Tag: Author Justin Watral

Mesier Homestead & Museum-Wappinger’s Falls Historical Society           2 Spring Street      Wappinger’s Falls, NY 12590

Mesier Homestead & Museum-Wappinger’s Falls Historical Society 2 Spring Street Wappinger’s Falls, NY 12590

The Mesier Homestead & Museum-Wappinger’s Falls Historical Society

2 Spring Street

Wappinger’s Falls, NY  12590

(845) 632-1281

Open: Sunday 1:00pm-4:00pm

Fee: Donation Suggested

https://www.wappingershistoricalsociety.org/

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g48799-d16919924-Reviews-Mesier_Homestead_and_Museum-Wappingers_Falls_New_York.html?m=19905

 

I visited the Mesier Homestead recently and toured the home with a local docent. The home to four generations of the Mesier family,  the house is decorate with furnishings from the Victorian era and shows life as it may have been in the late 1880’s.

There are reproductions of family portraits in the Living Room and hallway, a formally set Dining Room for dinner showed the family’s status in the community. By the amount of space available for living and entertaining with the separate rooms for use in the home it showed how times were changing with the affluence of that time.

The second floor tour is a view of the slave quarters and the two family bedrooms. What I thought was interesting on the tour is how the family had to co-mingle in the bedrooms because of the amount of children in the family and how mom and dad were not always alone.

There were many family items in the house like clothing, children’s toys and playthings and items for recreation like bikes,  ice skates and musical instruments of a time before TV, movies and radio. There were also items for spinning and making clothes.

The tour guide also noted the drafts in the house before insulation was put in and the conditions of the time with weather effecting living conditions inside with drafts in the winter and heat in the summer through the roof plyboards. The tour takes about an hour.

Recently the house was decorated for the Christmas holidays with garland, holly and fragrant oranges that once masked the household smells. They also gave the house a festive fragrance. These popular tours last through the holiday season.

Please check their website for a list of their activities.

 

The History of the Mesier Homestead:

The Mesier Homestead and surrounding property was sold to the Village of Wappinger’s Falls in 1891 with the understanding that it forever be known as Mesier Homestead and Mesier Park. The Wappinger’s Historical Society acquired full custodianship of the Homestead in 2007 and through ongoing fundraising efforts has been able to restore the Homestead to its present appearance.

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The Mesier Homestead at Christmastime

The History of the house:

The house itself is part of the ‘Rombout Patent’ of land that had been bought by the Dutch from the local Indian tribes by three prominent Dutch families. This section of the property was bought by Nicholas and Adolphus Brewer and contained 750 acres of land around the Falls area and they built the first stone house in the village near present Mill Street. In 1742, the Brewers built a mill on the east side of Wappinger Creek.

Nicholas Brewer built the Mesier Homestead, which he sold in 1777 to Matthew Van Benschoten who in turn sold it to Peter Mesier, a merchant from New York City. In May 1777, soldiers and local residents attacked Peter Mesier’s house in Wappinger’s Falls, disputing the price of tea for sale in a small store inside the home. Mesier was a merchant from New York City and a Loyalist. The angry mob struck Mesier, beat his slaves and drank wine stored in the cellar. They also took the tea and left a small amount of money behind. The house was in the possession of the family for the next four generations (Wiki).

The organization’s goal for 2020 and beyond is to restore the original 1741 building so it can be a showcase of our Colonial history. Your membership, gifts and in kind donations will help us maintain and restore this jewel of Wappinger’s Falls.

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The Mesier Homestead at Christmastime

The Mission of the Wappinger’s Falls Historical Society:

The Wappinger’s Historical is dedicated to preserving and promoting the history of the Town of Wappinger, the Village of Wappinger’s Falls and neighboring communities and to maintain the custodianship of the Mesier Homestead.

When you are a member of the Wappinger’s Historical Society, you help:

*Preserve and expand our archives, collections and library to actively chronicle the life of our hamlets, village and town for future generations.

*Develop and implement programs and exhibits so that people of all ages can better understand their connection to history.

*Safeguard our architectural heritage of the 1741 Mesier Homestead.

(This information was taken from the Wappinger’s Falls pamphlet and I give them full credit for it)

Wappinger's Falls Historical Society

The Mesier Homestead

 

 

Boscobel House & Gardens  1601 Route 9D Garrison, NY 10524

Boscobel House & Gardens 1601 Route 9D Garrison, NY 10524

Boscobel House & Gardens

1601 Route 9D

Garrison, NY  10524

(845) 265-3638

http://www.boscobel.org

Homepage

Open: Sunday-Monday 9:30am-5:00pm (closes 4:00pm between November and January 5th) The house is only open between April and the beginning of January.

Fee:  Adults $18.00/Seniors $15.00/Children (5-18) $9.00/Children (under 5 years old) Free (This is for house and Garden/Garden tours are different and depend on the season. Please check the website)

My review on TripAdvisor:

 

I recently visited the Boscobel House and Garden for their Christmas decorations and for a tour of the house at the holidays. Like most houses of its time period (the house was built in 1806), it was Post-Revolutionary War and the decorations would not have been that lavish as in the Victorian times.

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The Grand Foyer at Boscobel

The house was tastefully decorated with garlands and mistletoe along the archways inside the foyer and with holly and mistletoe inside the house. Some of the tables were set for afternoon tea and entertaining in the Reception Room and there was a small table Christmas tree which were just coming into vogue after the War of 1812. The Reception Room was also set for entertaining as would be done in the holidays months in the later 1800’s.

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The lights of Boscobel during the holidays

Our tour guide, Sam, was fantastic and I hope when you tour the house he is your guide. I was impressed with his knowledge of the house and of the Dyckman family. I had not realized that they were related to the Dyckman Farmhouse family in Inwood (See my review and write ups on the Dyckman Farmhouse here on VisitingaMuseum.com and MywalkinManhattan.com).

He told the story of the man who had the house built, how he made his fortune, how he died young and then his son and his wife dying around the same time and the son-in-law squandered the fortune with a series of bad investments and the house was foreclosed. It sat empty and was falling apart until a group of local citizens saved it.

The house is now back in its full beauty and furnished in period furnishings to reflect the time that the house was built. The tour takes you through the main foyer which you would have been received in and there would have been dancing here with a band at the top of the steps.

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The Drawing/Receiving Room at Boscobel

We next viewed both the Drawing/Music Room where Mrs. Dyckman would have received guests and where informal entertaining would have happened. There was also musical instruments and player music boxes on display.

We then toured the Library area with books that were brought in from England and furniture that had been custom made for the house.

We crossed the foyer again and entered the Formal Dining Room, where the table was set for a holiday dinner. The candles had been lit (they were electric) and the room had a warm glow to it. The windows must have let in natural light so earlier meals must have been quite nice when in the summer months the sun shined inside the room.

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The Dining Room for the holidays at Boscobel

There was custom made china set on the places and there was family silver next to it. The side boards were made by Sheraton and the cut glass had been imported from England.

We then toured the back areas of the Butler’s Pantry where all the food would have finished and plated. The room had all sorts of gadgets to keep the plates warm and where all the silver and china would have been kept.

We then toured the upstairs bedrooms, where we learned the family would have ‘camped out’ in for the cold winter months. I was surprised to learn that the whole front of the house was closed off and the upstairs bedrooms would have been sealed off with fireplaces to keep them warm and the cloth hangings around the bed to keep out the drafts. Both mother and son’s bedrooms were nicely furnished with period furniture.

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The bedroom at Boscobel

Our last stop was the kitchen in the basement back area of the house where all the food would have been prepared and brought up to the Butler’s Pantry. There were all sorts of kitchen equipment for roasting, baking and boiling. You could tell that it was not easy work cooking these elaborate meals without the modern conveniences that we take for granted today. These cooks had a tougher time with the stoves and fireplaces as a source of cooking.

What I thought was a nice touch at the end of the tour in the kitchen area was that Sam served us cold apple cider and small gingerbread men which I thought was special keeping with the house’s tradition of a place of entertainment. I thought it was gracious and very much welcome.

It really was an interesting tour and I will have to return in the summer months.

 

History of Boscobel House & Gardens:

States Morris Dyckman was a descendant of a German-Dutch family whose roots in New York stretched back to 1662. During the American Revolution, he was a Loyalist serving as a clerk in the British army’s Quartermaster Department. In 1779, he accompanied his quartermaster superiors to England and for the next decade he rebutted the government allegations that the quartermasters had engaged in profiteering. (As the keeper of the department’s ledgers, he well knew how they had fattened their purses, assets Dyckman’s biographer James Thomas Flexner). The officers were eventually cleared, largely because of Dyckman’s testimony. They rewarded him with an annuity.

Dyckman returned to America in 1789 after a general amnesty of Loyalists had been declared. Five years later, he married Elizabeth Corne, a member of a distinguished New York family and 21 years his junior. Dyckman returned along to England in 1800 to settle problems with the payment of his annuity. The trip lasted nearly four years but was a success. He returned a rich man worth more than seven million dollars today. Before he left England, he bought many items for the house including silver, china, glass and books for his library.

The architect for the house was unknown but records show that Mr. Dyckman had some influence in the design of the house. Mr. Dyckman died in 1806 at age 51 and the house had only had the foundation finished at time. His 30 year old wife, Elizabeth finished the house in 1808 with the help of her husband’s cousin, William Vermilyea. She furnished the house and added to its inventory. She and her son, Peter lived in the house upon finishing it. She lived in the house until her death in 1823 and her son, Peter died the following year in 1824 at age 27. The house stayed in the family until about 1899 and then was foreclosed on. According to the guide, the house had not been updated at that point and was falling apart. The house had a series of absent owners over the next few years and then sat empty. It was bought by Westchester County in 1924 and the grounds were turned into a park.

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Boscobel House & Gardens in winter

In 1945, the park was acquired by the Veterans Administration for a hospital and the owners took care of the exterior for a time. By 1954, the house was considered an excess on the budget and was being sold for $35.00 for demolition.

The house was saved by Historian Benjamin West Frazier and some friends of his who raised about $10,000 to have the house moved and dismantled to save ‘this treasure’. The house was stored in pieces until 1955, when Lila Acheson Wallace, the co-founder of Readers Digest became involved in the project.

She purchased the land that the house now sits on and devoted her time and money to have the house restored and worked with the curators of the Metropolitan Museum of Art, where she was a donor to help restore the house into its period design with landscaped gardens and period furniture. In 1959, she commissioned the firm of Innocenti & Webel to create the gardens that surround the house. The house opened to the public in 1961.

(This information was taken from the Boscobel Museum Booklet and I give them full credit for the information)

 

Bronx Museum of the Arts  1040 Grand Concourse  The Bronx, NY 10456

Bronx Museum of the Arts 1040 Grand Concourse The Bronx, NY 10456

The Bronx Museum of the Arts

1040 Grand Concourse

The Bronx, NY  10456

(718) 681-600

http://www.bronxmuseum.org/

Open: Sunday 11:00am-6:00pm/Monday & Tuesday Closed/Wednesday-Saturday 11:00am-6:00pm

Fee: Free

My review on Tripadvisor:

https://www.tripadvisor.com/Attraction_Review-g47369-d312012-Reviews-Bronx_Museum_of_the_Arts-Bronx_New_York.html?m=19905

 

I recently had some time to visit the Bronx Museum of the Arts when I was visiting Yankee Stadium recently for a football game. The museum is right down the road on the Grand Concourse. It is an impressive little museum.

I had wanted to see the exhibit “Art Versus Transit: 1977-1987” by artist Henry Chalfant who had recorded the graffiti art on the subway cars during the late 70’s into the early 1980’s. This is before the subway investing in the new subway cars that could be cleaned by hosing them off.

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“Art versus Transit: 1977-1987”

The art was interesting as it was an expression of the times just when Hip-Hop was becoming popular and the City was going through the financial crisis. The artist did a good job capturing the times. Not only do we see the art but the music and dance as well of the time.

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Subway Art

The other exhibition that I saw was “The Life and Times of Alvin Baltrop” which displayed the artist’s interpreted that Gay Community and the beginnings of the AIDS crisis. It was an another interesting perspective of the times of New York City.

Mission and Background:

The Bronx Museum of the Arts is a contemporary art museum that connects diverse audience to the urban experience through its permanent collection, special exhibitions and education programs. Reflecting the borough’s dynamic communities. The Museum is the crossroad where artists, local residents, national and international visitors meet.

Today an internationally recognized cultural destination. The Bronx Museum of the Arts is committed to presenting new ideas and voices in a global context and making contemporary art a vital, relevant experience. For the past four decades, the Bronx Museum has presented hundreds of changing exhibitions featuring works by culturally diverse and under-represented artists from a spectrum of levels. Exhibition have investigated themes of special interest to the Bronx community while exploring the interplay between contemporary art and popular culture.

A permanent collection of over 2000 artworks in all visual media preserves and documents artists who are not typically represented within traditional museum collections by showcasing work by artists of African, Asian and Latin American ancestry, as well as artists for who the Bronx has been critical to their development. The Museum provides direct support to artists through Artist in the Marketplace, which nurtures the work of 35  emerging artists each year and providers professional development seminars culminating in a multi-site biennial exhibition and catalog.

The Museum’s education department empowers students from grades K-12 by offering a variety of programs that inspire academic proficiency visual literacy and critical thinking. Through the Group Visits Program, students are exposed to the Museum’s works during single-session tours lead by teaching artists. Through In-School Partnerships. Museum educators work with school teachers to encourage scholastic excellence through the application of arts education techniques in addition, the Museum’s Teen Council Program helps Bronx high-school students build applied arts and media skills as they create a variety of visual and text-based materials.

(Bronx Museum of the Arts Mission-Website)

History:

The Museum opened on May 11, 1971, in a partnership between the Bronx Council on the Arts, which was founded in 1961 and the Metropolitan Museum of Art. The opening coincided with a borough-wide “Bronx Day” event. The first exhibit consisted of 28 paintings from the Met’s collection. The Museum was first housed in the first floor rotunda of the Bronx County Courthouse. Additional galleries were located in the Bronx’s Co-op City, Bedford Park and Allerton neighborhoods. In its first 12 years of operation, the museum held over 350 exhibitions.

In 1982, the city purchased a vacant synagogue at 165th Street and the Grand Concourse as a new location for the museum. The new location opened to the public in May 1983 in conjunction with “Bronx Week”, which succeeded “Bronx Day”. The new space was inaugurated with an exhibition of twentieth artwork. It consisted of paintings, photographs and prints borrowed from the Met.

In February 2004, construction began on a $19 million expansion project that doubled the museum’s size 33.000 square feet. The expansion opened in October 2006. In 2008, a arts center was added to accommodate educational programs for local schoolchildren and their families. The Museum no longer charges fees since 2012.

Bronx Museum

The Bronx Museum of Art and its additions

The original design was by Simon B. Zelnick in 1961 and the extensions were designed by Castro-Blanco, Piscioneri & Feder in 1988 and a second addition in 2006 by Arquitectonica.

(The Bronx Museum WIKI)

 

 

Clermont State Historic Site               County Route 6  Germantown, NY 12526

Clermont State Historic Site County Route 6 Germantown, NY 12526

Clermont State Historic Site-New York Parks & Recreation

Route 6 (Off Route 9G)

Germantown, NY  12526

(518) 537-6622

https://parks.ny.gov/historic-sites/16/details.aspxhttp:/clermontstatehistoricsite.blogspot.comwww.friendsofclermont.org

https://www.friendsofclermont.org/

Open: April 11-October 31 Wednesday-Sunday 10:30am-4:00pm/November 1-

December 22/Saturday & Sunday 10:30am-3:00pm

Please call in advance due to seasons and weather conditions

Fee: Adults $7.00/Seniors and Adults $6.00/Children Under 12 and Members Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47780-d263704-Reviews-The_Clermont_Mansion-Germantown_New_York.html?m=19905

I enjoy coming up to Germantown to visit the Clermont Mansion at any time of the year especially at Christmas time. The old mansions of the Hudson River Valley show their real beauty at this time of the year.

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The Clermont Library decorated for Christmas

Walking around Clermont is like walking through a history book. To think you are walking around the very rooms that family members who wrote the Declaration of Independence, were Governors and Ambassadors from our country and who owned most of Upstate New York lived is really incredible. The Livingston Family did so much for the United States in the formation of this country is a testament to the family.

The tour was wonderful because of the one on one conversation I had with my tour guide, Molly. We started in the entry hallway where the family hang many of the family portraits and the long hall lead to wonderful views of the Hudson River.

The next room decorated for the holidays was the Music/Withdrawing Room with more beautiful views of the river and a very interesting clock on the mantle that there are only two in the world. This clock represented the first balloon launch in France and this was the clock where the balloon went up. In France was the other clock with the balloon going down. I thought that was pretty interesting.

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The Balloon Clock on the mantle decorated for Christmas

Our next stop was the Library which seemed very homey and relaxing. It looked like a room that a family would want to spend their time in after a long day. The windows faced the river and the formal gardens at that time and let in a lot of light. The room was decorated with a elegant tree and looked like the family was ready to walk in and join us for the holidays.

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The Library of Clermont

Next it was off to the formal Dining Room where the portraits of Margaret Beekman Livingston (a VERY distant relative of mine by marriage) and her husband, Robert Livingston hung. She had saved these along with the grandfather clock before her first house was burned by the British during the war years. It was set for Christmas lunch when the family would dine together.

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The Clermont Dining Room is very elegant at Christmas

We also toured where the food was prepared and prepped from the kitchen to the Dining Room, which was all done in organized fashion. I was told by the tour guide that for the most part the family lived her year round unlike some of the other mansions who only lived here during certain times of the season.

We took a walk upstairs to see the upstairs bedrooms and see where the third Mrs. Livingston lived. I thought it was interesting that she had two beds in her room in which neither was big enough to accommodate her.

Then it was back down to the formal hallway for the end of the tour. The one thing I have to say about Clermont is that it looks like someones home not some grand mansion like the Mills or Vanderbilt mansions that looked like they for a moment time or only for a season. This family lived here all the time.

I will have to come back to see the gardens in bloom during the Spring and Summer.

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The home in all its beauty

 

The History of Clermont:

The name Clermont derives from “clear mountain” in French and was inspired by the view of the Catskill Mountains across the Hudson River from the estate.

The estate was established by Robert Livingston following the death of his father, the first Lord of the Manor was inherited by the eldest son, Philip Livingston, 13,000 acres in the southwest corner later named Clermont was willed to Robert. The original house was built around 1740.

Robert Livingston of Clermont died on June 27, 1775 and the estate passed to his son, Robert, who was known as ‘Judge Livingston’ to distinguish him from his father. Judge Livingston was a member of the New York General Assembly from 1759 to 1768, served as Judge of the admiralty court from 1760 to 1763 and was a delegate to the Stamp Act Congress of 1765. He married Margaret Beekman, daughter of Colonel Henry Beekman. Their son, Robert R. Livingston, later known as “Chancellor”, served on the committee that drafted the Declaration of Independence. Judge Robert died about six months after his father, on December 9, 1775.

Burning and  Rebuilding:

In October 1777, British ships sailed upriver from New York City in support of General John Burgoyne who was north of Albany. That same force had already stormed two forts in the Hudson Highlands and burned Kingston, New York. Major General John Vaughan led a raiding party to Clermont and burned Livingston’s home because of the family’s role in the rebellion. Margaret Beekman Livingston rebuilt the family home between 1779 and 1782. Robert R. Livingston became the estate’s most prominent resident. Chancellor Livingston administered the oath of office to President General Washington, became Secretary of Foreign Affairs and negotiated the Louisiana Purchase.

He also partnered with Robert Fulton in 1807 to create the first commercially successful steamboat on the Hudson River, the North River Steamboat (later known as the Clermont) which stopped at the house on its inaugural trip.

The home’s final Livingston owners were John Henry Livingston and his wife, Alice. They added to the home and greatly valued the homes important historical role. The Livingston’s built second mansion on the property known as Arryl House, which burned down in 1909. The ruins of Arryl House are still visible at the south end of the property. Alice Livingston was responsible for creating many of the landscaped gardens that are continued to this day. Following John Henry’s death, Alice turned the Mansion and property over to the State of New York in 1962 so that all the people of New York could enjoy it.

The house is now a New York State Historic Site and was designated a United States National Historic landmark in 1972. It is a contributing property to another National Historic Landmark, the Hudson River Historic District. Although locate in the town of Clermont, its mailing address is in the nearby town of Germantown.

(This information is a combination from the Clermont Website and Wiki and I give them full credit for this information. Please check the website above for more information on the site and its activities through their Friends site.)

Museum of Contemporary Art                 333 North Laura Street              Jacksonville, Florida 32202

Museum of Contemporary Art 333 North Laura Street Jacksonville, Florida 32202

Museum of Contemporary Art

333 North Laura Street

Jacksonville, Florida 32202

(904) 366-6911

https://mocajacksonville.unf.edu/

Open: Sunday 12:00pm-5:00pm/Monday Closed/Tuesday & Wednesday 11:00am-5:00pm/ Thursday 11:00am-9:00pm/ Friday & Saturday 11:00am-5:00pm

Fee: Adults $8.00/Students, Seniors & Military $5.00/Children 2-12 $5.00/Children under 2 Free

 

On a recent visit to Jacksonville, Florida I visited the Museum of Contemporary Art in downtown Jacksonville. It was such a nice experience and for such a small museum it had some interesting pieces of art and some unique gallery exhibits.

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The galleries are very interesting

In the Atrium area of the museum as you walk up the steps to the second floor, the giant sculpture, “The Fragility of the Promise” by artist Kedgar Volta sways and moves as you walk up the flights. The piece was quoted as that “the installation is the artist’s inquiry into the fluctuating interactions between our internal narratives and the external forces of culture and commerce. The fragility of the connection becomes a testament to the elusive promise of prosperity” (Gallery Newsletter). I didn’t see all that but what I saw was a piece that made interesting lights and sounds and when you walked under it you saw the complexity of what the artist was trying to do. It is a spectacular piece of art.

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“The Fragility of the Promise” by artist Kedgar Volta

In partnership with the University of North Florida-Jacksonville, I got to see the faculty exhibition with works from some of the working professors. I walked through the ‘Jay Shoots: Home” exhibition which shows the artist’s work in photography and structure of design in his works. Some were small boxes with pictures and others were small sculptures with superimposed shots. The museum quotes his work as “while these are hybrid works, or photo sculptures, retain the artist’s sense of formal beauty, they also display his humorous side as he explores the concept of the dwelling, how we create our sense of place, personally and collectively”. They are small interesting works that you have to see up close.

 

On the Third Floor, was the Special Exhibition Galleries featuring the exhibition “A Moment in Beijing: Su Xinping, Weng Yunpeng and Jizi”. These artists from China, represent the spectrum from young and old and give their take on paining and photography. Some of the works offer unusual color and design. Some pieces were somewhat unrecognizable while others used their sense of movement to show what the artist was trying to portray. You really have to look at the works for a second time.

On the top floor is the Education Gallery where students take art classes and they is a nice studio for kids and students to do their work. It was quiet the afternoon I was there.

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The MOCO at Hemming Square

On the ground floor is the restaurant and I have to say that it smells up the museum. The afternoon I toured the museum, the place smelled like burnt toast and grilled cheese. Very unusual for a Contemporary Art Museum but maybe that’s what brings in the patrons. Still I enjoyed my afternoon here and it only takes about an hour and a half to tour the whole facility.

History of the Museum of Contemporary Art-Jacksonville:

The Museum of Contemporary Art Jacksonville is also known is a contemporary art museum in Jacksonville, Florida funded and operated as a “cultural institute” of the University of North Florida. One of the largest contemporary art institutions in the Southeastern United States, it presents exhibition by international, national and regional artists.

MOCO Jacksonville was founded in 1924 as the Jacksonville Fine Arts Society, the first organization in the Jacksonville community devoted to the visual arts. In 1948, the Museum was incorporated as the Jacksonville Art Museum and in 1978 it became the first institution in Jacksonville to be accredited by the American Alliance of Museum.

In late 1999, the Museum acquired its permanent home, the historic Western Union Telegraph Building on Hemming Plaza, built by the Auchter Company, adjacent to the newly renovated City Hall and became the Jacksonville Museum of Modern Art (JMOMA). In 2000, a series of preview exhibitions opened in a temporary  exhibition space while the building facade was restored to its original Art Deco style. The interior was completely refurbished to house the Museum’s galleries, educational facilities, a theater/auditorium, Museum Shop and Cafe Nola.

After moving to its downtown location, the Museum experienced rapid growth in both membership and the size of the permanent collection. The many substantial additions to the collection increased not only its quality but also its size to almost 800 pieces. After completing a recent review of the current scope of the Museum’s collection and exhibitions, discussions were held regarding the distinctions between modern and contemporary arts as well as the Museum’s mission and vision for the future. It was decided that in order for the Museum  to convey strong sense of identity and purpose to both the community and other art institutions across the country, its name should change. In November of 2006, the JMOMA became the Museum of Contemporary Art Jacksonville.

The University of North Florida acquired the museum in 2009 to act as a cultural resource of the university.

(Wiki and MOCA Museum History 2019)

Disclaimer: I took this information from a combination of the MOCA History and Wiki and I give them full credit for this information.

 

Cummer Museum 829 Riverside Avenue Jacksonville, Florida 32204

Cummer Museum 829 Riverside Avenue Jacksonville, Florida 32204

Cummer Museum

829 Riverside Avenue

Jacksonville, Florida  32204

(904) 356-6875

cummermuseum.org

https://www.cummermuseum.org/

Open: Sunday 12:00pm-4:00pm/Monday Closed/Tuesday & Friday 11:00am-9:00pm/Wednesday, Thursday & Saturday 11:00am-4:00pm

Fee: Adults $10.00/Seniors and Students (with valid ID) $6.00/Children under 5 and Members Free

 

I recently went Jacksonville, Florida while visiting relatives and spent time at the Cummer Museum which is in the Five Points section of the City. This small museum by the water offers galleries full of interesting art as well as beautiful gardens to stroll through when you are finished.

There were some interesting exhibitions to visit when we were there. The ‘Lewis Comfort Tiffany: Treasures from the Driehaus Collection’ showcased the artist’s works from glasses and tableware to a series of his famous lamps. These colorful works were sometimes lit so that you could see the intensity of the colors in the glass design.

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The Louis Comfort Tiffany display

Another interesting exhibition in the museum was the ‘Innovation and Imagination: The Global Dialogue in Mid to Late 20th Century Art’ showing the shift of the art world innovations from Paris to New York following World War II. Pop Art, Cubism and Modern art were displayed and it showed a range of styles of the artists some borrowing from more famous counterparts.

We also enjoyed visiting the Permanent Collection of the museum. The Cummer Family Parlor showed the family’s taste in furnishings and decoration to their home. A lot of late Victorian furniture is shown here.

The small showing of works in the Ancient Art Gallery displayed art from the Greek and Roman worlds and a few small items from Egypt.

The Gardens were the one thing that stood out. On a beautiful day there is nothing like strolling through the pathways along the tree lined stone ways. Most of the gardens had been damaged during Hurricane Irene so there is a lot of rebuilding going on.

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The pathway leading from the museum to the gardens

Along the river though are the gardens designed by Fredrick Law Olmstead for the museum grounds. These gardens are currently being renovated but you can still see the traces being redone in their updated form.

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It is best to visit the museum on a nice day to enjoy both the inside and outside of the museum.

 

History of the Cummer Museum & Gardens:

The Cummer Museum of Art & Gardens is the culmination of the civic, social and business involvement of a remarkable family. The Cummer’s came from a long line of lumber barons, whose business interests began in Canada before branching out to Michigan, Virginia and Florida. As early as 1890, Wellington Willson Cummer (1846-1909) recognized the value of Florida cypress and prolific stands of pine timberlands in the state. After relocating his family from Morley, Michigan to Jacksonville, Florida, he went on to found the Cummer Lumber Company in 1896. Among his many feats, Wellington built a railroad for transporting lumber from the low country of Florida to Jacksonville, where the mills and distribution centers were located.

His sons, Arthur and Waldo Cummer, along with his son-in-law, John L. Roe, all of whom came up through the ranks in the family business, assumed control of the company after Wellington’s death in 1909.

In 1902, Mr. and Mrs. Cummer began constructing a large English Tudor Revival house, replete with exterior half- timbering and richly carved interior paneling. Situated on Riverside Avenue, the home was part of the close-knit family compound of three houses with adjacent gardens and the construction of the Cummer house led to Mrs. Cummer’s masterminding of her gardens. The development of the gardens would remain her passion until the time of Mr. Cummer’s death, with her focus expanding to the establishment of city parks for public access to the open environments. Today, the Cummer Gardens are one of the most popular locations in the city and visitors enjoy their beauty.

(Taken from the Cummer Museum History website)

Disclaimer: This information was taken directly from the Cummer Museum History website and I give them full credit for the information.

 

 

Institute for the Study of the Ancient World/New York University                         15 East 84th Street  New York, NY 10028

Institute for the Study of the Ancient World/New York University 15 East 84th Street New York, NY 10028

Institute for the Study of the Ancient World/New York University

15 East 84th Street

New York, NY  10028

(212) 992-7800/Fax (212) 992-7809

http://www.isaw.nyc.edu

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d1572637-Reviews-Institute_for_the_Study_of_the_Ancient_World-New_York_City_New_York.html?m=19905

I just happened to stumble across this museum on the way back from the Metropolitan Museum of Art and saw that they were having an exhibition entitled “A Wonder to Behold: Craftsmanship and the Creation of Babylon’s Ishtar Gate”. The exhibition is on the craftsman who created the ‘Ishtar Gate’ and the ‘Processional Way’ in the Ancient City of Babylon.

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Glazed brick art from the ‘Processional Way’

The small exhibition contains many examples of clay bricks that were used to build the decorative walls and pathways, artwork from the ‘Processional Way’ were displayed as well as smaller decorative art pieces from the time period.

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Some of the works in the exhibition

The exhibition also showed tablets from the time period, information on the digs on the site of Babylon and some of the recorded history of the civilization.

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There are interesting tablets on display

For two small rooms of gallery space, the Institute for the Study of the Ancient World covers a lot of information on the time period. One nice thing about the museum is that you can see the whole exhibit in less than an hour and they do have a very nice gift shop.

The History of the Museum:

The Institute for the Study of the Ancient World is a center for advanced scholarly research and graduate education, which aims to encourage particularly the study of the economic, religious, political and cultural connections between ancient civilizations. It offers both doctoral and postdoctoral programs with the aim of training a new generation of scholars who will enter the global academic community and become intellectual leaders.

In effort to embrace a truly inclusive geographical scope while maintaining continuity and coherence, the Institute focuses on the shared and overlapping periods in the development of cultures and civilizations around the Mediterranean basin and across central Asia to the Pacific Ocean. The approaches of anthropology, archaeology, geography, geology, history, economics, sociology, art history, digital humanities and the history of science and technology are as integral to the enterprise as the study of texts, philosophy and the analysis of artifacts. The Institute’s Director and permanent faculty determine particular directions of research but both historical connections and patterns as well as socially illuminating comparisons will always be central to its mission.

The public presence matches its vision, engaging both the public and scholars worldwide in the work and findings of its scholarly community. Exhibitions, public lectures, publications, digital resources and other programs reflect the Institute’s ideal of study that bridges disciplines and ancient peoples.

The creation of the Institute for the Study of the Ancient World at New York University has its roots in the passion that Shelby White and Leon Levy had for the art and history of the ancient world, which led them to envision an Institute that would offer an unshuttered view of antiquity across vast stretches of time and place. It was founded in 2006 with funding from the Leon Levy Foundation.

Areas of specialty among the museum’s faculty include the Greco-Roman world, the Ancient Near East, Egypt, Central Asia and the Silk Road, East Asian art and archaeology, Late Antiquity and the early Middle Ages, ancient science and digital humanities.

Disclaimer: This information was taken from the museum’s website and I give them full credit for it.