Tag: Walk Around Manhattan

The Museum of Sex                                       233 Fifth Avenue (@27th Street) New York, NY 10016

The Museum of Sex 233 Fifth Avenue (@27th Street) New York, NY 10016

The Museum of Sex

233 Fifth Avenue (@27th Street)

New York, NY  10016

(212) 689-6337

Open: Sunday-Thursday 10:30am-11:00pm/Friday & Saturday 10:30am-12:00am

Fee: General Admission $20.50/$3.00 off for Students, Seniors and Military

https://www.museumofsex.com/

https://www.museumofsex.com/museum/about/

 

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d525259-Reviews-Museum_of_Sex-New_York_City_New_York.html?m=19905

I made my first visit to the Museum of Sex in New York City and highly recommend it. I have to admit it is different but what I like about the museum is that it doesn’t try to hide the subject and it also just doesn’t jump out at you. It is an interesting progression in art and I saw this in the exhibition “The History of Pornography”,  where the films were set up in order since the Victorian times. Sometimes it had to go underground due the times but pornography has been around since the days of the media.

The exhibition shows early pictures and viascopes of sexual acts and the early films date back to the Silent era. The exhibition covers from the Silent era to present times and the advancement of sex in films once the Hayes Code was broken in the 1960’s. With the relaxed rules and the mainstream films of “Tie Me Up Tie Me Down” and “Deep Throat”, you can see the progression of this as an art form and progression of the way the films were made.

Another great exhibition that I saw was “Punk Lust: Raw Provocation 1971-1985”. This show matches nicely with the current show on the “Punk Movement” at the Museum of Arts & Design. It was interesting to see the posters, flyers, clothes and hear the music of the era. Just at the height of the ‘Sexual Revolution’ and into the fragments of the Disco era came a new sound and way to dress that started in the early 80’s before the progression of the Reagan years in Washington DC, this movement came with a new sound with Punk, New Wave and Technographic and a new way to dress provocative without being too revealing.

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“Punk Lust” exhibition

As the museum was quoted saying: “The survey looking at the way Punk Culture used the language of sexuality, both visually and lyrically, to transgress and defy, whether in the service of political provocation, raw desire or just to break through the stifling gender norms and social expectations that punks refused to let define them.”

Museum of Sex II

“Punk Lust” exhibition

 

History of the Museum of Sex:

(This comes from the Museum of Sex History Website)

The Mission of the Museum of Sex is to preserve and present the history, evolution and culture significance of human sexuality. The museum produces exhibitions, publications and programs that bring  the best of current scholarship to the wildest possible audiences and is committed to encouraging public enlightenment, discourse and engagement.

Museum of Sex.jpg

The Museum of Sex

The Beginning:

When the Museum of Sex first emerged on New York City’s Fifth Avenue on October 5th, 2002, it was without precedent in the museum world. In the development of its inaugural award winning exhibition NYCSEX: How New York Transformed Sex in America, the Museum created a board of comprised of leading scholars and historians. The Museum’s advisory board has guided curators and guest curators towards research resources, pertinent collections and exhibition relevant artists. Advisors such as Steven Heller, Timothy J. Gilfoyle, PhD, Mike Wallace PhD and June Reinisch, Director Emeritus for The Kinsey Institute  for Research on Sex, Gender and Reproduction as well as institutional collaborations with New York University’s Center for the Study of Gender and Sexuality, Planned Parenthood Federation of America, New York Historical Society and the Lower East Side Tenement Museum have contributed to making the Museum of Sex one of the most dynamic and innovative institutions in the world.

Design has played a pivotal role in both exhibition development and execution with world-renowned design firms such as Pentagram Design Inc, Casson Mannand 2×4, helping to transform the galleries and historic building over the last six years. The museum’s building, built in the area of New York formerly known as the “Tenderloin,” a district of NYC made notorious by the 19th century for its bordellos, dance halls, theaters and saloons, serves as a New York City landmarked site.

Our Work:

Since its inception, the Museum of Sex has generated over 30 exhibitions and 6 virtual installments, each in keeping with the Museum’s mission of advocating open discourse surrounding sex and sexuality as well as striving to present to the public the best in current scholarship, unhindered by self-censorship. With each new exhibition, lecture series, event and publication, the Museum of Sex is committed to addressing a wide range of topics, while simultaneously highlighting material and artifacts from different continents, cultures, time periods and media.

Our Collection:

The Museum’s permanent collection of over 20,000 artifacts is comprised of works of art, photography, clothing and costumes, technological inventions and historical ephemera. Additionally, the museum houses both a research library as well as an extensive multimedia library, which includes 8mm, Super 8mm, 16mm, BETA, VHS and DVD’s. From fine art to historical ephemera to film, the Museum of Sex preserves an ever-growing collection of sexually related objects that would otherwise be destroyed and discarded due to their sexual content.

Our Public:

In a short time, the Museum has received attention from academic institutions, major publications, media outlets and celebrities, positioning the Museum of Sex within the realm of academia and pop culture alike. The Museum has been featured in numerous publications including The New York Times, The New Yorker, Esquire and Time and on television broadcasts ranging from CNN to IFC to NBC’s Law & Order Criminal Intent. Award-winning advertising campaigns in print and television media have sealed the Museum’s arrival as a cultural touchstone.

Accolades continue to pour in from visitors and the press in every corner of the world, inspiring the Museum of Sex to continually surpass its own high expectations. Future planned exhibitions and events-the likes of which have never been offered by any other institution-are guaranteed to captivate and resonate, securing the Museum of Sex a well-deserved, distinguished place in history (Museum of Sex History)

 

Carl Schurz Park East 86th Street and East End Avenue New York, NY 10028

Carl Schurz Park East 86th Street and East End Avenue New York, NY 10028

Carl Schurz Park

East 86th Street and East End Avenue

New York, NY  10028

(212) 459-4455

https://www.nycgovparks.org/parks/M081/

https://www.nycgovparks.org/parks/carl-schurz-park/history

Open: Sunday-Saturday 6:00am-12:00am

Admission: Free

I have been visiting Carl Schurz Park many times while walking the neighborhood for my project, “MywalkinManhattan.com”. You can see the entries from Days One Hundred and Ten, Six, Four and Two. I also visited again when touring Gracie Mansion for this blog, “VisitingaMuseum” (see write up under Gracie Mansion).

https://wordpress.com/post/mywalkinmanhattan.com/7156

The park is such a nice place to relax in the warmer months. Being so close to the river in the winter months when the wind kicks in from the river can be brutal. In the Spring and Summer, it is one of the nicest parks to just sit and relax in. During the day, it is fun to watch the kids play in the large playground in the middle of the park. On the weekends the place is packed with kids, parents, and nannies all vying for space.

The gardens are beautiful and are very nicely maintained between the City and the Carl Schurz Park Association, who I have seen members weeding, landscaping and planting in the park during the times of my visits. It is relaxing to just sit by the river and watch the river go by and the boats sail by in the warmer months.

Carl Schurz Park IV

The flowers return during each part of the season almost on cue and the park is awash with colors of daffodils, tulips, irises and tiger lilies. There are many flowering plants in the summer that add to the rainbow of colors that accent all the trees. It is a nice place to sit and read a book while watching people walk their dogs.

At twilight, it is fun to watch the lights go on in Queens across the river and the whole city come to life again in the evening. In the warm summer months, the kids are playing in the park, residents have their dogs running around the Dog Run and you can hear the activity at Gracie Mansion. Trust me, security is tight in that section of the park.

This is a nice residential park to relax in when you visiting the Upper East Side.

The History of Carl Schurz Park:

Carl Schurz Park, named by the Board of Alderman in 1910 for the soldier, statesman and journalist Carl Schurz (1829-1906), overlooks the turbulent waters of Hell Gate. The first known Dutch owner of the land was Sybout Claessen, who was granted the property in 1646 by the Dutch West India Company. Jacob Walton, a subsequent owner, built the first house on the site in 1770. During the Revolutionary War, the Continental Army built a fort surrounding the Walton residence to guard the strategic shipping passage of Hell Gate. After the British attack on September 8th, 1776, the house was destroyed and the Americans were forced to retreat from the fort, which the British retained until the end of the war in 1783.

Carl Schurz Park III

 

The land was purchased from Walton’s heirs in 1798 by Archibald Gracie, a Scottish shipping magnate. He built a mansion there in 1799, where his illustrious guests included future United States President, John Quincy Adams and future French King Louis Phillippe. The estate, sold by Gracie in 1819 was acquired by the City from the Wheaton family in 1891. The first home of the Museum of the City of New York from 1924-32, the mansion served as the official residence of New York’s mayor’s since Fiorello LaGuardia moved there in 1942.

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Gracie Mansion during the Wheaton Years

The southern portion of the park was set aside by the City as East River Park in 1876. The former Gracie estate was added in 1891 and a new landscape design by Calvert Vaux and Samuel Parsons was completed in 1902. Maud Sargent re-landscaped the park in 1939 when the East River Drive underpass was under construction. Charles Haffen’s sculpture of Peter Pan, created in 1928 for a fountain in the lobby of the old Paramount Theater was installed in the park in 1975.

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Carl Schurz Park in the Summer

The park name honors Schurz, a native of Cologne, Germany. It was strongly supported by the large German community of adjacent Yorkville. After emigrating to the United States in 1852, Schurz quickly made his reputation as a skilled orator and proved to be instrumental to Abraham Lincoln’s 1860 election campaign. His most significant political offices were that of United States Senator from Missouri (1869-1875) and Secretary of the Interior (1877-81) during the Hayes administration. In later years, Schurz was editor of the New York Tribune and an editorial writer for Harper’s Weekly. Schurz is also honored by Karl Bitter’s statue of 1913, located in Morningside Drive and 116th Street.

Carl Schurz

Carl Schurz

Recent improvements include rebuilding of the stairs, the complete restoration of the playground and the opening of Carl’s Dog Run. These and other projects, including the planting of flowers, have been accomplished through a partnership between the Parks and the Carl Schurz Park Association, which has demonstrated the community’s commitment to restoring, maintaining and preserving this park since it formed in 1974.

(NYC Parks Official Website)

My write up on VisitingaMuseum.com:

https://wordpress.com/post/visitingamuseum.com/2182

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Carl Schurz Park in the Summer months.

The Frick Collection   1 East 70th Street  New York, NY 10021

The Frick Collection 1 East 70th Street New York, NY 10021

The Frick Collection

1 East 70th Street

New York, NY  10021

(212) 288-0700

http://www.frick.org

https://www.frick.org/

Hours:  Tuesday-Saturday 10:00am-6:00pm/Sunday 11:00am-5:00pm/Monday Closed

Closed: January 1st, July 4th, Thanksgiving and Christmas

Admission: Adults $22.00/Senior Citizen $17.00/Students $12.00. Pay as you wish Wednesday from 2:00pm-6:00pm

Audio Guide: The Acoustiguide Audio Tour is available free of charge in the Entrance Hall.

(Will be closing for renovation in 2020)

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d107466-Reviews-Frick_Collection-New_York_City_New_York.html?m=19905

 

I visited The Frick Collection for the first time when I was walking the Upper East Side for my project, “MywalkinManhattan” Day One Hundred and Twelve-Walking the Upper East Side”. In all the years I had been coming into Manhattan I had never been inside. So I stopped for the afternoon to see what it was like inside the old Frick Mansion.

Frick Collection III

When you first walk into the museum, in the inside of the main foyer of the house there is fountain with a large indoor pool with benches, the perfect place to relax after the long walk outside. All around the pool are various doors and windows that lead to the rooms that house the collection.

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The Fountain area

All around the house you will see famous Old Master’s paintings, statuary and porcelain figurines. While I was visiting there, I stopped in to see the new exhibition “George Washington Statuary Collection”.

The  “George Washington” exhibition showed the creation of the statue for the Virginia State Capital that was destroyed by fire in the last century. All of the models and drawings were accompanying the display to see how the work was created.

After that, I just walked through the galleries to see all the paintings and sit by the fountain in the middle of the old house. Each of the rooms houses each part of the Mr. Frick’s Collection plus new pieces that continue to be added.

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The inside galleries

Before you leave, remember to check out their gift shop which has interesting items for sale and copies of the art in various forms to take home. Also on a nice day take time to walk around the gardens. For a mansion on Fifth Avenue, it is cared for beautifully and is well cared for just as the Frick’s would have done.

 

History of The Frick Collection:

The Frick Collection is house in the former residence of Henry Clay Frick (1849-1919), which was designed by Thomas Hastings and constructed in 1913-14. After Mrs. Frick’s death in 1931, changes and additions to the building were by the architect John Russell Pope and in 1935 the Collection was opened to the public.

The Collection preserves the ambiance of Mr. Frick’s private house and visitors are therefore asked to observe regulations necessary for protecting the works of art and their domestic setting:

*Because few ropes or cases are used to guard fragile objects, children under ten are not admitted to the Collection.

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Inside the Frick Collection

*Group visits are by appointment only and large groups must be divided into parties of no more than ten. Lecturing in the galleries is prohibited.

*Free checking is provided in the coat room. Coats (if not worn), packages, umbrellas and large handbags must be checked.

The Collection includes some of the best known paintings by the greatest European  artists, major works of sculpture (among them one of the finest groups of small bronzes in the world), superb eighteenth-century French furniture and porcelains, Limoges enamels, Oriental rugs and other works of remarkable quality.

Frick Collection II

Inside the Frick Collection

Disclaimer: This information was taken directly from The Frick Collection Museum pamphlet and I give the museum full credit for this information. Please check out times and dates before you visit.

Charging Bull  Bowling Green Park, New York, NY 10004

Charging Bull Bowling Green Park, New York, NY 10004

Charging Bull

Bowling Green Park

New York City, NY  10004

Homepage

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d1605557-Reviews-Charging_Bull_Wall_Street_Bull-New_York_City_New_York.html?m=19905

When you are in lower Manhattan and are visiting the Battery Park and/or Wall Street area don’t miss the Charging Bull statue by artist Arturo Di Modica. The artist created this piece of ‘guerrilla’ art after the Crash of 1987, when we were about to enter the depths of another major recession, one that went from the end of 1987 until the summer of 1995.

This interesting piece of New York history is actually a recent addition to the street art of New York City. The statue was created and cast in 1987 following the Crash and made its first appearance outside the New York Stock Exchange on December 15, 1989.

The bull according to the artist, “represents the symbol of the strength and power of the American people’ following the Crash. It has taken on many meanings since such as the power of Wall Street and the progressiveness of money and power in the Financial industry.

During the high tourist season expect to see the statue surrounded by tourist taking pictures in all directions. The statue of ‘Charging Bull’ is now paired with ‘Fearless Girl’ by artist Kristen Visbal. Some have commented that it has changed the meaning of the statue but I think it is how you interpret both works. Its best to visit and make your own opinion.

Fearless Girl Statue II

While you are visiting the statue, take time to visit this historic section of Manhattan and visit the other sites that include Bowling Green Park, the Museum of the Native Americans, Frances Tavern and Stone Street as well as the boats to Governor’s, Ellis and Liberty Islands. It is a wonderful way to spend the afternoon.

Please refer to my blog, ‘MywalkinManhattan.com’- “Day One Hundred and Thirteen Tour of Historic Pubs and Bars in Lower Manhattan with the Cornell Club” for a full list of things to see in this section of the City.

History of Charging Bull:

Construction and installation:

The bull was cast by the Bedi-Makky Art Foundry in Greenpoint, Brooklyn. Di Modica spent around $360,000 to create, cast and install the sculpture following the 1987 stock market crash as a symbol of the ‘strength and power of the American people’. The sculpture was Di Modica’s idea and in an act of ‘guerrilla art’, Bedi Makky Art Foundry and Di Modica trucked it to Lower Manhattan. On December 15, 1989, they installed it beneath a 60 foot (18m) Christmas tree in the middle of Broad Street in front of the New York Stock Exchange as a Christmas gift to New Yorkers. That day, hundreds of onlookers stopped to admire and analyze it as Di Modica handed out copies of a flier about his artwork (Wiki).

NYSE officials called the police later that day and the NYPD seized the sculpture and placed it into a impound lot. The ensuing public outcry led the New York City Department of Parks & Recreation to reinstall it two blocks south of the Exchange in the Bowling Green, with a ceremony on December 21, 1989. It faces up Broadway at Whitehall Street (Wiki).

Charging Bull II

Confusion over ownership:

The sculpture technically has a temporary permit allowing it to stand on city property since the city does not own the sculpture but the temporary permission has lasted since 1989, when city officials said the new location would not be permanent. Art on loan is usually limited to a year’s display and although the city does not buy art, it does accept donations. A writer in the New York Daily News wrote in 1998 that the statue’s placement was ‘beginning to look a mite permanent.’ According to an article in Art Monthly, Di Modica as well as officials and New Yorkers, ‘view it as a permanent feature of Lower Manhattan (Wiki).

In 2004, Di Modica announced that the bull sculpture was for sale, on condition the buyer does not move it from its present location. Di Modica continues to own the artistic copyright to the statue. In 2006, Di Modica sued Walmart and other companies for illegally benefiting from his copyright, by selling replicas of the bull and using it in advertising campaigns. In 2009, Di Modica sued Random House for using a photo of the bull on the cover of a book discussing the collapse of financial services firm Lehman Brothers (Wiki).

Artist Arturo Di Modica:

Arturo Di Modica artist

http://www.artnet.com/artists/arturo-di-modica/

Arturo Di Modica first conceived of the Charging Bull as a way to celebrate the can-do spirit of America and especially New York, where people from all over the world come regardless of their origin or circumstances and through determination and hard work overcome every obstacle to become successful. It’s this symbol of virility and courage that Arturo saw as the perfect antidote to the Wall Street Crash of 1987.

The artist was born in Vittoria, Italy in 1941 and studied at the Academia Del Nudo Libra in Florence, Italy in 1960. In 1973, he relocated to New York City to a Lower Manhattan space. ‘Charging Bull’ is his most famous piece (Artnet).