Tag: Exploring Washington Heights NYC

The Highbridge Water Tower    Highbridge Park Washington Heights, NYC 10022

The Highbridge Water Tower Highbridge Park Washington Heights, NYC 10022

The Highbridge Water Tower in Highbridge Park

Washington Heights around 174 Street

New York, NY  10022

https://www.nycgovparks.org/planning-and-building/capital-project-tracker/project/5937

https://www.nycgovparks.org/park-features/highbridge-park/planyc

When I was walking through High Bridge Park while exploring Washington Heights for my blog, ‘MywalkinManhattan.com’, I came across the Water Tower inside the park right next to the pool that was closed for the season and the Highbridge Walkway, which used to be the old aqueduct that used to bring fresh water into New York City.

Water Tower at High Bridge Park

The Highbridge Water Tower

The Highbridge Water Tower is nearly 200 feet tall and stands around 174th Street in Washington Heights. The tower used to hold a 47,000 gallon water tank that was fed by the Croton Aqueduct. The Highbridge next to it was the last leg of the aqueduct’s forty mile journey from upstate New York to Manhattan and is the oldest surviving bridge in New York City (T.M.Rives 2012).

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The Highbridge in Highbridge Park

The tower itself was built between 1866-1872 by architect John B. Jervis in the Romanesque Revival and  neo-grec styles and had a seven acre reservoir next to it. It opened in 1872 and was fully working in 1875. In 1949, the Water tower was disconnected from the system. The tower like the rest of the park had sat in disrepair for years and was restored between 1989-1990 (Wiki). The tower is now going through another restoration that should be finished by April of 2021 (NYCParks.com).

When I visited in the park that summer and then again in the Fall, it was behind fencing because it was still unsafe.

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Highbridge Park is beautiful in the Spring and Fall but not the safest park in NYC.

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Walking the paths of Highbridge Park

Highbridge Park is a wonderful park to walk around in in the middle of the day during the warmer months. I would not venture around it later at night or in the winter months. It can be a bit desolate and when you walk around the paths by the river with all the abandoned cars and graffiti can be a bit dangerous. I got some looks when walking around.

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This was at the bottom of the bridge just off the path.

 

American Academy of Arts & Letters                 633 West 155th Street                                        New York, NY 10032

American Academy of Arts & Letters 633 West 155th Street New York, NY 10032

American Academy of Arts & Letters

633 West 155th Street

New York, NY 10032

(212) 368-5900

Academy@Artsandletters.org

HomePage

Hours: Thursday-Sunday-1:00pm-4:00pm/Open During Exhibitions times only or by appointment (Mid-March-Mid-April; Mid-May-Mid-June)

Fee: Free

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d548512-r682038708-American_Academy_of_Arts_and_Letters-New_York_City_New_York.html?m=19905

I was finally able to visit the American Academy of Arts and Letters on the last day it was open for the year to the public. It was for the ‘Ceremonial Exhibition: Work by New Members and Recipients of Awards’, an exhibition on members art that was chosen specifically for the show. Most of the work was very contemporary and some a little political. It was interesting work by new artists that filled the small gallery rooms.

One of the buildings was used for the contemporary art while the one across the courtyard was used for the more architectural pieces. The galleries are small but the art was impressive. What I liked when I talked with one of the women who worked there said to me that after the show, the pieces would be donated to galleries and museums all over the country. The galleries are only open four months out of the year and this was the last day of the exhibition so the work being shown will be gone.

Some of the pieces that really stood out were by Judith Bernstein, a contemporary painter who seems to not like the current administration too much. The themes were on power and money and corruption in the administration. Her work really shows what she personally thinks of  our President. Her ‘Trump Genie” was very clever and I can see this in a major museum in the future.

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Judith Bernstein’s work

Other work in the main gallery were by artists Stephen Westfall with ‘Solid Gone’, Hermine Ford with ‘Paris, France’ and Paul Mogensen with several ‘Untitled’ pieces. The contemporary works I was not sure what the meaning of them were but they were colorful.

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The works of the artists of the front gallery

One of the pieces in the front gallery that really stood out was by artist Francesca Dimattio, ‘She-wolf’ which was a classic Greek character made of porcelain, enamel, paint and steel.

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‘She-wolf’ by Francesca Dimattio

There were light installations that were very interesting by artist James O. Clark. He had one piece, ‘Wunnerful, Wunnerful’,  which is a work that just keeps being creating itself by bubbles and ink markers moving along a turntable that stops and starts.

There was a permanent exhibition of Charles Ives home in Connecticut that was transported and recreated here. His studio and works are featured here as well as his family life. There are copies of his works in the display cases and his career.

When it is open, the galleries are very interesting filled with works of new artists being featured. Now you just have to wait until March of 2020.

About:

The American Academy of Arts & Letters was founded in 1898 as an honor society of the country’s leading architects, artists, composers and writers. Charter members include William Merritt Chase, Kenyon Cox, Daniel Chester French, Childe Hassam, Henry James, Theodore Roosevelt, Elihu Vedder and Woodrow Wilson. The Academy;s 250 members are elected for life and pay no dues.

In addition to electing new members as vacancies occur, the Academy seeks to foster and sustain an interest in Literature, Music and the Fine Arts by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater and purchasing artwork for donation to museums across the country.

Collections:

The Academy’s collection, which are open to scholars by appointment, contain portraits and photographs of members, as well as paintings, sculptures, drawings, prints and decorative art objects. The library has more than 25,000 books by or about members. The archives house correspondence with past members, press clippings, institutional records and original manuscripts of musical and literary works.

History:

The National Institute of Arts & Letters, the parent body of the Academy, was founded in 1898 for “the advancement of art and literature”. The Institute met for the first time in New York City in February 1899 and began electing members that fall. Architects, artists, writers and composers of notable achievement were eligible and membership was soon capped at 250. In 1913, President Taft signed an act of Congress incorporating the organization in the District of Columbia.

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American Academy of Arts & Letters

In 1904, The Institution created the American Academy of Arts & Letters, a prestigious inner body of its own members that modeled itself on the Academie francaise. The first seven members of the Academy were William Dean Howells, Augustus Saint-Gaudens, Edmund Clarence Stedman, John La Farge, Mark Twain, John Hay and Edward MacDowell. Those seven then chose eight more and so on, until the full complement of 30 and later 50 was reached. Only after being elected to the Institute, was a member eligible for elevation to the Academy. This bicameral system of membership continued until 1993, when the Institute dissolved itself and all 250 members were enrolled in the American Academy of Arts and Letters.

The Academy inaugurated its annual awards program in 1909 with the Gold Medal for Sculpture. Since then, over 70 awards and prizes have been endowed through gifts and bequests or established by the Academy’s board of directors in the fields of architecture, art, literature and music. There are conferred each year at the Ceremonial in May when new members are inducted and a distinguished speaker is invited to deliver the Blashfield Address.

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In 2005, the Academy purchased the former headquarters of the American Numismatic Society, the neighboring building on Audubon Terrace. A Glass Link now connects the Academy’s existing galleries to newly renovated ones in the former Numismatic building. These new galleries house the permanently installed Charles Ives Studio.

(The Academy of Arts & Letters Website)

The Cloisters Museum & Gardens: The Branch of The Metropolitan Museum of Art devoted to Medieval Art                                                           99 Margaret Corbin Drive Fort Tryon               New York, NY 10040

The Cloisters Museum & Gardens: The Branch of The Metropolitan Museum of Art devoted to Medieval Art 99 Margaret Corbin Drive Fort Tryon New York, NY 10040

The Cloisters Museum & Gardens: A Branch of The Metropolitan Museum of Art

99 Margaret Corbin Drive

Fort Tryon Park

New York, NY  10040

(212) 923-3700

Open: March-October 10:00am-5:15pm/November-February-10:00am-4:45pm

http://www.metmuseum.org

https://www.metmuseum.org/visit/plan-your-visit/met-cloisters

Fee: Adults $25.00/Seniors $17.00/Children $12.00/Members & Patrons and Children under 12 are free

Museum Hours:

Hours: Open 7 days a week

March-October 10:00am-5:15pm

November-February 10:00am- 4:45pm

Closed Thanksgiving Day, December 25th and January 1st.

*Some galleries may be closed for construction or maintenance.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d106609-Reviews-The_Met_Cloisters-New_York_City_New_York.html?m=19905

I go to The Cloisters on a pretty regular basis, and they have interesting walking tours and lectures especially in the warm months. If you like Medieval or religious art, this is a museum that is worth visiting. It is out of the way and be prepared to walk up a hill but in the summer months, the view of the Hudson River is spectacular, and the gardens are beautiful.

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The Cloisters in Fort Tyron Park

Don’t miss the walking tours and gallery talks at the museum. I have recently been to a series of walking gallery talks dealing with the history of Medieval arts. There were discussions on Medieval art between Christian and Muslim religions, Traveling the Silk Road and its influences on art in the regions and the collection and how it has improved and grown over the years. It seems there has been a up tick in this type of art.

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This section of the shine is on a permanent loan from Spain

The building is just beautiful as it was created from pieces of religious sites all over Europe. Many of the doorways, cloisters (archways), stone work and fountains and windows come from churches that had been destroyed by wars over the past 600 years. Bits and pieces of all of the these buildings are displayed in the architecture of the museum itself. Some are on permanent loan to the museum from foreign countries. Don’t miss the famous “Hunt of the Unicorn” tapestries that are on display here. They are quite a spectacular exhibit.

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The ‘Hunt of the Unicorn’ tapestries

Be sure to visit the outside terraces of the Cloisters to see the views of the Hudson River below and the beautiful gardens of Fort Tyron Park where the building is located. It is a sea of green lawns and woods and beautifully landscaped flowering paths.

There is a nice café on property but there is also a nice outdoor café in the park as well as a small restaurant row on Dyckman Avenue at the foot of the park right near the subway stop. There are also many terrific Spanish restaurants on Dyckman Street as you walk down the block towards Fort George Hill.

I recently went to the Cloisters for a very interesting walking tour called “Holly & Hawthorne: Decorating for a Medieval Christmas” and the use of plants like holly, mistletoe, pine and ivy were used in the winter months to decorate the churches and homes of the people until the Puritan influences took over.

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The Cloisters decorated for Medieval Christmas

The tour guide discussed by touring the paintings and tapestries where these symbolic plants took shape during this time. She even explained how ivy when it reaches sunlight that its shape goes from a  three leaf shape to a heart shape which was symbolic during the Middle Ages. The gardens were a good source of inspiration for the holidays.

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The Cloisters decorated for Christmas

Don’t miss walking the halls and cloisters to look at all the decorations for the holidays. The museum keeps them simple and elegant but it really does put you in the holiday spirit.

I visited again this Christmas holiday season in 2021 to see “Spain 1000-1200: Art at the Frontiers of Faith”, where the Catholic and Muslim Kingdoms of Spain influenced each other in the manner of decoration and art borrowing from each other. It was interesting to see how the two communities used each other’s art over time to develop an interesting hybrid of design that was both colorful and intricate.

Met Cloisters Spain

“Spain 1000-1200: Art at the Frontiers of Faith”

Another tour of the Cloisters that I attended was on the ‘Four Medieval Flowers: The Lily, Iris, Violet and Rose’. It was interesting how society of this era used the former Pagan and Roman/Greek symbols in their Christian religious art.

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You see the Rose in the stained glass to represent strength and honor

You will see the meanings in the tapestries, stained glass art and in the sculpture to represent purity, rebirth and sexual symbols of the time. It seemed that the artisans of the time used ancient meanings to convey something that they could not out and out talk about.

The Cloisters II

In the “Hunt of the Unicorn” Tapestries you can see flowers such as Lilly, Violet and Iris  woven into the work which may have meant it was a wedding present to the new owner. The tour guide said there was meaning in lots of the works which may have had a different purpose originally. It was a tour steeped in symbolism.

These walking tours at the Cloisters happen at 12:00pm and 2:0opm on the weekends.

Mission:

Welcome to The Cloisters, the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe. Set on a hilltop with commanding views of the Hudson River. The Cloisters is designed in a style evocative of medieval architecture specifically for the display of masterpiece created during that era. Arranged roughly chronologically and featuring works primarily from Western Europe, the collection includes sculpture, stained glass, tapestries, painting, manuscript illumination and metalwork. The extensive gardens feature medieval plantings, enhancing the evocative environment.

Cloisters

The Gardens at the Cloisters in bloom

History of the Museum

John D. Rockefeller Jr. generously provided for the building, the setting in Fort Tryon Park and the acquisition of the notable George Grey Barnard Collection, the nucleus of The Cloisters collection. Barnard Collection, the nucleus of The Cloisters collection. Barnard, an American sculptor whose work can be seen in the American Wing of the Metropolitan, traveled extensively in France, where he purchased medieval sculpture and architectural elements often from descendants of citizens who had appropriated objects abandoned during the French Revolution. The architect Charles Collens incorporated these medieval elements into the fabric of The Cloisters, which opened to the public in 1938.

Romanesque Hall

Imposing stone portals from French churches of the twelfth and thirteenth centuries open onto a gallery that features rare Spanish frescoes and French sculpture.

Fuentiduena Chapel

The twelfth-century apse from the church of San Martin at Fuentiduena, Spain and the great contemporary fresco of Christ in Majesty from a church in the Pyrenees Mountains dominate the space. Sculpture from Italy and Spain enriches the chapel, which is the setting for a celebrated concert series.

Saint-Guilhem Cloister

The fine carving of this cloister from the monastery of Saint-Guilhem-le-Desert, near Montpellier, harmoniously and playfully adapts the forms of Roman sculpture in a medieval context. The plants depicted in the sculpture, acanthus and palm, are growing in pots near the small fountain. The gallery also features early sculpture from Italy, Islamic Spain and elsewhere in France.

Langon Chapel

Architectural elements from the twelfth-century church of Notre-Dame-du-Bourg at Langon near Bordeaux form the setting for the display of thirteenth-century French stained glass and important Burgundian sculpture in wood and stone.

Pontaut Chapter House

Monks from the Cistercian abbey at Pontaut in Aquitaine once gathered for daily meetings in this twelfth-century enclosure known as a chapter house. At the time of its purchase in the 1930’s by a Parisian dealer, the column supports were being used to tether farm animals.

Cuxa Cloister and Garden

The distinctive pink stone of this cloister, featuring capitals carved with wild and fanciful creatures, was quarried in the twelfth century near Canigou in the Pyrenees Mountains for the nearby Benedictine monastery of Saint-Michel-de-Cuxa. The typical cloister garden features crossed paths and a central fountain from the neighboring monastery of Saint-Genis-des-Fountaines. Both medieval and modern species of plants are grown in the garden. In winter, the arcades are enclosed and fragrant potted plants fill the walkways.

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Early Gothic Hall

With thirteenth-century windows overlooking the Hudson River, the gallery features stained glass from France’s great churches, including Saint-Germain-des-Pres in Paris. Sculptures and paintings from France, Italy and Spain evoke the great age of cathedrals.

Nine Heroes Tapestries Room

From an original series of nine hangings created about 1400 for a member of the Valois court, the tapestries portray fabled heroes of ancient, Hebrew and Christian history, including the legendary King Arthur. It is among the earliest sets of surviving medieval tapestries.

Unicorn Tapestries Room

With brilliant colors, beautiful landscapes and precise depictions of flora and fauna, these renowned tapestries depicting the hunt and capture of the mythical unicorn are among the most studied and beloved objects at The Cloisters. Probably designed in Paris and woven in Brussels about 1500 for an unknown patron, these hangings blend the secular and sacred worlds of the Middle Ages.

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Boppard Room

Stained glass from the fifteenth-century Camelite convent at Boppard-am-Rhein dominates one end of the room. Fifteenth-century panel paintings and sculpture from the Rhineland and northern Spain, a brass lectern, domestic furniture, Spanish lusterware, tapestries, metalwork and sculpture further evoke a sacred space.

Merode Room

One of the most celebrated early Netherlandish paintings in the world, the Merode Altarpiece, painted in Tournai about 1425-30, forms the centerpiece of this gallery. The altarpiece, intended for the private prayers of its owners, represents the Annunciation to the Virgin Mary taking place in a fifteenth-century household. Details of the scene are echoed in the late medieval furnishings of the room in which other works made for private devotion are also exhibited.

Late Gothic Hall

Large fifteenth-century limestone windows from the refectory of the former Dominican monastery in Sens, France, illuminate the hall, which showcases sculpture and altarpieces from Germany, Italy and Spain as well as a great tapestry from Burgos Cathedral.

Gothic Chapel

Beneath richly colored stained-glass windows from fourteenth-century Austria carved images from royal and noble tombs of France and Spain fill the chapel-like setting.

Glass Gallery

Silver-stained glass roundels decorate the windows of the Glass Gallery, complementing small works of art, many made for secular use, with their lively, sometimes worldly subjects. Carved woodwork from a house in Abbeville, in northern France, forms a backdrop for paintings and sculpture.

“Bonnefont” Cloister and Garden

Long thought to be part of the abbey at Bonnefont-en-Comminges, the elements of this cloister come instead from other monasteries in the region including a destroyed monastery in Tarbes. The herb garden contains more than 250 species cultivated in the Middle Ages. Its raised beds, wattle fences and central wellhead are characteristic of a medieval monastic garden.

Trie Cloister and Garden

The stone cloister elements were created primarily for the Carmelite convert at Trie-sur-Baise in the Pyrenees. The garden is planted with medieval species to evoke the millefleurs background of medieval tapestries, such as the Unicorn series.

Treasury

An array of precious objects in gold, silver, ivory and silk reflects the wealth of medieval churches. Illuminated manuscripts testify to the piety and taste of royal patrons such as Jeanne d’Evreux, Queen of France; jewelry and a complete set of fifteenth-century playing cards suggest more worldly pastimes.

*Disclaimer: This information is taken right from the Cloisters pamphlet from the Metropolitan Museum of Art. Please call the museum before visiting to see if anything has changed with the hours or days open. It is well worth the trip uptown to visit The Cloisters. Take the A subway up to 190th Street and take the elevator up to Fort Tryon Park and walk across the park.