooster Street                New York, NY 10013

The Leslie-Lohman Museum of Gay and Lesbian Art 26 Wooster Street New York, NY 10013

The Leslie-Lohman Museum of Gay and Lesbian Art

26 Wooster Street

New York, NY  10013

(212) 431-2609

LeslieLohman.org

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Open: Sunday 12:00pm-6:00pm/Monday & Tuesday Closed/Wednesday 12:00pm-6:00pm/Thursday 12:00pm-8:00pm/Friday & Saturday 12:00pm-6:00pm

Fee: Suggested donation of $10.00

I recently visited the Leslie-Lohman Museum to see the second half of the “Art After Stonewall” exhibition that I saw at the Grey Gallery at New York University. The art is from just before the Gay Rights Movement just before the Stonewall Uprising and into the depths of the AIDS crisis of the early to mid-80’s.

It was interesting to see the perspective of people ‘coming out’ after the suppression of the 50’s and early 60’s and the wanting to conform to societies standards. People gravitated to the cities to find themselves and found an embracing community that was not always accepted by the status quo of the City. It was that suppression building up on conformity to be a certain type person that lead to riots, that being tired of being harassed all the time.

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‘Art After Stonewall’ (picture of Devine)

There was a lot of lesbian art and the changes women felt at the time. Some was the changes in attitude and some of it was militant to the way the outside community treated these women. It was interesting to see the changes in less than a decade of how people saw themselves and the changes that people were capable of making.

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‘Art After Stonewall’

The show closed on July 21st, 2019 but there are more shows in the future. The best part of the museum is that they have a suggested donation so if you do not have a lot of money it is a nice way to spend the afternoon and then explore SoHo and Chinatown.

 

History of the Leslie-Lohman Museum:

We can trace the origins of the Leslie-Lohman Museum back to the civil rights movement of the late 1960’s. In the moment of the Woodstock Music and Art Fair and the Stonewall Inn Uprising, gay art collectors Charles Leslie and Fritz Lohman presented their first exhibition in their SoHo loft in the summer of 1969. This weekend show featured downtown gay artists and was a complete success in attracting over 300 visitors-it because a seminal moment in the history of the Leslie-Lohman Museum and LGBTQ arts and culture.

In the midst of the 70’s gay liberation movement, our founders continued to collect and display the work of gay artists in various storefronts in SoHo while advocating for the preservation of the neighborhood, its unique architecture and the nascent community of artists living and working in its spacious lofts. Finally, settling in a basement gallery at 127-B Prince Street, this space became host to many art exhibitions and various cultural programs.

During the AIDS pandemic of the 80’s, Charles and Fritz created a refuge for ailing artists and their work. Along with providing care and lodging for them, they rescued the work of dying artists from families who, out of shame ignorance, wanted to destroy it. This led to the creation of the Leslie-Lohman Art Foundation in 1987 and to its ever-expanding collection of art. Through perseverance against the federal government, averse to approving a “gay art” organization, the foundation was finally granted tax-exempt in 1990.

Today, thanks to the hard work of generations of activities and artists, our community has gained greater visibility. However, the fight for our rights is not over. The foundation has transitioned into a museum that aims to preserve LGBTQ cultural identity and build community, reclaim scholarship from a queer artists and cultural workers. As we continue to stand at the intersection of art and social justice, we act as a cultural hub for LGBTQ individuals and their communities.

(Leslie-Lohman Museum pamphlet)

The Museum is a non-profit, emempt 501C3.

Grey Art Gallery New York University (NYU)  100 Washington Square East  New York, NY 10003

Grey Art Gallery New York University (NYU) 100 Washington Square East New York, NY 10003

Grey Art Gallery, New York University

100 Washington Square East

New York, NY  10003

(212) 998-6780

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My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d136958-Reviews-Grey_Art_Gallery_NYU-New_York_City_New_York.html?m=19905

 

I am finding more and more that the university art galleries are mounting very interesting and clever exhibitions and some as edgy as their large museum counterparts. I recently attended the ‘Art After Stonewall’ exhibition which is created as a two part exhibition with the Leslie-Lohman Museum of Gay and Lesbian Art to showcase the post Stonewall riots to the beginning of the AIDS crisis.

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“Art After Stonewall” exhibition

The exhibition was an interesting mix of pictures, video, graphic paintings and posters and documentary work combined to show the mood of the times. Some of the most impressive works came from clips of documentaries on Andy Warhol’s ‘Factory Movies’, and the documentaries on ‘Tongues Untied’ and ‘Paris is Burning’ about the gay crisis about men of color and the racism that they faced even within the Gay Community.

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The East Village Art Community from the 1980’s “Art After Stonewall”

Some of the photos of then fringe neighborhoods are funny to see as they have been gentrified beyond what anyone could have thought thirty years ago from the early 1980’s. The East Village of back then and of today are world’s apart.

The College did a good job mounting the show and telling the story that is both humorous and sad at the same time. Also, the Grey Gallery is small so you can get through the exhibition in about an hour.

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The Grey Gallery exhibition “Art After Stonewall” This is a Keith Haring poster.

The Mission of the Grey Art Gallery:

The Grey  Art Gallery is New York University’s fine arts museum, located on historic Washington Square Park in New York City’s Greenwich Village. As a university art museum, the Grey Art Gallery functions to collect, preserve, study, document, interpret and exhibit the evidence of human culture. While these goals are common to all museums, the Grey distinguishes itself by emphasizing art’s historical, cultural and social contexts, with experimentation and interpretation as integral parts of the programmatic planning. Thus, in addition to being a place to view the objects of material culture, the Gallery serves as a museum-laboratory in which a broader view of an object’s environment enriches our understanding of its contribution to civilization (NYU Grey Gallery History)

 

The History of the Grey Art Gallery at New York University:

The Grey Art Gallery is located within New York University’s Silver Center-the site of NYU’s  original home, the legendary University Building (1835-1892). Winslow homer, Daniel Huntington, Samuel Colt, George Innes and Henry James all lived and worked there, as did Professor F.B.Morse, who established the first academic fine arts department in America on the site now occupied by the Grey Art Gallery.

Demolished in 1892, the original building was replaced by the Main Building (renamed the Silver Center in 2002). Here was located, from 1927 to 1942, A. E. Gallatin’s Museum of Living Art, NYU’s first art museum and the first institution in this country to exhibit work by Picasso, Leger, Miro, Mondrian, Arp and members of the American Abstract Artists group. Gallatin aspired to create a forum for intellectual exchange, a place where artists would congregate to acquaint themselves with the latest developments in contemporary art. In 1975, with a generous gift from Mrs. Abby Weed Grey, the Museum’s original space was renovated, office and a collection storage facility were added and the doors were reopened as the Grey Art Gallery (Museum history).

Exhibitions organized by the Grey Art Gallery encompass aspects of all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film and performance. In addition to originating its own exhibitions, some of which travel throughout the United States and abroad, the Gallery hosts traveling exhibitions. Award-winning scholarly publications, distributed worldwide are published by the Grey Art Gallery. In conjunction with its exhibitions, the Grey also sponsors public programs including lectures, symposia, panel discussions and films (Museum history).

(This was taken from the Museum’s website).

Ford Foundation Gallery at the Ford Foundation Center for Social Justice      320 East 43rd Street New York, NY 10017

Ford Foundation Gallery at the Ford Foundation Center for Social Justice 320 East 43rd Street New York, NY 10017

Ford Foundation Gallery at the Ford Foundation Center for Social Justice

320 East 43rd Street

New York, NY  10017

(212) 573-5000

https://www.fordfoundation.org/about/the-ford-foundation-center-for-social-justice/ford-foundation-gallery/

Open:  Sunday Closed/Monday-Saturday 11:00am-6:00pm

Fee: Free to the public

 

When I was touring the Turtle Bay neighborhood for my blog, “MywalkinManhattan.com”, I toured the Ford Foundation Building on East 43rd Street and wondered through the lobby area gardens I came across the Ford Foundation Gallery, which is just off the main lobby.

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The Ford Gallery space

The current exhibition “Radical Love” theme is dealing with ‘love as the answer to a world in peril’. This interesting exhibition offers multidisciplinary art dealing with human nature and society. How different cultures show their respect and love to one another. It is an interesting mix of paintings, photos and video art from all over the world with each other showing their interpretation of dealing with the issues in life. You really have to read between the lines with this exhibition.

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The ‘Radical Love’ exhibition at the new Ford Foundation Gallery

 

The History of the Ford Foundation Gallery and it’s recent opening:

This new 1,900 square foot gallery space opened in February of 2019 after a two year renovation of the Ford Foundation Building. The Ford Foundation Gallery will be an innovative exhibition space dedicated to presenting multidisciplinary art, performance and public programming by artists committed to exploring issues of justice and injustice. In creating a space for artists whose work addresses pressing social issues, the foundation continues its decades long history of investing in the arts to advance human welfare (Ford Foundation Press Release).

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Athi-Patra Ruga’s ‘Umesiyakazi in Waiting’

With a mission focused on addressing inequality in all its forms and providing more than $600 million annually in grant support to organizations on four continents, the Ford Foundation is a natural home for art that challenges viewers to grapple with fundamental questions of fairness and dignity. Three exhibitions in this inaugural year offer varied interpretations on the theme of Utopian Imagination (Ford Foundation Press Release).

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The Ford Foundation Building at 320 East 43rd Street in the Turtle Bay neighborhood. Take time after visiting the gallery to tour the gardens in the lobby.

 

American Academy of Arts & Letters     633 West 155th Street New York, NY 10032

American Academy of Arts & Letters 633 West 155th Street New York, NY 10032

American Academy of Arts & Letters
633 West 155th Street
New York, NY 10032
(212) 368-5900
Academy@Artsandletters.org

https://artsandletters.org/

Hours: Thursday-Sunday-1:00pm-4:00pm/Open During Exhibitions times only or by appointment (Mid-March-MId-April; Mid-May-Mid-June)

Fee: Free

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d548512-r682038708-American_Academy_of_Arts_and_Letters-New_York_City_New_York.html?m=19905

I was finally able to visit the American Academy of Arts and Letters on the last day it was open for the year to the public. It was for the ‘Ceremonial Exhibition: Work by New Members and Recipients of Awards’, an exhibition on members art that was chosen specifically for the show. Most of the work was very contemporary and some a little political. It was interesting work by new artists that filled the small gallery rooms.

One of the buildings was used for the contemporary art while the one across the courtyard was used for the more architectural pieces. The galleries are small but the art was impressive. What I liked when I talked with one of the women who worked there said to me that after the show, the pieces would be donated to galleries and museums all over the country. The galleries are only open four months out of the year and this was the last day of the exhibition so the work being shown will be gone.

Some of the pieces that really stood out were by Judith Bernstein, a contemporary painter who seems to not like the current administration too much. The themes were on power and money and corruption in the administration. Her work really shows what she personally thinks of  our President. Her ‘Trump Genie” was very clever and I can see this in a major museum in the future.

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Judith Bernstein’s work

Other work in the main gallery were by artists Stephen Westfall with ‘Solid Gone’, Hermine Ford with ‘Paris, France’ and Paul Mogensen with several ‘Untitled’ pieces. The contemporary works I was not sure what the meaning of them were but they were colorful.

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The works of the artists of the front gallery

One of the pieces in the front gallery that really stood out was by artist Francesca Dimattio, ‘She-wolf’ which was a classic Greek character made of porcelain, enamel, paint and steel.

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‘She-wolf’ by Francesca Dimattio

There were light installations that were very interesting by artist James O. Clark. He had one piece, ‘Wunnerful, Wunnerful’,  which is a work that just keeps being creating itself by bubbles and ink markers moving along a turntable that stops and starts.

There was a permanent exhibition of Charles Ives home in Connecticut that was transported and recreated here. His studio and works are featured here as well as his family life. There are copies of his works in the display cases and his career.

When it is open, the galleries are very interesting filled with works of new artists being featured. Now you just have to wait until March of 2020.

About:

The American Academy of Arts & Letters was founded in 1898 as an honor society of the country’s leading architects, artists, composers and writers. Charter members include William Merritt Chase, Kenyon Cox, Daniel Chester French, Childe Hassam, Henry James, Theodore Roosevelt, Elihu Vedder and Woodrow Wilson. The Academy;s 250 members are elected for life and pay no dues.

In addition to electing new members as vacancies occur, the Academy seeks to foster and sustain an interest in Literature, Music and the Fine Arts by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater and purchasing artwork for donation to museums across the country.

Collections:

The Academy’s collection, which are open to scholars by appointment, contain portraits and photographs of members, as well as paintings, sculptures, drawings, prints and decorative art objects. The library has more than 25,000 books by or about members. The archives house correspondence with past members, press clippings, institutional records and original manuscripts of musical and literary works.

History:

The National Institute of Arts & Letters, the parent body of the Academy, was founded in 1898 for “the advancement of art and literature”. The Institute met for the first time in New York City in February 1899 and began electing members that fall. Architects, artists, writers and composers of notable achievement were eligible and membership was soon capped at 250. In 1913, President Taft signed an act of Congress incorporating the organization in the District of Columbia.

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American Academy of Arts & Letters

In 1904, The Institution created the American Academy of Arts & Letters, a prestigious inner body of its own members that modeled itself on the Academie francaise. The first seven members of the Academy were William Dean Howells, Augustus Saint-Gaudens, Edmund Clarence Stedman, John La Farge, Mark Twain, John Hay and Edward MacDowell. Those seven then chose eight more and so on, until the full complement of 30 and later 50 was reached. Only after being elected to the Institute, was a member eligible for elevation to the Academy. This bicameral system of membership continued until 1993, when the Institute dissolved itself and all 250 members were enrolled in the American Academy of Arts and Letters.

The Academy inaugurated its annual awards program in 1909 with the Gold Medal for Sculpture. Since then, over 70 awards and prizes have been endowed through gifts and bequests or established by the Academy’s board of directors in the fields of architecture, art, literature and music. There are conferred each year at the Ceremonial in May when new members are inducted and a distinguished speaker is invited to deliver the Blashfield Address.

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In 2005, the Academy purchased the former headquarters of the American Numismatic Society, the neighboring building on Audubon Terrace. A Glass Link now connects the Academy’s existing galleries to newly renovated ones in the former Numismatic building. These new galleries house the permanently installed Charles Ives Studio.

(The Academy of Arts & Letters Website)

Mount Vernon Hotel Museum & Garden 421 East 61st Street  New York, NY 10065

Mount Vernon Hotel Museum & Garden 421 East 61st Street New York, NY 10065

Mount Vernon Hotel Museum & Garden

421 East 61st Street

New York, NY  10065

(212) 838-6878

Open: Tuesday-Sunday-11:00am-4:00pm

Fee: Adults $8.00/Seniors & Students $7.00  Donation

http://www.mvhm.org

Home

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d309468-Reviews-Mount_Vernon_Hotel_Museum_Garden-New_York_City_New_York.html?m=19905

I had come across the Mount Vernon Hotel Museum when I was walking East 61st Street and went to take the tour of the building ($8.00). It is a one hour (or more as I there for almost two hours but I was by myself) tour of both floors. The upstairs is the sleeping rooms, the ladies parlors where female guests would enjoy tea, games, music and reading. The main landing was for dancing and for gatherings.

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The Ladies Palour at the Mount Vernon Museum

The main floor was the Men’s parlors where there is a bar and two rooms for male activities such as cards, gambling and reading. The main entrance was used as the dining room for dinner (our lunch), which was the biggest meal of the day served around 2:00pm.

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Dinner time at the Mount Vernon Hotel Museum

The tour guide went over what would have been served, menu’s and meal times. Dinner would have been served at 2:00pm, tea time would have been around 4:00pm-6:00pm and Supper around 8:00pm. The tour of the kitchen show preparation of foods, recipe books and all kitchen equipment including the stoves and baking materials.

If you like the history of “Old New York” and like old homes, hotels and buildings, this is a very interesting tour that deals with the City’s growing middle-class and the new ‘leisure time’ that was coming with the changes in the work week. There are many pieces of period furniture all over the building that show the growth of affluence of the time.

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The Mount Vernon Hotel Museum in the Summer months

Don’t miss the formal walled in garden in the back. It is a place of relaxation from the rest of the city. There are stone walk ways and landscaped gardens as well as an herb garden. The building is owned and maintained by the Colonial Dames of America.

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The walled gardens

I revisited the museum for the holidays and the hotel was decked out in garland and holy based on the decor traditional for the Revolutionary War era Christmas. The archways and tables were lined with greenery and the tables were loaded with oranges plunged with cloves to give the homes at that time a rich citrus smell.

The downstairs dining table was set for a Christmas meal of wild turkey, mock turtle soup, and apple and pumpkin pies. This would have been served in the afternoon as the main meal while it was still light out.

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Holiday goodies at the Mount Vernon Hotel Museum getting ready for the holidays

There had been a light snow while we were touring the hotel so when we visited the gardens, it really did have that Christmas feel to it with that light snow all over the pine and the bushes.

During the time of the Revolutionary War and afterwards, homes were not as elaborately decorated as they would have been during Victorian times after the Civil War. Homes were lined with greenery that would have given the home the fragrant smell of pine and strings of cranberries and popcorn would have been used to decorate mantles.

The hotel was getting ready for one of its many special events during the holidays so there was a lot of commotion going on downstairs.

It is a very festive looking place for the holidays so try to tour it when it is open in the month of December.

 

What is the Museum:

Constructed in 1799 as a carriage house and converted into a ‘day hotel’ in 1826, the Museum transports visitors back to Mount Vernon Hotel, a 19th Century country resort for New Yorkers escaping the crowded city below 14th Street.

Recognizing the building as one of the few remaining 18th century sites and the only surviving day hotel in New York City Historic Landmark in 1967, added to the National Register of Historic Places in 1973 and accredited by the American Association of Museums in 1983.

History of the House:

The Mount Vernon Hotel Museum & Garden presents the period of the Mount Vernon Hotel which operated from 1826 until 1833.

Constructed in 1799 as a carriage house for a 23 acre estate and converted into the Mount Vernon in 1826, this stone building sits on land originally owned by Colonel William Stephens Smith and his wife, Abigail Adams Smith, the daughter of John Adams.

This fashionable country resort was popular among New Yorkers who wished to escape the hustle among the bustle of the city, which at that time extended only as far north 14th Street. The Hotel advertised “free from the noise and dust of the public roads and fitted up and intended for only the most gent respectable” clientele. In those days, one could take the stagecoach or steamboat up to 61st Street spend the day at the hotel sipping lemonade in the ladies parlor or playing cards in the gentlemen’s.

In 1833, the house became the home for three generations of a New York City family. In 1905, as the area became more industrialized, the building was purchased by Standard Gas Light Company (today’s Con-Edison). The Colonial Dames of America, a woman’s patriotic society purchased the building in 1924 and did an extensive restoration to the structure, the Colonial Dames opened the site to the public in 1939. The building endures as a rare reminder of an important era in New York City’s history.

What the organization does:

*Welcome 5000 school children annually in grades-pre-K through high school for field trips.

*Summer History Weeks for children ages 6-12

*A Summer High School Internship for 15 students to support college readiness skills and career exploration.

*Two summer Hearst Fellowships for undergraduates or graduate students.

*40+public programs each year, including:

-monthly free Storytime

-monthly Lunchtimes lectures

-holiday programs, garden concerts, hands on craft and cooking workshops.

*Temporary exhibitions on facets of life in early 19th century NYC, some promoting local contemporary artists.

*Special programs for individuals with Alzheimer’s and their caregivers.

*Outreach programs to schools, senior centers and homeless shelters.

*Themed group tours focused on 19th century food, decorative arts or literature.

*Three options for team building events.

*Two free admission days: Smithsonian Museum Day and Open House New York.

Programs are made possible in part by the support of the New York City Department of Cultural Affairs in partnership with the City Council and Council Member Ben Kallos, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the Manhattan Borough President Gale Brewer, the Institute of Museum and Library Services, the Rosenthal Foundation and the Michael Tuch Foundation.

(Mount Vernon Hotel Pamphlet)

The Colonial Dames of America:

With these words, spoken in April 1890, Maria Denning “May” Van Rensselaer imitated what was to become the oldest colonial lineage society for women in the United States. The Colonial Dames of America. Its mission is to preserve historic sites and objects, award scholarships, educate the public about American history, inspire patriotism and promote fellowship among its members.

(The Colonial Dames of America information).

 

Gallery of New York School of Design; NYSID Gallery  161 East 69th Street (between Lexington and 3rd Avenues)  New York, NY 10021

Gallery of New York School of Design; NYSID Gallery 161 East 69th Street (between Lexington and 3rd Avenues) New York, NY 10021

Gallery of the New York School of Design; NYSID Gallery
161 East 69th Street (between Lexington and 3rd Avenues)
New York, NY 10021
(212) 472-1500

Hours: Tuesday-Saturday: 11:00am-6:00pm/Closed on Sunday and Monday

Admission: Free

I came across the Gallery of the New York School of design when walking the Upper East Side for my project, ‘MywalkinManhattan.com’ when covering the lower part of the Upper East Side.

The New York School of Interior Design was displaying their Senior projects as most the college galleries I visited were doing at this time (this takes place between May and June around graduation time). It was interesting to see how the seniors at the college reused space in old buildings for new purposes. It is the student’s project to take a space and redesign it for a new purpose. For the 2019 year end project, a lot of the students refigured buildings in Brooklyn into hotels, spas, artists residence and spas.

We had done similar projects in college but did not have the computer technology that students do today and they really went above and beyond the things we did back then. You can take this project into 3-D if you want and how real it looks. These kids are so talented that their creativity reminds me of us when we were in school. If only we had what they have today.

Take time to look at the detail work and space design of each project. Some of the students even include samples of fabrics and stone/wood work that will be used for the surfaces.

The Gallery is located on the Upper East Side in the back of the school’s building on the first floor. The admission is free and the Gallery is open when the school is open. There are only two shows a year. You just have to show your ID to get into the galleries.

History:

The New York School of Design’s gallery presents two public exhibits yearly on design and architecture. Exhibitions have included ‘Paris in the Belle Epoque’, rare photographs from the years 1880-1914; Perspective on Perspective, an exploration of artistic technique; ‘The Great Age of Fairs; London, Chicago, Paris, St. Louis’, selective coverage from the first World’s Fair in 1851 to the last in 1904; ‘Venice’s Great Canal’, architectural drawings of the buildings along the famous thoroughfare; ‘Stanford White’s New York’, a survey of that classicist’s many metropolitan buildings and ‘Vanishing Irish Country Houses’, a look into the preservation crisis facing these not infrequently grand structures. the gallery’s Thursday-evening lectures have included ‘Palladio’s Villas’; ‘Beaux-Arts New York’ and a survey of the Grands Projets undertaken in Paris during the tenure of French President Francois Mitterrand.

(New York School of Design Website)