Tag: Walking Around Manhattan

Grey Art Gallery New York University (NYU)  100 Washington Square East  New York, NY 10003

Grey Art Gallery New York University (NYU) 100 Washington Square East New York, NY 10003

Grey Art Gallery, New York University

100 Washington Square East

New York, NY  10003

(212) 998-6780

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My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d136958-Reviews-Grey_Art_Gallery_NYU-New_York_City_New_York.html?m=19905

 

I am finding more and more that the university art galleries are mounting very interesting and clever exhibitions and some as edgy as their large museum counterparts. I recently attended the ‘Art After Stonewall’ exhibition which is created as a two part exhibition with the Leslie-Lohman Museum of Gay and Lesbian Art to showcase the post Stonewall riots to the beginning of the AIDS crisis.

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“Art After Stonewall” exhibition

The exhibition was an interesting mix of pictures, video, graphic paintings and posters and documentary work combined to show the mood of the times. Some of the most impressive works came from clips of documentaries on Andy Warhol’s ‘Factory Movies’, and the documentaries on ‘Tongues Untied’ and ‘Paris is Burning’ about the gay crisis about men of color and the racism that they faced even within the Gay Community.

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The East Village Art Community from the 1980’s “Art After Stonewall”

Some of the photos of then fringe neighborhoods are funny to see as they have been gentrified beyond what anyone could have thought thirty years ago from the early 1980’s. The East Village of back then and of today are world’s apart.

The College did a good job mounting the show and telling the story that is both humorous and sad at the same time. Also, the Grey Gallery is small so you can get through the exhibition in about an hour.

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The Grey Gallery exhibition “Art After Stonewall” This is a Keith Haring poster.

The Mission of the Grey Art Gallery:

The Grey  Art Gallery is New York University’s fine arts museum, located on historic Washington Square Park in New York City’s Greenwich Village. As a university art museum, the Grey Art Gallery functions to collect, preserve, study, document, interpret and exhibit the evidence of human culture. While these goals are common to all museums, the Grey distinguishes itself by emphasizing art’s historical, cultural and social contexts, with experimentation and interpretation as integral parts of the programmatic planning. Thus, in addition to being a place to view the objects of material culture, the Gallery serves as a museum-laboratory in which a broader view of an object’s environment enriches our understanding of its contribution to civilization (NYU Grey Gallery History)

 

The History of the Grey Art Gallery at New York University:

The Grey Art Gallery is located within New York University’s Silver Center-the site of NYU’s  original home, the legendary University Building (1835-1892). Winslow homer, Daniel Huntington, Samuel Colt, George Innes and Henry James all lived and worked there, as did Professor F.B.Morse, who established the first academic fine arts department in America on the site now occupied by the Grey Art Gallery.

Demolished in 1892, the original building was replaced by the Main Building (renamed the Silver Center in 2002). Here was located, from 1927 to 1942, A. E. Gallatin’s Museum of Living Art, NYU’s first art museum and the first institution in this country to exhibit work by Picasso, Leger, Miro, Mondrian, Arp and members of the American Abstract Artists group. Gallatin aspired to create a forum for intellectual exchange, a place where artists would congregate to acquaint themselves with the latest developments in contemporary art. In 1975, with a generous gift from Mrs. Abby Weed Grey, the Museum’s original space was renovated, office and a collection storage facility were added and the doors were reopened as the Grey Art Gallery (Museum history).

Exhibitions organized by the Grey Art Gallery encompass aspects of all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film and performance. In addition to originating its own exhibitions, some of which travel throughout the United States and abroad, the Gallery hosts traveling exhibitions. Award-winning scholarly publications, distributed worldwide are published by the Grey Art Gallery. In conjunction with its exhibitions, the Grey also sponsors public programs including lectures, symposia, panel discussions and films (Museum history).

(This was taken from the Museum’s website).

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Museum of Arts & Design (MAD)   Jerome and Simona Chazen Building                                                                2 Columbus Circle New York, NY

Museum of Arts & Design (MAD) Jerome and Simona Chazen Building 2 Columbus Circle New York, NY

Museum of Arts & Design (MAD)

Jerome and Simona Chazen Building

2  Columbus Circle

New York City, NY  10019

(212) 299-7777

Open: Sunday 10:00am-6:00pm/Monday Closed/Tuesday-Saturday 10:00am-6:00pm

Fee: General $16.00/Seniors $14.00/Students $12.00/ Members Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d524927-Reviews-Museum_of_Arts_and_Design-New_York_City_New_York.html?m=19905

 

I recently visited the Museum of Arts & Design for the “Too Fast to Live, Too Young to Die: Punk Graphics 1976-1986” exhibition on the rise of Punk and New Wave music that came onto to the radar during the end of the Vietnam War to the Second Reagan  Administration. I remember how the music was changing from folk and funk to the beginnings of ‘Underground’ music and then the rise of the Disco era.

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The posters of ‘Punk Graphics’

The exhibition displayed all the posters and flyers from the clubs like the Mudd Club, CBGB’s, Max’s Kansas City and Danceteria when they were in their heyday. Groups that were included in the exhibition were such known names as DEVO, The Talking Heads, Blondie, Richard Hell and The B52’s. This was at a time of collages and photocopying so the posters and flyers could be rudimentary but made their point. It got people into the door.

It was also a time that graffiti artists could show their work off and integrated themselves into the music scene. So it is a nice combination of music, video and pictures. Take time out to listen to the songs and really look at the pictures at the music leaders at the time. It really does capture a moment in history.

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‘Punk Graphics’

I also got to see the Roger Brown exhibition of paintings and ceramic work which bought to light the artists paintings along with items that he found over the years to match with his work. It was different.

History of the Museum of Arts & Design:

The museum first opened its doors in 1956 as the Museum of Contemporary Crafts whose original mission of recognizing the craftsmanship of contemporary artists. Nurtured by the vision of philanthropist and craft patron, Aileen Osborn Webb, the museum mounted exhibitions that focused on the materials and techniques associated with craft disciplines. From the earliest years, the Museum celebrated the changing roles of craftsmanship in society, served as an important advocate for emerging artists and linked art to industry (Wiki).

From 1963 to 1987, under the directorship of Paul J. Smith, the Museum presented dynamic and often participatory exhibitions that reflected the social currents of the era and broke down hierarchies in the arts with the celebration of popular culture and mundane materials. In 1979, the Museum reopened as the American Craft Museum in an expanded location at 44 West 53rd Street. To accommodate its ever-growing programming, the Museum relocated again in 1986 to its 18,000 square foot home at 40 West 53rd Street, where it remained until 2008 (Wiki).

The next ten years were a period of rapid growth and change as the American Craft Council was restructured and the Museum and the Council were established as independent organizations. Holly Hotchner was appointed as director of the Museum in 1996 and served as director for 16 years until 2013. Hotchner initiated a comprehensive strategic planning process that expanded the Board of Trustees, curatorial staff and exhibition and educational program. This process led to the Museum’s name change in 2002 to the Museum of Arts & Design to reflect the institution’s  increasingly interdisciplinary collections and programming. The continued growth of MAD’s collections, public programs and attendance resulted in its successful 2002 bid to the New York Economic Development Corporation to acquire the building at 2 Columbus Circle (Wiki).

The Museum opened in its new home at 2 Columbus Circle to great controversy. The purposed changes to the building originally designed by Edward Durrell Stone sparked a preservation debate by many artists. The new building was designed by Brad Cloepfil of Allied Works Architecture in September 2008. With its facade of glazed terra-cotta tile and fritted glass, the Jerome and Simona Chazen Building reflects MAD’s craft heritage and permanent collection and animates Columbus Circle (Wiki).

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The new Brad Cloepfil Building

 

 

 

American Folk Art Museum 2 Lincoln Square (Columbus Avenue between 65th and 66th Streets) New York, NY 10023

American Folk Art Museum 2 Lincoln Square (Columbus Avenue between 65th and 66th Streets) New York, NY 10023

American Folk Art Museum

2 Lincoln Square (Columbus Avenue between 65th and 66th Streets)

New York, NY 10023

(212) 595-9533

https://folkartmuseum.org/

Open: Sunday 12:00pm-6:00pm/Monday Closed/Tuesday-Thursday 11:30am-7:30pm/Friday 12:00pm-7:30pm/Saturday 11:30am-7:30pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d266582-Reviews-American_Folk_Art_Museum-New_York_City_New_York.html?m=19905

I recently visited the American Folk Art Museum in New York City for the “Made in New York City” exhibition and it is a very interesting and engaging museum. The artwork for the museum was a combination of painting, sculpture, pottery and metal work created at different periods of the City’s history. It really showed the extent of manufacturing in New York City and the craftsmanship that was once here.

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The paintings of Colonial New York

Some of the interesting things you will see are the paintings by artists in both Colonial New York and from the Hudson River School of prominent New Yorkers through its first 200 years of history. You will see how the styles of art have changed over the years.

Also there is a lot of metal work in the ways of signs and rods for the front of doors and for the roofs. The woodwork carvings that once graced the front doors of merchants all over the City is now a lost art. Here you could see the works of German and Russian carvers and the craftsmanship that was put into every piece. It was interesting too to see the racial themes and stereotypes that were used in the art.

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Wood Carvings and Metal work in the “Made in New York City” exhibition

Another program that the museum does well is they have afternoon Jazz Wednesdays and Free Concerts on Friday nights. There are family programs, walking tours, curator talks and lectures as part of the museum programming so there is something for everyone.

The American Folk Art Mission:

Since 1961, the American Folk Art Museum has been shaping the understanding of art by the self-taught through its exhibitions, publications and educational programs. As a center of scholarship and by showcasing the creativity of individuals whose singular talents have been refined through experience rather than formal artistic training, the museum considers the historical, social and artistic context of American culture. Its collection includes more than seven thousand artworks dating from the eighteenth century to the present, from compelling portraits and dazzling quilts to powerful works by living self-taught artists in a variety of mediums (Museum bio).

Self-Taught art, past and present, tells empowering stories of everyday life. The field of American folk art was first defined at the turn of the twentieth century by collectors, professional artists, critics, dealers and curators whose search for an authentic American Art seemed to be finally answered in works that presented a nuanced  of national identity, faith, progress, ingenuity, community and individuality. Under the umbrella of “folk art” expanded to also include artists working in the present. For the last twenty years, the term self-taught has more regularly come to address these artists, whose inspiration emerges from unsuspected paths and unconventional places, giving voice to individuals who may be situated outside the social mainstream. Those individuals have been active participants in the shaping of American visual culture, influencing generations  of artists and establishing lively artistic traditions (Museum History).

American Folk Art Museum History:

The museum of Early American Folk Arts as it was known initially held its first exhibition in a rented space on 49 West 53rd Street in 1961. The museum’s collection was launched in 1962 with the gift of a gate in the form of an American flag, celebrating the nation’s centennial. The gift reflected the museum’s early focus on eighteenth and nineteenth century vernacular arts from the northeast America.

In 1966, after receiving a permanent charter, the museum expanded its name and mission. As the Museum of American Folk Arts, it looked beyond the traditional definitions of American folk art. Its exhibitions and collection began to reflect “every aspect of the folk arts in America-north, south, east and west.” Founding curator Herbert W. Hemphill Jr. “expanded the notion of folk art beyond traditional, utilitarian and communal expressions.” Under his direction, the museum began to champion idiosyncratic and individualistic artwork from the fields of traditional and contemporary folk art. In doing so, the museum ushered in a new era in the field of twentieth-century folk art (Museum History).

The 1990’s brought new focus to the diversity and multiculturalism of American Folk Art. Offering a more inclusive vision. the museum began to present African American and Latino artworks in their exhibitions and permanent collections. Director Gerard C. Wertikin announced American folk art’s common heritage as “promoting an appreciation of diversity in a way that does not foster ethnic chauvinism or racial division.” (Museum History).

The museum further established  its broadened outlook with the 1998 formation of the Contemporary  Center, a division of the museum devoted to the work of 20th and 21st century self-taught artists as well as non-American artworks in the tradition of European art brut. In 2001, the museum opened the Henry Darger Center to house 24 self-taught artist’s works as well as a collection of his books, tracings, drawing and source materials (Museum History).

American Folk Art Museum

The new home of the American Folk Art Museum

In 2001, the museum chose its current name, American Folk Art Museum. Recognizing that American Fold Art could be fully understood in an international context, the word American functions as an indication of the museum’s location, emphasis and principal patronage rather than as a limitation on  the kind of art it collects, interprets or presents. The museum’s current programming reflects this shift in focus. Past exhibits have included folk arts of Latin America, England, Norway, among other countries and continents (Museum history).

Don’t miss this amazing little museum on the Upper West Side of Manhattan.

 

 

 

New York Historical Society Museum & Library  170 Central Park West  New York, NY 10024

New York Historical Society Museum & Library 170 Central Park West New York, NY 10024

New York Historical Society Museum & Library

170 Central Park West

New York, NY   10024

(212) 873-3400

http://www.nyhistory.org

@nyhistory

https://www.nyhistory.org/

Open: Sunday 11:00am-5:00pm/Monday Closed/Tuesday-Thursday 10:00am-6:00pm/Friday 10:00am-8:00pm/Saturday 10:00am-6:00pm

Fee: Adults $21.00/Seniors & Educators $16.00/Students $13.00/Children (5-13) $6.00/Children (4 and under) Free

On Fridays from 6:00pm-8:00pm are pay as you wish for Museum Admission

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d136143-Reviews-New_York_Historical_Society_Museum_Library-New_York_City_New_York.html?m=19905

 

I have visited the New York Historical Society several times over the years and I have to say that make quite a statement on the history of New York City and the State of New York City. It has a interesting permanent collection of paintings and statuary. There are a lot of things that First Families of New York City have donated to the museum that tell the story of families born and raised here.

I was honored here years ago when a picture I took for the 9/11 Photo Album Book came out in 2002. All the photographers that contributed to it were in attendance. Another time I was here for a private event on John Adams back in the early 2000’s that was injunction with the American Museum of Natural History. Over the years, the Historical Society has brought in more interesting exhibitions. The current exhibition “Hudson Rising” on the history and ecological changes due to humans along the Hudson River. It was an interesting look of the natural changes to the river from manufacturing times today as the river is being reclaimed for recreational uses.

Hudson Rising Exhibition

‘Hudson Rising’ Exhibition

The whole museum is a retrospect on the timeline of the New York City with an array of art out any one time. There are Masters from the Hudson River School, statues from all eras and special exhibitions that tell an interesting story of some part of the City’s past.

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Hudson River School Paintings for ‘Hudson Rising’

History of the NY Historical Society:

The Historical Society was founded on November 20, 1804 largely through the efforts of John Pintard. He was for some years secretary of the American Academy of Fine Arts as well as the founder of New York’s First Savings Bank. With a group of prominent group of New Yorkers on the founding board including then Mayor DeWitt Clinton, the organization was established on December 10, 1804 (Wiki).

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The Collections of the NY Historical Society

The NY Historical Society had its share of growing pains over the years in that it had been in heavy debt during its first couple of decades. It also moved several times over the years as well. It moved from the Government House, which it had been housed in since 1809 to the New York Institution, the formerly the city almshouse on City Hall Park in 1816. In 1857, it moved into the first building constructed specifically for its collection at Second Avenue and 11th Street. The collection moved to its final home to Central Park West in 1908 (Wiki).

The current Society building was designed by architects York & Sawyer, who were known for bank designs. The second part of the building was designed by architects Walker and Gillette. The building has just finished a $65 million dollar renovation in 2011 and all the galleries have been refreshed. The new director of the Society, Louise Mirrer is leading the establishment into the 21st Century.

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On Friday night’s from 6:00pm-8:00pm it is ‘pay as you wish’ to enter the museum.

 

American Academy of Arts & Letters     633 West 155th Street New York, NY 10032

American Academy of Arts & Letters 633 West 155th Street New York, NY 10032

American Academy of Arts & Letters
633 West 155th Street
New York, NY 10032
(212) 368-5900
Academy@Artsandletters.org

https://artsandletters.org/

Hours: Thursday-Sunday-1:00pm-4:00pm/Open During Exhibitions times only or by appointment (Mid-March-MId-April; Mid-May-Mid-June)

Fee: Free

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d548512-r682038708-American_Academy_of_Arts_and_Letters-New_York_City_New_York.html?m=19905

I was finally able to visit the American Academy of Arts and Letters on the last day it was open for the year to the public. It was for the ‘Ceremonial Exhibition: Work by New Members and Recipients of Awards’, an exhibition on members art that was chosen specifically for the show. Most of the work was very contemporary and some a little political. It was interesting work by new artists that filled the small gallery rooms.

One of the buildings was used for the contemporary art while the one across the courtyard was used for the more architectural pieces. The galleries are small but the art was impressive. What I liked when I talked with one of the women who worked there said to me that after the show, the pieces would be donated to galleries and museums all over the country. The galleries are only open four months out of the year and this was the last day of the exhibition so the work being shown will be gone.

Some of the pieces that really stood out were by Judith Bernstein, a contemporary painter who seems to not like the current administration too much. The themes were on power and money and corruption in the administration. Her work really shows what she personally thinks of  our President. Her ‘Trump Genie” was very clever and I can see this in a major museum in the future.

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Judith Bernstein’s work

Other work in the main gallery were by artists Stephen Westfall with ‘Solid Gone’, Hermine Ford with ‘Paris, France’ and Paul Mogensen with several ‘Untitled’ pieces. The contemporary works I was not sure what the meaning of them were but they were colorful.

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The works of the artists of the front gallery

One of the pieces in the front gallery that really stood out was by artist Francesca Dimattio, ‘She-wolf’ which was a classic Greek character made of porcelain, enamel, paint and steel.

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‘She-wolf’ by Francesca Dimattio

There were light installations that were very interesting by artist James O. Clark. He had one piece, ‘Wunnerful, Wunnerful’,  which is a work that just keeps being creating itself by bubbles and ink markers moving along a turntable that stops and starts.

There was a permanent exhibition of Charles Ives home in Connecticut that was transported and recreated here. His studio and works are featured here as well as his family life. There are copies of his works in the display cases and his career.

When it is open, the galleries are very interesting filled with works of new artists being featured. Now you just have to wait until March of 2020.

About:

The American Academy of Arts & Letters was founded in 1898 as an honor society of the country’s leading architects, artists, composers and writers. Charter members include William Merritt Chase, Kenyon Cox, Daniel Chester French, Childe Hassam, Henry James, Theodore Roosevelt, Elihu Vedder and Woodrow Wilson. The Academy;s 250 members are elected for life and pay no dues.

In addition to electing new members as vacancies occur, the Academy seeks to foster and sustain an interest in Literature, Music and the Fine Arts by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater and purchasing artwork for donation to museums across the country.

Collections:

The Academy’s collection, which are open to scholars by appointment, contain portraits and photographs of members, as well as paintings, sculptures, drawings, prints and decorative art objects. The library has more than 25,000 books by or about members. The archives house correspondence with past members, press clippings, institutional records and original manuscripts of musical and literary works.

History:

The National Institute of Arts & Letters, the parent body of the Academy, was founded in 1898 for “the advancement of art and literature”. The Institute met for the first time in New York City in February 1899 and began electing members that fall. Architects, artists, writers and composers of notable achievement were eligible and membership was soon capped at 250. In 1913, President Taft signed an act of Congress incorporating the organization in the District of Columbia.

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American Academy of Arts & Letters

In 1904, The Institution created the American Academy of Arts & Letters, a prestigious inner body of its own members that modeled itself on the Academie francaise. The first seven members of the Academy were William Dean Howells, Augustus Saint-Gaudens, Edmund Clarence Stedman, John La Farge, Mark Twain, John Hay and Edward MacDowell. Those seven then chose eight more and so on, until the full complement of 30 and later 50 was reached. Only after being elected to the Institute, was a member eligible for elevation to the Academy. This bicameral system of membership continued until 1993, when the Institute dissolved itself and all 250 members were enrolled in the American Academy of Arts and Letters.

The Academy inaugurated its annual awards program in 1909 with the Gold Medal for Sculpture. Since then, over 70 awards and prizes have been endowed through gifts and bequests or established by the Academy’s board of directors in the fields of architecture, art, literature and music. There are conferred each year at the Ceremonial in May when new members are inducted and a distinguished speaker is invited to deliver the Blashfield Address.

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In 2005, the Academy purchased the former headquarters of the American Numismatic Society, the neighboring building on Audubon Terrace. A Glass Link now connects the Academy’s existing galleries to newly renovated ones in the former Numismatic building. These new galleries house the permanently installed Charles Ives Studio.

(The Academy of Arts & Letters Website)