The American Kennel Club Museum of the Dog at 101 Park Avenue
When I was walking the neighborhood of Murray Hill for my blog, “MywalkinManhattan.com, I came across on one of the side streets tucked into a new office building on Park Avenue, The American Kennel Club Museum of the Dog at 101 Park Avenue. This unique little museum is two floors of art dedicated to the story of the dog.
The first floor features small fossils that show the early domestication of dogs during prehistoric times with humans. They may have used them for hunting and companionship. You could see this in the burials and in the wall paintings found all over the world that they partnered with early man and helped shape their world.
The American Kennel Club Museum of the Dog collection
Most of the paintings were from the Victorian Age (post Civil War to WWI) where the romanticized view of nature and of pet companions was emphasized. One both the first and second floor there were all sorts of paintings of various breeds of dog in all sorts of playful and working environments. There were dogs for hunting and sport, dogs as pets and dogs in playful position reacting with their masters and each other.
The Victorian approach to pets
The was also porcelain figurines of dogs, statuary and trophies from various Canine Clubs all over the country. It shows the history of the dog as show with breeding and disposition counting of the way the animal was raised and trained.
The second floor had another series of paintings, a lot from the same time period and some contemporary artist’s take on modern dog owners and their relationship with their pets.
Canine Porcelains line the staircase
Also on the second floor was exhibition on ‘Presidential Dogs”, with the first families relationship with their dogs (and cats too) and the role that they played in White House politics. Truthfully outside of “Socks”, the Clinton’s cat, I never knew of any of the White House pets. I knew the both the Roosevelts and Kennedy’s had lots of pets in the White House, I never heard of their names or seen their pictures. So that was an eye opener.
White House pets tell their own story
Also in a special case was small fancy dog houses and dog holders for travel which was interesting to see how small dogs could travel with their masters and the expense to create a way for them to travel. These were very elaborate. I thought of some of the items I used to see at Bergdorf-Goodman when I worked there with the Ralph Lauren tote bags and fur lined sweaters and thinking this was a little much.
The museum also has a small gift shop on the first floor near the entrance that you should check out. There is all sorts of books and art work to look through and knick-knacks to buy with a dog them. The staff is also very nice and very welcoming.
The entrance to the museum and gift shop has a nice contemporary feel to it
History of the American Kennel Club Museum of the Dog:
The American Kennel Club Museum of the Dog preserves, interprets and celebrates the role of the dogs in society and educates the public about the human-canine bond through its collection of art and exhibits that inspire engagement with dogs.
The Museum logo
Founded in 1982, the AKC Museum of the Dog was originally located in the New York Life Building at 51 Madison Avenue as a part of the AKC headquarters. In 1987, the Museum of the Dog was moved to a new location in Queeny Park, West St. Louis County, Missouri. After over 30 great years at Queeny Park, the decision was made to bring the Museum back to its original home and reunite it with the AKC headquarters and collection.
Combining fine art with high-tech interpretive displays, the Museum of the Dog’s new home at 101 Park Avenue hopes to capture the hearts and minds of visitors. Located in the iconic Kalikow Building, the Museum will offer rotating exhibits featuring objects from its 1,700 piece collection and 4,000 volume library.
When visiting the National Baseball Hall of Fame be prepared to spend over two hours in the museum because there is so much to see. When I visited the museum recently they had just inducted Derek Jeter as one of its newer members so a lot of Yankee fans were swarming around the picture and the display.
Derek “The Captain” Jeter being inducted into the Baseball Hall of Fame
The museum can be overwhelming if you don’t break it down to the part of the visit. I wanted to see the Hall of Fame plaques so I started there. All the players of the past were memorialized by the pictures on plaques with a small blurb about their careers and what team they wanted to be remembered by when they were inducted in. I was looking for Reggie Jackson, because I remember when “Mr. October” entered he said with pride that he was coming in as a Yankee.
The Hall of Fame Plaque Wall
The second floor is loaded with all sorts of baseball memorabilia from Hank Aaron’s uniforms, pictures and stats to a complete display of all of Babe Ruth’s career history from uniforms, stats, recordings, pictures and even his locker.
Each display case represented the history of baseball and how it has progressed over the years. From the early Egyptians playing a similar sport with a bat and ball to the progression of cricket in the British Territories to modern day stickball in the cities, baseball keeps morphing and changing to modern times.
The lockers of famous players
Many famous players have donated their entire collections to the museum so it was interesting to see their progression from the time they were young to the time of their retirement.
There are also collections of baseball cards, recordings and films, modern day artworks and even Hollywood’s take on baseball with posters like the “Field of Dreams” and “The Bad News Bears”. I was surprised how the lines between reality and the truth begin to blur in a museum like this.
What I was grateful to was the amount of items donated by the fans, wanting to part with something so valuable to them to share it with other fans.
I have to say that the museum can be a little overwhelming at time since there is so much to see so plan on spending at least over two hours and break the visit into two days to really experience the museum especially if you are a true baseball fan at heart.
It is an amazing experience.
History of the National Baseball Hall of Fame:
The Village is pure Americana, a one-stoplight town nestled between the Adirondacks and the Catskills in Central New York. It drew from the family of James Fenimore Cooper, whose father, William, founded the village, whose works of literature have become American standards.
And yet Cooperstown has become a synonym for “baseball”, thanks to a story about a Civil War general and the country’s love for a timeless game. By the last half of the 19th Century, baseball had become the National Pastime. The United States was a little more than 100 years old and baseball had evolved with the country. But there was no definitive answer as to the birth of the game.
Enter the Spalding Commission, a board created by sporting goods magnate and former player A. G. Spalding to establish the genesis of baseball. And after a few years of searching, they found their answer.
A plaque commemorating Major General Abner Doubleday was installed prior to the Hall of Fame’s opening on June 12th, 1939.(Homer Osterhoudt/National Baseball Hall of Fame and Museum).
Abner Graves, a mining engineer, proclaimed that Abner Doubleday, a decorated Union Army officer who fired the first shot of defense of Fort Sumter at the start of the Civil War and later served at the Battle of Gettysburg, invented baseball in 1839 in Cooperstown. That was good enough for the Spalding Commission, which came to its conclusion in 1907.
Three decades later, Cooperstown philanthropist Stephen C. Clark, seeking a way to celebrate and protect the National Pastime as well as an economic engine for Cooperstown, asked National League president Ford C. Frick if he would support the establishment of a Baseball Hall of Fame in Cooperstown. The idea was welcomed and in 1936 the inaugural Hall of Fame class of Ty Cobb, Walter Johnson, Christy Mathewson, Babe Ruth and Honus Wagner was elected.
Three years later, the Hall of Fame building officially opened in Cooperstown as all of baseball paused to honor what was called “Baseball’s Centennial” and as the first four Hall of Fame classes were inducted.
To mark the occasion, Time Magazine wrote: “The world will little note nor long remember what (Doubleday) did at Gettysburg but it can never forget what he did at Cooperstown.”
In the years since, The Doubleday Myth has been refuted. Doubleday himself was at West Point in 1839. Yet the Myth has become strong enough that the facts alone do not deter the spirit of Cooperstown.
The National Baseball Hall of Fame and Museum surely the most well-known sports shrine in the world, continues to thrive in the town where baseball’s pulse beats the strongest.
But in the following the opening of the Hall of Fame on June 12th, 1939, the Museum has become much more than just home to baseball’s biggest stars. The Hall of Fame is the keeper of the game.
The Hall of Fame’s collections contain more than 40,000 three demensional artifacts, such as bats, balls, gloves and uniforms donated by players and fans who want to see history preserved. The museum’s curators use the artifacts, whose number grows by about 400 a year, to tell the story of the National Pastime through exhibits.
The Museum itself is a melding of five buildings sewn together via several renovation and expansion programs. Today, the Museum easily accommodates more than 3000 visitors per day during the peak season.
The artifact collection is housed in climate-controlled rooms to protect the delicate, fabric and wood materials used in baseball. The Museum promises, in exchange for the donation of an artifact, to care for an item in perpetuity, which means the effects of temperature and humidity must be constantly regulated. The Museum’s first accessioned item was the “Doubleday Baseball”, which was discovered in a farmhouse in nearby Fly Creek, NY in 1935 and dates to the 19th Century.
Then in 1937, Cy Young, elected to the Hall of Fame that year in the second year of voting, generously donated several artifacts, including the 1908 ball from his 500th win and the 1911 uniform he wore with the Boston Braves. Young’s donations generated new offers from other players as well as fans.
Thousands of fans attended the opening of the Hall of Fame on June 12th, 1939 and that same year another Cooperstown tradition was started with the launch of the annual Hall of Fame game. For 70 years, the Hall of Fame game became an annual celebration of the game as two Major League Baseball teams played an annual exhibition contest at Doubleday Field in Cooperstown. Though the game was discontinued in 2008, the legends live on with the advent of the Hall of Fame Classic, an annual event over Memorial Day Weekend featuring Hall of Famers and former major leaguers at historic Doubleday Field.
The field itself dates back to 1920 and the first grandstand was built in 1924. Thanks to Works Progress Administration money during the Great Depression, Doubleday Field was expanded again in 1934. Today, the field is occupied non-stop during the spring, summer and fall as high school athletes, collegiate summer league stars and recreational players savor the chance to play on hallowed ground.
The A. Bartlett Giamatti research Center is also part of the Museum experience and the Center’s Library contains more than three million documents on the history of baseball, ranging from reference books to the “Green Light Letter” sent by President Franklin D. Roosevelt to baseball commissioner Kenesaw Mountain Landis in January of 1942, urging Landis to keep baseball going during World War II. The National Baseball Hall of Fame Library also contains more than 250,00 baseball photographs and images.
As an educational institution, the Museum offers outreach programs for audiences of all ages. Through virtual classroom technology, Cooperstown is transported to school across the country with video-conference lessons featuring any one of 16 learning modules.
Mission of the Museum:
Preserving History, Honoring Excellence and Connecting Generations.
The National Baseball Hall of Fame and Museum is an independent, non-profit educational institution dedicated to fostering an appreciation of the historical development of baseball and its impact on our culture by collecting, preserving, exhibiting and interpreting its collection for a global audience as well as honoring those who have made outstanding contributions to our national pastime.
The Hall of Fame’s mission is to preserve the sport’s history, honor excellence within the game and make a connection between the generations of people who enjoy baseball. Likewise the institution functions as three entities under one roof with a museum, the actual Hall of Fame and a research library. With these parts working together, the Museum is committed to fulfilling its mission by:
Collecting, through donations, baseball artifacts, works of art, literature, photgraphs, memorabilia and related materials which focus on the history of the game over time, its players and those elected to the Hall of Fame.
Preserving the collections by adhering to professional museum standards with respect to conservation and maintaining a permanent record of holdings through documentation, study, research, cataloging and publication.
Exhibiting material in permanent gallery space, organizing on-site changing exhibitions on various themes, with works from the Hall of Fame collectins or other sources, working with other individuals or organizations to exhibit loaned material of significance to baseball and providing related research facilities.
Interpreting artifacts its exhibition and education programs to enhance awareness, understanding and appreciation of the game fora diverse audience.
Honoring, by enshrinement, those individuals who had exceptional careers and recognizing others for their significant achievements.
I was in Upstate New York visiting Cooperstown to see the Baseball Hall of Fame and when I finished, I travelled up the road to see the Fenimore Art Museum. What an unique museum packed with interesting art from all aspects of the medium.
The middle level of the museum specialized in early American works and paintings from the Hudson River School. Across the hall was the history of the Cooper family who once owned all the land in the area, developed it to the town known as Cooperstown as a planned community.
The collection dedicated to the Cooper family
The lower level was dedicated to the Thaw Collection of American Indian Art which was pretty extensive. I liked the collection of spiritual masks that could scare away any evil spirit. The collection of small dolls and icons makes you wonder how they if ever captured any spirits. Their collection of clothing was interesting too.
The Thaw Collection
The upper floor was dedicated to a visiting exhibition of block printing by artist ‘Albrecht Durer’ and the lower level featured the photos of the ‘Blue Garden’ by photographers Gross and Daley. ‘Peter Souza’, the photographer of President Obama and President Reagan, showed the contrasts and comparisons of the two presidents. There was a lot to see in one day.
One of the photo’s from the “Blue Gardens” exhibition
The History of the Fenimore Art Museum:
The Fenimore Art Museum originated as the New York State Historical Association, founded in 1899 by New Yorkers who were interested in promoting greater knowledge of the early of the state. They hoped to encourage original research, to educate general audiences by means of lectures and publications to mark places of historic interest with tablets or signs and to start a library and museum to hold manuscripts, paintings and objects associated with the history of the state.
The Fenimore Art Museum
In 1939, Stephen Carlton Clark, offered the organization a new home in the village of Cooperstown, NY. Clark, an avid collector, took an active interest in expanding the holdings of the Association and in 1944 donated Fenimore House, one of his family’s properties, to be used as a new headquarters and museum. The impressive neo-Georgian structure was built in the 1930’s on the site of James Fenimore Cooper’s early 19th century farmhouse on the shore of Otsego Lake, Coopers Glimmerglass.
Fenimore House was large enough to have both extensive galleries as well as an office and library space. The collections and programs continued to expand and a separate library building was constructed in 1968. In 1995, a new 18,000 square foot wing was added to the Fenimore House to accommodate the Eugene and Clare Thaw Collection, which is one of the nation’s premier collections of American Indian Art. In 1999 in recognition of our world class collections, we renamed the Fenimore House to the Fenimore Art Museum.
The Collection includes The Thaw Collection of American Indian Art, Fine Art & Folk Art, Photography and the Research Library.
Fenimore Art Museum is dedicated to welcoming and connecting people to our shared cultural heritage through exhibitions and programs that engage that engage, delight and inspire.
(This information comes from the Fenimore Art Museum’s website and I give them full credit for it)
I recently spent my afternoon at the Senate House and Museum in Kingston, NY taking a tour of the museum and the House next door. The Senate House itself is being renovated and repaired and will not be open until next year. It was a quiet afternoon, and I was the only patron for most of the afternoon. The grounds were full of beautiful foliage and fall flowers, so it was nice to walk around the grounds.
The Senate House plaque
The Senate House itself was closed for the renovation but you could see in the windows and there was not much going on inside the house. There was furniture here and there and the roof really needed work. There is not much to see at the house itself but the grounds are very pretty and well-landscaped. The house was built for merchant Abraham Van Gaasbeek and his family. It stayed in the family for generations.
The Senate House at 296 Fair Street
The Senate House Museum is broken into three sections. The right side of the museum is is the history of the City of Kingston and the matching artifacts. There is a description of manufacturing, merchant class and its military prominence. The left side of the museum is dedicated to the locally born artist, John Vanderlyn. His paintings line the walls of the museum of the artist at different stages of his career. His work was ahead of its time for the area, and it was noted in the collection that he forced himself to commission portraits to survive. His works advanced for the time because of his studying abroad now line the walls of the best museums in the country.
The second floor holds the furniture that is not historically correct with the Senate House and comes from different time periods. There is furniture, beds and chairs, spinning wheels, chamber pots and all sorts of accessories for the home.
Artifacts from the past are displayed here
The Loughran House next door houses more of the furniture of the house and has a new exhibition “Back to the Future: The Evolution of Senate House”. This houses artifacts from the house.
History of the Senate House:
(From Wiki/Office of Parks, Recreation and Historic Preservation pamphlet)
Amidst the turmoil of a British military invasion in the fall of 1777, the elected representations of rebellious New Yorkers met in Kingston to form a new state government. While convened in Kingston in September and October, New York’s first Senate met in the simple stone house of merchant Abraham Van Gaasbeek.
Here they adopted a system comprising of a senate, assembly, governor and judiciary that still exists today. Every one of the assembled delegates risked his life and property by being so openly disloyal to the Crown. Indeed, all were forced to flee for their lives when the British attacked and burned Kingston on October 16th.
While convened in Kingston in September and October, New York’s first Senate met in the simple stone house of Abraham Van Gaasbeek, a prosperous merchant trader who had suffered financial losses as a result of the war and personal losses in the recent deaths of his wife, Sara, his daughter and infant granddaughter. It was Sara’s grandfather, Wessel Ten Broeck, who built the original section of the house in 1676.
At first called Wiltwyck, Kingston was the third “city” established in the Dutch Colony of New Netherland. Planned and developed by the Dutch Governor Peter Stuyvesant in 1656, the town was renamed Kingston after the colony was seized by the English in 1664.
Wessel Ten Broeck’s one room Dutch style house was enlarged by succeeding owners in the 18th century. Each change reflected the increasing fortunes of the Ten Broeck/Van Gaasbeek family and demonstrated a gradual acceptance of English styles and customs over the persistent influence of the early Dutch. Kingston at the time of the American Revolution was still a noticeably “Dutch” town and most of its citizens supported the American cause. British Major General John Vaughan justified his destruction of the city because it was a “nursery for almost every villain in the country.”
In 1887, to recognize Senate House’s role in the formation of New York State, New York State acquired the property, which quickly became a vital community museum. A two-story Museum Building was constructed in 1927 to house and display the site’s burgeoning collection. Among its treasures are: major works by John Vanderlyn and other members of the Vanderlyn family of Kingston. The museum also includes the site’s popular new exhibit: “Kingston Stockage: New Netherlands’ Third City,” discussing Kingston’s early history.
(New York State Park History)
The Kingston Stockade: The City’s formation from the beginning