Tag: New York

Day Eight Hundred and Eighty-Six: Attending Private Members Nights at the Museums in New York City-The Museum of Modern Art, The Morgan Library and the Metropolitan Museum of Art                                             March 24th and May 26th, 2026

Day Eight Hundred and Eighty-Six: Attending Private Members Nights at the Museums in New York City-The Museum of Modern Art, The Morgan Library and the Metropolitan Museum of Art March 24th and May 26th, 2026

The Morgan Library at 225 Madison Avenue

https://www.themorgan.org

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d107356-r1054349477-Morgan_Library-New_York_City_New_York.html?m=19905

My review on VisitingaMuseum.com:

The Mozart Exhibition at the Morgan Library

In the months of March and May right before the Memorial Day holiday, many of the museums I belong to held their private ‘Members Night’, where they hold extra hours for members after the museums are closed to the public to come and see the exhibitions, listen to music, have something to eat and drink and listen to talks about the exhibitions. The funny part is that the museum’s are more crowded on these nights than when they are open to the public.

Walking inside the soaring dining space at the Morgan Library

The first set of ‘Members Nights’ I went to were on March 24th with my first stop at the Morgan Library. I was there to see the ‘Mozart’ exhibition again.

The wonderful entertainment that evening

Touring the Mozart exhibition

https://www.themorgan.org/press/2026/mozart-exhibition

(from the Morgan Library Website)

Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg, an exhibition that traces the extraordinary life and enduring legacy of Wolfgang Amadeus Mozart (1756–1791). On view March 13th through May 31st, 2026, this two-gallery exhibition combines the Morgan’s significant holdings in Mozart manuscripts and first editions with remarkable objects, on view in the United States for the first time, from the Mozarteum Foundation of Salzburg. These include Mozart’s clavichord on which he composed The Magic Flute and his childhood violin, as well as famous portraits, letters, and personal objects of Mozart and his family (Morgan Library.com).

Touring the exhibition

Video on the exhibition:

The concert of Mozart as a child

The Magic Flute music and costumes

I happen to love ‘The Magic Flute’ and it was interesting to see the notes and some of the original costumes from the opera at the exhibition.

The costumes from the Magic Flute

After I toured the Mozart exhibition, I toured the rest of the museum that included the original part of the mansion.

The old Living Room

The ceiling outside the exhibition hall

The old Library and Rare book collection

The ceiling in the old Library

I then visited the exhibition of ancient Mesopotamia art scrolls. This was really interesting how this form of written art worked into the collection.

The exhibit on ancient scrolls

https://www.themorgan.org/collection/ancient-near-eastern-seals-and-tablets

I thought this was so interesting

An interesting form of communication

Video on the Exhibition

The Dining area during Members Night

After touring the museum, I went to see what everyone was eating in the museum’s small restaurant was eating because it was getting crowded. The counter was filled with delicious looking desserts.

The sweet treats at the dessert bar at the Morgan Library

The selection of desserts at the Morgan Library the night of Member’s Night

I then visited their very interesting Gift Shop

Admiring the flowers at the Coat Check on the way out. I thought this was a nice touch.

All good things come to an end and I made my way up Fifth Avenue to the Museum of Modern Art for the second part of the evening

I could not believe that the museums arranged these ‘Members Nights’ on the same night. They would plan this three weeks late when the Museum of Modern Art and the Metropolitan Museum of Art. I just had to enough time at one museum and see what I wanted to see and then go up the next.

The Museum of Modern Art (MoMA) at 11 West 53rd Street

https://www.moma.org

My review on TripAdvisor:

I started this Member’s Night at the MoMA, finishing the ‘exhibition and then going to the Met.

The opening of the ‘Frida and Diego’ on Members Night

https://www.moma.org/calendar/exhibitions/5882

(From the MoMA website):

Frida and Diego: The Last Dream celebrates Frida Kahlo and Diego Rivera—two of Mexico’s most beloved icons of 20th-century art—in a first-of-its-kind collaboration with the Metropolitan Opera. Organized in conjunction with the Met’s new production of El Último Sueño de Frida y Diego, the presentation at MoMA features artworks by Kahlo and Rivera in an elaborate setting designed by Jon Bausor, the set and co-costume designer of the opera. For both the opera and installation, Bausor evokes the artists’ lives and artworks in his theatrical designs (MoMA.org).

Key participants in a movement to redefine Mexican culture and identity after the revolution of 1910–20—Rivera through monumental murals and Kahlo through intimate self-portraits—the artists were romantically involved from 1928 until Kahlo’s death in 1954. The fictional narrative of the opera El Último Sueño de Frida y Diego begins three years after Kahlo’s death and follows an aging Rivera as he summons the deceased Kahlo back to life on the Day of the Dead, a Mexican holiday honoring passed loved ones. As the opera and installation design attest, the pair continue to have an enduring influence on artists across the visual and performing arts (MoMA.org).

Video on the exhibition:

The opening of the ‘Frida and Diego’ exhibition brought members out in droves

The description of the exhibition

The tree dominates the center of the exhibition

The signature piece from the exhibition

One of the dominate drawings

Looking over costume designs

Some of my favorite costume designs

Another great costume design

After touring the exhibition, I visited some of the other galleries and looked over other works of art that I admired in the past. I took a quick tour of the Modern Galleries before I left that evening.

The Jackson Pollack work

I loved this creative food service work

After touring the museum, I joined the rest of the crowd on the main floor for music.

The main lobby of the MoMA the night of Member’s Night

A few weeks later, the Metropolitan Museum of Art had planned their Member’s Night and then the Museum of Modern Art planned a Member’s Night the same night. So I planned another night of running back and forth between museums.

Member’s Night at the Museum of Modern Art

The schedule of events

There was a lot of activities happening that evening and I wondered around museum to see all of them. I started in the Museum Garden to hear the singers who were performing that evening.

The first performer was Lizzy Hilliard, who performed the guitar and was really enjoyable to hear. She is a very lively and engaging entertainer.

The crowds were outside enjoying the beautiful weather that evening

Lizzy Hilliard performing that evening in the garden

https://www.lizzyhilliard.com

After the performance, I wondered around the museum to see some of the exhibitions and started on the first floor which was really active.

I love wondering through the lobby of the MoMA.

While most of the crowds were still listening to the entertainment in the garden, I went up to the Marcel Duchamp exhibition and toured the galleries again (I had been there the previous week and quickly walked the exhibition).

The Marcel Duchamp exhibition was the biggest retrospect of the artist’s work in years

https://www.moma.org/calendar/exhibitions/5820

(From the MoMA website):

Marcel Duchamp is organized by The Museum of Modern Art, New York, and the Philadelphia Art Museum, with the generous collaboration of the Centre Pompidou. “Contemporary artworks often prompt viewers to ask, ‘Why is this art?’ It is virtually impossible to answer this question without referring to the work of Duchamp,” said Temkin. “More than any other modern artist, Duchamp challenged and transformed the very definition of an artwork.” Kuo added, “Duchamp’s
influence is incalculable and his myriad contributions have established him as one of the most important figures in modern culture (MoMA.org).

Our exhibition will foreground the ways in which Duchamp upended conventional oppositions between hand and machine, original and copy, intention and chance, and matter and idea.” MoMA and PMA have a longstanding history with Duchamp’s work. MoMA was the first museum to acquire a work by Duchamp, in addition to including his work in early landmark exhibitions such as Fantastic Art, Dada, Surrealism (1936) and The Art of Assemblage (1961) (MoMA.org).

Video on the exhibition from the MoMA curator:

I joined the start of the walking tour with one of the docents at the MoMA at the beginning of the exhibition

The gallery was so crowded with people listening to the one docent that was describing the exhibition that I continued on my own. I had never seen much of this artist’s work in museums before and had heard about his piece of changing the look of the Mona Lisa. I really enjoyed seeing it up close.

The 1919 original “L.H.O.O.Q.” was on a card

The 1930 replica “L.H.O.O.Q.”

The information on the replica piece

I then moved on to other works that he was well known for especially his controversial urinal piece.

The work “Fountain” (I thought this was unusual)

The write up on the piece

The last piece that I saw in the exhibition before I left the museum for the Met was his spoke wheel piece.

The work “Bicycle Wheel”

I wondered around the museum for a bit after the tour of the exhibition and admired works in the Modern Wing.

I love Picasso’s Cubism works

After I finished touring the exhibition, I left the MoMA for The Met. The weather was beautiful and with it being light out until almost 8:30pm. It was a beautiful walk up Fifth Avenue with the trees and the flower beds in full bloom.

Arriving at The Metropolitan Museum of Art for “The Met After Hours”

https://www.metmuseum.org/visit-guides/membership

My reviews on “Met After Hours” on MywalkinManhattan.com:

https://mywalkinmanhattan.com/tag/met-after-hours

The lobby and rotunda for the event seemed very quiet to me

The beautiful floral arrangements in the lobby area were fresh Cherry Blossoms

The Cherry Blossoms in the urns around the lobby

The American Wing where the Member’s Bar and entertainment was located

The Met seemed very quiet that night. Being the Tuesday after Memorial Day Weekend, I guess most members were getting back to work or still tired from the weekend. It had been a rainy mess the whole weekend and I could not see many people going away.

The bar and the entertainment in the American Wing were located that evening.

I had about two hours before the museum closed for the evening, so I wondered through some of the special exhibitions and started with the “Raphael-Sublime Poetry” exhibition on the second floor.

The entrance to the “Raphael” exhibition

https://www.metmuseum.org/exhibitions/raphael-sublime-poetry

(From the Met website):

Raphael: Sublime Poetry is the first comprehensive exhibition on Raphael in the United States, bringing together more than 170 of the artist’s greatest masterpieces and rarely seen treasures to illuminate the brilliance of Raphael’s extraordinary creativity. The son of a painter and poet, Raphael engaged with the foremost writers and thinkers of his age in Rome, displaying a poetic sensibility that captivated his peers and generations that followed. Follow the full breadth of his life and career, from his origins in Urbino to his rise in Florence, where he began to emerge as a peer of Leonardo da Vinci and Michelangelo, to his final, prolific decade at the papal court in Rome (Met.org).

Dive into the artistic process of one of history’s most beloved and influential artists. A true titan of the Italian Renaissance, Raffaello di Giovanni Santi (1483–1520)—better known as Raphael—matched ambition with lyricism to create works with both intellectual heft and emotional depth, a necessary skill in the complex political landscape of Renaissance courts. In his short life of only 37 years, he achieved such profound success as a painter, designer, and architect that he was regarded as the pinnacle of artistic perfection for centuries after his death (Met.org).

Video on the exhibition with the MoMA:

Video on the exhibition with CBS This Morning:

The work admired as I was walking around the exhibition.

This was my favorite piece from the exhibition

The Raphael Exhibition I know was a big deal for the museum but it really was not my taste in art. As much as I admired the work, the whole exhibition did not ‘grab me”.

I was not as impressed with the art in the exhibition and took a quick tour of the works. I had seen the exhibition on a previous tour of the museum so I just wanted to walk around again to see the works that I missed.

I then went back to the first floor and spent more time at the Costume Art exhibition. There had been so much media on the exhibit that you could not get in without timed tickets but because it was quiet on Member’s Night, I just walked in.

The Costume Art Exhibition

https://www.metmuseum.org/exhibitions/costume-art

(From the Metropolitan Museum of Art’s website):

The Costume Institute’s spring 2026 exhibition explores depictions of the dressed body across The Met’s vast collection, pairing garments with artworks to reveal the inherent relationship between clothing and the body (Met.org).

Focusing primarily on Western art from prehistory to the present, Costume Art presents connections between garments from The Costume Institute and objects from the Museum’s other collecting areas. Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound. These pairings are organized into a series of thematic body types that reflect their pervasiveness and endurance through time and cultures (Met.org).

Video on the Costume Art exhibition:

Walking through the entrance of the exhibition

This gallery was newly created for this collection and I had display the pieces that stood out to me the most in the Costume Art exhibition.

One of the pieces I admired

Some of the Evening clothes I admired

Another piece I admired

I thought this was really unusual

I really enjoyed looking over the exhibition yet wondering how many people would actually wear some of these pieces out in public. It really asks the question “What is art?” Still, I loved the dress with all the human organs on it. Now that would stop everyone in mid conversation at a party.

All good things come to an end again and I left the Met as it was closing for the evening. It really is a pretty site at night looking down Fifth Avenue.

How beautiful the Upper East Side is at night

I was starved when I left the museum and knew not too many places outside the bars would be open this late at night. I remembered Asian 83 on East 83rd Street that still might be open for the evening and I was one of their last customers that night. The food is excellent at this little ‘hole in the wall’ on the Upper East Side.

Dinner at Asian 83 at 1605 Second Avenue

https://www.asian83nyc.com

My review on TripAdviser:

https://www.tripadvisor.com/ShowUserReviews-g60763-d13433935-r1061867800-Asian_83-New_York_City_New_York.html?m=19905

My review on DiningonaShoeStringinNYC@Wordpress.com:

Dinner at Asian 83, Beef and Broccoli with Fried Rice

I ordered a combination platter of Beef and Broccoli with Fried Rice and an Egg Roll with a Coke. Their prices are so reasonable and their portion sizes are very fair. It was a nice dinner before I left Manhattan that evening.

The Beef and Broccoli entree

Their Egg Rolls are excellent

Being a member of many museums, this is one of the perks about membership. You get to enjoy these wonderful evenings while supporting the museums which in this economy really helps. That’s why I have enjoyed supporting them for years. The donation benefits everyone.

Coney Island History Project c/o Deno’s Wonderful Wheel Park                                                    3059 West 12th Street                                         Brooklyn, NY 11224

Coney Island History Project c/o Deno’s Wonderful Wheel Park 3059 West 12th Street Brooklyn, NY 11224

Coney Island History Project

C/O Deno’s Wonder Wheel Park

3059 West 12th Street

Brooklyn, NY 11224

https://www.coneyislandhistory.org/

Open: Sunday-Saturday 1:00pm-7:00pm (summer months only-May 24th-September 1st)

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d4777489-r1014119112-Coney_Island_History_Project_Walking_Tour-New_York_City_New_York.html?m=19905

The front of The Coney Island Project

I came across this interesting museum/gallery when I was walking around Coney Island. The museum is a few small rooms located in one of the buildings in Deno’s Wonder Wheel Park. The museum is not related to the Coney Island Museum on Surf Avenue.

The small gallery space has a wealth of information and some interesting artifacts on Coney Island’s history both past and present.

The main room had artifacts and pictures of Coney Island’s past amusement history. There were many photo’s of the old parks, especially Steeplechase Park before its closing in 1965. It shows its development, growth and changes after the 1907 fire that destroyed the park.

There was all sorts of artifacts from that time as well as the former Astroland that was replaced by the new Luna Park. If you know the history of Coney Island, this can fascinating to read.

The second room had the later history when the Island’s amusements fell into disrepair and the whole island seemed to fall apart. The pictures show a very run down Coney Island.

The outside pictures show Coney Island in its heyday when during the 1930’s and 40’s before and during WWII, the island being a place of relief for so many New Yorker’s especially the working class.

The inside of the gallery

The main gallery

The Steeplechase Exhibition

Coney Island in ruin in the 1970’s

The history of Deno’s Wonder Wheel Park

The display outside the museum

The mechanical display that sings and dances

The Miss Coney Island robot is a throwback to old technology and campy robotics that is fun to watch. For a quarter, you can take an interesting video with this robot.

The Deno’s Map of the park

The history of the park

The History of the Museum:

(From the Coney Island Historical Coalition website)

The Coney Island History Project’s 2025 exhibition center season begins Memorial Day Weekend with a combination of free indoor and outdoor exhibits.  Visitors to the exhibition center are invited to take free souvenir photos with Coney Island’s only original Steeplechase horse, from the legendary ride that gave Steeplechase Park its name, and the iconic Cyclops head from Deno’s Wonder Wheel Park’s Spook-A-Rama, Coney Island’s oldest dark ride. 

The real Midway

I took pictures after the Mermaid Parade and showed how busy the amusement section was that day. There is so much potential to update the amusements and modernize the area with new rides and concessions. There is so much that can be done here. I already see new luxury apartment buildings being built and the revamping of the main shopping drag.

The Boardwalk at the end of the evening.

The Coney Island Boardwalk at twilight

Indian River Life Saving Station Museum                  25039 Coastal Highway                                             Rehoboth Beach, DE 19971

Indian River Life Saving Station Museum 25039 Coastal Highway Rehoboth Beach, DE 19971

Indian River Life Saving Museum

25039 Coastal Highway

Rehoboth Beach, DE 19971

(302) 227-6991

https://www.destateparks.com/park/indian-river-life-saving-station/

https://visitsoutherndelaware.com/listing/indian-river-life-saving-station-museum

Open: Sunday 9:00am-3:00pm/ Monday-Saturday 9:00am-4:00pm (Schedule is flexible with the seasons)

Admission: $4.00

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g34048-d208535-Reviews-Indian_River_Life_Saving_Station_Museum_at_Delaware_Seashore_State_Park-Rehoboth_Be.html

The front of the Indian River Life Saving Museum at 25039 Coastal Highway

History of the Indian River Life Saving Station:

(From the Delaware State Park website)

The original Indian River Life-Saving Station was built in 1876 for use by the United States Lifesaving Service, a government organization created to respond to the alarming number of shipwrecks along the coastlines of the United States and the precursor to today’s U. S. Coast Guard. The Life Saving Station today is a maritime museum that honors these courageous sailors and the rich history of their deeds. Listed on the National Registry of Historic Places, it is a must visit piece of Delaware history.

The front of the historical sign describing the park

The recent History of the Museum:

(From the Delaware State Park website)

The building was first located 400 feet closer to the shore, but a sand dune began to form around it almost as soon as it was finished. It was moved to its present location in 1877, and today has been meticulously restored to its 1905 appearance, complete with diamond-shaped trim. The museum is listed in the National Register of Historic Places.

The entrance of the museum

The Screening Room in the Visitors Center where you learn about the Life Saving Center

I started my tour of the Indian River Life Saving Museum at the Visitors Center with a quick video of the history of the building and the men who lived and worked here. The organization was the precursor to the modern Coast Guard. What I thought was interesting is that the way of rescuing people has not changed that much since the 1800’s. It has modernized with equipment and knowledge but the process is still similar to what it was then.

The Screening Room lined with historical pictures

The Screening Room lined with pictures of the history of the area

You can take two audio tours as you start to tour the station building just by calling into your phone, one of the exterior and one of the interior, room by room. Each room and many objects have a number assigned to them and you can listen to a description of the subject matter.

The Rescue Saving Station from the exterior. The building has a Queen Ann design.

The first room you enter is the kitchen area where all meals were prepared and the men ate their meals. These men could not leave the facility because of the hours and type of work required, supplies were brought in and stored in this area.

The old ice box where foods were stored

The pantry area where all the dry goods were stored

For recreation, the men read, entertained themselves with music and conversation. This room was used for recreation purposes and some down time for the staff.

The first floor downstairs room was used for entertainment and recreation during the downtimes

Old equipment and relics on display in the main room

Old equipment used at the station house

Methods of tying ropes and nautical rescues illustrated

Portrait of one of the old station masters

The main room held all the rescue equipment used to save both people and property. This included all the boats, ropes, pulleys and buckets for rescue.

The main rescue boat and paddles

The rescue boat used by the station to save people and cargo

Ropes and wenches to save and pull in damaged vessels

The bucket rescue method

The second floor contained the living quarters. Since the Team worked in shifts, pretty much no one left the building except for small breaks. The men slept in shifts with one man working night duty in four hour intervals to watch the shore for wrecks.

The living quarters for the station master

The small office in the room

The men slept on one room with the window facing the sea in a dorm like setting. The room was equipped with natural light and a view of the sea to watch over the coastline.

The bedroom of the men on duty

The bedroom

Separate room for private time

The locker storage area where each man’s personal items

The stairs leading to the portico for lookout duties

The grounds of the Rescue Saving complex and its location near the beach.

The tour was a lot of fun and gives you a glance of the heroism and isolated life of these men must have been back then. Today there are things like rotations and vacations, opinions that some of the men back then did not seem to have. Still these brave, well trained men kept the beaches and the oceans safe for many seafarers.

Cooper-Hewitt Smithsonian Design Museum              2 East 91st Street                                                New York, NY 10128

Cooper-Hewitt Smithsonian Design Museum 2 East 91st Street New York, NY 10128

Cooper-Hewitt Smithsonian Design Museum

2 East 91st Street

New York, NY  10128

(212) 849-8400

Home

Open: Sunday-Saturday 10:00am-6:00pm

Fee: Adults $18.00/People with Disabilities & Seniors $10.00/Children Under 18 Free/Students $9.00. Check the prices online as they change.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d106188-Reviews-Cooper_Hewitt_Smithsonian_Design_Museum-New_York_City_New_York.html?m=19905

 

Cooper Hewitt Museum II.jpg

The Second Floor Design floor

I recently visited the Cooper-Hewitt Smithsonian Design Museum for the first time. I can’t believe that all those years visiting the Met just down the road I had never stopped in the museum to take a peak. I went into see the “Nature-Cooper Hewitt Design Triennial” exhibition that was showing on all three floors of the museum. It was an interesting look on how nature plays a role in design and there is a beauty in the unusual shapes and colors that nature provides us.

Cooper Hewitt Museum IV.jpg

Third Floor studio

The first floor was composed of design found in nature. You will see blood samples that move and shiver, electric movements and the role of it in nature and how plants and animals can be shown in simplest terms. On the second floor, you will see the prints in clothing and in home décor and see how color and design enhance beauty in an every day environment. The third floor will show more home décor and design objects.

Cooper Hewitt Museum III.jpg

The First Floor Elements

What is unique about the museum is how the mansion was converted into display areas and the use of the interior was blended into fabric of the museum. Take time to look at the areas around the staircases to admire the ceiling and the walls. It must have been a very grand home in its day.

Cooper Hewitt Museum V.jpg

The stairs of the mansion

Purpose of the Museum:

The Cooper Hewitt Smithsonian Design Museum is a design museum located in the Upper East side’s Museum Mile in Manhattan. It is the only museum in the United States devoted to historical and contemporary design. Its collections and exhibitions explore approximately 240 years of design aesthetic and creativity. In June 2014, the museum changed its name from Cooper-Hewitt, National Design Museum to Cooper Hewitt, Smithsonian Design Museum and reopened to the public that December (Wiki).

Cooper Hewitt Museum.jpg

History of the Museum: (Provided by Wiki)

The Cooper-Hewitt Museum was founded in 1896. It was originally named Cooper Union Museum for the Arts of Decoration and it fell under the wing of the Cooper Union for the Advancement of Science and Art. In 1895, the granddaughters of Peter Cooper, Sarah Cooper Hewitt, Eleanor Garnier Hewitt and Amy Hewitt Green, asked the Cooper Union for a space to create a Museum for the Arts of Decoration. The museum would take its inspiration from the Musee des Arts Decoratifs, Paris. The museum would serve as a place for Cooper Union students and professional designers to study decorative arts collections. Cooper Union trustees provided the fourth floor of the Foundation Building. It opened in 1897. It was free and open three days a week (Wiki).

The museum and the art school started to distance themselves from on another in regards to programming. Other departments of the Cooper Union were making financial demands and the Cooper Union announced that they would close the museum. This led to the museum being closed on July 3, 1963. Public outcry was strong against the closing. A committee to Save the Cooper Union Museum was formed by Henry Francis Du Pont (Wiki).

The American Association of Museums developed a case study about the future of the museum. Negotiations then began between the Cooper Union and the Smithsonian Institution. On October 9, 1967, Smithsonian Secretary S. Dillon Ripley and Daniel Maggin, the chair of the Board of Trustees signed an agreement turning over the collection and library of the museum to the Smithsonian. On May 14, 1968, the New York Supreme Court transferred to the Smithsonian and the museum was renamed the Cooper-Hewitt Museum of Design. The following year, 1969, it was renamed as the Cooper-Hewitt Museum of Decorative Arts and Design. In October of that year, Lisa Taylor became the Director (Wiki).

The museum, which was the first Smithsonian museum outside of Washington DC, moved to its home at the Andrew Carnegie Mansion in 1970. The Mansion was renovated and the museum opened to the public on October 7, 1976 with the exhibition “Man transFORMs”. A conservation laboratory was opened in July 1978. The Samuel H. Kress Foundation funded the lab and it focuses on textile and paper conversation. Lisa Taylor retired in 1987 and in 1988 Dianne H. Pilgrim took her place as Director. In 1994, the museum’s name was changed again to Cooper-Hewitt, National Design Museum. Pilgrim retired from the museum in 2000. In 2000, Paul W. Thompson became Director. On June 17, 2014, the museum’s name was changed again to Cooper Hewitt, Smithsonian Design Museum. A new graphic identity, wordmark and new website was launched on this day. This identity was designed by Eddie Opara (Wiki).

The building is located in the Andrew Carnegie Mansion. The Georgian style mansion was built over the course of years 1899 to 1902 and has sixty rooms. The home served as not only the home for Andrew Carnegie, his wife and daughter but also as his office for his philanthropic work after his retirement. The mansion was designed by  Babb, Cook & Willard. It was the first private residence in the United States to have a structural steel frame. It was the first home in New York to have an Otis elevator (Wiki).