When I was recently walking around Washington Heights for the “Great Saunter” perimeter walk around the coast line of Manhattan over the summer, I revisited this little park that is tucked away inside Highbridge Park that lines the eastern side of Upper Manhattan. This is the Sherman Creek Park and Swindler Cove. I just thought it was a small extension of the park but it is way more.
The is a once dumping ground for garbage and waste that has been reclaimed and given a rebirth as a ecologically created watershed that is not only helping clean the East River with its plantings but also a sanctuary for birds, butterfly’s and other small creatures when they are migrating.
The paths are well landscaped and offer a sense of quiet and relaxation from the noise of the neighborhood especially in the summer when families are barbecuing and having parties in the small strip of part that is Highbridge Park. Small streams, a waterfall and river plantings plus a boathouse for canoes and Kayaks gives a different more relaxing view of the park.
The entrance to Sherman Creek Park.
Sherman Creek Park
(from the park website)
Sherman Creek Park, a former illegal dumping site, began as a shore cleanup and now encompasses 15 beautifully reclaimed acres along the Harlem River including Swindler Cove, Riley-Levin Children’s Garden, and a living shoreline installation. The neighboring Harlem River Greenway includes a sprawling esplanade, bike path, and a cherry tree planting framing the Harlem River Drive.
The pathways in Sherman Creek Park.
The park serves to demonstrate sustainable management of public lands in an underserved neighborhood, from hosting a major community green space in Northern Manhattan, to implementing organic gardening techniques and best horticultural practices on a daily basis.
The waterfall in Sherman Creek Park
NYRP’s work in Sherman Creek and the surrounding landscape recognizes the remarkable value of natural resources found in Northern Manhattan and works to improve and support public access to Manhattan’s largest remaining wetland complex.
The pathways through Swindler Cove Park.
SWINDLER COVE
(from the park website)
NYRP is responsible for conceiving, developing, executing and maintaining the vibrant and versatile Swindler Cove at Sherman Creek Park, a former illegal dumping site transformed by NYRP into a gorgeous green space. The 5-acre space is home to the Riley-Levin Children’s Garden.
Swindler Cove represents the crown jewel of New York Restoration Project’s public park projects. Opened to the public in August 2003, Swindler Cove represents the full spectrum of NYRP’s mission to restore open space as a catalyst for community revitalization and environmental conservation.
The restoration of the Manhattan coastline.
In 1999, in partnership with the State of New York Department of Transportation and acclaimed landscape designer Billie Cohen, NYRP transformed the land into an oasis of native natural habitats with a lush array of restored woodlands, wetlands, native plantings and a freshwater pond, accented by a gracious pathway.
LIVING SHORELINE
(from the park website)
Sherman Creek Park is threatened by climate change-induced erosion and sea level rise and in 2020 we introduced an ecosystem-based solution called a living shoreline.
Replanting and renovating the coastline.
Integrating native plantings and an artificial oyster reef, our living shoreline design aims to not only attenuate waves that wash away sediment but also enhance the native wetland habitat—one of the last of its kind in all of Manhattan. By stacking specialized concrete blocks called Oyster Castles, its design helps build new habitat for marine species that, over time, could transform the dynamics of a park that we might otherwise lose.
We continue to monitor the shoreline’s evolution to better understand and quantify the ecosystem services that urban wetland restoration projects like ours might offer. “We know that, acre per acre, wetlands are better than forests at fighting climate change,” says Director of Northern Manhattan Parks Jason Smith. “It just requires shifting our relationship with the landscape and realizing it’s not about building a big project and walking away; it’s about staying engaged, stewarding it, and learning from it.”
Video on the New York Restoration Project: Rebuilding parks and gardens.
I love Fort Tryon Park in Upper Manhattan. It is one of the most beautiful parks in New York City. It is a park of rolling hills, stone paths that hug the hills, interesting garden that are ablaze when in season, shady tree sitting areas and is home to many playgrounds and the Cloisters Museum which is part of the Metropolitan Museum of Art. It has so much to offer a visitor coming into Manhattan from exploring the woods that line the path to looking at interesting art at the museum. This 67 acre park is one of the interesting and complex in New York City.
A city view of the beauty of the park by the Hudson River
The view from The Cloisters by the Hudson River
When you enter the park from Inwood by Broadway, you enter through Ann Loftus Park which is named after a local community leader and is one of the popular parks with kids and families in the area. In the summer months, the fountains and water fixtures are going strong and the kids run around them while the parents lie under shade trees talking to one another.
When taking the path from Ann Loftus Park and winding up the hills of woods and rock formations is the Hudson River looming in the distance with spectacular views of the Palisades and the large cliffs of Fort Lee, NJ on the other side.
The bathrooms in Ann Loftus Playground
The history of the park
Anne Susan Cahill Loftus biography:
At the top of hill like a crown jewel is the Medieval Galleries of the Metropolitan Museum of Art’s Cloisters Museum. Filled with all the Met’s collections of Religious and Medieval art set into themes of old churches, stained glass windows, flowered courtyards and vistas of the river, it is the perfect place to wonder around.
As you pass the Cloisters and walk further in to the park, there is still so much more to see and do. The Linden Terrace overlooks the Hudson River with its large shade trees over head and its stone benches to sit and just look in the distance or read a book. This was the site of the original Fort Tryon and is the highest location in the park.
Linden Terrace is a nice place to relax and read a book
The flowers by the Linden Terrace
Further down in the other entrance of the park is Heather Garden, a large path of flowers , bushes and trees with benches lining it. The garden was the Olmstead Brothers when the park was taking shape and is a beautiful place to walk in the Spring and Summer months when the park is in full bloom.
The stairs leading to the Linden Terrace
The plaque for Fort Tryon
The anniversary plaque
The Stan Michels Promenade
The Heather Garden in the front
The Heather Garden was recently remodeled to follow the original design by the Olmstead Brothers.
The Heather Gardens
The Heather Gardens in full bloom
The Gardens facing the George Washington Bridge
The Gardens in full view
There is even a terrace restaurant in the middle of the park, the New Leaf Cafe (See review on TripAdvisor-Closed in 2018) which sits off to the side of the Corbin Circle on the other side of the park. The food is over-rated and very expensive. The last time I ate there the menu was pretty standard. It is a great to take out of towners who want a view of something. It is not worth the trip. The views are nice and in the summer months it is pretty but the food and service are standard.
The New Leaf Cafe in Fort Tyron Park (Closed in 2018)
The park has so much to offer in all months of the year especially in the Spring and Summer.
The entrance to Fort Tryon Park
Cabrini Woods Nature Sanctuary in the front of the park
The Cabrini Sanctuary in the Spring 2024
History of Fort Tryon Park:
The area was known by the local Lenape Indians as Chquaesgeck and by the Dutch settlers as Lange Bergh (Long Hill). During the Revolutionary War, the Battle of Fort Washington was fought on this site. The park is built on a high formation of Manhattan schist with igneous intrusions and glacial striations from the last Ice Age (Wiki).
The gardens in the Fort Tryon Park
John D. Rockefeller Jr. bought up most the land in 1917, which by that point had been old estates, to create Fort Tryon Park. He hired the Olmstead Brothers firm, under the direction of Fredrick Law Olmstead Jr., the son of the designer of Central Park, to design the park and James W. Dawson to create a planting plan. Mr. Rockefeller also bought the collection of Medieval art from sculptor George Gray Barnard and it was the cornerstone of The Cloisters Museum which was built in 1939 (Wiki).
The Fort Tryon gardens in full bloom
The stairs in the park
Through the years the park has seen its ups and downs especially in the 1970’s and 80’s with the decline of finances in New York City. There were extensive renovations when finances got better in the late 90’s and parts of the park were fully renovated. The Fort Tyron Park Trust, a non-profit organization was founded in 1998 to help maintain the park (Wiki).
When I walked through the park on the recent Great Saunter walk in 2025, they rerouted us through the park when the Riverwalk was closed for renovation. The park was in full bloom and it was the most spectacular day for a visit.
The entrance of the park on that sunny afternoon
The beautiful colorful tulips at the entrance of the park
The colorful gardens were in full bloom
Everyone was routed through the park on the way to Inwood Park for our rest stop. What I found strange was that the park was so beautiful in full bloom and people were not stopping to relax and just enjoy the views. The gardens were amazing and so colorful.
I stopped to look at the beautiful rock garden
I thought this was so clever. One of the volunteers made this sign up which was so funny!
We walked through the park on our way through the park on the way to Inwood Park.
The front of the American Museum of Arts & Letters at 633 West 155th Street
I was finally able to visit the American Academy of Arts and Letters on the last day it was open for the year to the public. It was for the ‘Ceremonial Exhibition: Work by New Members and Recipients of Awards’, an exhibition on members art that was chosen specifically for the show. Most of the work was very contemporary and some a little political. It was interesting work by new artists that filled the small gallery rooms.
The front of the American Museum of Arts & Letters
One of the buildings was used for the contemporary art while the one across the courtyard was used for the more architectural pieces. The galleries are small but the art was impressive. What I liked when I talked with one of the women who worked there said to me that after the show, the pieces would be donated to galleries and museums all over the country. The galleries are only open four months out of the year and this was the last day of the exhibition so the work being shown will be gone.
I visited the museum in January 2025 and it had just reopened after a three year renovation after it had been closed since Pre-COVID and it is now fully open with a new exhibitions. All the galleries are brightly lit and displaying new exhibitions.
The entrance to the museum from the courtyard
Some of the pieces that really stood out when I visited in 2019 were by Judith Bernstein, a contemporary painter who seems to not like the current administration too much. The themes were on power and money and corruption in the administration. Her work really shows what she personally thinks of our President. Her ‘Trump Genie” was very clever and I can see this in a major museum in the future.
Judith Bernstein’s work
Other work in the main gallery in 2019 were by artists Stephen Westfall with ‘Solid Gone’, Hermine Ford with ‘Paris, France’ and Paul Mogensen with several ‘Untitled’ pieces. The contemporary works I was not sure what the meaning of them were but they were colorful.
The works of the artists of the front gallery
One of the pieces in the front gallery that really stood out was by artist Francesca Dimattio, ‘She-wolf’ which was a classic Greek character made of porcelain, enamel, paint and steel.
‘She-wolf’ by Francesca Dimattio
There were light installations in 2019 that were very interesting by artist James O. Clark. He had one piece, ‘Wunnerful, Wunnerful’, which is a work that just keeps being creating itself by bubbles and ink markers moving along a turntable that stops and starts.
There was a permanent exhibition of Charles Ives home in Connecticut that was transported and recreated here. His studio and works are featured here as well as his family life. There are copies of his works in the display cases and his career.
The museum in 2025 was fully open with the exhibition by artist Christine Kozlov, a contemporary Video artist whose works were being featured in the main gallery.
The main gallery of the Kristine Kozlov exhibition
In more than fifty artworks arrayed across four galleries at Arts and Letters, Christine Kozlov shows the breadth of Conceptual artist Christine Kozlov’s practice with a focus on works from the mid-1960s through the late 1970s. Nearly all of the works Kozlov contributed to public exhibitions during this period will be on view, many of which were created for landmark exhibitions of Conceptual art such as: One Month (1969), organized by Seth Siegelaub; Information (1970), curated by Kynaston McShine at the Museum of Modern Art, New York; Arte de Sistemas organized by Jorge Glusberg / CAYC—Centro de Arte y Comunicación at the Museo De Arte Moderno (1971); and the Number Shows, a series of exhibitions curated by Lucy Lippard between 1969 and 1974 (American Museum of Arts & Letters website).
Part of the Kristine Kostov exhibition
Works by artist Christine Kozlov
The next exhibition that I viewed was by artist Wadada Leo Smith, which consisted of an exhibition based on colors and sounds. You could take the headsets around the gallery and tour and admire the work with the sounds of the musical groups.
The gallery with works by artist Wadada Leo Smith
Wadada Leo Smith (b. 1941, Leland, MS) is a composer-performer and Arts and Letters member. Formerly an educator at CalArts, he has influenced decades of musicians and artists, including Raven Chacon. In Kosmic Music, Smith’s first solo exhibition in New York, he shares over fifty years of Ankhrasmation (Museum website).
The “Sphere” works by artist Wadada Leo Smith
Ankhrasmation is a musical language Smith began exploring in 1965. Smith does not consider Ankhrasmation to be his creation but rather something he discovered. The name derives from Ankh,anancient Egyptian symbol of life; Ras,an Ethiopian word for leader or father; and Ma, for mother. The distinctive language uses line, color, and shape to designate musical components such as tonal range and intensity of activity. For Smith, performing Ankhrasmation requires focused practice and “having that space in your heart and mind so that you can play from inspiration.” (Museum website).
The last exhibition I saw was in the gallery across the courtyard from the main museum was by artist Raven Chacon. You would walk in the main gallery to the sounds of birds both living and extinct. Just five minutes in the main gallery by myself and I felt like Tippi Hedren in the movie “The Birds”. There were all sorts of bird sounds with no birds around.
The instruments that the artist uses to achieve the sounds of the birds
When Raven Chacon (b. 1977, Fort Defiance, Navajo Nation) visited Arts and Letters for the first time, he paused in our North Gallery to clap his hands, then counted how long it took for the room to go silent. It took around six seconds—a long rate of decay. Standing in that echoing chamber, Chacon noted the building’s Beaux Arts design by Cass Gilbert, with its imported Spanish tile and cage-like glass ceiling that filters the sky. He became curious to learn the history of the land it sits on, once owned by John James Audubon, who purchased it in 1841 with funds from the sale of his illustrated Birds of America (Museum website).
Chacon is a composer and artist who frequently works with the materials and histories of a given site and who considers, as he puts it, “what has been silenced and what happens when it is not.” For the past year, he has worked on Aviary, his site-specific commission for the North Gallery, creating a soundscape that makes space and time for careful listening (Museum website).
Museum Mission:
(from the museum website)
The American Academy of Arts & Letters was founded in 1898 as an honor society of the country’s leading architects, artists, composers and writers. Charter members include William Merritt Chase, Kenyon Cox, Daniel Chester French, Childe Hassam, Henry James, Theodore Roosevelt, Elihu Vedder and Woodrow Wilson. The Academy’;’s 250 members are elected for life and pay no dues.
The main gallery of the museum
In addition to electing new members as vacancies occur, the Academy seeks to foster and sustain an interest in Literature, Music and the Fine Arts by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater and purchasing artwork for donation to museums across the country.
Collections:
(from the museum website)
The Academy’s collection, which are open to scholars by appointment, contain portraits and photographs of members, as well as paintings, sculptures, drawings, prints and decorative art objects. The library has more than 25,000 books by or about members. The archives house correspondence with past members, press clippings, institutional records and original manuscripts of musical and literary works.
History:
(from the museum website)
The National Institute of Arts & Letters, the parent body of the Academy, was founded in 1898 for “the advancement of art and literature”. The Institute met for the first time in New York City in February 1899 and began electing members that fall. Architects, artists, writers and composers of notable achievement were eligible and membership was soon capped at 250. In 1913, President Taft signed an act of Congress incorporating the organization in the District of Columbia.
American Academy of Arts & Letters at twilight
In 1904, The Institution created the American Academy of Arts & Letters, a prestigious inner body of its own members that modeled itself on the Academie francaise. The first seven members of the Academy were William Dean Howells, Augustus Saint-Gaudens, Edmund Clarence Stedman, John La Farge, Mark Twain, John Hay and Edward MacDowell. Those seven then chose eight more and so on, until the full complement of 30 and later 50 was reached. Only after being elected to the Institute, was a member eligible for elevation to the Academy. This bicameral system of membership continued until 1993, when the Institute dissolved itself and all 250 members were enrolled in the American Academy of Arts and Letters.
The Academy inaugurated its annual awards program in 1909 with the Gold Medal for Sculpture. Since then, over 70 awards and prizes have been endowed through gifts and bequests or established by the Academy’s board of directors in the fields of architecture, art, literature and music. There are conferred each year at the Ceremonial in May when new members are inducted and a distinguished speaker is invited to deliver the Blashfield Address.
In 2005, the Academy purchased the former headquarters of the American Numismatic Society, the neighboring building on Audubon Terrace. A Glass Link now connects the Academy’s existing galleries to newly renovated ones in the former Numismatic building. These new galleries house the permanently installed Charles Ives Studio.
Located in Inwood Hill Park and part of the NYC Parks System. The rock was dedicated on February 2, 1954 by the Peter Minuet Post #1247, American Legion.
I came across the Shorakkopoch Rock, the noted spot that Peter Minuet has been said to have bought the island of Manhattan from the Indians. No one is too sure where the spot of the ‘transaction’ took place as some feel it may have been closer to downtown by the Bowling Green, where the original Dutch settlement was located or maybe he traveled to them, we will never know. What we do know is that he said the transaction took place under a tulip tree and in this spot used to be a tulip tree that was over 220 years old before it died.
The rock reads:
Shorakkopoch: According to legend, on this site of the rock, principal Manhattan Indian Village, Peter Minuet in 1626, purchased Manhattan Island for trinkets and beads them worth about 60 guilders. This boulder also marks the spot where a tulip tree (Liriodendron Tulipifera) grew to a height of 165 feet and a girth of 20 feet. It was until its death in 1932 at the age of 220 years old, the oldest living link with the Reckgawawang Indians, who lived here. Dedicated as part of New York City’s 300th Anniversary celebration by the Peter Minuet Post 1247 American Legion 1954.
For more information on the rock, please contact the Art & Antiquities at (212) 360-8143.
Disclaimer: This information was taken form the NYC Parks Department website.
Please take time out when visiting Manhattan to see this important piece of the city’s history as the city itself was founded on this very site.
Visiting a Museum: The Unique, Unusual, Obscure and Historical 