Tag: ny historic sites

Olana State Historic Site                                    5720 Route 9G                                               Hudson, NY 12534

Olana State Historic Site 5720 Route 9G Hudson, NY 12534

Olana State Historic Site

5720 Route 9G

Hudson, NY  12534

(518) 828-0135

Open: 11:00am-3:00pm (check the website for seasonality)

Directions: Located on Route 9G, five miles south of Hudson. Take NYS I-87 to Exit 21, Catskill. Take Route 23 over Rip Van Winkle Bridge. Bear right on Route 9G south. Olana is one mile on the left. Or visit our websites at http://www.Olana.org and http://www.nysparks.com.

Hours: House available by guided tour only. Call for days and hours or visit http://www.olana.org. Reservations suggested; group tours by advance reservation only. Grounds open 8:00am-sunset year around.

http://www.nyparks.com

http://www.olana.org

Admission: $10.00 Adults (Tickets depend on the type of tour you are taking)

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g47931-d263717-Reviews-Olana_State_Historic_Site-Hudson_New_York.html?m=19905

The front of Olana when we toured the house.

I had not been to the Olana Mansion since 2014 and it was finally nice to see it during the summer when everything was in bloom. The tours were every hour of the day during the warmer months with several types of tours available at different prices. There was a house and garden tour for two hours which I had just missed so I took the house tour.

The story board of Olana pf the family

The house is filled with original family furnishings from when the house was almost sold off in the 1960’s. An industrialist saw a reason to save the house for future generations and raised the money to keep everything intact. It gave us a glimpse into the life of artist Fredrick Church and his family. The tour consists of all the bottom floors of the house and the garden. The unique part of the tour is that the man who was our tour guide partner was the last Mrs. Church’s grandnephew. So, he remembered visiting the house as a child.

We started the tour in the formal gardens that have been replanted. They were in full bloom giving us insight to how the grounds were once landscaped. The gardens were made up of mostly local flowers that were native to the area.

The formal gardens of Olana

The Olana gardens leading to the house.

We explored the views from the porch to see what the family would have experienced when they were at the house in season. There are breathtaking views of the Hudson River and the surrounding Catskill Mountains from the porch of the house. Things have grown in since the family’s time, but it still offers amazing vistas.

The views are beautiful from the porch.

We then toured the house’s first floor where the family did their receiving of guests, their social rooms and the offices of both Mr. & Mrs. Church. Each of the rooms still contained family heirlooms and original furnishings. We started with the Receiving Room where guests would wait to be welcomed by the family or leave a calling card that they were making a visit.

The Receiving Room in the front of Olana

When you look at the walls of the room, it is decorated with Fredrick Church’s artwork. The tour guide told us that the house had the largest collection of Fredrick Church’s paintings in the country. I took this attribute as these were the pieces that he did not sell at the time. The works of the Hudson River School and of his travels abroad were very interesting and lively.

Fredrick Church paintings that line the house.

We toured the house room by room admiring the furnishings and all the artwork of Fredrick Church that lined the walls of the house. This included family members including his wife, Isabel Carnes Church, his partner for the rest of his life.

Isabel Carnes Church, the mistress of the house

On his many trips abroad, Fredrick Church painted many of the sites he had visited that included the Far and Middle East.

Fredrick Church’s painting of “Petra” in the Middle East.

Both Mr. and Mrs. Church kept up social appearances on top of their work. They had a steady stream of guests visit the house and there was a lot of entertaining here.

The view from the porch

The view from the other side of the porch

We next visited the parlor, where the family would gather when they were staying at the house. There were many exotic furnishings from their trips on top of the personal family items. There were musical instruments to keep the family entertained when they were home.

The family piano in the Parlor

The formal Dining Room was more personal with a dining table that extended out for twenty people or open enough for the family to diner in this room.

The formal Dining Room

The formal Dining Room with the collection of painting that the family acquired when they were aboard.

As we finished the visit to the public rooms of the home, we toured the outside of the home as well as we exited out the side door.

The side view of Olana

When we looked up at the home with its combination of Morrish and Arabic design we saw four teapots at the top of the tower. When asked what they meant and why they were there, no one including the tour guide knew. It was figured by a group of landscape architects that it may have something to do with longevity or renewal. This secret died with the family.

The teapots line the roof.

The tour is very interesting and gives you a view on the house and on the family who lived there and how they lived when they were in residence here. They entertained, they worked, they traveled, and they made great art. The location on the hill in the Hudson River Valley shows their investment in the location. This was all kept intact after the 1960’s for us to enjoy.

The views of the Hudson River Valley

History of Olana:

Olana, one of the most important artistic residences and planned landscapes in the United States, is the last and perhaps greatest masterpiece created by Hudson River School artist Fredrick Edwin Church (1826-1900). Church designed the landscape and his Persian style home on and around the same hilltop where, as an eighteen year old student, he sketched spectacular views of the Catskills and the river alongside his mentor Thomas Cole.

The view of the house from the back.

Even in an era defined by personal architectural statements, the home of Fredric and Isabel Church was unique. Delight in the Moorish details of the building and each room. View the original furnishings of the house and walk or jog along the paths and carriage drives of the surrounding landscape, also designed by Church. A designated National Historic Landmark, Olana State Historic Site opened to the public in 1967. The house, its contents and the landscape still look very much as they did in Church’s day.

The inside of Olana in the main rooms

The views of the Hudson River from the porch of the house

Decorations in the historic garden

The story of the grounds and the estate

The Studio Art Museum in Harlem         144 West 125th Street                                New York, NY 10027

The Studio Art Museum in Harlem 144 West 125th Street New York, NY 10027

The Studio Art Museum in Harlem

144 West 125th Street

New York, NY 10027

(212) 864-4500

https://studiomuseum.org/

http://www.studiomuseum.org

Hours: Thursday-Sunday: 12:00pm-5:00pm/Closed: Monday-Wednesday-Closed

Fee: Donation

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d116230-Reviews-The_Studio_Museum_in_Harlem-New_York_City_New_York.html?m=19905

The Museum:

The Studio Museum in Harlem is the nexus for artists of African descent locally, nationally and internationally and for work that has been inspired and influenced by black culture. It is a site fro the dynamic exchange of ideas about art and society.

The Studio Museum of Harlem III

The Studio Museum of Harlem

History:

The Studio Museum in Harlem was founded in 1968 by a diverse group of artists, community activists and philanthropists, who envisioned a new kind  of museum that not only displays artwork but also supports artists and arts education. The Museum was originally located in a rented loft at 2033 Fifth Avenue, just north of 125th Street. Renowned architect J. Max Bond Jr. led a renovation that adapted the building into a two level exhibition space with offices and space for rental tenants.

The Studio Museum of Harlem II

The Galleries at The Studio Museum in Harlem

In 1985, the Museum began excavation of an adjacent vacant lot  at 142 West 125th Street, leased from the City of New York. Over the following two decades, the Museum, in partnership with the City, completed additional renovations to the building and lot and added additional gallery and lobby space, a theater and a flexible outdoor space. The Museum has been accredited by the American Alliance of Museums (AAM) since 1987, when it became the first black or Latino institution to gain this recognition.

The Studio Museum in Harlem is internationally known for its catalytic role in promoting the works of artists of African descent. The Artist-in-Residence program was one of the Museum’s founding initiatives, and gives the Museum the “Studio” in its name.  The program has supported more than one hundred emerging artists of African or Latino descent, many of whom who have gone on to establish highly regarded careers. Alumni include Chakia Booker, David Hammons, Kerry James Marshall, Julie Mehretu, Wangechi Mutu, Mickalene Thomas and Kehinde Wiley.

Studio Art Museum of Harlem

The Rico Gatson exhibition in 2018

The Studio Museum serves as a bridge between artists of African descent and a broad and diverse public. A wide variety of programs bring art alive for audiences of all ages-from toddlers to seniors-through talks, tours, art-making activities, performances and on and off-site educational programs. Museum exhibitions expand the personal, public and academic understanding of modern and contemporary art by artists of African descent. The Studio Museum is a leader in scholarship about artists of African descent, publishes Studio magazine twice yearly and regularity creates award-winning books, exhibition catalogs and brochures.

The Museum’s permanent collection includes nearly two thousand paintings, sculptures, watercolors, drawings, pastels, prints, photographs, mixed-media works and installations dating from the nineteenth century to the present. The Museum’s Acquisition Committee facilitates the growth of the collection through donations and purchases. Artists in the collection include Romare Bearden, Robert Colescott, Jacob Lawrence, Norman Lewis, Chris Ofili, Betye Saar, Lorna Simpson, Kara Walker and Hale Woodruff as well as many former artists in residence. The Museum also is the custodian of an extensive archive of the work of photographer James VanDerZee, the quintessential chronicler of the Harlem community from 1906 to 1983. The Museum does not have a permanent exhibition of work from its collection but frequency shows selections in temporary exhibitions.

Studio Art Museum of Harlem II

The current exhibitions are wonderful and include:

Regarding the Figure

Rico Gatson Icons 2007-2017

Jamel Shaazz Crossing 125th

All them are compact exhibitions and you will need about two hours to see everything at the museum (See TripAdvisior review).

 

Public transit access:

Subway: 2 & 3 to 125th Street

Bus: M7, M60, SBS, M100, M102, BX15 buses

Website: studiomuseum.org (http://studiomuseum.org)

Folks, please don’t miss this gem of a museum in your travels to NYC in a very quickly gentrifying Harlem (See ‘MywalkinManhattan’ site for more details).

Muscota Marsh                                                   West 218th Street and Indian Road                  New York, NY 10034

Muscota Marsh West 218th Street and Indian Road New York, NY 10034

Muscota Marsh

West 218th Street & Indian Road

New York, NY 10034

(212) 639-9675

https://www.nycgovparks.org/parks/inwoodhillpark

https://www.nycgovparks.org/highlights/muscota-marsh

Open: Sunday-Saturday 6:00am-1:00am

Fee: Free/ Inside Inwood Hill Park

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d21055137-Reviews-Mucota_Marsh-New_York_City_New_York.html?m=19905

Muscato Marsh on the Columbia Campus

I came across the Muscota Marsh when I was walking the neighborhood of Inwood in 2015 and thought that this is a great site that tourists should see on top of a visit to Inwood Park and the Shorakkopoch Rock where Peter Minuet bought Manhattan from the Indians.

The Shorakkopoch Rock in Inwood Park

Shorakkopoch Rock

The Muscota Marsh is a one-acre public park in the Inwood section of the borough of Manhattan in New York City, on the shore of Spuyten Duyvil Creek, a section of the Harlem River. It is adjacent to the much larger Inwood Hill Park and Columbia University’s Baker Athletics Complex. The park is notable for its views and for its ecological conservation features.

Muscota Marsh is unusual for having both a freshwater marsh and a salt marsh in such a tiny area. Besides attracting plant and animal life, these wetlands are intended to help filter rainwater runoff and thereby improve the water quality of the river. Other facilities include a dock for kayaks and canoes, benches and walking paths. A wooden deck overlooking the river provides views of Inwood Hill Park, the Henry Hudson Bridge and the New Jersey Palisades.

The Muscato Marsh is right next to the Columbia Boathouse

As this public green space, with a design inspired by tidal flats and mud ways, you can enjoy the educational richness of the marsh from the wildlife observation deck or venture out on to a wooden deck stretching out to the waterway through the native water gardens.

By the boathouse

Because of the close proximity of the salt marsh and the freshwater wetlands, you’ll be able to spot beautiful wading birds like the great blue heron and the snowy egret. You can also see leopard frogs and ribbed among the dramatic colors and textures of the marsh’s native plants.

The Wetlands

Opened to the public in January 2014, the park was constructed by Columbia University as part of a deal to construct the new Campbell Sports Center within its adjacent athletics complex. It was designed by James Corner Field Operations, which is best known for its work on Manhattan’s High Line. It is cooperatively administered by the New York City Department of Parks and Recreation and Columbia, with the university providing maintenance and security.

The wetlands

The park is open all year round and is free to enter. It is right next to the Columbia Stadium.

It is a nice part of the Inwood Park

The Muscato Marsh facing Inwood Hill Park

The clever duck

Disclaimer: This information was taken from the NYC Parks information guide and Wikipedia. Please check this small pocket park out for its beauty and for its importance in the environment.

The marsh during the beginning of the summer of 2023

Dyckman Farmhouse Museum                                              4881 Broadway at 204th Street                                              New York, New York 10034

Dyckman Farmhouse Museum 4881 Broadway at 204th Street New York, New York 10034

The Dyckman Farmhouse

4881 Broadway at 204th Street

New York, NY  10034

(212) 304-9422

dyckmanfarmhouse.org

for front page

Hours:

Winter Schedule: November-April Friday and Saturday 11:00am-4:00pm

Monday-Wednesday: Groups by Appointment Only; Groups of 10 or more by appointment

Thursday-Saturday: 11:00am-4:00pm

Sunday: 11:00am-3:00pm

Fee: Donation Based

My TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d108018-Reviews-Dyckman_Farmhouse_Museum-New_York_City_New_York.html?m=19905

The Dyckman Farmhouse during the Christmas holidays

I visited the Dyckman Farmhouse on day during my walk around the Inwood section of Manhattan and came upon this old farmhouse in the middle of the commercial district by Columbia University’s football field. You have to take the A or the 1 Subway uptown to get there but it is one of the last vestiges of the farming community that once was Manhattan in the late 1700’s and early 1800’s.

It has been there since the family donated it to the city in 1916. It should not be missed when visiting Manhattan. I wrote more about my trip there in “MywalkinManhattan.com” blog site.

Dyckman Farm House II

The Dyckman House in the Spring

The Dyckman House, now the Dyckman Farmhouse Museum in the oldest remaining farmhouse on Manhattan Island, a remainder of New York City’s rural past. The Dutch Colonial-style farmhouse was built by William Dyckman in 1785. It was originally part of over 250 acres of farmland owned by the family. It was once the center of a thriving farm with fields and orchards of cherry, pear and apple trees. It is now located in a small park at the corner of Broadway and 204th Street in the Inwood section neighborhood of the city.

The front of the Dyckman Farmhouse

Don’t miss the self-guided tours of the house. You can tour all three floors of the house to see the bedrooms on the second and third floors and the first-floor parlor and receiving areas. The basement area has the ‘winter kitchen’ where all the cooking of the house was done, and it was the room that kept the rest of the house warm during the winter months.

The Winter Kitchen hearth for cooking meals

The Winter Kitchen

The Winter kitchen at the Dyckman Farm

The house was slightly decorated for the Christmas holidays with garland and ivy and holly to make it look more festive. The Dyckman House was built at a time after the Revolution where the excesses of the Victorian era had not taken hold and the Christmas holidays were more subdued and concentrated on going to church and a light luncheon that afternoon. The decorations of the home reflect this.

The museum is decorated for Dutch Christmas with the bounty of the holiday season

The Farmhouse at Christmas time outside in 2025

The house decorated for the Dutch Christmas in 2025

Don’t miss the gardens in both the spring and summer to see everything in full bloom. Even in the winter it is interesting to watch the paths and see what needs to be accomplished for spring planning.

The Dyckman House in the Fall of 2025

It is an interesting look into how the Dutch farmers lived and worked.

History and Description

William Dyckman was the grandson of Jan Dyckman, who came to the area from Westphalia in 1661. Jan Dyckman, a shoemaker and another Dutch settler, Jan Nagel purchased much of the land between present 155th Street and the northern tip of the island. Members of the Dyckman and Nagel families lived on the land for three generations until the Revolutionary War broke out.

dyckman farm house III

The house and front gardens during the summer months

During the Revolutionary War, the British occupation of Manhattan in 1776-83, the Dyckman’s, like many other patriots, fled the city and did not return until the British had been defeated. When the war ended and the Dyckman’s found their home and orchards had been destroyed, they built a new house on the Kingsbridge Road, now Broadway. They chose this location on a major thoroughfare in order to supplement their income by providing accommodations for travelers on their way to and from Manhattan.

William Dyckman, who inherited the family estate built the current house to replace the family house located on the Harlem River near the present West 210th Street, which he had build in 1748 and which was destroyed in the American Revolutionary War.

There was also 30 people living within three other houses scattered across the roughly 250 acre farm. The residents included laborers and other Dyckman family members. The main outbuildings for the farm were built close to the farmhouse including a cider mill, corn cribs, barns and stable (Dyckman Farmhouse Museum Alliance).

William died in 1787 and the property with its “commodious dwelling house,” and 250 acre farm was offered for sale. William’s son, Jacobus, took over the farmhouse and land and rebuilt the farm after the war. This took about five years. Jacobus altered and added to the house over the years. When Jacobus died in 1832, he left the bulk of the estate to his bachelor sons, Isaac and Michael and many members of the extended family moved in as well.

Following the death of Isaac in 1868, his nephew, James Frederick Smith, changed his name to Isaac Michael Dyckman and inherited much of the Dyckman property. When the subway lines reached the area in 1906, there was discussion about the impact on historic homes such as this.

In 1915, Mary Alice Dyckman Dean and Fannie Frederika Dyckman Welch, daughters of Isaac Michael Dyckman purchased the house with the plan of turning it into a museum. They fully restored it, furnished it and landscaped the grounds. They presented it to the City of New York in 1916 so that it could be used as a public park and museum (History of Dyckman Farm).

The house is designed with:

The Relic Room: Objects that are displayed were discovered from digs in the area.

The Relic Room at the Dyckman Farmhouse

The Second Floor Bedroom: Some of the rooms are decorated with furnishings dating from the 18th and 19th centuries and reflect colonial life around 1800.

The Second floor bedroom

The second floor bedroom during the second renovation of the home from a dormer to bedrooms

The second floor of the farmhouse had been a dormer when the home was at its height of the growing season and then later on in the house’s history was converted into regular bedrooms. The first floor bedroom was for the owner of the house for easier access to the farm and the outdoors during the growing season.

The First Floor Bedroom for the Master of the House:

The Bedrooms:

The downstairs bedroom

The Parlor Room:

The Parlor is where the family socialized and entertained their guests. The best pieces of furniture and family possessions would be shown off to visitors.

The Parlor:

The Dyckman Parlor:

Full view of the Parlor in the Dyckman Farmhouse

The Winter and Summer Kitchens: The farmhouse had two kitchen, the Winter and Summer kitchens, the Winter one would have kept the home warm in the cold months and would have been used  as a non-cooking work space in the summer.

The Winter Kitchen:

The Summer kitchen is closed to the public has a small bedroom attached to it.

The back of the Dyckman Farmhouse with the grounds left and the old smokehouse in the distance

The Garden Area: On the half acre of family land left they have constructed a reproduction a smokehouse and outbuildings along with gardens planted with thousands of new plants that include things like bleeding hearts and foxglove.

The Hessian Military Hut recreation on the house’s property

The Hessian House recreation on the back part of the property

The gardens and smokehouse

(The Dyckman Farmhouse Museum Alliance)

The current two-story house is constructed of fieldstone, brick and white clapboard and features a gambrel roof and spring eaves. The porches typical of the Dutch Colonial style but were added in 1825. The house interior has parlors and an indoor (winter) kitchen, with floors of varying-width chestnut wood. The house outdoor smokehouse kitchen, in a small building to the south, may predate the house itself.

The Dyckman Farmhouse during the Christmas holiday season 2022

The house stayed in the family for several generations until it was sold in 1868, after which it served as a rental property for several decades. By the beginning of the 20th century, the house was in disrepair and in danger of being demolished. Two sisters of the original family and daughters of the last Dyckman child to grow up in the house, Mary Alice Dyckman Dean and Fannie Fredericka Dyckman Welch, began restoration of the farmhouse in 1915-16 under the supervision of architect Alexander M. Welch, the husband of Fannie.

They then transferred the ownership of the house to the City of New York in 1916, which opened it as a museum of Dutch and Colonial life, featuring original Dyckman family furnishings.

The Dyckman Farmhouse in Inwood during the Summer months

The farmhouse, which is not only the oldest remaining in Manhattan, but the only one in the Dutch Colonial style and the only 18th century farmhouse in the borough as well. It has New York City Landmark and a National Historic Landmark status since 1967. A major restoration of the house took place in 2003, after which it reopened to the public in the fall of 2005.

When I visited the homestead in January 2024 for the Epiphany, the house had an interesting children’s exhibition entitled “Beyond Play”, based on a child’s life on a farm back in the 1800’s. This would include simple games such as “Tag” and “Blind Man’s Bluff” and homemade wooden trucks, blocks and dolls.

The exhibition “Beyond Play”

The display of toys that child would play on the farm in the 1800’s.

The display of toys that children would play on the farm.

Walking around the Inwood neighborhood has changed a lot in a hundred years and is now home to a large Dominican population as well as the quickly gentrifying Inwood neighborhood and home to Columbia University sports.

Inwood at Broadway near the Dyckman Farmhouse

*Disclaimer: This information comes from the Historic House Trust and Wikipedia and the NYC Parks System. The site is free to visit and takes less than an hour to visit. During the summer months, it is nice to visit the gardens and property. It is a interesting property to visit and when you are through with your tour, there are many nice Spanish restaurants in the area on Broadway and along 207th Avenue corridor. It is a nice place to walk around and explore.