Tag: nyc museums

Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024

Bard Graduate Center Gallery

18 West 86th Street

New York, NY 10024

(212) 501-3023

gallery@bgc.bard.edu

https://www.bgc.bard.edu/gallery/27/exhibitions

https://www.bgc.bard.edu/gallery/

Open: Tuesday, Friday-Sunday: 11:00am-5:00pm/Wednesday-Thursday: 11:00am-8:00pm/Closed on major holidays

Fee: Free Admission Hours on all Wednesdays and Thursday evenings from 5:00pm-8:00pm.

December 26th (Boxing Day) : Free

General Admission: $7.00 and Students & Seniors (65+): $5.00

Subway: B, C, and 1 to West 86th Street

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d309306-Reviews-The_Bard_Graduate_Center-New_York_City_New_York.html?m=19905

The Bard Gallery at 18 West 86th Street

I took some time out from “MywalkinManhattan” project to visit the Bard Gallery for the afternoon and was pleasantly surprised by this little ‘gem’ located on the Upper West Side of Manhattan. This Graduate Center focuses on small exhibitions with interesting themes and not so over-whelming shows that tax your brain like some of the bigger museums in New York City.

The embellishments at the entrance to the Bard Art Galley

Their exhibitions are compact and detailed on the subject matter and the objects they have on display are interesting. They also have lectures and gallery talks for more detail on their displays. The Bard Graduate Center Gallery, founded in 1993, occupies a six story townhouse near Central Park West and houses not just the gallery but the academic programs, lecture hall and library.

The center has pioneering exhibitions on decorative arts, design history and material culture. The research driven exhibitions are organized with leading scholars, curators and institutions worldwide and showcase a rich array of objects comprised of loans from public and private collections, many never before on view in New York City.

Walking the permanent collection

With a commitment to investigating under-recognized topics in the history of design, the exhibitions provide a critical framework for understanding the context in which historical and contemporary objects were made, used, collected and displayed. These lead to a fuller understanding of the present through the lens of the past (Bard College website).

Displays in the permanent galleries

A full slate of public and research programs, public tours and opportunities for school groups and educators compliment each exhibition. Video and new media interactives enrich the visitor experience in educators compliment each exhibition (Museum website).

Items in the permanent collections

The Bard Graduate Center: Decorative Arts, Design History, Material Culture is a graduate research institute and gallery located on the Upper West Side of Manhattan. It is affiliated with Bard College, located in Annadale-on-Hudson, NY. The gallery occupies a six story townhouse at the 18 West 86th Street location while the academic building and library are located at 38 West 86th Street.

Students at Bard Graduate Center focus on the study of the cultural history of the material world. The institution is committed to the encyclopedic study of things, drawing on methodologies and approaches from art and design history, economic and cultural history and history of technology, philosophy, anthropology and archaeology.

Students enrolled in the M.A. and PhD. programs work closely with a distinguished faculty of active scholars in exploring the interrelationships between works of art and craft, design, places, ideas and social and cultural practice in courses ranging from antiquity to the 21st century (Wiki Bard College site).

Lighthouse Park Roosevelt Island 900 Main Street New York, NY 10044

Lighthouse Park

Roosevelt Island

900 Main Street

New York, NY 10044

(212) 832-4540

Lighthouse Park

https://rioc.ny.gov/179/The-Lighthouse

https://www.nycgo.com/venues/roosevelt-island-lighthouse-park

Open: Sunday-Saturday 7:00am-9:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d565031-Reviews-Roosevelt_Island-New_York_City_New_York.html

Lighthouse Park on Roosevelt Island

The Roosevelt Island Lighthouse is a stone lighthouse built by New York City in 1872. It is at the northeast tip of Roosevelt Island in the East River in Lighthouse Park. It was named to the National Register of Historic Places on March 16th, 1972, and was designated a New York City Landmark on March 23rd, 1976 (Wiki).

Blackwell Island, which was called Welfare Island from 1921 to 1973 and is now known as Roosevelt Island was purchased by New York City in 1828. Various facilities on the island were built including a penitentiary, almshouse, city hospital, the New York Lunatic Asylum and the Smallpox Hospital (some of these buildings still exist).

In 1872, the City of New York built a lighthouse. The supervising architect was James Renwick Jr., who also designed several other buildings on the island for the Charities and Correction Board as well as more famous works such has St. Patrick’s Cathedral. (Wiki)

Legends abound about the construction of the lighthouse. Two names, John McCarthy and Thomas Maxey, are associated with the various legends. The 1870 report of the warden of the lunatic asylum that an industrious patient had built a seawall near the asylum that had reclaimed the land. The legends indicate that he had incorporated Civil War cannons.

The park in the distance on Roosevelt Island

The legend indicates that the builder was bribed with bogus money to demolish the fort for the construction of the lighthouse. For many years, a saying was inscribed on a stone near the lighthouse:

This is the work

Was done by

John McCarthy

Who built the Light

House from the bottom to the

Top All ye who do pass by may

Pray for his soul when he dies.

Lighthouse Park from Carl Schulz Park on Manhattan Island

The lighthouse was operated by the City instead of the U.S. Lighthouse Board. In its 1893 annual report, the Lighthouse Board generally praised the operations of Blackwell Island Lighthouse but indicated that the Board has unfairly criticized because of the City’s occasional failure to keep the light in operation. The Board advocated banning private lights. The 1917 U.S. Coast Pilot indicated that there was a private light at the north end of the island. (Wiki)

The light was operated until about 1940. In the 1970’s, the lighthouse was partially restored. The restoration was completed in 1998. (Wiki)

The lighthouse is approximately 50 feet (15m) tall. It is constructed of gray gneiss, rough ashlar that was quarried on the island by inmates from the penitentiary. It has an octagonal base and an octagonal shaft. There is an entrance on the south side under a projecting gable and a pointed Gothic arch. Two south-facing slit windows in the shaft light the interior. At the top of the shaft there is a band of ornamented corbels below the gallery, which is surrounded by an iron railing. The lantern is octagonal with a shallow conical roof. An 1893 photograph and a 1903 movie show that it probably had a much taller, steeper conical cap when it was built. The optics were provided by the U.S. Lighthouse Board (Wiki).

Lighthouse Park in the winter months

Lighthouse Park is located on the northernmost section of Roosevelt Island and can be seen from Carl Schurz Park. On a beautiful sunny day, it is a very picturesque view from the park.

Lighthouse Park from Carl Schulz Park

The sculpture “The Girl Puzzle”:

Next to the lighthouse is a monument of faces dedicated to Nellie Bly and to women who have faced hardship entitled “The Girl Puzzle”. The sculpture was dedicated to journalist Elizabeth Cochrane Seaman, pen name Nellie Bly, who wrote about the abuses in the mental asylum on what was known as Mental Island at the time. She wrote the full report “Ten Days in the Mad House” on the abuses of patients.

“Girl Puzzle” by artist Amanda Matthews (Artist Bio)

https://en.wikipedia.org/wiki/The_Girl_Puzzle

https://www.thegirlpuzzle.com/

Artist Amanda Matthews (Artist Bio)

https://en.wikipedia.org/wiki/Amanda_Matthews

https://www.prometheusart.com/

The piece was created by American born artist Amanda Matthews. Ms. Matthews graduated with a BA in Studio Art from the University of Louisville and had studied abroad in Europe. She is known for her work that honors women and celebrates diversity and inclusion (Wiki).

The history sign on Nellie Bly

Each sculpture is a interpretation on Nellie Bly. It really is an interesting sculpture.

The Girl Puzzle One:

The Girl Puzzle Two:

The Girl Puzzle Three:

The Girl Puzzle Four:

The Girl Puzzle Five:

Disclaimer: this information was taken from Wikipedia site and the Roosevelt Island Historical Society. This little ‘gem’ of a park can be seen by walking to the most northern part of Roosevelt Island by way of the Main Street which runs through the island.

Cleopatra’s Needle Central Park @ East 81st Street New York, NY 10028

Cleopatra’s Needle

Central Park at East 81st Street (behind the Metropolitan Museum of Art)

New York, NY 10028

https://www.centralparknyc.org/attractions/obelisk

https://en.wikipedia.org/wiki/Cleopatra%27s_Needle_(New_York_City)

Open: When Central Park is open from dawn to dusk depending on the season

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d1959031-Reviews-Cleopatra_s_Needle-New_York_City_New_York.html?m=1990

Cleopatra's Needle III

Cleopatra’s Needle

https://www.centralparknyc.org/locations/obelisk

https://en.wikipedia.org/wiki/Cleopatra%27s_Needle_(New_York_City)

I always admire Cleopatra’s Needle whenever I am touring Central Park West after an afternoon at the Metropolitan Museum of Art. The obelisk sits in back of the Metropolitan Museum of Art on Fifth Avenue and the pathways behind the museum lead to the site.

It is one of the few place where you can see hieroglyphics up close unless you are in Egypt and the sad part is that the natural surroundings are wearing them out. Still it is one of the most interesting outside artifacts that Manhattan and New York City has on display. Take time to observe all four sides of the obelisk and observe the writings.

Sometimes I think the tourists miss this interesting artifact and how it got here from Egypt.

The History of Cleopatra’s Needle:

(From Wiki)

Cleopatra’s Needle (obelisk) was erected in Central Park, just west of the Metropolitan Museum of Art on February 22, 1881. It was secured in May 1877 by Judge Elbert E. Farnam, the then United State Consul General of Cairo as a gift from the Khedive for the United States remaining friendly neutral as the European powers, France and Britain, maneuvered to secure political control of the Egyptian government.

The obelisk is a twin of the obelisk given to London at the same time and come from the ancient city of Alexandria. The name is a misnomer as they have no relationship with the Ptolemaic Queen Cleopatra VII of Egypt and were already over a thousand years old in her lifetime (please see the Wiki link attached to the blog for more information on the obelisk).

Cleopatra's Needle II

The obelisk is free to the public and can be seen by taking the path behind the Metropolitan Museum of Art. It is open all day.

The Big Duck 1012 Flanders Road Flanders, New York 11901

The Big Duck

1012 Flanders Road

Flanders, New York 11901

(631)852-3377

http://bigduck.org/

Open: Sunday-Saturday 10:00am-5:00pm

Fee: Free donations accepted

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g754554-d3292234-Reviews-The_Big_Duck-Flanders_Long_Island_New_York.html?m=19905

The History of the Big Duck

IN 1931, Riverhead duck farmer, Martin Maurer and his wife, Jeule, decided to construct a giant duck-shaped poultry shop. They hoped to sell the Pekin ducks they raised to passing motorists, who would surely be drawn to the striking form of the ‘big duck’ along Riverhead’s West Main Street. The Maurers envisioned this plan while vacationing in California where they are known to have visited a roadside coffee shop shaped like a giant coffee pot.

The historic sign

Seeking local assistance, the Maurers hired carpenter George Reeve and two eccentric stage show set designers, brothers William and Samuel Collins. A live duck tied with a string to their porch served as a model for the Collins’ design. Reeve studied the carcass of a cooked chicken in order to create a sturdy, bird-accurate, frame work for the building. Construction of The Big Duck had begun.

After The Big Duck’s wooden frame had been pieced together, wire mesh was attached. Cement was applied to the wire mesh with the assistance of Smith and Yeager Builders. The Big Duck was painted a lovely bright white, save the beak, of course, which was given its street-line orange color. The finishing touch was the placement of two Model-T taillights in The Big Duck’s head for eyes that would glow red at night. The Big Duck in its entirety measures 30 feet from beak to peaky tail, 15 feet from folded wing to folded wing and 20 feet from its base to the top of its head. As duck farms in the 1930’s were commonly known as duck ranches, Martin Maurer had his giant duck shop and business trademarked as The Big Duck Ranch.

The Big Duck roosted at The Big Duck Ranch on West Main Street till 1936. The Maurers’ had sold quite a few ducks from their unique shop and decided to relocate, Big Duck and all, to Route 24 in Flanders. The Flanders community welcomed The Big Duck with open arms and have cherished it since.

The Big Duck’s popularity grew and continues to grow steadily. When the land where The Big Duck rested was slated for development in 1987, Big Duck fans from all over joined Suffolk County in an effort to preserve The Big Duck. The Big Duck’s then current owners, Kia and Pouran Eshghi, generously donated The Big Duck to Suffolk County in December of 1987. The Big Duck was relocated to a nearby County Park. In 2007, since the former site had not been developed after all, the Big Duck was returned to the heart of Flanders.

The Big Duck is open to the public as a gift shop and museum. Visitors can browse historic photographs, antique postcards and published articles as well as photos of roadside architecture on display. Unusual duck merchandise or ‘duck-a-billia’ as well as other Long Island gifts and handcrafted items are available for sale.

World Famous Duck Architecture

While The Big Duck is a well-known Long Island landmark, it has also lent its name to a specific style of roadside architecture. The architectural term, “duck” was coined by architects Robert Venturi and Denise Scott Brown in 1968. Duck buildings are highly sculptural forms which represent products or services available within as opposed to the more common ‘decorated sheds’ which are plain buildings whose functions are revealed by added signage.

Within Suffolk County’s Big Duck as with other architectural ducks, the building itself is the signage, a colossal, three dimensional, representational advertisement. Designed to mesmerize passing motorists and entice them ultimately to a purchase, ducks are fantastical while retaining their purely practical intentions. The Big Duck has become the most famous example of roadside architecture.

Another well-known architect named James Wines has proposed the Duck Design Theory, D.D.T., part of which states: ‘Form follows fantasy not function for architecture that cannot offer fantasy fails man’s need to dream.’

Long Island Duck Farms and its history:

How did the Pekin duck get to Long Island? According to legend, in 1870, a Long Island sailor traveled to China and returned with nine of the snowy-white, orange-beaked Pekin ducks. These ducks thrived on Long Island’s splendid waterways when shelter was provided them for the cold winters.

As Pekin duck meat was especially succulent, it marketing potential soon became evident to potential soon became evident to Long Islanders. Duck farms, sometimes known as duck ranches, sprang up all over Suffolk County, producing 60% of the nation’s ducks by 1969. Today that figure has dropped to below 15% due to escalating land values, increased production costs and environmental concerns.

Long Island duckling can still be found as a menu offering at the finest restaurants around the world.

The Big Duck Museum Store features many duck-inspired souvenirs. Find Big Duck t-shirts, caps, magnets, key chains, mugs, note cards, holiday ornaments and children’s items as well as other Duck-a-bilia. Also find many local products: Books on local history, Long Island seaside photography and artwork, hand-crafted items. calendars, post cards and much more.

Directions:

From Western Long Island:

From the LIE, exit 71 take Route 24 south through the Riverhead traffic circle. Cross Route 105 and continue 1 mile on Route 24 to The Big Duck on the left, right after Huntington Lane.

From the Sunrise Highway, take exit 64N (Riverhead), make a right onto Pleasure Drive, Flanders. At a right onto Pleasure Drive, Flanders. At the end, make a left onto Route 24. The Big Duck is on the right, after the access road to the Flanders Men’s Club.

From Eastern Long Island:

From the Sunrise Highway, take exit 65N, Riverhead and travel 5 miles on Route 24 to The Big Duck on the right after the access to the Flanders men’s Club.

Disclaimer: This information was taken directly from the Suffolk County Department of Parks, Recreation and Conservation Division of Historic Services pamphlet. The Big Duck is very unusual to visit and has bathroom facilities.

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