Tag: Small Museums and Galleries

Lewes Life Saving Station & Museum 2 Shipcarpenter Street Lewes, DE 19958

Lewes Life Saving Station & Museum

2 Shipcarpenter Street

Lewes, DE. 19958

(302) 645-7670

U.S. Life-Saving Service Boat House

Exploring the History of Life Saving Stations in Lewes

Open: Sunday-Tuesday Closed/Wednesday-Saturday 10:00am-4:00pm (In Season April 1st-October 11th-closed the rest of the year)

Admission: Free but a $5.00 donation is appreciated

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g34028-d17640480-r1060547919-Lewes_Life_Saving_Station_Museum-Lewes_Delaware.html?m=19905

The back of the Lewes Lifeguard Station Museum

The description sign up front

I recently visited Lewes, DE for ‘Maritime Day’ by the harbor and there were a lot of interesting booths on the watersheds, environmental agencies that discussed their purpose with harbor issues and what the town of Lewes does for the environment.

The historic Blizzard from 1888

History of the Lewes Life Saving Station & Museum:

(From Historic Lewes.com)

It was also a busy station, guarding both the mouth of Delaware Bay and the protected waters created by the massive breakwaters of the National Harbor of Refuge. Its string of Keepers and their six- or seven-man crews of Surfmen enacted scores of rescues through the years and in particular won great praise for their tireless heroics during the Great White Hurricane of 1888, when they pulled scores of sailors from the frigid waters and iced-over hulks of wrecked vessels to safety.

The front of the museum

The History of the Lewes Lifeguard Museum:

(From the Historic Lewes.com)

The United States Life-Saving Service (USLSS) protected the American coast and saved lives in peril at sea from 1871 until 1915, when it became a part of the new United States Coast Guard (USCG). This incredible humanitarian mission came to Lewes in 1884, making it the fourth of six stations to be established in Delaware. Lewes was among the most desirable stations for the Keepers and Surfmen who manned it, with its original location on the site of the present-day Cape May-Lewes Ferry Terminal placing it not far from town and therefore civilization.

The view of the harbor which has changed over the years

I spent my time touring the Lewes Lifeguard Museum, which is an interesting little museum on the history of life saving along the Delaware coast. The museum’s artifacts show some of the earliest and innovative forms of rescue equipment from before the Civil War. This was the precursor to the United States Coast Guard.

The inside of the museum

The lower part of the museum contained most of the equipment, items like rescue ropes, wenches, rescue apparatus, lanterns and uniforms like jackets and boots.

Pulled and equipment used to rescue stranded people

History of the Lewes Historical Museum:

(Historic Lewes.com)

The United States Coast Guard maintained the Station Lewes from 1915 until 1969, when it was closed, declared surplus, and sold. The original main station building was relocated numerous times and still stands today, heavily modified, as the Rehoboth Beach VFW. The Boat House preserved by Historic Lewes, a unique 1884 addition to the USLSS station intended to launch lifeboats on a marine railway directly into the harbor, was acquired from the Pilots’ Association of the Bay & River Delaware in 1979 and moved to its present home at Canalfront Park. It stands proudly beside the Lightship OVERFALLS (LV-118), together commemorating the nation’s and community’s efforts to preserve life on hazardous waters.

The bullies and wenches used by the men

Information in the Lewes Life Saving Station

Biography of the men who worked there

Information on the Boat House

Some of the ropes and wenches used in the rescue procedures

On the other side of the building was the rescue boat the ‘Life Car’, a rudimentary form of rescue boat that the docents said was effective but clunky and hard to use. It shows how we have progressed in life saving.

The Life Car rescue unit

Information on the ‘Life Car’

The ‘Life Car’

The ores and other rescue equipment used

The small rope cannon

The ores

The rope equipment

The story of the ‘Great White Hurricane of March 1888’

The Men’s Dining area in the front of the building

There was no living area in the facility but a place to gather the team, eat and socialize when manning the station.

History of Lewes Lifeguard Museum:

(From the Lewes Lifeguard.com)

Guests visiting the USLSS Boat House today will find it furnished just as Keeper John Clampitt and his courageous Surfmen left it on March 12, 1888, as they pushed out into the roaring gale and whipping snow for their finest hours. It also features a display of early life-saving equipment, including the rope-and-pulley Breeches Buoy rescue system, a steel life-car, and a rare 1887 Long Branch, New Jersey-style surfboat under restoration.

The dining area and the schedule

The dining room table

The Lewes Life Saving Station & Museum is an example of early beach and shipping rescue at the East Coast Shore. It also shows the daily life of these brave men and how lonely and dangerous this job could be. It shows how times have progressed and how they have stayed the same. To save people and property.

Instituto Italiano di Cultura (The Italian Cultural Institute of New York) 686 Park Avenue New York City, NY 10065

Instituto Italiano de Cultura (The Italian Cultural Institute of New York)

686 Park Avenue

New York, NY 10065

(212) 879-4242

Home

https://www.instagram.com/accounts/login/?next=https%3A%2F%2Fwww.instagram.com%2Fiicnewyork%2F&is_from_rle

My review on TripAdvisor:

Instituto Italiano de Cultura at 686 Park Avenue

The Institute of Italian Culture has a small gallery in it that several times a year hosts small art gallery events that are open to the public. This one caught my eye when I saw the picture of Sophia Loren looking back at me when I passed.

I thought it might be interesting and I stopped to see “Italians: Italian Women who changed the World” by artist Salvatore Catalano. The gallery held about fourth pictures of Italian women from all over the world and of different time periods who influenced art, fashion, politics and business.

There were many names I recognized and a few who I did not know. The works were very interesting and engaging.

The sign that welcomes you to the gallery

The main gallery at the Instituto Italiano di Cultura for the “Italiana: Italian Women Who Changed the World” exhibition

The exhibition Italiana: “Italian Women Who Changed the World” by artist Salvatore Catalono highlights the many impressive achievements by Italian women over the course of the last few centuries, until today.

(From the museum website):

These formidable women all greatly impacted the world in one way or another, often also against the odds imposed by a “male-ruled” society. The selection of 22 portraits includes scientists, politicians, entrepreneurs, artists, humanitarians and writers. These women all accomplished incredible feats and have contributed to the world in ways that still continue to resonate nowadays.

The Institute of Italian Culture exhibition sign:

The show Italiana: Italian Women Who Changed the World”

These were my favorite sketches from the show and women I most admired in the show.

Miuccia Prada, of the Prada fashion empire

Catherine de Medici, who revolutionized French Culture

Sophia Loren, the famous Italian actress

Lidia Bastianich, the Chef and restauranteur

The sketching’s represented different eras.

(From the museum website)

They are not all household names, but they are all at the top of their professions and exemplify the spirit of Italy. Salvatore Catalano uses his art as a vehicle to transmit these stories and to highlight the lives of these incredible Italian women.

Artist Salvatore Catalano

https://www.salvatorejcatalano.com/

https://www.instagram.com/catalano7127/

(from the Italian Cultural Institute of New York website)

Salvatore Catalano is an artist, illustrator, and educator. Catalano works in all forms of visual communication. His art has appeared on everything from postage stamps to billboards and his work is in many private and corporate collections. He is an educator at the college level, teaching in New York City and Florence, Italy.

Catalano has worked with The United Nations, U.S. Government, Department of The Interior, National Audubon Society, The New York Times, The New Yorker, ABC, CBS, NBC, American Museum of Natural History, Smithsonian Institution, N.Y. Zoological Society, Merck, Pfizer, Johnson & Johnson, Bayer, GlaxoSmithKline, Coca Cola, Pepsi Cola, Seagram’s, General Foods, Sony, Panasonic, Citibank, Scholastic, Harper-Collins, Bantam-Doubleday, Dell, MacMillan, DuPont, Exxon, State of New Jersey Children’s Television Workshop, McGraw-Hill, Ranger Rick, among others. He has also worked on more than thirty books for children.

The History of the Instituto Italiano di Cultura in New York City:

(from the Instituto Italiano di Cultura website)

The Italian Cultural Institute in New York was founded in 1961 by the Italian Government. Its mission is to promote Italian language and culture in the United States.

Under the guidance of its trustees at the Ministry of Foreign Affairs, its advisory board, and its staff, the Italian Cultural Institute in New York fosters cultural exchanges between Italy and the U.S. in a variety of areas, from the arts to the humanities, to science, and technology.

Central to the Italian Cultural Institute’s activity is its collaboration with the most prominent academic and cultural Institutions of the East Coast. The scientific exchanges, the organization of, and support to, visual arts exhibitions, the grants for translation and publication of Italian books, inspire and nourish the Institute’s initiatives.

In particular, we focus on the relationship between memory and innovation, and the multiplicity of identities in the Italian civilization. The Italian Cultural Institute in New York, therefore, provides an “open window” on main cultural and social aspects of past and current Italy.

Sturr Family Cemetery 375 Pulis Avenue Franklin Lakes, NJ 07417

Sturr Family Cemetery

375 Pulis Avenue

Franklin Lakes, NJ 07417

https://www.findagrave.com/cemetery/2227047/sturr-family-cemetery

https://www.wikitree.com/genealogy/STURR

My review on TripAdvisor:

The Sturr Family Cemetery sits on a bend of the driveway of the Chabad Jewish Center of Northwest Bergen County and is a small cemetery that once sat on the edge of the J.H, Sturr farm.

The Sturr Family Cemetery

The farmhouse of the Sturr Family sits on the lot across the street from the cemetery property. This is located on a small buff on what was the edge of the farm.

The Sturr Family cemetery tombstones

The tombstones of the Courter and Carlouch family members

The grave of William Courter

The only visible tombstones that are left in the cemetery are an Ackerman family member, Anny Ackerman and members of the Courter and the Carlouch family’s (who must have married into the family).

The Ackerman family tombstones (the one to the right was unreadable)

The other tombstones are broken and no one is sure who is buried where in the cemetery.

The History of the Cemetery:

(From Find a Grave website)

The cemetery is located in Franklin Township, Bergen County, New Jersey, on what was once the family farm of J.H. Sturr. As of October 1991 only 6 markers were still remaining.

The Sturr Family Cemetery in full view

History of the House:

(From the Franklin Lakes Municipal Website)

H. Sturr House or Blue Meadow Farm
Built 1860
378 Pulis Avenue, Block 1510, Lot 8
Franklin Lakes, New Jersey 07417

The Sturr House – also known as Blue Meadow Farm -is a handsome and little altered example of mid 19^th century vernacular architecture which incorporates several stylistic elements such as gable returns and frieze area of the early 19^th century Greek Revival style. The Borough of Franklin Lakes lists the erection year of the house as 1860.

The façade of this 2 ½ story house consists of clapboard. The front porch has five bays with square posts and a rectangular entrance door with rectangular sidelights. Two tall 1^st story windows are on one side of the porch. A single hitching post with iron rings sits in front of the porch stairs. The building has a frieze area with linear design. Semi-circular headed louvered vents are in all gable ends. The rear of the house has a one story wing. There is a detached garage to the west side of the house as well as a round frame well. Further west of the house is a stable which has been extensively remodeled and converted into a residence in recent times. The house combined with associated structures is a significant remnant of the large farmsteads which ones dotted the Borough’s landscape prior to the recent suburban housing boom.

History of the Family:

(From the Franklin Lakes Municipal website)

This Sturr house and the nearby more altered house at 402 Pulis Avenue were duplicate structures and were probably built around the same time by members of the Sturr family. The 19^th century Sturr family was descended from Conraedt Sturr who purchased 190 acres of land in this area with John Coeter from Robert Livingston in 1793.

The non-extant homestead and mill was located at present-day 930 Old Mill Road. It is known that Henry Sturr, the son of Conraedt, had a fanning mill at this location in 1850. In a will dated 1852 he bequeathed his property and mill to his grandsons John, Henry, and Daniel (Maria Braun – 1976 page 26 & 27).

The property along Pulis Avenue upon which these houses are situated was probably included in this will since the homes were built around the mid-19^th century. Future deed research is recommended to identify the original builder and the construction date of the house (1861: H. Sturr, 1876 Estate of H.M. Sturr). Presently the house is privately owned and occupied.

Galleries at Fairleigh Dickinson University-University Hall 1000 River Road Teaneck, NJ 07666

Galleries at Fairleigh Dickinson University-University Hall

1000 River Road

Teaneck, NJ 07666

(201) 692-2801

Open: Sunday Closed/Monday-Friday 10:00am-5:00pm

Admission: Free but donations accepted

My review on TripAdvisor:

University Hall on the Fairleigh Dickinson Campus 1000 River Road

The entrance to the museum

The entrance to the Art Gallery

I recently visited the Galleries at Fairleigh Dickinson University and I walked through the new exhibition of being featured by artists Cordelia Barney and Makenna Savnik who are local artists to New Jersey. This was an interesting gallery with walls lined with whimsical art.

The Galleries Museum is located on the first floor of the University Building next to the art Department.

The works by the artists lined the walls

The history of the Arts Department at Fairleigh Dickinson University:

(from the University website)

In September 2018, Fairleigh Dickinson University inaugurated the School of the Arts, a robust center of learning for students who seek arts training grounded in a real-world framework. Today, the School of the Arts is a thriving and exciting community fostering talented students and faculty who are dedicated to a wide variety of artistic expression.

School of the Arts students participate in an innovative curriculum that combines a strong liberal arts education, hands-on creative work, valuable opportunities for internships, and an integrated new approach to arts entrepreneurship.

Outstanding and nationally recognized artists and authors empower our students to reach their full creative potential through speaking engagements, workshops, art shows, and performances. School of the arts students are connected to a network of professional mentors and colleagues who help jump-start their careers. Our Florham Campus features a beautiful and inspiring landscape where students can collaborate across disciplines and flourish while the Metro Campus is located closely to Manhattan. Graduates will be equipped to thrive in today’s — and tomorrow’s — complex interconnected world.

The works by Cordelia Barnet

https://www.linkedin.com/in/cordelia-barnet-1b70a4222/

The art works by artist Cordelia Barnet were whimsical and fun with bright colors and inviting patterns. These were the works that stood out in her part of the exhibition.

‘The Flags that Represent Us’ by artist Cordelia Barnet

The sign for the art

The work ‘How would Botticelli See Me?’

The sign for the art

Cordelia Barnet also did an interesting collection of works with Cats as a theme. These were the ones that stood out to me.

The work ‘Hold up the Pinnacle’

The sign for the event

The work ‘Sleeping with the Fishes’

The sign for the work

The works on the other side of the Gallery were by artist Makenna Savnik. Her works were interesting in the repeated symbols and characters she created.