Tag: New York

Bertha & Karl Leubsdorf Gallery Hunter College Campus 132 East 68th Street New York, NY 10065

Bertha and Karl Leubsdorf Gallery

Hunter College Campus

132 East 68th Street

New York, NY 10065

(212) 772-4991

http://www.leubsdorf.org

http://huntercollegeartgalleries.org/

https://huntercollegeart.org/galleries

https://hunter.cuny.edu/organizer/hunter-college-art-galleries/

Open: Sunday-Monday Closed/Tuesday-Saturday: 11:00am-5:00pm-See website when open.

Admission: Free

My review on TripAdvisor:

The Hunter College Museum-The Bertha and Karl Leubsdorf Gallery at 132 East 68th Street

I visited this wonderful little gallery on the main campus of Hunter College on the Upper East Side of Manhattan on my project, “MywalkinManhattan.com”. It is an interesting, small gallery that exhibits more fringe artists and collections. The best part of the gallery is that it is not overwhelming like the bigger museums in the City and you can see the whole gallery in about an hour or a little more (See my review on TripAdvisor).

A former exhibition was: Axis Mundo: Queer Networks in Chicano L.A. is an interesting look at the Los Angeles based queer Chicanx artists between the late 1960’s and early 1990’s and is the first of its kind to excavate histories of experimental art practice, collaboration and exchange by a group of artists in Los Angeles (Hunter College Gallery).

The Axis Mundo Exhibition

Currently the museum is hosting the BFA Final Projects and there is a combination of video, paintings and photography to choose from. There is some interesting sculpture work by some of the graduating seniors so take some time in the afternoon to visit the gallery.

The Axis Mundo Exhibition

I visited the Gallery again in March of 2021, when the campus open after COVID rules lifted. The exhibition being shown was entitled “The Black Index”, a series of Black artists were being featured.

“The Black Index” features the works of artists Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell and Lava Thomas. The artists included in The Black Index build upon the tradition of Black self-representation as an antidote to colonialist images. Using drawing, perform, performance, printmaking, sculpture and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and understanding. Their works offer an alternative practice-a Black Index-that still serves as a finding aid for information about Black subjects, but also challenges viewers desire for classification (Hunter Gallery website).

Artist Alicia Henry’s work “Analogan III”

The works in The Black Index make viewers aware of their own expectations of Black figuration by interrupting traditional epismologies of portraiture through unexpected and unconventional depictions. These works image the Black body through a conceptual lens that acknowledges the legacy of Black containment that is always present in viewing strategies. The approaches used by Delgado, Henry, Hinkle, Kaphar, Lovell, and Thomas suggest understandings of Blackness and the racial terms of our neo-liberal condition that counter legal and popular interpretations and in turn offer a paradigmatic shift within Black visual culture (Hunter Gallery website).

“The Black Index” works (Hunter Gallery)

The nice part of these galleries are that it takes about 45 minutes to view the whole exhibition.

The BFA Art Show at the Hunter College Galleries

In the Spring 2025, I stopped into the galleries to visit the Undergraduate show, CODA.

The students featured in the show

The front galleries

The entrance to the main gallery

This piece is called “Flushed Toast”

Then in the main part of the gallery, there were a few pieces of yarn work that I thought were very interesting.

The works made of acrylic yarn by artist Demi Artemisa Espinoza

Artist Demi Artemisa Espinoza works

My favorite work in the show ‘Smiling Cheek to Cheek’

In the middle of the gallery, there were interesting modern sculptures.

The middle gallery

This was quite unique

Paintings in the show

Video works from student artist Aviella Holle

Video Artist Aviella Holle

The undergraduates in this Art program did an excellent job and I thought the works were very original.

The History of the Berth and Karl Leubsdorf Gallery:

(From the Hunter College Art Galleries website)

The Bertha and Karl Leubsdorf Gallery focuses on presenting historical and scholarly exhibitions and programming that provide new scholarship on important and often under-represented artists and art movements. Located on the Hunter College’s main campus, the gallery also hosts the BFA degree exhibitions each semester.

The Hunter College Art Galleries, under the auspices of the Department of Art and Art History, have been a vital aspect of the New York cultural landscape since their inception over a quarter of a century ago. The galleries provide a space for critical engagement with art and pedagogy, bringing together historical scholarship, contemporary artistic practice and experimental methodology. The galleries are committed to producing exhibitions, events and scholarship in dialogue with the intellectual discourse generated by the faculty and students at Hunter and serve as an integral extension to the department’s academic programs.

Asia Society and Museum 725 Park Avenue at 70th Street New York, NY 10021

Asia Society & Museum

725 Park Avenue At 70th Street

New York, NY 10021

(212) 288-6400

AsiaSociety.org/NY

https://asiasociety.org/new-york

Open:

Museum: Tuesday-Sunday-11:00am-6:00pm, Friday-11:00am-9:00pm

Asia Store: Monday-Sunday-11:00am-6:00pm, Friday-11:00am-9:00pm

Garden Court Cafe: Tuesday-Sunday, 11:30am-3:00pm; Reservations: (212) 570-5202

Asia Society is closed on major holidays. Please check AsiaSociety.org/NY for updates on museum, store and cafe hours.

Fee: $12.00 Adults/$10.00 Seniors/$7.00 Students with ID/Free to members and children under 16/Free Admission Fridays, 6:00pm-9:00pm

Adult, Student and Teacher tours:

For information or to schedule a tour, call (212) 327-9237

*Wheelchair accessible/available for use during visits/Complimentary cell phone audio tour available/Assistive listening devices and headsets available for many programs.

TripAdvisor Review:

https://www.tripadvisor.com/Restaurant_Review-g60763-d531995-Reviews-Asia_Society_and_Museum_Garden_Court_Cafe-New_York_City_New_York.html?m=19905

History of the Museum:

The entrance to the Asian Society Museum

John D. Rockefeller 3rd (1906-1978) , who established Asia Society in 1956, firmly believed that art was an indispensable tool for understanding societies. From 1963 to 1978, he and his wife, Blanchette Hooker Rockefeller (1909-1992), worked with art historian Sherman E. Lee (1918-2008) as an advisor to build the Mr. and Mrs. John D. Rockefeller 3rd Collection, which was later bequeathed to Asia Society.

The Rockefeller Collection

The group of spectacular historical objects they assembled-including sculpture, painting and decorative arts-became the core of the Asia Society Museum Collection and is world renowned. The Collection, now consisting of approximately 300 pieces, is distinguished by the high proportion of acclaimed masterpieces, to which additional high-quality gifts and acquisitions have been added since the original bequest to Asia Society. The Collection has particular strengths in Chinese ceramics of the Song and Ming periods, Chola-period Indian bronzes and Southeast Asian sculptures.

Extraordinary examples of decorative art in the acclaimed Asia Society Museum collection include a number of superior East Asian ceramics, which make up more than one-third of the Collection. A luminous pair of twelfth-century Korean bowl and saucer sets, covered with the celebrated celadon glaze of the Goryeo period and an extraordinary tea leaf jar, decorated with mynah birds and accented with silver by Japanese ceramic artist Nonomura Ninsei (active ca. 1646-1677) are among the ceramic highlights.

Walking around the museum

An exquisite solid silver Chinese stem up that dates to the late seventh or early eighth century also stands out as an exceptional masterpiece of decorative art within the Collection. The skill of the craftsman is evident in the fine embossing, chasing and engraving of the birds, flowers and scrolling vines on the exterior of the cup.

Two other great strengths of the Collection are Hindu and Buddhist sculpture from South and Southeast Asia. An eleventh-century processional sculpture of the elephant-headed Hindu deity Ganesha is an endearing example produced by the South Indian master bronze casters at that time and one of the fifteen important Chola-period bronzes in the Collection.

Another great treasure is a rare eighth-century inscribed and dated inlaid-brass crowned Buddha seated on a lotus rising from water inhabited by serpent deities (nagas) from Kashmir or northern Pakistan. A sculpture of the serene and slender Buddhist Bodhisattva Maitrya stands just over an impressive three-feet tall and represents the pinnacle of Thai metal casting during the eighth-century.

These objects and the Asia Society Museum Collection as a whole continue to be an important means for sharing the talent, imagination, and deep history of the peoples of Asia with audiences all over the world.

(From: Masterpieces from the Asia Society Museum Collection)

We are …Policy

With top-level experts and advisors-including former heads of state and cabinet officials, CEOs, civil society leaders and scholars-the Asia Society Policy Institute creates solutions that advance Asia’s prosperity, security and sustainability. Its projects include working to strengthen regional security institutions and mechanisms in Asia, assessing the impact of China’s rise and tracking its economic reform program, recommending pathways to an inclusive and high-standard Asian trade architecture, charting a path for India’s admission to APEC and designing strategies for Northeast Asian economics to link carbon markets and reduce greenhouse gas emissions.

The Asia Society Center on U.S. China Relations seeks to build mutual understanding between the two countries through projects and events on policy, culture, business, media, economics, energy and the environment.

We are…Arts

Transforming Americans understanding of Asia through exhibitions and performing arts was at the heart of our founder’s vision. The bequest of the Mr. & Mrs. John D. Rockefeller 3rd Collection of traditional Asian art in 1979 spurred the building of our New York headquarters. Today, our ground-breaking exhibitions of traditional, modern and contemporary art-as well as performing arts, film and author programs-are presented to the highest acclaim at our centers in New York, Hong Kong and Houston and at venues all over the world. Global initiatives such as the Arts & Museum Summit bring together museum and cultural leaders from across Asia, the United States and Europe further appreciation of Asian arts.

The gift shop at the Asia Society

We are …Education

A rising Asia requires a rising generation of students to understand its cultures and complexities. The Center for Global Education at Asia Society has developed an internationally recognized approach to foster the global competence of students, aiming to improve the capacity of 100,000 educators to instill global competence in 4 million youth by 2030. We partner with leaders and institutions from around the world to transform teaching and develop global-ready students. We also lead a major effort to bring Mandarin language instruction and the study of China and Chinese culture to children in the United States and to bring global learning to American after school programs, in pursuit of best practices in global education.

(From Asia Society pamphlet)

Asia Society is a non-profit, nonpartisan organization offering dynamic public programming at our cultural centers in New York, Hong Kong and Houston and at our other global locations in the United States, Asia and Europe.

Asia Society appreciates the support of its members, who aid our vital mission of preparing Asians and Americans for a shared future. For more information, AsiaSociety.org.

Disclaimer: This information was taken directly from the pamphlets from the Asia Society in New York City. I give them full credit for all the information. Please see the above hours and programs and call the above numbers for more information.

The National Jazz Museum in Harlem 58 West 129th Street, Ground Floor New York, NY 10027

The National Jazz Museum in Harlem

58 West 129th Street, Ground Floor

New York, NY 10027

http://www.jazzmuseuminharlem.org

http://jazzmuseuminharlem.org/

https://www.facebook.com/nationaljazzmuseum/

(212) 348-8300

Suggested donation of $10.00 but whatever you can give.

Open: Sunday-Monday: 11:00am-5:00pm/Tuesday-Wednesday Closed/Thursday-Saturday: 11:00am-5:00pm

Fee: Free with Donation

Founded in 1997

Transportation: Subway 2 or 3 to 125th Street and then walk up to 129th Street

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d6953125-Reviews-The_National_Jazz_Museum_in_Harlem-New_York_City_New_York.html?m=19905

I came across this little museum when I was touring Central Harlem. This museum is more like a small gallery and it is dedicated to the history of jazz in Harlem. The front section is set up like someone in Harlem’s salon with furniture from the era and sheet music from the artists. The look is based on ‘Rent Parties’ that people used to have to bring their friends over to help pay the monthly rent. The back section of the museum is dedicated to jazz and related music with a sitting area and pictures all over the wall of different era’s including the new artists of today. Jazz music plays throughout.

The Mission of the Museum:

The National Jazz Museum in Harlem, a Smithsonian Affiliate, preserves, promotes and presents jazz by inspiring knowledge, appreciation and celebration of jazz locally, nationally and internationally.

It is the thriving center for jazz that stimulates hearts and minds and reaches out to diverse audiences to enjoy this quintessential American music. The museum was founded in 1997 by Leonard Garment, Counsel to two U.S. Presidents and an accomplished jazz saxophonist, Abraham D. Sofaer, a former U.S. District Judge, who gave the initial gift in honor of his brother in law, Richard J. Scheuer and matching funds from the Upper Manhattan Empowerment Zone.

Displays inside the museum

The Museum is committed to keeping jazz present and exciting in the lives of a broad range of audiences: young and old, novice and scholar, artist and patron, enthusiast and curious listener. From its new location in the center of Harlem, the Museum serves the local community and welcomes visitors from across the U.S. and internationally.

The National Jazz Museum in Harlem’s vision is to establish a permanent home in Harlem for collections, programs and performances that stimulate creativity and excitement about the past, present and future of jazz and its artists (The Jazz Museum in Harlem vision statement-pamphlet).

In 2013, an exciting new era began for the Museum. We created and implemented a new strategic plan that made education central to our mission. The Museum now offers year-round educational programs for students of all ages. We also developed a new membership program with exclusive content and benefits to reach out to the worldwide jazz community.

The inside of the National Jazz Museum of Harlem

In 2015, after 15 years at the East Harlem location, we moved to 58 West 129th Street in Central Harlem. Our new space is designed to give our visitors an immersive jazz experience, in the heart of what has become Harlem’s new cultural and entertainment district. The ultimate, long-term goal is to secure a permanent home in Harlem with space enough to showcase Harlem’s vast contributions to jazz, American music and world history.

Each year, the Museum produces and presents more than 80 free programs in New York City, engaging hundreds of professional jazz artists and reaching nearly 20,000 people from around the world. The Museum is a hub for live performances, exhibitions and educational programs. It is also home to our widely acclaimed Savory Collection, which includes more than 100 hours of live recordings of jazz legends made from New York City radio broadcasts aired between 1935 and 1941 (Wiki site and Museum website).

The current exhibition is Vi*bra*tion: The history of Jazz from Louis Armstrong to Miles Davis: Their Work and Harlem Air Shaft (large musical manuscripts on the wall).

The Leadership of the Museum is under musicians Jonathan Batiste, Co-Artistic Director and Christian McBride, Co-Artistic Director.

The Frances Lehman Loeb Art Center/Vassar College 124 Raymond Avenue Poughkeepsie, NY 12604

The Frances Lehman Loeb Art Center/Vassar College

124 Raymond Avenue

Poughkeepsie, NY 12604

(845) 437-5632

fllac.vassar.edu

https://fllac.vassar.edu/

blogs.vassar.edu/fllaceducation

Open: Sunday 1:00pm-5:00pm/Monday Closed/Tuesday-Saturday 10:00am-5:00pm

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g48443-d2419076-Reviews-Frances_Lehman_Loeb_Art_Center_at_Vassar_College-Poughkeepsie_New_York.html?m=19905

The Loeb Museum at Vassar College

Visiting The Frances Lehman Loeb Art Center is a wonderful afternoon out. Its best to park in the North Campus parking lot. You can walk the campus on a nice day down to the museum and enjoy the campus architecture. The campus is straight out of an Ivy League handbook. The museum is located by the front gate of the campus, and you can tour the whole museum in about two hours comfortably.

Take time to walk the Art Garden next to it and they have a really nice little downtown off North Campus to wonder around the restaurants and shops. See my review of Pizzeria Bacio Ristorante at 7 Collegeview Avenue near North Campus. The food is excellent!

The Art Sculpture Garden at the Loeb Museum

The Frances Lehman Loeb Art Center opened in 1864 as the Vassar College Art Gallery. The founding members of the college’s Board of Trustees understand art to be an integral part of the academic experience. Vassar therefor became the first college or university in the United States to include an art museum as part of its original plan. Since its inception, the museum has remained a significant part of the Vassar experience.

The Contemporary Galleries at the Loeb Museum

The Frances Lehman Loeb Art Center is a cultural destination both for the Vassar College community and for visitors from the region and around the world who are attracted by the breadth and quality of the art on view. It is unique to the region in its combination of stellar temporary exhibitions and an ongoing installation of the permanent collection that features art through the ages, from ancient Egypt to the present.

Ancient Art gallery with items from Egypt, Greece and Rome.

The collection began with an initial gift from Matthew Vassar of 3,800 works of art, including an important group of Hudson River School paintings and British watercolors. Today, the Art Center’s collection has grown to over 18,000 works of art that span antiquity to the present. Notable holdings include the Warburg Collection of Old Master prints and a wide range of works by major European and American twentieth-century painters, including Georgia O’Keeffe, Pablo Picasso, Jackson Pollock, Joan Miro, Mark Rothko and Andy Warhol.

The Andy Warhol exhibition was being shown on my first trip to the museum

https://www.vassar.edu/theloeb/publications/people-are-beautiful-prints-photographs-and-films-andy-warhol

I went to the museum recently before the closing of the “Beyond the Threshold: Tibetan Contemporary Art” and “Mastery and Merit: Art from the Jack Shear Collection” and got to view the galleries before they closed for the evening. Admittingly I am no expert of Buddhist art, but the Jack Shear collection gave you a perspective on the religion. The art portrayed Buddha in many forms as Divine. The contemporary works were very interesting as it delved into what modern Tibetans all over the world see in the form of current happenings, playing off other famous works of art (such as the modern version of the Mona Lisa) and a contemporary take on the Buddha.

The modern take on Buddha from a contemporary perspective

https://www.vassar.edu/theloeb/exhibitions/beyond-threshold-tibetan-contemporary-art

The shows revolve on a continual basis and there are shows being mounted at various times of the year.

Cindy Sherman Art in the collection

The Art Center is housed in a building designed by Cesar Pelli and completed in 1993. The Hildegarde Krause Baker, class of 1911, Sculpture Garden includes works by Frank Stella, Gaston Lachaise and Anthony Caro, among others.

The Alexander Calder work “Mobile” in the collection

Tourism information on the museum:

There are tours for School Groups, Adult Groups, Individuals and Self-Guided for individuals. Please call the museum for more information on this. A centerpiece of the Loeb’s programming is Late Night at the Loeb, held weekly on Thursday evenings. Programming for Late Night is spearheaded by the Loeb Student Committee who organize activities and offerings for students and the general public.

There are creative happens every week. You can also join as a member and there are opportunities to volunteer at the museum. To learn more about both of these, please call (845) 437-5237.

The famous Picasso is to the left

Disclaimer: This information about the museum came from the museum pamphlets. Please call the above numbers for more information or email them. It is a great afternoon out to just tour the museum and then walk around the campus on a nice day.

The “Stokers of the Earth” painting by Roberto Matta

“Stokers of the Earth” sign

Share this:

Share this:

Share this:

Share this: