I recently revisited the African Museum of Art on the SMA Father’s and on this trip really took my time to learn about the Mission and study the art in the various displays. Each country that the Mission is involved with is represented here with detailed information on the meaning of the art and its purpose. It is an interesting approach to understanding the culture of each of these countries.
The beautiful stained glass windows line the ceiling and walls and has a beautiful effect in the room on a sunny day.
The sculpture in the middle of the main hall
The History of the Museum:
(From the museum website)
This museum was established in 1980 and is one of the only rare few in the United States dedicated solely to the arts of Africa. Its permanent collections, exhibited on a rotating basis, offer a unique advantage in the study and research of sub-Saharan sculpture and painting, costumes, textiles and decorative arts, religion and folklore.
The main hall of the museum
The history of the Mission
The history of the Mission
The history of the Mission
The African Art Museum of the SMA Fathers is one of five museums around the world founded and maintained by the Society of African Missions, an International Roman Catholic missionary organization that serves the people of Africa.
The display case that line the main hall
The display case that line the main hall
The art works up close
The descriptions of the works
The display case that line the main hall
Some of the works up close
The description of the masks
The display case that line the main hall
The museum is the continued vision of SMA’s founder, Bishop Melchior de Marion Bresillac (1813-1859). The French-born clergyman urged his Society to respect and preserve the culture of the peoples they serve, the unique among the missionaries of his time. (This information is provided by the museum).
Some of the works being featured in the exhibition
Their current exhibitions is on the “Africanizing of Christian Art” which shows the 20th Century encounter between Catholic Christianity and the visual culture of the Yoruba, a prominent west African people of southwest Nigeria under the conditions of late colonization (This information provided by the museum).
The hallway off the main room
Linking the walls of the main room are wooden carved doors from a palace in Africa. The interesting detail work tells it own story.
The description of one of the doors
Panel One
Panel Two
Panel Three
Panel Four
The collection contains many works in the form of masks, textile work, religious figurines and decorative arts. Each display case shows a different theme in the art.
The works of art in the cases
The puppets in the case
The works of art lining the cases
The engaging Mask collection
The museum is the main hallway of the church. I found it a quiet place where you could really concentrate on the beauty of the art. It grounds are also nice to walk around in in the nice weather.
The Chapel just off the museum is interesting to visit. I wondered how many people came to serve here and how the service was performed.
The main chapel of the mission
The beautiful stained glass windows in the chapel
The museum is a true hidden gem of wonderful and interesting testimonial and contemporary art. An inspiring museum if you take the time to really enjoy it.
The Meadowlands Museum is the main steward of the history and culture of the Meadowlands region and one of its leading storyteller.
The sign welcoming you
Its mission and collection, which resides in the Yereance-Berry House in southern Bergen County in Rutherford, NJ are distinctive and unique. The house too is a historic treasure and landmark and was built in 1804 by the Berry family, who were among the county’s earliest European settlers.
The front of the museum in the Spring of 2026
Rooms in the three-level American Dutch farmhouse are alive with permanent and temporary exhibits and sometimes include loaned objects from other museums and private collections. Historical artifacts like archives and photographs are mingled with textiles, furniture, housewares and artwork.
The display on the history of area
There is even correspondence by the daughters of John Rutherfurd, a close confidant of George Washington.
The display in the local artifacts
The gardens outside in the Spring of 2016
Grounds include the William Carlos Williams Poetry Garden, which acknowledges the legacy of Rutherford’s most famous native and the town’s history as a cultural center.
The everyday products of the Meadowlands Museum
Founder in 1961 as the Rutherford Junior Museum by parents of school age children to help connect them to their community, the museum is staffed by professionals assisted by dedicated volunteers and involved trustees. Interns add to the rich resource of individuals who contribute to its present and future.
A recent commercial developed by my Business 101 Class for the Meadowlands Museum for the project “Rocking it in Rutherford: Being a Tourist in your own Town”
The location of the Yereance-Berry House suggests a colonial farm dating to 1740. The oldest house in south Bergen County in close to original condition, it was part of the Historic American Building Survey project of the 1930’s. The building is also listed on the state and national registers of historic places and the Bergen County Stone House Survey.
The Yereance-Berry House is the now the Meadowlands Museum
Affiliated organization include the American Alliance of Museums, American Association for State and Local History, Meadowlands Regional Chamber of Commerce, New Jersey Association of Museums and The National Trust for Historic Preservation.
Programming & Community Service:
Free and reasonably priced services for individuals, community groups, businesses, government bodies and educational institutions are available.
*Educational programs, lectures and traveling exhibits.
The ‘Historic Rutherford Homes’ exhibition at the museum in 2026
The Historic Homes exhibition
The Historic Homes exhibition
*Customized on and off site programs.
*Collaborative ventures with a wide range of partners.
*Assistance with academic research and other archival support.
Special Events:
Special events, which often are made possible by partnerships with businesses and other organizations, are an additional way for visitors of all ages to enjoy the museum. Public and private events occur on a regular or one-time basis; many are fundraisers. Call or email for a current calendar and sponsorship possibilities. The house hosts both permanent and special exhibits.
Our permanent exhibits include:
*Yereance Berry House: During the Spring of 2026.
The outside of the museum
*Pre-electric kitchen: This unique kitchen in the basement shows off the collection of equipment that would be used in the kitchen from the Civil War to the 1950’s. There are coffee grinders, whisks, wash boards and such. It showed how much effort was put into preparing the family meal through the ages.
The Farm Kitchen of Bergen County
The Farm Kitchen at the Turn of the Century
*Meadowlands Geology: there are all sorts of rocks and gems not just from the area but all over the state. There are two different rooms one of the specimens locally and there is a separate room for glowing stones. It is very interesting to see when the lights are out.
The Mineral Collection at the Meadowlands Museum
The fluorescent Zinc display
The Mining Display
*Mining in South Bergen: This is how the county has changed when we mined ore.
The Mining Display at the Meadowlands Museum
The Mining Display
The Mining Display
*19th century Laundry Room: The Laundry room that is located in the basement has many of the things our grandparents would have used. The washboards, scrub bushes, old washing machines and ringers. Washing clothes was much harder back then.
The Wash Room of the Turn of the Century
*The wonderful Toy Exhibition of turn of the last century toys and from the 1960’s 70’s and 80’s. This contains Dolls, Board Games, play things and instruments:
The Toy Collection fascinates kids of all ages
The Factory Toys display
The wonderful toy factory in Kearny, NJ that used to produce all these wonderful toys.
The Toy Display
The Toy Display
The Doll display
The Doll display
The ‘Brownies’ display in the Toy Room
*The Bergen County Farm display:
Farming in the County in the past
The Farm display
The home Spinning Wheel display
Spinning Wheel display
The new Turn of the Century Furnace display
*Horse elevator
Recent special exhibits have included:
*High school football
*Needlecraft
*Steampunk
*Medical Innovations
*Maps of the region
*Civil Rights
*Dr. Williams’ Babies
Dr. William’s display
Dr. Williams display
Dr. William’s display
Dr. William’s display
Dr. William’s display
*World War I
Special Events:
Scarecrow Day 2018:
I went to the recent Scarecrow Day on October 20, 2018 where guests of the museum created their own scarecrows using their own creativity. All the scarecrows were lined up facing the street with their interesting clothes and accessories.
Each person got to use their own clothes and each one had its own style to it. It was fun watching the families show their creativity at this annual event.
Scarecrow Day at the museum in 2018
Scarecrow Day in 2021: the winners of the contest for best Scarecrow
I also stopped by for the Dutch Christmas decorations. The museum was decorated for the holidays with garland and trees. On December 1st, they had a Dutch Christmas festival (I could not attend) with food and entertainment.
Celebrating the Easter Holidays in 2026
Help tell the story…
(from the museum website)
Individuals who value the purpose and work of the Meadowlands Museum remain its inspiration and abiding spirit. Donations, memberships, sponsorship’s, grants and fundraisers are crucial elements of the museum’s financial well-being.
Admission to the museum is free but donations are greatly appreciated. Fees for events and other services vary. A personal letter to the appropriate person acknowledges a gift made in the name of an individual. Donations to provide for the buildings and grounds are valuable links to the future and a kind of giving that is among the museum’s top priorities.
Disclaimer: This information was taken directly from the Meadowlands Museum’s pamphlet. For information on the site, please call or email the museum for more information.
My Bergen Community College Team Project in 2022:
Bergecco-Parc Consulting Inc.-Rocking it in Rutherford:
My Business 101 class at Bergen Community College Lyndhurst branch visit in the Spring of 2022 for the project “Rocking it in Rutherford: Be a Tourist in your own Town”.
For Spring Semester in 2022, my Business 101-Introduction to Business class made a weekend visit to the Meadowlands Museum for the project “Rocking it in Rutherford-Be a Tourist in your own Town”. We were promoting the museum to increase tourism with a fundraiser and a barbecue. So on the weekend, I took my Team to the museum to tour it for extra credit. They ended up learning a lot about not just the museum but the history of Rutherford and Bergen County, NJ.
The project was promoting the Town of Rutherford for Domestic and Foreign Tourism and created a fundraiser and modernization of displays for the museum. This is a copy of the project, presentation and Commercials.
The Team Project “Rocking it in Rutherford: Be a Tourist in your own Town”:
The mission of El Museo del Barrio is to present and preserve the art and culture of Puerto Ricans and all Latin Americans in the United States. Through its extensive collections, varied exhibitions and publications, bilingual public programs, educational activates, festivals and special events, El Museo educates its diverse public in the richness of Caribbean and Latin American arts and cultural history.
By introducing young people to this cultural heritage, El Museo is creating the next generation of museum-goers while satisfying the growing interest in Caribbean and Latin American art of a broad national and international audience.
The History of the Museum:
El Museo was founded 45 years ago by artist and educator Raphael Montanez Ortiz and a coalition of parents, educators, artists and activists who not that mainstream museums largely ignored Latino artists. Since its inception, El Museo has been committed to celebrating and promoting Latino culture, thus becoming a cornerstone of El Barrio and a valuable resource for New York City.
The exhibitions in the Main Gallery
El Museo’s varied permanent collection of over 6,500 objects, spans more than 800 years of Latin American, Caribbean and Latino art, includes pre-Columbian Taino artifacts, traditional arts, twentieth-century drawings, painting, sculptures and installations as well as prints, photography, documentary films and video. For a brief overview of our history and to explore the institutional chronology and exhibition history year by year.
The Galleries of El Museo del Barrio
Our Purpose:
El Museo del Barrio’s purpose is to collect, preserve, exhibit and interpret the art and artifacts of Caribbean and Latin American cultures for posterity.
To enhance the sense of identify, self-esteem and self-knowledge of the Caribbean and Latin American peoples by educating them in their artistic heritage and bringing art and artists into their communities.
To provide an educational forum that promotes an appreciation and understanding of Caribbean and Latin American art and culture and its rich contribution to North America.
To offer Caribbean and Latin American artists greater access to institutional support in the national and international art world.
To convert young people of Caribbean and Latin American descent into the next generation of museum-goers, stakeholders in the institution created for them.
To fulfill our special responsibility as a center of learning and training ground for the growing numbers of artists, educators, art historians and museum professionals interested in Caribbean and Latin American Art.
The mission reaffirms the vision of Raphael Montanez Ortiz, who founded El Museo del Barrio in 1969 and of the Puerto Rican educators, artists and community activities who worked in support of this goal.
(El Museo del Barrio pamphlet online)
The Collection:
The museum features an extensive collection of around 8,500 pieces composed of pre-Columbian and traditional artifacts, particularly a large permanent Taino exhibit as well as 20th century arts and crafts, graphics and popular media, Mexican masks, textiles from Chile and photographs and traditional art from Puerto Rico. There are often temporary exhibits on Puerto Rican and Latino modern art. The museum also sponsors numerous festivals and educational programs throughout the year including the annual Three Kings Day parade. Due to a lack of space prior to their 2009-2010 expansion, the museum began to place some of their permanent collection online. This also served as a means of audience development. (Wikipedia)
The Studio Museum in Harlem is the nexus for artists of African descent locally, nationally and internationally and for work that has been inspired and influenced by black culture. It is a site fro the dynamic exchange of ideas about art and society.
The Studio Museum of Harlem
History:
The Studio Museum in Harlem was founded in 1968 by a diverse group of artists, community activists and philanthropists, who envisioned a new kind of museum that not only displays artwork but also supports artists and arts education. The Museum was originally located in a rented loft at 2033 Fifth Avenue, just north of 125th Street. Renowned architect J. Max Bond Jr. led a renovation that adapted the building into a two level exhibition space with offices and space for rental tenants.
The Galleries at The Studio Museum in Harlem
In 1985, the Museum began excavation of an adjacent vacant lot at 142 West 125th Street, leased from the City of New York. Over the following two decades, the Museum, in partnership with the City, completed additional renovations to the building and lot and added additional gallery and lobby space, a theater and a flexible outdoor space. The Museum has been accredited by the American Alliance of Museums (AAM) since 1987, when it became the first black or Latino institution to gain this recognition.
The Studio Museum in Harlem is internationally known for its catalytic role in promoting the works of artists of African descent. The Artist-in-Residence program was one of the Museum’s founding initiatives, and gives the Museum the “Studio” in its name. The program has supported more than one hundred emerging artists of African or Latino descent, many of whom who have gone on to establish highly regarded careers. Alumni include Chakia Booker, David Hammons, Kerry James Marshall, Julie Mehretu, Wangechi Mutu, Mickalene Thomas and Kehinde Wiley.
The Rico Gatson exhibition in 2018
The Studio Museum serves as a bridge between artists of African descent and a broad and diverse public. A wide variety of programs bring art alive for audiences of all ages-from toddlers to seniors-through talks, tours, art-making activities, performances and on and off-site educational programs. Museum exhibitions expand the personal, public and academic understanding of modern and contemporary art by artists of African descent. The Studio Museum is a leader in scholarship about artists of African descent, publishes Studio magazine twice yearly and regularity creates award-winning books, exhibition catalogs and brochures.
The Museum’s permanent collection includes nearly two thousand paintings, sculptures, watercolors, drawings, pastels, prints, photographs, mixed-media works and installations dating from the nineteenth century to the present. The Museum’s Acquisition Committee facilitates the growth of the collection through donations and purchases. Artists in the collection include Romare Bearden, Robert Colescott, Jacob Lawrence, Norman Lewis, Chris Ofili, Betye Saar, Lorna Simpson, Kara Walker and Hale Woodruff as well as many former artists in residence. The Museum also is the custodian of an extensive archive of the work of photographer James VanDerZee, the quintessential chronicler of the Harlem community from 1906 to 1983. The Museum does not have a permanent exhibition of work from its collection but frequency shows selections in temporary exhibitions.
The current exhibitions are wonderful and include:
Regarding the Figure
Rico Gatson Icons 2007-2017
Jamel Shaazz Crossing 125th
All them are compact exhibitions and you will need about two hours to see everything at the museum (See TripAdvisior review).
Folks, please don’t miss this gem of a museum in your travels to NYC in a very quickly gentrifying Harlem (See ‘MywalkinManhattan’ site for more details).
Visiting a Museum: The Unique, Unusual, Obscure and Historical 