Category: Small Historical Societies in New York City

The Morris-Jumel Mansion                                                        65 Jumel Terrace                                                                      New York, New York 10032

The Morris-Jumel Mansion 65 Jumel Terrace New York, New York 10032

The Morris-Jumel Mansion

65 Jumel Terrance

New York, NY  10032

(212) 923-8008

http://www.morrisjumel.org/

Fee: Adults:  $10/Seniors/Students: $8/Children under 12: Free/Members: Free

Open: Monday:  Closed to general public; visitation by advanced appointment only/Tuesday-Friday: 10:00am to 4:00pm/Saturday-Sunday: 10:00am to 5:00pm

The museum is closed on the following holidays: New Year’s Day, Memorial Day, Labor Day, Thanksgiving Day and Christmas Day.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d103500-Reviews-Morris_Jumel_Mansion-New_York_City_New_York.html?m=19905

The Morris-Jumel Mansion at 65 Jumel Place in the summer months

I came across the Morris-Jumel Mansion on my walk around Manhattan and noted it on my blog site “MywalkinManhattan.com”. This is the only remaining Colonial residence left on the island of Manhattan and is worth the time to take the tour of the house for its significance in the American Revolutionary War and in it’s later history.

The mansion is now going through a restoration

The Mansion and the historical district and grounds in the background

The historic plaque

The historic district outside the estate.

When touring the house, you get to see most of the rooms furnished with period furniture and some with the family belongings. The house had other uses over the years and the curators are trying bringing it back to the period of time when Madame Jumel lived there. The tour guides have some interesting stories on the colorful history of the house.

The Gardens in the early Spring months.

The crocuses and daffodils were just coming up

In the summer months, don’t miss the beautiful if somewhat rustic gardens that surround the house. It is very beautiful during the summer months. Check out their website for special events.

The Morris Jumel Gardens by the front gate.

The History of the Morris-Jumel Mansion:

The Morris-Jumel Mansion, Manhattan’s only remaining Colonial era residence is unique in its combination of architectural and historical significance. Built as a summer ‘villa’ in 1765 by the British Colonel Roger Morris and his American wife, Mary Philipse.

Roger Morris.jpg

Colonel Roger Morris

https://en.wikipedia.org/wiki/Roger_Morris_(British_Army_officer)

It originally commanded extensive views in all directions: of New York harbor and Staten Island to the south; of the Hudson and Harlem Rivers to the west and east and of Westchester county to the north. The estate named “Mount Morris” stretched over 130 acres from the Harlem to Hudson Rivers and the working farm grew fruit trees, and raised cows and sheep.

mary-philipse.jpg

Mary Philipse

https://en.wikipedia.org/wiki/Mary_Philipse

Colonel Morris was the son of the famous architect Roger Morris, a fact which may explain the extremely innovative features of the Mansion such as the gigantic portico, unprecedented in American architecture and the rear wing which was the first octagon built in the Colonies.

The house’s situation and large size made it ideal as military headquarters during the Revolution and it was occupied successively by Washington, General Henry Clinton and the Hessian General Baron von Knyphausen. As the Morris’s were loyal to Britain during the Revolution, so their property was seized and sold after its conclusion. In 1790, Washington returned for a cabinet dinner at which he entertained Jefferson, Adams, Madison, Hamilton and Colonel Knox among others.

George Washington’s War Room on the second floor of the mansion

The later history of the house centers on the Jumel’s. Stephen Jumel was a wealthy French émigré, who married in 1804, his beautiful and brilliant mistress, Eliza Bowen. They bought the mansion in 1810. In 1815, they sailed to France and offered Napoleon safe passage to New York after Waterloo. Although he eventually declined the offer, they did acquire from his family many important Napoleonic relics-some of which can be seen in the blue bedroom on the second floor.

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Eliza Jumel and her family

https://en.wikipedia.org/wiki/Eliza_Jumel

Favorable tariffs and faster sailing technology made Atlantic trade in raw materials and luxury goods and luxury products highly lucrative.  Stephen made his fortune  as a merchant. Later as his business floundered, Eliza applied herself to the real estate trade, buying and selling land and renting properties downtown.

Morris-Jumel Mansion Entrance Hall with the portrait of King George’s brother

The sign for the French Parlor

The French Parlor

The historic sign for the Dining Room

The formal Dining Room

Her success made large profits for her husband and herself  at a time when it was very unusual for a woman to be so active in business. Stephen died in 1832 and Eliza married the ex-Vice-President Aaron Burr in the front parlor one year later.

The Kitchen of the Morris Jumel Mansion is in the basement

The Kitchen preparing a Summer dinner

Preparing dinner in the Morris-Jumel Kitchen

https://www.morrisjumel.org/history

Eliza filed for divorce in 1833, a lengthy process which was not finalized until 1836 at the time of Burr’s death.  Eliza lived in the house until her death at age 90 in 1865, exactly 100 years after the mansion was built. On her death , she was considered one of the wealthiest women in America.  In 1904, the city of New York purchased the house and turned it into a museum.

The historic sign for Aaron Burr’s Bedroom

Aaron Burr’s Bedroom on the second floor.

Eliza Jumel’s Bedroom on the second floor

Eliza Jumel’s Bedroom

Mrs. Jumel’s grandson’s Bedroom is down the hall from the other bedrooms

William Chase, Mrs. Jumel’s grandson’s Bedroom

The upstairs Hallway and Gallery

Examples of the Mansion’s wallpaper that has been reproduced for the home.

Today, the mansion is the oldest remaining house in Manhattan and is a museum highlighting over 200 years of New York history, art and culture. The neighborhood surrounding the mansion is known as the Jumel Terrace Historic District.

The Morris-Jumel Historic District

The Morris-Jumel Historic District

Faces stare at you from some of the brownstones

The Morris-Jumel Historical District

The hill that Roger Morris once called “Mount Morris” in the 18th century became better known as “Sugar Hill” during the Harlem Renaissance of the 1920’s.

The Gardens were just starting to bloom late Spring in 2024

*The buildings in this district are protected by the New York Landmarks Commission and must be maintained as if they were new, so this is why the area has changed little over time. The Morris-Jumel Mansion is a proud member of the Historic House Trust of New York City and partner of the New York City Department of Parks & Recreation.

The Morris-Jumel Gardens in bloom in the Spring of 2024.

*This information is taken from the Morris-Jumel Mansion press release and pamphlet and from the New York City Parks Department. Please call or email the mansion in case times have changed or events planned.

The Gardens of the Morris-Jumel Estate by the historic district.

The Morris Jumel Community Garden at 455 West 162nd Street

https://www.grownyc.org/openspace/gardens/man/jumel

https://www.facebook.com/MorrisJumelGarden/

The Morris-Jumel Community Garden

The Morris-Jumel Community Garden

The Morris-Jumel Community Garden is to the north of the estate and is independent of the property. The garden is open for twelve hours a week to the outside community. It is very impressive and the residents do a good job in the planting and care of the gardens.

The Hispanic Society of America                          613 West 155th Street                                        New York, NY 10032

The Hispanic Society of America 613 West 155th Street New York, NY 10032

The Hispanic Society of America

613 West 155th Street

New York, NY  10032

(212) 926-2234

Hours: Sunday 12:00pm-5:00pm/Monday-Wednesday Closed/Thursday-Saturday 12:00pm-5:00pm

museum@hispanicsociety.org

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d110237-Reviews-Hispanic_Society_of_America-New_York_City_New_York.html?m=19905

The front of the Hispanic Society of America at 613 West 155th Street

I visited the Hispanic Society of America in 2025 to see the new exhibition “A Room of Her Own”, where I saw where women made their homes their domain. In the exhibition, I saw how women made rooms in their homes their place of business, rest and socialization. They bought and designed these rooms with the most beautiful, tasteful and costly items that they could afford to show their taste and design. It showed how female Hispanic Society carved a place for themselves in a male dominated society. The elaborate objects showed the taste and the creativity of the artists themselves. It was a very unique exhibition.

The exhibition sign for “A Room of Her Own”

The exhibition explores the rich history of the estrado—a woman’s private drawing room found in early modern Spain and the Spanish Americas—and illuminates the estrado’s long-overlooked role in female agency, social practices, and intercultural exchange. A Room of Her Own features decorative objects, paintings, textiles, rare books, and engravings from the Hispanic Society’s unrivaled collection, with many works on view for the first time (museum website).

The items from “A Room of Her Own” that would have decorated their homes

This landmark exhibition traces the evolution of the sala de estrado from Islamic al-Andalus to the Americas, where it flourished until the collapse of the Spanish Empire. Described in the Diccionario de Autoridades (Madrid, 1732) as the “set of furniture used to cover and decorate the place or room where the ladies sit to receive visitors,” the estrado was a room or designated area where women engaged in elaborate social practices and displayed their collections of valuable objects from the Americas, Asia, and Europe (Museum website).

Some of the beautiful decorative items from the exhibition

The well-appointed estrado has long been a focal point of opulence and intrigue in traveler accounts, inventories, legal records and works of fiction. Designed for upper-class interiors and inhabited by elite women of European, Indigenous American and West African descent, the estrado paradoxically becomes a locus of female agency and subversion within a place of confinement. The exhibition engages a comprehensive array of archival sources and objects to question the values historically imposed on gender stereotypes and behaviors and highlights the estrado’s importance as a symbol of power, wealth, and virtue (Museum website).

The history of the Museum:

(From the Museum website)

The Hispanic Society of America was founded as a free museum and research library in 1904 by the American Scholar and philanthropist Archer Milton Huntington (1870-1955). Over the past century, the Hispanic Society has promoted the study of the rich artistic and cultural traditions of Spain and Portugal and their areas of influence in the Americas and throughout the world. The Museum and Library constitute the most extensive collection of Hispanic art and literature outside of Spain and Latin America.

The main gallery of the Hispanic Society of America

Archer Huntington’s fascination with Spanish culture started at the age of twelve; by fourteen he had begun to study the Spanish language and by nineteen he revealed his aspiration to found a “Spanish Museum”. As Huntington’s enthusiasm grew he became increasingly committed to the creation of an institution that would encompass all facets of Hispanic culture. Working toward this goal, Huntington began his collection with Spanish rare books and manuscripts; then decorative arts; followed by paintings and sculpture-all of which now fill the galleries of The Hispanic Society of America.

The Catholic symbols and artifacts and artwork of the Hispanic Society of America

Today the Hispanic Society Museum and Library builds upon the legacy of Huntington through an active acquisitions program as well as public programs that reach out to new audiences through collaborative exhibitions, educations, and publications.

Portrait of the Dutchess of Alba by Goya

The Hispanic Society is especially rich in paintings, drawings and prints by Francisco de Goya (1746-1828), one of the most inventive artists of his time. Goya’s iconic 1797 Portrait of the Duchess of Alba dressed in black as a Spanish maja, is the most renowned painting in the collection.

Paintings:

(from the Museum website)

The Museum offers a panoramic survey of Spanish painting and drawing dating from the Middle Ages up to the early 20th century with particular strengths in the Golden Age (1550-1700) and the 19th century. Notable among 16th century paintings are the Portrait of the Duke of Alba by Antonis Mor (1516/19-1576) and the Holy Family by El Greco (Domenikos Theotokopoulos, 1541-1614).

Three portraits by Spain’s preeminent  master, Diego Vaelazquez (1599-1660), represent the heights of Spanish painting in the 17th century: Gaspar de Guzman, Conde-Duque de Olivares; Portrait  of a Little Girl and Camillo Astalli, Cardinal Pamphili. The collection also includes works by other acknowledged masters of the period, such as Jusepe de Ribera (1591-1652), Francisco de Zurbaran (1598-1664) and Bartolome Esteban Murillo (1617-1682).

The gallery of Joaquin Sorolla y Bastida’s “Vision of Spain”

“The Vision of Spain” gallery painting

The “Vision of Spain” painting

The sign explaining the artwork

The “Festival of Bread” painting as part of the display

Among the most popular works at the Hispanic Society are those by Spain’s “painter of light” Joaquin Sorolla y Bastida (1863-1919), present a celebration of regional costumes and cultures that surround the visitor with the artist’s “vision of Spain”. The Museum also possesses an outstanding selection of works by late 19th and early 20th century artists.

The painting a “Day in Seville” as part of the display

The “Holy Week Penitents” in the display

The sign for “Holy Week Penitents”, people who admit to their sins and wrongdoings

Decorative Arts:

(from the Museum website)

The Hispanic Society is renowned for its decorative arts from Spain, Portugal, Latin America, the Philippines and Portuguese India. Ceramics represent one of the most significant facets of the collection, ranging from  three-thousand-year old Bell-Beaker pottery to contemporary works. The collection of Spanish lusterware, numbering over 150 pieces, is considered the finest in the United States. This distinctly Spanish style of ceramics flourished between the 15th and 17th centuries as artisans combined Islamic and Western traditions to produce objects of incomparable beauty. Important examples of decorative and utilitarian earthenware and soft-paste porcelain from various workshops complete the collection-including works from Talavera de la Reina, Alcora and Buen Retiro in Spain and Puebla de lost Angeles and Tonala in Mexico.

The decorative items in the collection

Other decorative arts include silver, glassware, secular and ecclesiastical furniture, decorative ironwork and textiles dating from between the 15th and 19thy centuries. The processional custodia by Cristobal Beceril (1533-1585) is one of the highlights of the magnificent collection of Spanish and Latin American gold and silver ars sacra and jewelry. Textiles in the collection range from luxurious silks of medieval Islamic Spain to domestic needlework of the early 20th century. Hispano-Muslim textiles include fine gold, silk, and satin brocades from the 13th through the 15th century. An exquisite ‘Alhambra silk” (ca. 1400) from Granada recalls the repeating geometrical pattern and Kufic inscriptions which decorate the famous Alhambra palace.

Archaeology:

(from the Museum website)

Huntington’s fascination with the ancient past of the Hispanic world led him to sponsor significant archaeological expeditions and excavations in Spain and the Americas. He conducted excavations in 1898 near Seville at the site of the Roman City of Italica, birthplace of the emperors Hadrian and Trajan. Through these excavations and subsequent acquisitions, the Hispanic Society has been able to assemble the most important collection of Spanish antiquities outside Spain. This wealth of objects from Spain’s Bronze Age to the period of Roman rule features works from Ibero-Phoenician, Greek and Celtiberian cultures in addition to the extensive collection of Roman ceramics, glass, metalwork, mosaics and statuary.

Sculpture:

(from the Museum website)

In addition to Ancient and Classical sculpture, the Hispanic Society collection contains extraordinary Islamic and Christian works dating from the Middle Ages to the early 20th century. A cylindrical ivory box signed by the Islamic master Khalaf (ca. 966) at the Umayyad court at Madinat al-Zahra stands out for the beauty of its intricate carving. Supreme examples of the heights which Spanish sculpture reached in the 16th century are found in the Gothic and Renaissance tombs of the Bishop of Palencia and the Duchess of Albuquerque from the monastery of San Francisco de Cuellar, along with the two magnificent effigies of Suero de Quinones and Elvria de Zuniga by Leone and Pompeo Leoni.

The Hispanic Society of America has some interesting pieces of art

Pedro de Mena’s haunting representation of the young Saint Acisclus, patron saint of Cordoba, stands out as one of the finest examples of 17th century Spanish polychrome sculpture of her era, are rich in exquisite detail. An impressive ensemble of monumental sculpture also graces Audubon Terrace with the iconic equestrian statute of El Cid and limestone reliefs of Don Quixote and Boabdil, all by noted American sculptor, Anna Hyatt Huntington (1876-1973).

Library:

(from the Museum website)

With more than 600,000 books, manuscripts, documents and letters dating from the 10th century to the present day, the Library of the Hispanic Society offers unparalleled resources for researchers interested in the history and culture of the Spanish and Portuguese speaking worlds. The manuscripts and rare books section comprises over 15,000 books printed before 1701 including some 250 incunabula (books printed before 1500) as well as first editions of the most significant literary works in the Spanish language such as Tirant lo Blanc, Celestina and Don Quixote.

The collection of Hispanic manuscripts, extraordinary rich in material and scope is the most extensive outside Spain. It encompasses medieval charters, holograph royal letters, sailing charts, illuminated bibles and books of hours as well as historical and literary manuscripts from the 10th to the 20th century.

The library’s invaluable holdings from the America’s include some of the earliest  books printed in Mexico, Peru, Guatemala and Puerto Rico. First editions of works by many of Latin America’s greatest writers, such as Sor Juana Ines de la Cruz, form an integral part of the collection. The library also conserves one of the largest and most important collections in the United States of historical  manuscripts and documents pertaining to Latin America and the Philippines from the 16th through 19th century.

Prints & Photographs:

(from the Museum website)

Over 15,000 prints afford a unique glimpse of the graphic arts in Spain. The collection contains incomparable engravings by 17th-century artists such as Ribera, yet its greatest strengths are in the 18th and 19th centuries including almost all of Goya’s prints, many in multiple editions. The department also has an extraordinary assemblage of illustrations of Don Quixote, totaling more than 4000 engravings, etchings and lithographs.

The section of photographs holds over 176,000 black and white images documenting life and customs in the Hispanic world. Many of these images now preserve a way of life irrevocably lost. Among the most notable and rarest are those from the 19th century but the department also features more than 15,000 photographs made by Hispanic Society curators and staff who traveled throughout Spain and Latin America in the 1920’s.

Publications, Group Visits & Education:

(from the museum website)

For over a century, the Hispanic Society has maintained an active publication program. Books and other publications relating to the collections as well as postcards, note cards and posters are available from the Museum bookstore.

The Hispanic Society is dedicated to educational programs for students of all ages. The education department provides gallery talks, group tours and activities and materials for educators.

The Hispanic Society gift shop

For further information on current programs, group tours, special events and on becoming a member of The Friends of the Hispanic Society visit our website, hispanicsociety.org or call (212) 926-2234.

(This information is taken from the Hispanic Society of America’ brochure) 

Welcome to ‘VisitingaMuseum.com’, a trip through unique small museums, cultural sites and parks & gardens in NYC and beyond.

Welcome to ‘VisitingaMuseum.com’, a trip through unique small museums, cultural sites and parks & gardens in NYC and beyond.

*Bloggers Note: because of the size, location and time of year these sites are open, the hours and cost to get in can change since the blog was written. Please check with the site’s website or call the site before you visit. Things change over time.

My name is Justin Watrel and welcome to ‘VisitingaMuseum.com’, a trip through cultural sites, small unique museums, historic mansions and homes and pocket parks & community gardens in New York City and beyond its borders. I created this blog site to cross reference all the cultural sites that I came across when I was traveling through Manhattan for my walking blog, “MywalkinManhattan.com”.

Bergen County Historical Society III

Historic New Bridge Landing

I was inspired by all these sites that I had missed over the years and never knew existed in New York City and its suburbs.  Many of these being in Bergen County, NJ where I live. I found that most people feel the same way. The only way you would know that these sites existed is by walking past them.

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School House Museum in Ridgewood, New Jersey

So I created this site to showcase all these smaller, largely unexplored ‘gems’ in Manhattan, the rest of New York City and places outside the greater New York City area. I concentrate on smaller, more off beat cultural sites that you might miss in the tour books or may just find by passing them on the street. This has lead me to  becoming a member of the Bergen County Historical Society in Riveredge, NJ as well as other cultural sites in the area.

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The Aviation Museum in Teterboro, New Jersey

There is so many interesting historical sites, parks, gardens and homes to explore that I want to share it with all of you. They are tucked behind buildings and walls, locked behind gates or hidden behind trees only for you to want to discover them.

Ringwood Manor Christmas 2019

Ringwood Manor in Ringwood, New Jersey at Christmas

I want to give these smaller and unique ‘gems’ more exposure and ‘sing their praises’  to an audience (namely out of town tourists) who might overlook them. It is hard for a lot of these cultural site because of the lack of volunteers or volunteers getting older or the absence of money to properly advertise these sites.

Gallery Bergen Professor Show III

Juan Leon’s work at Gallery Bergen on the Bergen Community College campus in Paramus, NJ

So join me in the extension of “MywalkinManhattan.com” with my new site “VisitingaMuseum.com” and share the adventure with me. Join me also on my sister blog sites, “DiningonaShoeStringinNYC@Wordpress.com” and ‘LittleShoponMainStreet@Wordpress.com’ for restaurants and small shops.

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The Dyckman Farm in Washington Heights in Manhattan

These sites featuring all sorts of small restaurants, bodegas and bakeries, where a quality meal can be had for $10.00 and under and unusual stores with unique merchandise that just stand out in their respective neighborhoods. It is important to support small business owners especially in this economy.

Lucy the Elephant

Lucy the Elephant in Margate, NJ

So, join me here as I take “MywalkinManhattan” to some unique and special historical sites and open spaces the New York Metropolitan area and beyond.