I recently visited the Easton Tower on a beautiful sunny day and it really is a treat to see. It is located on the Saddle River Bike Path, so you can access it from the other side of the park and park on that side of the road for easy access. After seeing the tower, take a walk up and down the Saddle River Bike Path. It is really beautiful to follow the river on a nice day. It is really picturesque and a wonderful place to take pictures and enjoy nature.
The historic Red Mill Marker
This information is provided by the Bergen County Division of Cultural and Historic Affairs:
The Easton Tower is a unique historic site in Bergen County, NJ. This stone and wood frame structure was built along the Saddle River in 1900 as part of a private landscaped park in the Arcola area Paramus. Surrounded by busy NJ roadways, it is now adjacent to the County’s Saddle River Bikeway.
The front of the tower on the bike path
The tower sits near the Saddle River in the Saddle River Park
Once used to pump water to irrigate and provide a scenic setting for the estate of Edward Easton, it is a 20 foot rectangular, stone-masonry tower topped with a wood-frame structure and a wood-shingle, gabled roof. On the side is a large wood water wheel, which is under a wood-shingle roof. The architect Henry Ihnen designed it.
Easton Tower historical information sign
In the 18th century, this area along the Saddle River and near the heavily used Albany Post Road, was the location of many mills. Jacob Zabriskie, a Bergen County Freeholder during the Revolutionary War had leased the 80 acre mill site around 1766 and in 1771 acquired the mill that had been built in the 1740’s. Revolutionary maps identify it as “Demarest’s and Zabriskie’s Mills.”
The Easton Tower in Saddle River Park
Over time it was rebuilt or expanded and in the early 1800’s painted red by its owner Albert Westervelt. It is at this time it acquired the “Red Mill” name often mistakenly applied to Easton Tower. By the 1800’s, the mill had fallen into disrepair and was demolished circa 1894.
The inside of the tower
The Easton Tower inside
In 1899, Edward D. Easton (1856-1915), bought this almost 48 acre site, which included the mill pond and dam. The area was called “Arcola”. Easton’s father, a teacher, had originally brought his young family to this area and suggested the name for the new settlement after a town in Italy. Edward Easton was a notable figure in American technological history. He started out as a stenographer, reporter and then a court stenographer In Washington DC, covering many famous trials in the 1880’s. After the 1886 patent was granted for the method of engraving sound by incising wax cylinders, Easton went on to make his fortune in the recording industry. He was a founder and eventually president of the Columbia Phonograph Company, which became one of the three major recording companies at the turn of the twentieth century.
The Easton Tower from the back
After opening an office in New York City, Eaton relocated his family from Washington DC to Arcola. He had a large house built on his property and commissioned the design of a landscaped park. The tower, to be built neat the site of the old Red Mill was a functioning structure pumping water to several fountains. There were also rustic bridges, lakes and expansive lawns. The tower was a favorite of photographers and appears in many contemporary postcards. People came from miles around to this beautiful spot to take boat rides and walks and in the winter, ice skate near the tower. Sources list the Easton home and park as having been used in early silent films.
After Easton’s death in 1915, the property went through various owners. In 1931, construction of the Route 208 connection with Route 4 at “the Old Mill at Arcola” provided access to the recently opened George Washington Bridge. This destroyed sections of the landscaped park and isolated the tower. In 1940, the 1.26 acres site was sold at a sheriff’s sale to Clyde A. Bogert. The County acquired the tower from the Bogerts and the Blauvelt-Demarest Foundation in 1956. In 1967, the Bergen County Park Commission dedicated the tower. Easton Tower was placed on the State and National Register of Historic Places and in 2008 was completely restored by the County. It can be viewed from the Saddle River Bikeway and visited year round.
Disclaimer: This information is taken from the Bergen County Division of Cultural and Historic Affairs (C) 2015 pamphlet. The Bergen County Division of Cultural & Historic Affairs received an operating support grant from the New Jersey Historical Commission, a division of the Department of State.
Special Note: I visited the site recently and it is hard to get to by car. It is located right off Saddle River Road and it is off on a odd bend in the road. It is a quick turn to the right so pay attention to the directions.
Open: Sunday-Saturday-10:00am-4:30pm/Please check the website during the off seasons
Fee: Bergen County Resident: $4.00 Adults/$2.00 Child/$1.00 Seniors/Child under 3 Free/Non-Bergen County Resident $8.00 Adult/$5.00 Child/$2.00 Seniors-Disabled/Children under 3 and Active Military free
I went to the Bergen County Zoo for the first time in eight years and I have to say it has not changed much since I was a little kid. There have been some improvements and displays that look different but the feel of the zoo is very much the same as it was when I was eight and visiting with my cousins who lived in the area.
Still I like the appeal of the this zoo. It has a very family friendly feel about it. They still have the same entrance, gift shop and train service around the zoo. The Discovery Center has reptiles, snakes, turtles and lizards as it did before and the barnyard exhibition is still interesting. The cows, horses and goats still look at you with an inquisitive look, like they were jaded by looking at humans.
It is a great place to spend the afternoon with small children and teenagers who are interested in animals. They have also added food trucks to the entrance of the zoo for more food selections.
The Zoo History and Happenings (2022):
The Bergen County Zoo has been enjoyed by thousands of people over the years and has many fans. Every season, hundreds of families walk through the doors of the zoo to enjoy the afternoon out, visit the animals and ride the train around the park. What started as a duck pond and reserve in Van Saun Park in the 1960’s has morphed over time to the current zoo.
The entrance to the Bergen County Zoo
The 1980’s saw a tremendous change in the animal collection. The first birth of an endangered species in our zoo’s history occurred in 1982 with the birth of a Brown Lemur. Numerous species, many endangered were added including Ocelots, Red Brocket Deer, Mountain Lions and Snowy Owls among others. Births of Ocelots, Brocket Deer and Spider Monkeys occurred throughout the second half of the 80’s .
The Zoo Map
As the zoo moved through the 1990’s, many changes continued to occur. The zoo’s commitment to wildlife conservation strengthened and more endangered species were added to the collection including Andean Condors, Golden Lion Tamarins, Goeldi’s Monkeys and Galapagos Tortoises.
Andean Condors exhibit
The Golden Lion Tamarin.
Goeldi’s Monkey Exhibit
The Galapagos Turtles
Additional areas were renovated, providing exciting opportunities for our visitors to view and learn about many new species. Major projects completed in the 1990’s area as follows:
Projects:
Mountain Lion Exhibit (completed 4/90)
North American Plains Exhibit (completed 10/92)
Master Plan (completed 06/93)
Bergen Dutch Farmyard (completed 10/94)
South American Exhibit Areas (completed 10/96)
Zoo Entry Complex (completed 08/99)
Efforts to secure alternative funding sources became fruitful in the 1990’s with over $200,000 in federal grants received. In addition, local businesses and corporations increased their support of various zoo activities through cash and in-kind contributions.
The Zoo gardens at the entrance.
Additionally a new entry complex was developed including new ticketing facilities, a new train station, gift shop and entry plaza. New and exciting special events were also developed including Holiday Lights and Zoo Boo, the most heavily attended event in zoo history. Educational programming was significantly re-developed, providing opportunities for our area residents to explore the zoo and learn about wildlife in new and innovative ways.
The Zoo Keepers Office in the front of the Zoo.
Another significant milestone for the zoo was the development of a comprehensive master plan. This planning tool was created to identify the future needs of the zoo and its visitors as well as provide an organized and orderly schedule of development.
The Discovery Zone with the reptile exhibits
The Lizard Case
The Turtle case
As the 21st Century began, zoo development continued to advance. Several major projects were undertaken including a new state-of-art Animal Care Center, an Outdoor Demonstration Area for public programming and an Education/Discovery Center. All of these projects enhance the experience of our visitors, while furthering the zoo’s mission of wildlife conservation and public education.
The Waterfall at the Zoo
The Pollinator Garden
The Sundial in the Garden
Additionally, the zoo took a major step in support of conservation by establishing an annual field conservation grant program. The program provides financial support to researchers conducting field work in North and South America. Also, the zoo’s original master plan was formally revisited and determined to be no longer effective. As a result, a new plan was developed to assist the zoo in its development strategies over the next 20 years.
The Ostrid Habitat
In 2007, we moved forward with a Coati exhibition replicating an abandoned adobe. To address the needs of our keepers, we built a holding facility in 2008 for our alligators at their exhibit, therefore eliminating annual roundup of alligators. With the decline in the economy, the zoo has directly been affected. Funds for construction of new exhibits have been put on hold and fixing existing structures is taking priority. A new Neotropical songbird exhibit opened in 2009, adding new birds to our collection.
Birds at play
A larger guanaco exhibit was built at the far end of the zoo utilizing empty pasture space in 2010. In 2011, we had some dramatic effects caused by severe weather and significant personal changes, including the resignation of our zoo director of over 30 years, a change in the board of the Friends of the Bergen County Zoo Inc. and a new director of parks. So we start another chapter in our history.
Horse Pasture and stream in the zoo
The horse grazing in the pasture
In the last five years, the zoo has had many changes. New Tamarin exhibit was constructed in 2013, two buildings constructed to replace the single outdated structure. Replacement of one of our bridges in the zoo, a wood bridge was replaced with a wider concrete bridge with decorative railings and new light posts.
The Mountain Lion exhibition
The removal of our seasonal outdoor exhibit support structure in 2015 so we can prepare for an interactive barn which will be open all year round by the end of 2017. In 2015, one of the best features we added was the new overflow parking lot. This lot will vastly improve our visitors parking experience as it replaces our old overflow parking, which was a muddy field with many walking hazards.
The Barn and the Barnyard exhibition
Farm cow gazing
One of the goats relaxing by the barn
Also, 2015 was milestone year marking 25 years as an Accredited Institution of the AZA, for a small zoo this is truly an accomplishment. In light of this, in 2016 a new Master Plan was developed with Jones & Jones and new county administration so we have a new direction for future projects.
The Elk and Bison Exhibit
This plan includes the construction of a new prairie dog exhibit and bison & elk viewing area (to open in the spring of 2017). This will provide more opportunities for schools and our education department to conduct classes related to our exhibits of eagles, prairie dogs and the bison & elk.
The Prairie Dog exhibit in 2024
(This annotated history of the Bergen County Zoo was provided by the staff of the zoo).
The Bergen County Zoo is an accredited member of The Association of Zoos and Aquariums.
Beginning with November 1st, the Bergen County Zoo will be free of admission. The weather during the late fall and winter months does not allow for the majority of the animal collection to be view able to the public (see the above Animal Collection link for further details). Admission to the zoo will resume in May of 2017-forms of payment are cash and credit only. The admission fee schedule is listed below. Please note that in order to receive BC Resident rates, proof of residency is required at the admission ticket window.
Mountain Lion den
Amphitheater:
In July and August, live animal shows are held daily in our outdoor amphitheater, which is located behind the Tamarin Exhibit. Shows are free with zoo admission and seating is first-come, first-served. Daily shows with time frames can be seen as you enter the zoo.
Train/Carousel:
Cost: $1.50 (cash only)
The train and carousel operate from mid-April to mid-November (approximately). Hours are typically from 10:00am-5:00pm unless otherwise specified (weather permitted) with the last ticket being sold at 4:30pm and the last ride at 4:45pm.
The lines of people waiting for the next train ride
Schedule for the train and the carousel, for the week of June 11th-June 17th are as follows:
Train: Sunday, Monday, Tuesday, Wednesday, Thursday, Friday and Saturday
Carousel: Sunday, Tuesday (opens at 1:00pm), Wednesday, Thursday, Friday and Saturday.
Pony Rides:
The Pony Ride concession operates from April through October. Currently, the vendor is Ironside Farms, they can be reached at (201) 835-0932.
The Sundial and Gardens
Disclaimer: this information was directly from the Bergen County Parks Site and can change at any time. Please call the zoo for more information.
Open: Please check the website for the seasonality of the park
*Located in Van Saun Park at the entrance.
My review on TripAdvisor:
The historic marker of the Washington Spring
The Washington Spring, a 1/2 area within Van Saun County Park, is associated with General George Washington and the movement of his Continental Army through this area of Bergen County during the Revolutionary War.
The small section of Van Saun County Park is one of the more quieter places to visit and one of its most historical. The pathways work their way around the springs and the plantings and flowers are especially nice in the early to late Spring months. It really is a beautiful walk.
The entrance to the Washington Spring
The pathways in bloom
History of the Washington Spring:
The hollow between hills known as “Slukup” until it was changed to the more pleasant-sounding “Spring Valley” in 1832. In the Dutch Frisan language “slukup” described a boggy area. The local Banta family was from Friesland in northern Holland and one of the area’s earliest settlers. Natural springs feed the streams in this area that flow through Van Saun Pond and eventually into the Hackensack River. The park’s land was part of 300 acres owned by Albert Zabriskie in 1686. In 1695, he sold 224 acres to Jacob Van Saun of New York City.
The spring running through the garden area.
The road to Slukup, now Howland Avenue, served as the border between Jacob Van Saun’s farm to the south and son-in-law Christian Dederer’s farm to the north. Hendrick C. Banta, who owned a cider mill in the Steenrapie area (River Edge), lived west of the Mill Creek that flows through the park.
Ferns along the pathways
On September 4, 1780, General Washington moved the troops of the Continental army, numbering approximately 14,000 into a strategic encampment west of the Hackensack River between New Bridge in the south and Kinderkamack to the north in Steenrapie. They were part of the defense to challenge the British military stronghold on Manhattan and prevent any intervention with the landing of allied French troops in Rhode Island. Hendrick Banta reportedly sold a barrel of cider to these troops “every other day”. His 10 year old son, Cornelius, reportedly saw General Washington on his horse three times. During one of these sightings the General was watering his horse at the spring, giving rise to the name “Washington Spring”.
The Washington Spring pathways
On September 17th, General Washington, General Knox and the Marquis de Lafayette, who was headquartered at the northern end of the encampment in the area known as “Soldier Hill” in Oradell, left for Hartford, Connecticut to meet the recently arrived French commanding officers. The rest of the Continental Army decamped on September 20th.
Sitting area and monument in the Washington Springs
The Bergen County Park Commission was created in November 1946 and in 1987 because the Division of Parks. Recreation and Cultural Affairs. Van Saun Park, whose 140 acres include Washington Spring, was created in 1957. Also, within the park is the Bergen Zoological Park, that opened in 1960. Open year round during park hours and is surrounded by accessible pathways.
The Spring area, which is right off the parking lot leading to the zoo, is beautifully landscaped with benches, pathways and flowering plants like azaleas, rhododendrons and flowering trees. In the early spring, the look around the Spring is quite colorful and picturesque. It is a nice way to spend the afternoon, walking quietly around the paths and see where the General once watered his horse. The entrance of the Spring is under plants but becomes a stream further down. Another part of the great history of Revolutionary War and the part New Jersey played in winning the war.
The spring running through the woods
*Disclaimer: this information is taken directly from the Bergen County Division of Cultural & Historic Affairs pamphlet. The Spring is part of Van Saun Park as you drive in and watch for the signs. It really is a beautifully landscaped part of the park and its historical influence in the war should not be missed. (2015 Bergen County division of Cultural and Historic Affairs. The Bergen County Division of Cultural & Historic Affairs received an operating grant from the New Jersey Historical Commission, a division of the Department of State.
There is a real beauty and quietness to the Washington Spring.
I go to The Cloisters on a pretty regular basis, and they have interesting walking tours and lectures especially in the warm months. If you like Medieval or religious art, this is a museum that is worth visiting. It is out of the way and be prepared to walk up a hill but in the summer months, the view of the Hudson River is spectacular, and the gardens are beautiful.
The Cloisters in Fort Tyron Park
Don’t miss the walking tours and gallery talks at the museum. I have recently been to a series of walking gallery talks dealing with the history of Medieval arts. There were discussions on Medieval art between Christian and Muslim religions, Traveling the Silk Road and its influences on art in the regions and the collection and how it has improved and grown over the years. It seems there has been a uptick in this type of art.
This section of the shine is on a permanent loan from Spain
The building is just beautiful as it was created from pieces of religious sites all over Europe. Many of the doorways, cloisters (archways), stone work and fountains and windows come from churches that had been destroyed by wars over the past 600 years. Bits and pieces of all of the these buildings are displayed in the architecture of the museum itself. Some are on permanent loan to the museum from foreign countries.
Don’t miss the famous “Hunt of the Unicorn” tapestries that are on display here. They are quite a spectacular exhibit.
The ‘Hunt of the Unicorn’ tapestries
Be sure to visit the outside terraces of the Cloisters to see the views of the Hudson River below and the beautiful gardens of Fort Tyron Park where the building is located. It is a sea of green lawns and woods and beautifully landscaped flowering paths.
The Cloisters Gardens in the winter of 2022
The Cloisters Gardens in the Spring of 2024
The view from the gardens of the Hudson River
The view of the Hudson River in Spring 2024:
There is a nice café on property but there is also a small restaurant row on Dyckman Avenue at the foot of the park right near the subway stop. There are also many terrific Spanish restaurants on Dyckman Street as you walk down the block towards Fort George Hill.
‘Christmastide’ at The Cloisters:
I recently went to the Cloisters for a very interesting walking tour called “Holly & Hawthorne: Decorating for a Medieval Christmas” in 2019 and a similar tour in 2022 entitled “Holiday Decorations at The Cloisters” the use of plants like holly, mistletoe, pine and ivy were used in the winter months to decorate the churches and homes of the people until the Puritan influences took over.
Sampling of the plants used at the holidays in Medieval times.
(Part of the description of the tour in the guidebook-credit to the Met Cloisters):
“The wreaths and garlands that deck The Cloisters from early December until early January are made from plant stuffs associated with the Medieval celebration of Christmastide. This great feast embraced the twelve days between the Nativity and the Epiphany, which commemorated the visit of the Three Kings to the infant Jesus.
The Candelabras of the Cloisters.
Because pictorial representation of medieval Christmas decorations are rare, the Museum’s designs are based on evidence gleaned from carols, wassails, romances and artworks. Medieval churches and halls were decked for the season, a practice with roots in ancient custom. The early Church had banned the use of evergreens because of their ties with pagan winter festivals, such as the Roman Saturnalia. By the Middle Ages, these plants had been given Christian interpretations and were used to celebrate the feast days of the Church calendar. Bay Laurel, associated in ancient times with victory, became a symbol of the triumph of Christ and of eternal life.
By the Middle Ages, holly and ivy had been thoroughly Christianized, although mistletoe remained suspect. Ivy was identified with the Virgin and the red berries of the holly with the blood of Christ. The holly and ivy carols still sung today spell out these meanings older associations derived from pre-Christian winter festivals.
Apples and nuts, stored for winter consumption, were a conspicuous part of the Christmas feast, as they are today. It was also the custom in winter to wassail fruit and nut trees, to encourage them to bear plentiful crops in the coming year. Fruits and nuts were ancient symbols of fertility Christian meanings; in a medieval poem on the Nativity.
The Cloisters decorated for Medieval Christmas
The tour guide discussed by touring the paintings and tapestries where these symbolic plants took shape during this time. She even explained how ivy when it reaches sunlight that its shape goes from a three leaf shape to a heart shape which was symbolic during the Middle Ages. The gardens were a good source of inspiration for the holidays.
The stonework was decorated with garland and holly and flowering plants
The Cloisters decorated for Christmas
Don’t miss walking the halls and cloisters to look at all the decorations for the holidays. The museum keeps them simple and elegant but it really does put you in the holiday spirit. The use of flowering plants during the holiday season was not just related to the holiday season but they gave a nice smell to this musty churches and added a bit of cheer to the environment as well.
The flowers and pine when you enter The Cloisters
The “Holiday Decorations at The Cloisters” walking tour: December 2022:
The altar at The Cloisters
The Medieval plants for decorating the church including Bay Laurel, Myrtle, Rosemary and Cyclamen.
The flowers decorating the windows. Roses and pine.
Decorated altar candles
Decorated Altar Candles
Decorated Altar Candles
The Fruits and Ivy that decorate the archways at The Cloisters is changed regularly. Each of the ivy vines was encased in small water tubes that had to be changed each week.
The Christmas wreaths were decorated with fruits, ivy and pinecones
Along the walls and floors of The Cloisters were potted plants that would have been used to decorate churches during this time period. The flowering plants gave The Cloister such a nice smell and would have lighted up the inside rooms from the gloom of winter.
The hallways were lined with winter greens
The winter greens that lined the hallways of The Cloisters
The decorative winter greens lining the walls of The Cloisters
The orange tree was a symbol of gold and prosperity.
The Medieval door decorated for the holidays.
The tour guide also pointed out for the story of Christmas depictions of the three wise men in art all over the building and its importance in the holiday season. The story continued to develop on the three ‘kings’ who visited the holy child.
She explained that over the years it went from three ‘visitors’ wisemen’ that was loosely translated in older text to the modern development of ‘three kings’ from the continents of Asia, Africa and Europe. In 2024, I took a holiday tour on “Three Kings Day”, the celebrated the three kings and their visitation of the holy child.
The three Wise Men and the Virgin Mary
The three Wise Men and the Virgin Mary and Child as depicted in the painting
The three Wise Men in a more modern depiction. It seemed that the story morphed over time from three Kings, one being older, one younger and one with a darker complexion became a King from each continent to represent the diversity in the church and the spread of Catholicism.
The “Adoration of the Shepherds”
The Virgin Mary with the Christ child and the three wise men in the “Adoration of the Shepard’s”.
The “Adoration of the Magi”
The stained glass window of the “Adoration of the Magi”.
The “Thirty-Five Panels” of the Three Wiseman”
The Three Wisemen from the “Thirty-Two Panels”
The stained glass window of the “Three Scenes of the Infancy of Christ”
The “Three Scenes of the Infancy of Christ”
The “Christ is born as Man’s Redeemer” Tapestry.
The small section of the tapestry with the Three Wisemen.
Walking through the Cloisters during the holiday season.
The tour guide went onto explain that in more elaborate feasts, the utensils and items used during ceremonies would have been of the most elaborate that the church could show.
Elaborate vessels. plates, challices and specters used in ceremonies
Elaborate drinking glasses
I toured the Cloisters again in 2023 and saw the same symbols of Christmastime in the halls with elaborate floral displays and beautiful potted floral arrangements all over the building.
The hallways of the Cloisters decked with flowering plants.
The “Winter Roses” with other flowering plants.
More flowering plants lining the walkways.
Flowering displays
The winter plants of the Cloisters.
The Candelabra’s were quite elaborate.
I thought this Dragon painting was very interesting.
The Dragon Sign.
The Dragon Painting.
Spain 1000-1200: Art at the Frontiers of Faith” tour in 2021:
I visited again this Christmas holiday season in 2021 to see “Spain 1000-1200: Art at the Frontiers of Faith”, where the Catholic and Muslim Kingdoms of Spain influenced each other in the manner of decoration and art borrowing from each other. It was interesting to see how the two communities used each other’s art over time to develop an interesting hybrid of design that was both colorful and intricate.
“Spain 1000-1200: Art at the Frontiers of Faith” artworks
Another tour of the Cloisters that I attended was on the ‘Four Medieval Flowers: The Lily, Iris, Violet and Rose’. It was interesting how society of this era used the former Pagan and Roman/Greek symbols in their Christian religious art.
You see the Rose in the stained glass to represent strength and honor
You will see the meanings in the tapestries, stained glass art and in the sculpture to represent purity, rebirth and sexual symbols of the time. It seemed that the artisans of the time used ancient meanings to convey something that they could not out and out talk about.
In the “Hunt of the Unicorn” Tapestries you can see flowers such as Lilly, Violet and Iris woven into the work which may have meant it was a wedding present to the new owner. The tour guide said there was meaning in lots of the works which may have had a different purpose originally. It was a tour steeped in symbolism.
The Spring and Summer Time visits to The Cloisters and the Gardens:
The Cloisters in the Spring and Summer months is very different. The Gardens are in full bloom, the views of the Hudson River are still amazing and the flowers look and smell so beautiful. There are three sets of gardens in the Cloisters, the potted plants on the deck facing the Hudson River and the two Cloisters on the first level and the one in the Trie Cloister where the cafe is located. Each has their unique plantings.
The potted plants on the deck of The Cloisters in the Spring of 2024
As pretty as some of these plants are some are poisonous so you have to watch out.
The view from the back decks of the museum of the Hudson River
The view of the Hudson River
The gardens in The Cloisters
On Sunday, August 10th, I took an extensive garden tour of the separate Cloisters in each parts of the museum. The tour talked about the use of the Cloisters gardens of the past and they were used for herbs, remedies and for the simple pleasure of beauty, color and relaxation.
The religious symbols in the gardens
The gardens have been planted with historical accuracy but as the tour guide explained, to keep the gardens in bloom from the early Spring to the late Fall, you have to add different plants for color.
The beauty of the gardens in bloom
The beauty of the gardens in the Spring of 2024
The gardens were very popular over the weekend
Some of the Cloisters gardens produce fruits, vegetables and herbs that the staff can take home. These gardens show not just how beautiful they look but how people used them for every day purposes.
The gardens were popular that day
The beauty of the gardens
The gardens in the Spring of 2024
These walking tours at the Cloisters happen at 12:00pm and 2:00pm on the weekends when in season.
The beauty of the Cloisters
The herb gardens in the summer in 2025
The Cloisters Mission:
Welcome to The Cloisters, the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe. Set on a hilltop with commanding views of the Hudson River. The Cloisters is designed in a style evocative of medieval architecture specifically for the display of masterpiece created during that era. Arranged roughly chronologically and featuring works primarily from Western Europe, the collection includes sculpture, stained glass, tapestries, painting, manuscript illumination and metalwork. The extensive gardens feature medieval plantings, enhancing the evocative environment.
The Gardens at the Cloisters in bloom
History of the Museum
John D. Rockefeller Jr. generously provided for the building, the setting in Fort Tryon Park and the acquisition of the notable George Grey Barnard Collection, the nucleus of The Cloisters collection. Barnard Collection, the nucleus of The Cloisters collection. Barnard, an American sculptor whose work can be seen in the American Wing of the Metropolitan, traveled extensively in France, where he purchased medieval sculpture and architectural elements often from descendants of citizens who had appropriated objects abandoned during the French Revolution. The architect Charles Collens incorporated these medieval elements into the fabric of The Cloisters, which opened to the public in 1938.
Romanesque Hall
Imposing stone portals from French churches of the twelfth and thirteenth centuries open onto a gallery that features rare Spanish frescoes and French sculpture.
Fuentiduena Chapel
The twelfth-century apse from the church of San Martin at Fuentiduena, Spain and the great contemporary fresco of Christ in Majesty from a church in the Pyrenees Mountains dominate the space. Sculpture from Italy and Spain enriches the chapel, which is the setting for a celebrated concert series.
Saint-Guilhem Cloister
The fine carving of this cloister from the monastery of Saint-Guilhem-le-Desert, near Montpellier, harmoniously and playfully adapts the forms of Roman sculpture in a medieval context. The plants depicted in the sculpture, acanthus and palm, are growing in pots near the small fountain. The gallery also features early sculpture from Italy, Islamic Spain and elsewhere in France.
Langon Chapel
Architectural elements from the twelfth-century church of Notre-Dame-du-Bourg at Langon near Bordeaux form the setting for the display of thirteenth-century French stained glass and important Burgundian sculpture in wood and stone.
Pontaut Chapter House
Monks from the Cistercian abbey at Pontaut in Aquitaine once gathered for daily meetings in this twelfth-century enclosure known as a chapter house. At the time of its purchase in the 1930’s by a Parisian dealer, the column supports were being used to tether farm animals.
The distinctive pink stone of this cloister, featuring capitals carved with wild and fanciful creatures, was quarried in the twelfth century near Canigou in the Pyrenees Mountains for the nearby Benedictine monastery of Saint-Michel-de-Cuxa. The typical cloister garden features crossed paths and a central fountain from the neighboring monastery of Saint-Genis-des-Fountaines. Both medieval and modern species of plants are grown in the garden. In winter, the arcades are enclosed and fragrant potted plants fill the walkways.
Early Gothic Hall
With thirteenth-century windows overlooking the Hudson River, the gallery features stained glass from France’s great churches, including Saint-Germain-des-Pres in Paris. Sculptures and paintings from France, Italy and Spain evoke the great age of cathedrals.
Nine Heroes Tapestries Room
From an original series of nine hangings created about 1400 for a member of the Valois court, the tapestries portray fabled heroes of ancient, Hebrew and Christian history, including the legendary King Arthur. It is among the earliest sets of surviving medieval tapestries.
Unicorn Tapestries Room
With brilliant colors, beautiful landscapes and precise depictions of flora and fauna, these renowned tapestries depicting the hunt and capture of the mythical unicorn are among the most studied and beloved objects at The Cloisters. Probably designed in Paris and woven in Brussels about 1500 for an unknown patron, these hangings blend the secular and sacred worlds of the Middle Ages.
Boppard Room
Stained glass from the fifteenth-century Camelite convent at Boppard-am-Rhein dominates one end of the room. Fifteenth-century panel paintings and sculpture from the Rhineland and northern Spain, a brass lectern, domestic furniture, Spanish lusterware, tapestries, metalwork and sculpture further evoke a sacred space.
Merode Room
One of the most celebrated early Netherlandish paintings in the world, the Merode Altarpiece, painted in Tournai about 1425-30, forms the centerpiece of this gallery. The altarpiece, intended for the private prayers of its owners, represents the Annunciation to the Virgin Mary taking place in a fifteenth-century household. Details of the scene are echoed in the late medieval furnishings of the room in which other works made for private devotion are also exhibited.
Late Gothic Hall
Large fifteenth-century limestone windows from the refectory of the former Dominican monastery in Sens, France, illuminate the hall, which showcases sculpture and altarpieces from Germany, Italy and Spain as well as a great tapestry from Burgos Cathedral.
Gothic Chapel
Beneath richly colored stained-glass windows from fourteenth-century Austria carved images from royal and noble tombs of France and Spain fill the chapel-like setting.
Glass Gallery
Silver-stained glass roundels decorate the windows of the Glass Gallery, complementing small works of art, many made for secular use, with their lively, sometimes worldly subjects. Carved woodwork from a house in Abbeville, in northern France, forms a backdrop for paintings and sculpture.
“Bonnefont” Cloister and Garden
Long thought to be part of the abbey at Bonnefont-en-Comminges, the elements of this cloister come instead from other monasteries in the region including a destroyed monastery in Tarbes. The herb garden contains more than 250 species cultivated in the Middle Ages. Its raised beds, wattle fences and central wellhead are characteristic of a medieval monastic garden.
Trie Cloister and Garden
The gardens at the Trie Cloister
The stone cloister elements were created primarily for the Carmelite convert at Trie-sur-Baise in the Pyrenees. The garden is planted with medieval species to evoke the millefleurs background of medieval tapestries, such as the Unicorn series.
The Cloisters Trie Cafe is a seasonable restaurant that overlooks the Cloisters Gardens. This offers sandwiches , pastries and beverages and is a bit over-priced.
*Please note that the prices in the restaurant do go up every year so please look to the website for updated prices.
The Treasury
An array of precious objects in gold, silver, ivory and silk reflects the wealth of medieval churches. Illuminated manuscripts testify to the piety and taste of royal patrons such as Jeanne d’Evreux, Queen of France; jewelry and a complete set of fifteenth-century playing cards suggest more worldly pastimes.
The Gift Shop:
Even the gift shop was decked in the holiday spirit
The gift shop has all sorts of themed items from the Medieval era.
The gift shop at The Cloisters
*Disclaimer: This information is taken right from the Cloisters pamphlet from the Metropolitan Museum of Art. Please call the museum before visiting to see if anything has changed with the hours or days open. It is well worth the trip uptown to visit The Cloisters. Take the A subway up to 190th Street and take the elevator up to Fort Tryon Park and walk across the park.
Visiting a Museum: The Unique, Unusual, Obscure and Historical 