Category: Statues and Monuments

Charging Bull Bowling Green Park New York, NY 10004

Charging Bull

Bowling Green Park

New York City, NY 10004

http://www.chargingbull.com/

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d1605557-Reviews-Charging_Bull_Wall_Street_Bull-New_York_City_New_York.html?m=19905

When you are in lower Manhattan and are visiting the Battery Park and/or Wall Street area don’t miss the Charging Bull statue by artist Arturo Di Modica. The artist created this piece of ‘guerrilla’ art after the Crash of 1987, when we were about to enter the depths of another major recession, one that went from the end of 1987 until the summer of 1995.

This interesting piece of New York history is actually a recent addition to the street art of New York City. The statue was created and cast in 1987 following the Crash and made its first appearance outside the New York Stock Exchange on December 15, 1989.

The bull according to the artist, “represents the symbol of the strength and power of the American people’ following the Crash. It has taken on many meanings since such as the power of Wall Street and the progressiveness of money and power in the Financial industry.

During the high tourist season expect to see the statue surrounded by tourist taking pictures in all directions. The statue of ‘Charging Bull’ is now paired with ‘Fearless Girl’ by artist Kristen Visbal. Some have commented that it has changed the meaning of the statue but I think it is how you interpret both works. Its best to visit and make your own opinion.

The ‘Charging Bull’ with ‘Fearless Girl’

While you are visiting the statue, take time to visit this historic section of Manhattan and visit the other sites that include Bowling Green Park, the Museum of the Native Americans, Frances Tavern and Stone Street as well as the boats to Governor’s, Ellis and Liberty Islands. It is a wonderful way to spend the afternoon.

Please refer to my blog, ‘MywalkinManhattan.com’- “Day One Hundred and Thirteen Tour of Historic Pubs and Bars in Lower Manhattan with the Cornell Club” for a full list of things to see in this section of the City.

History of Charging Bull:

Construction and installation:

The Bull by Bowling Green Park in the early morning hours.

The bull was cast by the Bedi-Makky Art Foundry in Greenpoint, Brooklyn. Di Modica spent around $360,000 to create, cast and install the sculpture following the 1987 stock market crash as a symbol of the ‘strength and power of the American people’. The sculpture was Di Modica’s idea and in an act of ‘guerrilla art’, Bedi Makky Art Foundry and Di Modica trucked it to Lower Manhattan. On December 15, 1989, they installed it beneath a 60 foot (18m) Christmas tree in the middle of Broad Street in front of the New York Stock Exchange as a Christmas gift to New Yorkers. That day, hundreds of onlookers stopped to admire and analyze it as Di Modica handed out copies of a flier about his artwork (Wiki).

NYSE officials called the police later that day and the NYPD seized the sculpture and placed it into a impound lot. The ensuing public outcry led the New York City Department of Parks & Recreation to reinstall it two blocks south of the Exchange in the Bowling Green, with a ceremony on December 21, 1989. It faces up Broadway at Whitehall Street (Wiki).

Confusion over ownership:

The sculpture technically has a temporary permit allowing it to stand on city property since the city does not own the sculpture but the temporary permission has lasted since 1989, when city officials said the new location would not be permanent. Art on loan is usually limited to a year’s display and although the city does not buy art, it does accept donations. A writer in the New York Daily News wrote in 1998 that the statue’s placement was ‘beginning to look a mite permanent.’ According to an article in Art Monthly, Di Modica as well as officials and New Yorkers, ‘view it as a permanent feature of Lower Manhattan (Wiki).

In 2004, Di Modica announced that the bull sculpture was for sale, on condition the buyer does not move it from its present location. Di Modica continues to own the artistic copyright to the statue. In 2006, Di Modica sued Walmart and other companies for illegally benefiting from his copyright, by selling replicas of the bull and using it in advertising campaigns. In 2009, Di Modica sued Random House for using a photo of the bull on the cover of a book discussing the collapse of financial services firm Lehman Brothers (Wiki).

Artist Arturo Di Modica:

Artist Arturo Di Modica

http://www.artnet.com/artists/arturo-di-modica/

Arturo Di Modica first conceived of the Charging Bull as a way to celebrate the can-do spirit of America and especially New York, where people from all over the world come regardless of their origin or circumstances and through determination and hard work overcome every obstacle to become successful. It’s this symbol of virility and courage that Arturo saw as the perfect antidote to the Wall Street Crash of 1987.

The artist was born in Vittoria, Italy in 1941 and studied at the Academia Del Nudo Libra in Florence, Italy in 1960. In 1973, he relocated to New York City to a Lower Manhattan space. ‘Charging Bull’ is his most famous piece (Artnet).

Cleopatra’s Needle Central Park @ East 81st Street New York, NY 10028

Cleopatra’s Needle

Central Park at East 81st Street (behind the Metropolitan Museum of Art)

New York, NY 10028

https://www.centralparknyc.org/attractions/obelisk

https://en.wikipedia.org/wiki/Cleopatra%27s_Needle_(New_York_City)

Open: When Central Park is open from dawn to dusk depending on the season

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d1959031-Reviews-Cleopatra_s_Needle-New_York_City_New_York.html?m=1990

Cleopatra’s Needle

https://www.centralparknyc.org/locations/obelisk

https://en.wikipedia.org/wiki/Cleopatra%27s_Needle_(New_York_City)

I always admire Cleopatra’s Needle whenever I am touring Central Park West after an afternoon at the Metropolitan Museum of Art. The obelisk sits in back of the Metropolitan Museum of Art on Fifth Avenue and the pathways behind the museum lead to the site.

It is one of the few place where you can see hieroglyphics up close unless you are in Egypt and the sad part is that the natural surroundings are wearing them out. Still it is one of the most interesting outside artifacts that Manhattan and New York City has on display. Take time to observe all four sides of the obelisk and observe the writings.

Sometimes I think the tourists miss this interesting artifact and how it got here from Egypt.

The History of Cleopatra’s Needle:

(From Wiki)

Cleopatra’s Needle (obelisk) was erected in Central Park, just west of the Metropolitan Museum of Art on February 22, 1881. It was secured in May 1877 by Judge Elbert E. Farnam, the then United State Consul General of Cairo as a gift from the Khedive for the United States remaining friendly neutral as the European powers, France and Britain, maneuvered to secure political control of the Egyptian government.

The obelisk is a twin of the obelisk given to London at the same time and come from the ancient city of Alexandria. The name is a misnomer as they have no relationship with the Ptolemaic Queen Cleopatra VII of Egypt and were already over a thousand years old in her lifetime (please see the Wiki link attached to the blog for more information on the obelisk).

The obelisk is free to the public and can be seen by taking the path behind the Metropolitan Museum of Art. It is open all day.

Camp Merritt Memorial Monument Intersection of Knickerbocker Road and Madison Avenue Cresskill, NJ 07626

Camp Merritt Memorial Monument

Intersection of Knickerbocker Road and Madison Avenue

Cresskill, NJ 07626

http://www.bergen.nj.us

http://www.bergencountyhistory.org/Pages/campmerritt.html

My review on TripAdvisor:

Camp Merritt Memorial Monument marks the center of an important World War I embarkation camp, where more than one million U.S. soldiers passed through on their way to and from the battlefields of Europe.

The Front of the Camp Merritt Memorial Site

The inscription on the memorial

In August 1919, the Bergen County Freeholders purchased land for the monument from what was the approximate center of the camp at the intersection of Madison Avenue and Knickerbocker Road in Cresskill. In 1922, work on the shaft commenced. Modeled on the Washington Monument, the memorial is a 65′ high granite obelisk. On the base are the names of the 578 people who died in the camp, mostly as a result of the 1918 worldwide influenza epidemic.

The historic memorial facing the circle lawn

A large Art Deco style carved relief by the sculptor Robert Ingeroll Aitkin (1878-1949) shows a striding “doughboy” with an eagle flying overhead. Set into a large boulder is a copper plaque with a relief of the Palisades, illustrating that Camp Merritt was used as an area for embarkation, designed and made by the local artist Katherine Lamb Tait. In the ground is a three dimensional stone carving of the map of Camp Merritt.

The artist Robert Ingeroll Aitkin

https://en.wikipedia.org/wiki/Robert_Ingersoll_Aitken

https://americanart.si.edu/artist/robert-aitken-40

Artist Robert Ingeroll Aitkin was an American born artist who studied at the California School of Design. He was known for his historical sculptures (Wiki).

The “Doughboy” on the back of the memorial

The troops training at the site during WWI

The Camp Merritt Monument was dedicated on May 30, 1924 by a number of state and federal dignitaries. General John J. “Black Jack” Pershing gave the dedicatory address to a crowd of 20,000 people. Camp Merritt, located midway between Cresskill and Dumont and 12 miles from Hoboken, received its first soldiers in October 1917. Originally called Camp Tenafly”, and covering an area that included Cresskill, Demarest, Dumont, Haworth and Tenafly, it was eventually named for General Wesley Merritt, a gallant Civil War officer who was in the service of his country from 1855 to 1900.

The historic marker sits before the memorial

Little publicity surrounded the camp as it was deemed vitally important to keep troop movements a secret. The soldiers would march with their heavy packs and supplies to the trains or over the Palisades to the Hudson River to board boats that would take them to their European-bound ships docked in Hoboken. The last soldier passed through in the beginning of 1920.

The map of the camp behind the memorial

The camp was 770 acres in size and had a capacity of 42,000 men (two thousand of them officers). It was strategically built near major rail lines, facilitating the transport of soldiers to the camp. It contained 1300 buildings of all varieties. The base hospital alone was composed of 93 buildings. A staff of 300 nurses treated 55,000 sick men. 8000 men representing 40 different nationalities were nationalized in the Camp and made citizens of the US. Camp Merritt had its own newspaper, the Merritt Dispatch established and edited by Charles Philip Barber, which was the only printed record of the camp’s activities. The editor and staff of the Merritt Dispatch were the first to promote the idea of the monument.

Another view of the back of the memorial

After the camp was sold, it suffered three suspicious fires while the buildings were idle, each one worse than the last. The second fire in March of 1921 destroyed a hundred buildings. The third fire was the most spectacular, destroying almost all of what was left of the camp and detonating two stores of dynamite that had been stored for demolition purposes. Eighteen fire companies (including three from New York City, which came by way of the Dyckman Street Ferry) struggled to prevent the fires from spreading to adjacent homes. Other fire companies came from Tenafly, Closter, Bergenfield, Cresskill, Demarest, Teaneck, Hackensack and Palisades.

The Monument is located on the traffic circle and can be reached by foot and is illuminated at night.

The signs from around the circle describing the site:

Sign One:

Sign Two:

Sign Three:

Sign Four:

The closing of the site and purchase from Bergen County, NJ for development.

http://www.bergen.nj.us

2015 Bergen County Division of Cultural and Historic Affairs

Disclaimer: This information was taken directly from a pamphlet from The Bergen County Division of Cultural Affairs & Historic Affairs in Bergen County, New Jersey. You must stop off on one of the side streets to see the monument and the information boards on the site are off to the west side of the circle. Try to walk around the monument on the circle itself to see the most detail.

The Cape May Lighthouse 215 Light House Avenue Cape May Point, NJ 08212

The Cape May Lighthouse

This historic site has been restored and administered by the Mid-Atlantic Center for the Arts & Humanities in conjunction with N.J. Department of Environmental Protection Division of Parks & Forestry.

The Cape May Lighthouse: Climb the 199 steps of this 1859 vintage tower for a breathtaking view of the Jersey Cape, where the Delaware Bay meets the Atlantic Ocean.

The History of Lighthouses in New Jersey

Over the past 30 years, MAC has totally restored the Cape May Lighthouse. A fully accessible Visitors Center is located in the adjacent Oil House as well as a Museum Shop stocked with lighthouse and maritime must haves.

The view of the beach from the lighthouse

The Cape May Lighthouse

Lighthouse information story boards

Lighthouse FAQ

Frequently asked questions about the Cape May Lighthouse

Questions about the structure:

*How Tall is the lighthouse? The lighthouse is 157 feet 6 inches tall from the ground line to the ventilator.

*How many steps are there to the top? There are 217 steps from the ground to the top with 199 steps in the tower’s cast iron spiral staircase.

The staircase going to the lighthouse lens

Looking down the stairs on the way back down

* How old is the Lighthouse? The Cape May Lighthouse was built in 1859 and is the third fully documented lighthouse to be built at Cape May Point. The first was built in 1823; the second in 1847. The exact locations of the first two lighthouses are now underwater due to erosion.

*How thick are the brick walls? The Lighthouse actually has two separate walls. The outside wall is cone-shaped and is 3 feet 10 inches thick at the bottom and 1 foot 6 inches thick at the top. The inside wall is a cylinder with 8.5 inch thick walls which support the spiral staircase. The walls were designed to withstand winds several times above hurricane force.

The view on the way up the lighthouse

*Is the beacon still working? Yes, The Coast Guard continues to operate the light as an active aid to navigation. The light is visible 22 miles out to sea and flashes every 15 seconds. A lighthouse’s flash pattern is called its ‘characteristic’, every lighthouse has its own light characteristic and exterior paint scheme (called a daymark) so that ship captains can tell them apart.

The lighthouse lens

The lighthouse lens

*What were the two small rooms on either side of the entrance hallway used for? They were storage rooms that held tools, implements and fuel for the lantern before the Oil House was built. The keeper also used one as a small office.

The lighthouse office

*Who owns the Lighthouse? The State of New Jersey owns the Lighthouse but the Coast Guard maintains the beacon apparatus. The Mid-Atlantic Center for the Arts & Humanities (MAC) in Cape May leases the Lighthouse from the State with the mission of restoring the structure and operating it as a historic site.

View from the top of the lighthouse

View from the top of the lighthouse

Cape May Lighthouse

*Questions about Lighthouse Keepers and their responsibilities

*Who worked at the Lighthouse? The Lighthouse was staffed by keepers who worked for the U.S. Lighthouse Service. Cape May’s lighthouse generally had one head keeper and two assistants. They carried the oil to the top of the tower every day to power the light and kept the lens apparatus clean and in working order. Keepers’ pay averaged $600.00 a year around the turn of the 20th century.

*Where did the keepers live? There were two houses built right next to the Lighthouse around 1860 for the keepers and their families. One has since burned but the other is still standing on the other side of the fence near the entrance to the tower.

Important Dates: Cape May Lighthouse

1853-First recorded lighthouse constructed. The 1823 tower was 68 feet tall and its location is now underwater due to erosion.

1847-The second lighthouse was built. It was a 78 foot tower located directly in front of the present tower, just beyond the present shoreline. It was replaced by the present lighthouse because it was poorly constructed.

1857-The Army Corps of Engineers began construction on the present tower, which cost $40,000 to build. The first order Fresnel lens, which is now in the Cape May County Museum, cost about $15,000.

1859-The Lighthouse was first lighted on October 31. The next year, two lighthouse keepers dwellings were built. The one remaining is now used by the State Park Service.

1893-The oil house was constructed.

The Oil House

1902-One of the keepers’ dwellings was enlarge to provide more space for housing the keepers’ families. Three keepers and their families. Three keepers and their families lived at the lighthouse site.

1902-An incandescent oil vapor lamp was installed and replaced the Funck multiple wick first order hydraulic float lamp that dated back to 1878.

1933-The light apparatus was electrified.

1936-The light apparatus was automated which eliminated the need for lighthouse keepers being permanently stationed at the tower.

1939-The United States Lighthouse Service was discontinued and its equipment and personnel transferred to the U.S. Coast Guard.

1941-The Lighthouse was darkened until 1945 because of the World War II. The Atlantic coast was on black-out due to the presence of enemy submarines.

1946-A DCB-36 rotating light (like an airport beacon) was installed. The original first order Fresnel lens was placed in the Cape May County Museum.

1986-The Lighthouse was leased to MAC by the State of New Jersey Department of Environmental Protection, Division of Parks and Forestry, who in turn leased the structure from the Coast Guard.

1988-MAC undertook public safety improvements that allowed the public to climb to the top.

1989-A grant from the Bicentennial Lighthouse Fund underwrote the restoration of the Lighthouse’s windows and doors.

1990-The oil house was restored and adapted for use as orientation center and museum shop, with funding from the Bicentennial Lighthouse Fund and the New Jersey Historic Trust.

1992-The ownership of the Lighthouse was transferred from the Coast Guard to the State of New Jersey.

1994-Grants from the New Jersey Historic Trust and the federal ISTEA program administered by the State DOT funded painting of the tower and restoration of the lantern and roof.

1998-Grants from the same agencies funded all remaining restoration of the lighthouse structure.

2000-2001-A grant from the New Jersey Historic Trust funded the grounds restoration project.

2002-The Coast Guard installed a modern light known as a DCB-224. It uses parabolic mirrors to focus the beams rather than lenses.

2010-The Friends of the Cape May Lighthouse group was formed. You are cordially invited to join. Call 609-884-5404 or visit http://www.capemaymac.org.

2016-The Coast Guard installed a new, state of the art beacon known as VRB-25 (Variable Rotating Beacon) replacing the DCB-224 that had suffered irreparable damage due to a lighthouse strike.

2017-Lighthouse Tower was repainted with grants from the Cape May County Open Space Board, the National Maritime Heritage Grant program of the National Park Service and South Jersey Industries, augmented by the fundraising efforts of the Lighthouse Keepers and the Friends of the Lighthouse.

*Is the Lighthouse haunted? Exit Zero Ghost Writer and psychic medium Craig McManus has visited the Lighthouse and detected the ghosts of several former keepers and their families. Perhaps you may encounter them yourself on a Ghosts of the Lighthouse Trolley Tour!

Questions about Lighthouse Restoration

*Why is the Lighthouse leased to the Mid-Atlantic Center for the Arts & Humanities (MAC)?

In the 1980’s , the Coast Guard began a nationwide program of leasing lighthouses to private organizations, like MAC, which are capable of preserving them. In 1986, the Coast Guard leased the Lighthouse to MAC, which assumed the responsibility for its restoration, maintenance and operation as a lighthouse museum. In 1992, ownership of the Lighthouse was transferred from the Coast Guard to the State of New Jersey in order to make the restoration project eligible for state historic preservation funding. The state monitors the historical authenticity of the restoration and also makes available to Lighthouse visitors the parking and restroom facilities of the adjacent state park.

The Museum at the bottom of the lighthouse

*What is MAC?

MAC is a non-profit organization with nearly 4,000 members that was founded in 1970 to save and restore Cape May’s Physick Estate and operate it as a historic house museum. The Physick Estate is also home to the Carroll Gallery with an array of changing exhibitions, a museum shop and the Carriage House Café & Tearoom. MAC has also restored the World War II Lookout Tower (Fire Control Tower Number 23) located nearby on Sunset Boulevard. In addition, MAC promotes Cape May’s Victorian heritage through a year round schedule of special events and trolley, walking and historic house tours. MAC is also one of the area’s leading sponsors of the performing arts with its Cape May Music Festival every May and June. Please call 609-884-5404 for details on MAC’s calendar of events or visit our website at http://www.capemaymac.org.

*How much did it cost to restore the Lighthouse?

Since 1987, closed to two million dollars has been spent to restore the Lighthouse and oil house and allow the public to climb safely to the top.

*Is the Lighthouse open to the public?

Yes, Hours of operation vary throughout the year. The tower is open daily, April through November and on weekends most of the rest of the year. The grounds ground floor, tower and watch room gallery are open to the public. All tours of the tower are self-guided.

Mid-Atlantic Center for the Arts & Humanities

P.O. Box 340

1048 Washington Street

Cape May, NJ 08204

(609) 884-5404

http://www.capemaymac.org

Disclaimer: This information was taken directly from a pamphlet from the MAC Cape May Lighthouse Museum. Please call the above number or email address for more information on the site. It is well worth seeing just for the view alone.

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