Tag: Exploring the Island of Manhattan

Asia Society and Museum                                    725 Park Avenue at 70th Street                         New York, NY 10021

Asia Society and Museum 725 Park Avenue at 70th Street New York, NY 10021

Asia Society & Museum

725 Park Avenue At 70th Street

New York, NY 10021

(212) 288-6400

AsiaSociety.org/NY

https://asiasociety.org/new-york

Open:

Museum: Tuesday-Sunday-11:00am-6:00pm, Friday-11:00am-9:00pm

Asia Store: Monday-Sunday-11:00am-6:00pm, Friday-11:00am-9:00pm

Garden Court Cafe: Tuesday-Sunday, 11:30am-3:00pm; Reservations: (212) 570-5202

Asia Society is closed on major holidays. Please check AsiaSociety.org/NY for updates on museum, store and cafe hours.

Fee: $12.00 Adults/$10.00 Seniors/$7.00 Students with ID/Free to members and children under 16/Free Admission Fridays, 6:00pm-9:00pm

Adult, Student and Teacher tours:

For information or to schedule a tour, call (212) 327-9237

*Wheelchair accessible/available for use during visits/Complimentary cell phone audio tour available/Assistive listening devices and headsets available for many programs. 

TripAdvisor Review:

https://www.tripadvisor.com/Restaurant_Review-g60763-d531995-Reviews-Asia_Society_and_Museum_Garden_Court_Cafe-New_York_City_New_York.html?m=19905

 

History of the Museum:

Asia Society II

The entrance to the Asian Society Museum

John D. Rockefeller 3rd (1906-1978) , who established Asia Society in 1956, firmly believed that art was an indispensable tool for understanding societies. From 1963 to 1978, he and his wife, Blanchette Hooker Rockefeller (1909-1992), worked with art historian Sherman E. Lee (1918-2008) as an advisor to build the Mr. and Mrs. John D. Rockefeller 3rd Collection, which was later bequeathed to Asia Society.

Asian Society Museum

The Rockefeller Collection

The group of spectacular historical objects they assembled-including sculpture, painting and decorative arts-became the core of the Asia Society Museum Collection and is world renowned. The Collection, now consisting of approximately 300 pieces, is distinguished by the high proportion of acclaimed masterpieces, to which additional high-quality gifts and acquisitions have been added since the original bequest to Asia Society. The Collection has particular strengths in Chinese ceramics of the Song and Ming periods, Chola-period Indian bronzes and Southeast Asian sculptures.

Extraordinary examples of decorative art in the acclaimed Asia Society Museum collection include a number of superior East Asian ceramics, which make up more than one-third of the Collection. A luminous pair of twelfth-century Korean bowl and saucer sets, covered with the celebrated celadon glaze of the Goryeo period and an extraordinary tea leaf jar, decorated with mynah birds and accented with silver by Japanese ceramic artist Nonomura Ninsei (active ca. 1646-1677) are among the ceramic highlights.

Asia Society III

Walking around the museum

An exquisite solid silver Chinese stem up that dates to the late seventh or early eighth century also stands out as an exceptional masterpiece of decorative art within the Collection. The skill of the craftsman is evident in the fine embossing, chasing and engraving of the birds, flowers and scrolling vines on the exterior of the cup.

Two other great strengths of the Collection are Hindu and Buddhist sculpture from South and Southeast Asia. An eleventh-century processional sculpture of the elephant-headed Hindu deity Ganesha is an endearing example produced by the South Indian master bronze casters at that time and one of the fifteen important Chola-period bronzes in the Collection.

Another great treasure is a rare eighth-century inscribed and dated inlaid-brass crowned Buddha seated on a lotus rising from water inhabited by serpent deities (nagas) from Kashmir or northern Pakistan. A sculpture of the serene and slender Buddhist Bodhisattva Maitrya stands just over an impressive three-feet tall and represents the pinnacle of Thai metal casting during the eighth-century.

These objects and the Asia Society Museum Collection as a whole continue to be an important means for sharing the talent, imagination, and deep history of the peoples of Asia with audiences all over the world.

(From: Masterpieces from the Asia Society Museum Collection)

We are …Policy

With top-level experts and advisors-including former heads of state and cabinet officials, CEOs, civil society leaders and scholars-the Asia Society Policy Institute creates solutions that advance Asia’s prosperity, security and sustainability. Its projects include working to strengthen regional security institutions and mechanisms in Asia, assessing the impact of China’s rise and tracking its economic reform program, recommending pathways to an inclusive and high-standard Asian trade architecture, charting a path for India’s admission to APEC and designing strategies for Northeast Asian economics to link carbon markets and reduce greenhouse gas emissions.

The Asia Society Center on U.S. China Relations seeks to build mutual understanding between the two countries through projects and events on policy, culture, business, media, economics, energy and the environment.

We are…Arts

Transforming Americans understanding of Asia through exhibitions and performing arts was at the heart of our founder’s vision. The bequest of the Mr. & Mrs. John D. Rockefeller 3rd Collection of traditional Asian art in 1979 spurred the building of our New York headquarters. Today, our ground-breaking exhibitions of traditional, modern and contemporary art-as well as performing arts, film and author programs-are presented to the highest acclaim at our centers in New York, Hong Kong and Houston and at venues all over the world. Global initiatives such as the Arts & Museum Summit bring together museum and cultural leaders from across Asia, the United States and Europe further appreciation of Asian arts.

Asia Society I

The gift shop at the Asia Society

We are …Education

A rising Asia requires a rising generation of students to understand its cultures and complexities. The Center for Global Education at Asia Society has developed an internationally recognized approach to foster the global competence of students, aiming to improve the capacity of 100,000 educators to instill global competence in 4 million youth by 2030. We partner with leaders and institutions from around the world to transform teaching and develop global-ready students. We also lead a major effort to bring Mandarin language instruction and the study of China and Chinese culture to children in the United States and to bring global learning to American after school programs, in pursuit of best practices in global education.

(From Asia Society pamphlet)

Asia Society is a non-profit, nonpartisan organization offering dynamic public programming at our cultural centers in New York, Hong Kong and Houston and at our other global locations in the United States, Asia and Europe.

Asia Society appreciates the support of its members, who aid our vital mission of preparing Asians and Americans for a shared future. For more information, AsiaSociety.org.

Disclaimer: This information was taken directly from the pamphlets from the Asia Society in New York City. I give them full credit for all the information. Please see the above hours and programs and call the above numbers for more information.

Nicholas Roerich Museum                                    319 West 107th Street                                        New York, NY 10025

Nicholas Roerich Museum 319 West 107th Street New York, NY 10025

Nicholas Roerich Museum

319 West 107th Street

New York, NY  10025

(212) 864-7752

Open: Monday: Closed/Tuesday-Friday: 12:00pm-4:00pm/Saturday-Sunday: 2:00pm-5:00pm

Closed: Major holidays

Admission: Admission is free, though donations are welcome.

http://www.roerich.org

http://www.roerich.org/

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d136141-Reviews-Nicholas_Roerich_Museum-New_York_City_New_York.html?m=19905

The front of the museum

This small museum in the Upper West Side neighborhood of Manhattanville is easy to miss. It is in a small brownstone on West 107th Street right near Riverside Drive. You can see the plaque for the museum to the right of the building and there is a side door to get in. The admission is free but they do ask for a donation if you can do it.

The museum is a specialty collection of the works of the former owner of the house and artist Nicholas Roerich. They are mostly landscapes and religious themed that cover three floors of the museum. It takes about an hour to an hour and a half  to see all the floors. A nice touch they had in the afternoon that I was there was a piano player whom you could hear play throughout the brownstone. When you go, it will be a pleasant afternoon where you are not fighting the crowds of the larger museums.

Nicholas Roerich

Artist Nicholas Roerich

The Nicholas Roerich Museum was founded in 1949 to house a permanent collection of over two hundred paintings by the Russian-born artist, poet, philosopher and humanitarian, Nicholas Roerich. The museum also houses a library of books and maintains an archive and a collection of artifacts relating to the areas of Roerich’s interests (Museum guide).

The Mission of the Museum:

The mission of the Nicholas Roerich Museum is essentially a narrow one: to make available to the public the full range of Roerich’s accomplishments. These, however, are not narrow; they cover the realms of art, science, spirituality, peacemaking and more. Because Roerich’s  activities ranged widely, so do the museum’s.

Nicholas Roerich Museum I

The Museum Collection:

Nicholas Roerich is known first and foremost as a Russian-born artist. His paintings, of which there are thousands around the world, explore the mythic origins, the natural beauty and the spiritual strivings of humanity and of the world. The museum houses approximately two hundred of these works and keeps most of them permanently on display for visitors who come from around the world. Indeed, for many of these visitors, the museum is a destination of great importance; the paintings speak to them of their own inner yearnings and possible fulfillment. For them, Roerich’s paintings are a kind of teaching-about spiritual development about culture and its role in human life and about opportunities for the achievement of peace in a fractious world.

Nicholas Roerich Museum II

Publications & Booklist:

The museum also keeps in print a number of books by and about Roerich and his life and work and a substantial stock of postcards and reproductions of his paintings. These too are seen by many as more than just prints; they are hung in homes with a degree of appreciation that is not often given to such things.

Cultural Events:

In addition to these functions, the museum also maintains an active schedule of cultural activities.  It was Roerich’s fervent belief that the role of cultural development in the peace and evolution of the world is fundamental and that it is therefore the responsibility of those who work in creative and cultural fields to strive always for that peace and evolution and for those goals to be the chief impulses guiding their creative work. Information about these ideas is always available.

The Roerich Pact & the Banner of Peace:

The museum sustains an ongoing effort to spread public awareness of the intermingled roles of peace and culture and the ways in which each sustains the other. Information and materials about The Roerich Pact and the Banner of Peace are always available. Throughout this century of wars and national struggles, the yearning of the public for ways of achieving peace has been great; the ideas of the Pact and the Banner provide a welcome answer to those yearnings.

As Roerich’s ideas become better known around the world, attendance at the Museum grows and requests for information and materials about him and his art and social achievements increase.

*This information is from the Museum’s website.

Disclaimer: This information was taken from a combination of the museum’s website and from the biography of the artist.

 

 

Bard Graduate Center Gallery                               18 West 86th Street                                             New York, NY 10024

Bard Graduate Center Gallery 18 West 86th Street New York, NY 10024

Bard Graduate Center Gallery

18 West 86th Street

New York, NY  10024

(212) 501-3023

gallery@bgc.bard.edu

https://www.bgc.bard.edu/gallery/27/exhibitions

https://www.bgc.bard.edu/gallery/

Open: Tuesday, Friday-Sunday: 11:00am-5:00pm/Wednesday-Thursday: 11:00am-8:00pm/Closed on major holidays

Fee: Free Admission Hours on all Wednesdays and Thursday evenings from 5:00pm-8:00pm.

December 26th (Boxing Day) : Free

General Admission: $7.00 and Students & Seniors (65+): $5.00

Subway: B, C, and 1 to West 86th Street

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d309306-Reviews-The_Bard_Graduate_Center-New_York_City_New_York.html?m=19905

The Bard Gallery at 18 West 86th Street

I took some time out from “MywalkinManhattan” project to visit the Bard Gallery for the afternoon and was pleasantly surprised by this little ‘gem’ located on the Upper West Side of Manhattan. This Graduate Center focuses on small exhibitions with interesting themes and not so over-whelming shows that tax your brain like some of the bigger museums in New York City.

The embellishments at the entrance to the Bard Art Galley

Their exhibitions are compact and detailed on the subject matter and the objects they have on display are interesting. They also have lectures and gallery talks for more detail on their displays. The Bard Graduate Center Gallery, founded in 1993, occupies a six story townhouse near Central Park West and houses not just the gallery but the academic programs, lecture hall and library.

The center has pioneering exhibitions on decorative arts, design history and material culture. The research driven exhibitions are organized with leading scholars, curators and institutions worldwide and showcase a rich array of objects comprised of loans from public and private collections, many never before on view in New York City.

Bard Art Gallery

Walking the permanent collection

With a commitment to investigating under-recognized topics in the history of design, the exhibitions provide a critical framework for understanding the context in which historical and contemporary objects were made, used, collected and displayed. These lead to a fuller understanding of the present through the lens of the past (Bard College website).

Bard Art Gallery III

Displays in the permanent galleries

A full slate of public and research programs, public tours and opportunities for school groups and educators compliment each exhibition. Video and new media interactives enrich the visitor experience in educators compliment each exhibition (Museum website).

Bard Art Gallery II

Items in the permanent collections

The Bard Graduate Center: Decorative Arts, Design History, Material Culture is a graduate research institute and gallery located on the Upper West Side of Manhattan. It is affiliated with Bard College, located in Annadale-on-Hudson, NY. The gallery occupies a six story townhouse  at the 18 West 86th Street location while the academic building and library are located at 38 West 86th Street.

Students at Bard Graduate Center focus on the study of the cultural history of the material world. The institution is committed to the encyclopedic study of things, drawing on methodologies and approaches from art and design history, economic and cultural history and history of technology, philosophy, anthropology and archaeology.

Students enrolled in the M.A. and PhD. programs work closely with a distinguished faculty of active scholars in exploring the interrelationships between works of art and craft, design, places, ideas and social and cultural practice in courses ranging from antiquity to the 21st century (Wiki Bard College site).

 

Lighthouse Park Roosevelt Island                        900 Main Street                                                   New York, NY 10044

Lighthouse Park Roosevelt Island 900 Main Street New York, NY 10044

Lighthouse Park

Roosevelt Island

900 Main Street

New York, NY  10044

(212) 832-4540

https://rioc.ny.gov/179/The-Lighthouse

https://www.nycgo.com/venues/roosevelt-island-lighthouse-park

Open: Sunday-Saturday 7:00am-9:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d565031-Reviews-Roosevelt_Island-New_York_City_New_York.html

Lighthouse Park on Roosevelt Island

The Roosevelt Island Lighthouse is a stone lighthouse built by New York City in 1872. It is at the northeast tip of Roosevelt Island in the East River in Lighthouse Park. It was named to the National Register of Historic Places on March 16th, 1972, and was designated a New York City Landmark on March 23rd, 1976 (Wiki).

Blackwell Island, which was called Welfare Island from 1921 to 1973 and is now known as Roosevelt Island was purchased by New York City in 1828. Various facilities on the island were built including a penitentiary, almshouse, city hospital, the New York Lunatic Asylum and the Smallpox Hospital (some of these buildings still exist).

In 1872, the City of New York built a lighthouse. The supervising architect was James Renwick Jr., who also designed several other buildings on the island for the Charities and Correction Board as well as more famous works such has St. Patrick’s Cathedral. (Wiki)

Legends abound about the construction of the lighthouse. Two names, John McCarthy and Thomas Maxey, are associated with the various legends. The 1870 report of the warden of the lunatic asylum that an industrious patient had built a seawall near the asylum that had reclaimed the land. The legends indicate that he had incorporated Civil War cannons.

The park in the distance on Roosevelt Island

The legend indicates that the builder was bribed with bogus money to demolish the fort for the construction of the lighthouse. For many years, a saying was inscribed on a stone near the lighthouse:

This is the work

Was done by

John McCarthy

Who built the Light

House from the bottom to the

Top All ye who do pass by may

Pray for his soul when he dies.

Lighthouse Park from Carl Schulz Park on Manhattan Island

The lighthouse was operated by the City instead of the U.S. Lighthouse Board. In its 1893 annual report, the Lighthouse Board generally praised the operations of Blackwell Island Lighthouse but indicated that the Board has unfairly criticized because of the City’s occasional failure to keep the light in operation. The Board advocated banning private lights. The 1917 U.S. Coast Pilot indicated that there was a private light at the north end of the island. (Wiki)

The light was operated until about 1940. In the 1970’s, the lighthouse was partially restored. The restoration was completed in 1998. (Wiki)

The lighthouse is approximately 50 feet (15m) tall. It is constructed of gray gneiss, rough ashlar that was quarried on the island by inmates from the penitentiary. It has an octagonal base and an octagonal shaft. There is an entrance on the south side under a projecting gable and a pointed Gothic arch. Two south-facing slit windows in the shaft light the interior. At the top of the shaft there is a band of ornamented corbels below the gallery, which is surrounded by an iron railing. The lantern is octagonal with a shallow conical roof. An 1893 photograph and a 1903 movie show that it probably had a much taller, steeper conical cap when it was built. The optics were provided by the U.S. Lighthouse Board (Wiki).

Lighthouse Park in the winter months

Lighthouse Park is located on the northernmost section of Roosevelt Island and can be seen from Carl Schurz Park. On a beautiful sunny day, it is a very picturesque view from the park.

Lighthouse Park from Carl Schulz Park

The sculpture “The Girl Puzzle”:

Next to the lighthouse is a monument of faces dedicated to Nellie Bly and to women who have faced hardship entitled “The Girl Puzzle”. The sculpture was dedicated to journalist Elizabeth Cochrane Seaman, pen name Nellie Bly, who wrote about the abuses in the mental asylum on what was known as Mental Island at the time. She wrote the full report “Ten Days in the Mad House” on the abuses of patients.

“Girl Puzzle” by artist Amanda Matthews (Artist Bio)

https://en.wikipedia.org/wiki/The_Girl_Puzzle

https://www.thegirlpuzzle.com/

Artist Amanda Matthews (Artist Bio)

https://en.wikipedia.org/wiki/Amanda_Matthews

https://www.prometheusart.com/

The piece was created by American born artist Amanda Matthews. Ms. Matthews graduated with a BA in Studio Art from the University of Louisville and had studied abroad in Europe. She is known for her work that honors women and celebrates diversity and inclusion (Wiki).

The history sign on Nellie Bly

Each sculpture is a interpretation on Nellie Bly. It really is an interesting sculpture.

The Girl Puzzle One:

The Girl Puzzle Two:

The Girl Puzzle Three:

The Girl Puzzle Four:

The Girl Puzzle Five:

Disclaimer: this information was taken from Wikipedia site and the Roosevelt Island Historical Society. This little ‘gem’ of a park can be seen by walking to the most northern part of Roosevelt Island by way of the Main Street which runs through the island.