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The Donald & Barbara Tober Exhibit Room/Conrad N. Hilton Library-The Culinary Institute of America Campus 1946 Campus Drive                                                               Hyde Park, NY 12538

The Donald & Barbara Tober Exhibit Room/Conrad N. Hilton Library-The Culinary Institute of America Campus 1946 Campus Drive Hyde Park, NY 12538

The Donald & Barbara Tober Exhibition Room/Conrad N. Hilton Library-The Culinary Institute of America Campus

1946 Campus Drive

Hyde Park, NY 12538

(845) 452-9600

https://library.culinary.edu/ciaexhibits

Open: When the library is open. Please check the website.

Admission: Free

The Donald & Barbara Tober Exhibit Room plaque inside the Conrad N. Hilton Library hallway

The Donald and Barbara Tober Exhibit Room is on the main floor of the Conrad N. Hilton Library. The exhibit room is open to the CIA community and to the public. The exhibition room has ongoing displays of culinary themed exhibits that cover topics involving the culinary world and food service. This is run by both the college and by students. It is not quite a museum but more of a display room of artifacts that are held by the Conrad N. Hilton Library and its archives.

The Hallway exhibition

The Hallway exhibition

The two display cases are in the main entrance of the Conrad N. Hilton Library and hold more of the exhibition. These are displays of industry pamphlets and flyers plus menus and equipment.

The library exhibition of China pieces

The Menu Collection:

The Tober Room Exhibition space

The CIA’s menu collection began in the small library at the New Haven campus and was used as a reference tool by the culinary students.  By 1978, then in Hyde Park, the library had amassed a file of over 3,000 menus which were openly available to students and used regularly in their studies.  These menus still remain in the collection and are known as the “Original CIA Menu Collection.” They provided the foundation for the growing menu collection that was later added to by many prominent menu collectors and friends of the CIA.

Seth Bradford and Edward S. Dewey Menu Collection

Roland Chenus Menu Collection

Craig Claiborne Menu Collection

Roy Andries de Groot Menu Collection

This collection of nearly 800 menus, acquired by the CIA in 1984, were collected by the culinary writer and critic, Baron Roy Andries de Groot (1910-1983), during the course of editing his column, “A Moveable Feast,” for Esquire Magazine. The menus date primarily from the 1960s and 1970s and are from major U.S. cities (many from New York City), as well as Canada, France, Belgium, Spain, Puerto Rico, Hong Kong, and Thailand. Some menus include supplemental materials, as well as annotations by de Groot or his staff noting the date of visit, names of other guests, the chef’s name, and his evaluations and/or ratings.

Herbert Ernest Menu Collection

In 1987, Herbert Ernest donated to the CIA over 300 menus collected by his father, Semy Ernest. The menus date from 1889-1977 and include menus from restaurants and clubs in New York City, Boston, Indianapolis, Los Angeles, and San Francisco; international menus from France and Germany; and several menus from on board the Santa Magdalena ocean liner. This collection is rich in pre-1920 menus.

Greenebaum Menu Collection

The Greenebaum Menu Collection was donated to the CIA by Henry Greenebaum in 1989.  Greenebaum’s father, Michael H. Greenebaum, started the collection and it was continued by his two sons, Henry and Richard. It includes menus from 1905-1988, many international and many from railroads and ships.  Several menus are signed by the chef or proprietor.

Auguste Guyet Menu Collection

Donated to the CIA in 1989, this personal menu collection from Chef Auguste Guyet includes over 200 menus, mostly from France. The earliest are a Restaurant Julien special event menu and a Waldorf-Astoria wine list for the 27th annual banquet of the Hotel Association of New York City, both from 1906.

Bruce P. Jeffer Menu Collection

Bruce P. Jeffer donated his collection of 2,500 menus to the CIA in 2013. Jeffer, a California lawyer and wine connoisseur, began collecting menus during his travels as a child. The menus date from 1950s-1990s. Much of the collection is international menus from over 70 countries on 6 continents. A selection of these were featured in an exhibit in the Conrad N. Hilton Library in August 2013.

George Lang Menu Collection

George Lang, restaurateur and author, donated his personal collection of over 3,000 menus to the CIA in 1989. Many of these menus are international, including often under-represented countries such as Australia, Cuba, Hong Kong, Hungary and the Philippines. Although most menus date from 1950s-1970s, the earliest two menus are from Hotel Knickerbocker in New York City, 1907.

Vinnie Oakes Menu Collection

In 2000, Vinne Oakes donated his collection of over 200 menus to the CIA. The collection is strong in menus from restaurants in Nevada, as well as ship menus from the 1960s.

John Edward Oxley Menu Collection

Chapman S. Root Menu Collection

The Chapman S. Root Menu Collection of nearly 10,000 menus was donated by The Root Company in 2000. The largest collection recieved so far, it includes menus from almost every state (strongest in California, Florida and Nevada), and several foreign countries. The bulk of the menus date from 1960s-1980s, although the earliest are from 1878. Over 3,000 U.S. Railroad menus are an important highlight of the collection.

Chapman S. Root’s grandfather, Chapman J. Root, designed the classic green, ridged Coca-Cola bottle in 1915. At his grandfather’s death in 1945, Chapman S. Root inherited Associated Coca-Cola Bottling Plants, Inc. He traveled a great deal, mostly by car or train, and amassed an enormous menu collection. Friends, knowing of his interest, also contributed to his collection.

Jacob Rosenthal Menu Collection

Jacob Rosenthal, former president of the Culinary Institute of America, donated nearly 500 menus to the CIA menu collection. The bulk of these menus are from food and wine societies in the 1960s-1970s, including Confrerie des Chevaliers du Tastevin, Confrerie de la Chaine des Rotisseurs, and the International Food & Wine Society.  Also of note are several international menus from the 1930s-1950s.

Smiley Family Menu Collection

The Smiley Family Menu Collection was donated to the CIA in 1982 and 1993, a gift of Mohonk Mountain House. (The Smiley family are the founders and proprieters of the Mohonk Mountain House in upstate New York.) Three generations of Smileys traveled the world, by land and by sea, and collected menus along the way. This collection is rich in pre-1920 menus; menus from historically world-renowned resorts including Laurel-in-the-Pines (Lakewood, N.J.), Haverford Court (Pennsylvania) and Hotel Colonial and Royal Vicotoria Hotel (Nassau, Bahamas); beautifully-illustrated ship menus; and a selection of early menus from Mohonk Mountain House.

Lois Westfall Menu Collection

The display case in the main library showcases the collection of China and Silverware and decorative objects that are in the collection.

The Tober Room exhibition on “Fat” at the Conrad N. Hilton Library on the CIA campus

The exhibition that they were showing when I came up to visit was “Clarifying Butter: A Cultural History of Fat”. There were a lot of recipes, objects and equipment to make butter, understand the use of fats in cooking, recipes, menus and corporate information.

The description of the exhibition:

FAT. The very word, fat, conjures images of unctuous oils, crispy fried foods and flavorsome pools of golden richness (indeed, medieval European foods that were described as “rich” meant both fatty and foods of the privileged). Conversely, the idea of fat can also make people frown with scorn, concerned over blocked arteries or a perceived moral laxity of a diner.

Fat. as an substance found in animals and oil, as a plant based ingredient, appear across time and place and reveal cultural attitudes and historical changes. At a culinary school, we use fats and oils daily and as eaters, they literally become part of us. While ubiquitous they are never without deep meaning. This exhibit explores but some of the aspects of a food group that is simultaneously present and polarizing.

Both the two display cases and the middle display case were set with all sorts of information through the ages of the subject of fat, fried foods and items used to produce and make them.

The Display Cases in the Tober Room

The Display Cases in the Tober Room

The exhibitions here are very detailed and display over a hundred years of culinary arts research. The displays are revolving every quarter. The room is off to the right of the entrance to the library and is open for free to the public. It is a wonderful way to learn the aspects of food than in one of the best culinary libraries in the world.

A close up shot of the display case.

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Day Two Hundred and Thirty-Five Exploring the Historical sites of Morris County, NJ for “The Pathways of History” event April 30th-May 1st, 2022

Day Two Hundred and Thirty-Five Exploring the Historical sites of Morris County, NJ for “The Pathways of History” event April 30th-May 1st, 2022

Don’t miss this two-day event in the first weekend in May when Morris County, NJ showcases all the ‘hidden gems’ that it has to offer. It was a great weekend!

http://pathwaysofhistorynj.net/

The Obadiah La Tourette Grist & Sawmill

Don’t miss this wonderful weekend tour of Historic Morris County, NJ

mywalkinmanhattan

I had been sent the notice that the County of Morris, New Jersey was having a two-day Open House of many of their historical sites for touring and for special events for a program entitled “The Pathways of History: Museum and Site Tours of Morris County, NJ”.

The “Pathways to History” event takes place every May

http://pathwaysofhistorynj.net/

The weekend event spread to small museums, historical homes and cemeteries all over the County with walking tours and lectures at various sites. Having never been or even heard of many of these sites, I was interested in visiting as many as I could for my blog, “VisitingaMuseum.com” which is here on WordPress.com as well.

I plotted my two days of the event and tried to organize the trip so that we could see as many sites as we could. The event asked the sites to open one of the two days as…

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The Ayres/Knuth Farm Foundation                       25 Cooper Street                                           Denville, NJ 07834

The Ayres/Knuth Farm Foundation 25 Cooper Street Denville, NJ 07834

The Ayres/Knuth Farm Foundation Inc.

25 Cooper Street

Denville, NJ 07834

(973) 625-9345

https://www.ayresknuth.org/

https://www.facebook.com/AyresKnuthFarm/

Open: See website on hours/Seasonal

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g46392-d24065367-r838840100-Ayres_knuth_Farm-Denville_Morris_County_New_Jersey.html?m=19905

Video on the Ayres/Knuth Farm

On the second day of the Morris County, NJ “Pathways to History’ tour, I was on my way back to Morris County for a second day of adventure. My first stop on the tour was the Ayres/Knuth Farm (The Ayres/Knuth Farm Foundation Inc.), a former working farm just off Route 10.

The main farmhouse on the Ayres/Knuth Farm

Not only was the site open for touring but they also had a mini car show with antique cars and fire trucks owned by some of the members. Seeing some of these Model T Ford’s and Steam Engine Fire Trucks in perfect condition shows American quality motorship at its finest.

What I liked about the farm is that it had been a working farm up until the last fifty years and showed the progression that the farm took in its almost 100 years in the county. The farm itself dates back to pre-Revolutionary War days with the farm being purchase in either 1735 or maybe 1759 by Obadiah Lum. The property itself was settled and developed by Daniel Ayres, who was born in New Jersey in 1778 (The Ayres/Knuth Farm Foundation).

The Ayres-Knuth Farm and the outer buildings

105 acres of land was given to him by his father-in-law, David Garrigus upon the marriage of his daughter, Hanna in 1803. His son, William took over the farm in 1856 upon the death of his father in 1856, changing the farm to add husbandry and fruit cultivation. When William retired in 1896, none of his children wanted the farm and it was sold. Changing hands many times, it was bought by Martin and Anna Knuth in 1906. The farm was taken over by two of their children and it remained in the family until the 1990’s upon both of their passings. In 1996, the Township of Denville purchased 52 acres of the original farm and it is now managed by the Ayres/Knuth Foundation Inc. (The Ayres/Knuth Farm Foundation).

On this clear and sunny Sunday morning, it was fun to walk around the former working farm to see how it developed. Both families learned to modernize and add to the operation. I was able to tour the smaller tenet farmhouse (built in 1895), the barn (built in 1895 (and the various outer buildings like the chicken coops (built in 1895), outhouse (built in 1930) and the Smokehouse (built in 1825). The small well was built in 1797 and was the oldest structure left on the property.

What I found interesting is that there still are tenant farmers on another tract on the property still working the land and the property is protected by grants from Morris County. So, it still is technically a working farm. A lot of care was taken to preserve the farm as is and the volunteers told me that there were plans to fix up the other buildings. The Tenant House needed a lot of work and was run down but the main Farmhouse had been renovated and was closed that day.

Most of the farm has either been sold off or is being utilized but the core of the farm buildings can be toured, and it is interesting to see a working farm in New Jersey that dates back to the 1700’s and was still active until the mid-1990’s. That is longevity. Still is a step back into the past to see how a working farm once thrived along with the changes that came with the development of Morris County in the late 20th century. The area still has the rural feel, and the well-maintained property is a glimpse into our rural past.

The History of the Ayres/Knuth Farm:

(From the Ayres/Knuth Farm Foundation Inc. site):

The Ayres/Knuth Farm has a long history not just in the County or State level but in the country. It is believed that the farm was formed around 1759 but could be as early as 1735. It was located in the Franklin section of Denville. Obadiah Lum purchased 180 acres and built the first forge and sawmill on the Den Brook. Lum purchased the property from Thomas and Richard Penn, the sons of proprietor, William Penn with financing from Colonel Jacob Ford, who owned extensive land including mines in Morris County. Franklin developed into one of the primary agricultural hubs of Denville due to the high quality of soil of the area and proximity to numerous towns with markets where the crops could be sold.

The historic marker on the farm

The Ayres Farm was first settled by Daniel Ayres who was born in Middlesex County in 1778. His mother was Anna Jackson, who was the daughter of General Joseph Jackson, who was known as the founder of Rockaway. Daniel married Hanna Garrigus, the daughter of David Garrigus, who was a prominent landowner in Franklin and owner of the Franklin iron forge. In 1803, David Garrigus conveyed 105 acres to his son in law.

Daniel died in 1856 and his son, William Ayres took over the farm. In 1860, he expanded the farm to 300 acres and practiced a mixture of husbandry and a cultivation of different grains. They also raised sheep for wool and cows for butter. He built the existing farmhouse in 1855 and in the 1860’s built the Tenant House for hired hands in the expanding farm. Over time the farm grew to 500 acres.

During the economic depression between 1873-1879, William Ayres adopted to the changes in the market and shifted the focus of the farm to dairying, poultry and vegetable farming. He also sold lumber to the railroads and expanded into fruit cultivation particularly apples, peaches and pears.

The Ayres/Knuth Farm today

William Ayres retired from the farm in 1896 and since none of his children wanted to take over the operation, the property changed hands several times until 1906, when Martin and Anna Knuth purchased the farm and moved in with their five children. They kept the tradition of husbandry and fruit cultivation and a mix of vegetables as a truck farming operation.

The farm faced a lot of tragedies in the 20th Century with the death of Martin Knuth in 1935. Between a destructive fire in 1936 and a lapse of insurance, the barn was not rebuilt. With an economic Depression going on in the 1930’s, the farm was largely reduced to a subsistence-level truck farm operation. Anna Knuth died in 1950 and her two children, Frank and Sue took over the operation. Both remained on the farm until their deaths in the 1990’s. They grew a variety of crops and produced eggs that were sold locally.

The farmhouse was not electrified until the 1960’s and indoor plumbing was never installed. In 1996, a few years after the deaths of Frank and Sue Knuth, the Township of Denville purchased the nearly 52 acres of the original Ayres/Knuth Farm and the property is now managed by the non-profit Ayres/Knuth Farm Foundation Inc. The site now houses a series of historical buildings that is maintained by the foundation that are part of the original farm.

Neue Galerie New York                                      1048 Fifth Avenue                                               New York, NY 10028

Neue Galerie New York 1048 Fifth Avenue New York, NY 10028

Neue Galerie New York

1048 Fifth Avenue

New York, NY  10028

(212) 628-6200

neuegalerie.org

@neugalerieny

Open: Sunday 11:00am-5:00pm/Monday 11:00am-6:00pm/ Tuesday and Wednesday Closed/Thursday-Saturday 11:00am-6:00pm

Café and Shops have various hours. Please check the website for these.

Fee: General $22.00/Seniors (65 and Older) $16.00/Students and Educators $12.00/Children under 12 are not admitted and Children under 16 years old must be accompanied by an adult. The museum is open on First Fridays from 6:00pm-9:00pm. Please visit the website for more information.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d258699-Reviews-Neue_Galerie-New_York_City_New_York.html?m=19905

 

I visited the Neue Galerie for the first time after passing the building on the way to the Metropolitan Museum of Art. This interesting little gallery space has some interesting pieces to see and many decorative objects in the cases.

The gallery space for special exhibitions on the third floor was closed when I visited and being an educator, I got a half price discount off the educator rate was a nice deal.

It was a thrill to finally see the famous Gustav Klimt painting of the “Woman in Gold” that had been such a controversial piece during the Nazi occupation in Germany. It’s beautiful detail work was very innovative then. After all the fighting over the painting it is nice to see that the family sold it to the museum to share it with the world. The gallery where the painting hangs has more works by Gustav Klimt and you can see the extent of his work along the walls of the gallery.

Neue Gallery II

The ‘Woman in Gold’

The side galleries are full of all sorts of objects of art for the home such as chairs, silverware, dishware, clocks and decorative objects. There was a lot of items that still are contemporary in their fashion. The back gallery on the second floor is full of paintings by various German artists.

neue Gallery IV.jpg

The Decorative Objects Gallery

The whole museum you can see in about an hour when the special galleries are closed. There is also Cafe Sabarsky on the main floor, a Viennese cafe the serves German food like sausages, salads and pastries. The restaurant is a little over-priced for what it is.

 

History of the Neue Galerie New York:

Neue Galerie New York is a museum devoted to early twentieth-century German and Austrian art and design. Located in a landmark mansion built in 1914 by the architectural firm of Carrere & Hastings, the museum offers a diverse program of exhibitions, lectures, films, concerts and other events. The second floor galleries are dedicated to a rotating selection of fine and decorative art from Vienna circa 1900, including work by fine artists Gustav Klimt, Egon Schiele and Oskar Kokoschka and decorative artists Josef Hoffmann, Koloman Moser and Adolf Loos. The third-floor galleries present German fine and decorative art of early twentieth century, including work by Max Beckmann, Ernest Ludwig Kirchner, Paul Klee and Marcel Breuer. The third floor is also the site for special exhibitions that focus on key individuals and movements, articulating a more complete vision of twentieth-century German and Austrian art (Neue Galerie New York History).

The Gustav Klimt Gallery

Neue Gallery III

 

Neue Galerie New York was conceived by two men who enjoyed a close friendship over a period of nearly thirty years: art dealer and museum exhibition organizer Sege Sabarsky and businessman, philanthropist and art collector Ronald S. Lauder. Sabarsky and Lauder shared a passionate commitment to Modern German and Austrian art and dreamed of opening a museum to showcase the finest examples of this work. After Sabarsky died in 1996, Lauder carried on the vision of creating Neue Galerie New York as a tribute to his friend (Neue Galerie New York History).

The German art collection represents various movements of the early twentieth century: the Blaue Reiter and its circle (Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, Gabriele Munter) the Brucke (Erich Heckel, Ernest Ludwig Kirchner, Hermann Max Pechstein, Karl Schmidt-Rottluff), the Bauhaus (Lyonel Feininger, Paul Klee, Laszio Moholy-Nagy, Oskar Schlemmer), the Neue Schlichkeit (Otto Dix, George Grosz, Christian Schad) as well as applied arts from the German Werkbund (Peter Behrens) and the Bauhaus (Marianne Brandt, Marcel Breuer, Ludwig Mies van der Rohe, Wilheim Wagenfeld) (Neue Galerie New York History).

Cafe Sabarsky located in a spectacular wood-paneled room on the ground floor has become a favorite spot for New Yorkers. Operated by acclaimed chef Kurt Gutenbrunner, it evokes the great fin-de-siecle cafes of Vienna. The Book Store fills the former library of the mansion and specializes in publications on fine art and architecture from Germany and Austria. The Design Store features objects based on original works by Marianne Brandt, Josef Hoffman, Adolf Loos and other major designers of the era (Neue Galerie New York).