The New York Historical Society at 170 Central Park West
I have visited the New York Historical Society several times over the years and I have to say that make quite a statement on the history of New York City and the State of New York City. It has a interesting permanent collection of paintings and statuary. There are a lot of things that First Families of New York City have donated to the museum that tell the story of families born and raised here.
I was honored here years ago when a picture I took for the 9/11 Photo Album Book came out in 2002. All the photographers that contributed to it were in attendance. Another time I was here for a private event on John Adams back in the early 2000’s that was injunction with the American Museum of Natural History. Over the years, the Historical Society has brought in more interesting exhibitions. The current exhibition “Hudson Rising” on the history and ecological changes due to humans along the Hudson River. It was an interesting look of the natural changes to the river from manufacturing times today as the river is being reclaimed for recreational uses.
‘Hudson Rising’ Exhibition
The whole museum is a retrospect on the timeline of the New York City with an array of art out any one time. There are Masters from the Hudson River School, statues from all eras and special exhibitions that tell an interesting story of some part of the City’s past.
Hudson River School Paintings for ‘Hudson Rising’
History of the NY Historical Society:
The Historical Society was founded on November 20, 1804 largely through the efforts of John Pintard. He was for some years secretary of the American Academy of Fine Arts as well as the founder of New York’s First Savings Bank. With a group of prominent group of New Yorkers on the founding board including then Mayor DeWitt Clinton, the organization was established on December 10, 1804 (Wiki).
The Collections of the NY Historical Society
The NY Historical Society had its share of growing pains over the years in that it had been in heavy debt during its first couple of decades. It also moved several times over the years as well. It moved from the Government House, which it had been housed in since 1809 to the New York Institution, the formerly the city almshouse on City Hall Park in 1816. In 1857, it moved into the first building constructed specifically for its collection at Second Avenue and 11th Street. The collection moved to its final home to Central Park West in 1908 (Wiki).
The current Society building was designed by architects York & Sawyer, who were known for bank designs. The second part of the building was designed by architects Walker and Gillette. The building has just finished a $65 million dollar renovation in 2011 and all the galleries have been refreshed. The new director of the Society, Louise Mirrer is leading the establishment into the 21st Century.
On Friday night’s from 6:00pm-8:00pm it is ‘pay as you wish’ to enter the museum.
I recently visited the birthplace of of our 22nd and 24th President of the United States of America and it is an interesting look into one man’s past. The Grover Cleveland Birthplace Museum was originally the pastor’s residence for the First Presbyterian Church in Caldwell, NJ.
What I found interesting about this historical home is that the President’s sister, Susan, saved everything of the family’s past. Things like furniture, home furnishings, cooking utensils, paintings and photos of the family plus personal items of the President such as his clothes, pipes, shaving kits and traveling cases so there is a lot of interesting items to see and well thought up display cases.
The house is broken up into the kitchen area, the living chambers, the former living room area which has most of the displays and then the front hallway where more family displays are located.
President Cleveland and Mrs. Cleveland’s personal clothes
Try to take a tour with the tour guide, Paula, who knows the house backwards and forwards and gives you an interesting take on the family. She will be able to point out all the family objects and personal items that have been donated by family members. Things from formal clothes to a piece of the President’s wedding cake.
A piece of the President’s wedding cake
The whole tour takes about an hour and you will find yourself memorized by the displays and the family history of the children and grandchildren. It is interesting to see how the family grew when they were living in Caldwell, NJ.
History of the Cleveland Birthplace Museum:
Grover Cleveland’s birthplace was built in 1832 as the Manse or pastor’s residence for the First Presbyterian Church of Caldwell. Cleveland’s father, the Reverend Richard Fally Cleveland was the minister here from 1834-1841.
Originally this frame home had a two-story main section with a one-story kitchen to the east and a one-story lean-to at the rear. It was enlarged several times between 1848-1870 to meet the growing needs of the Presbyterian clergy. The house is a good example of local vernacular architecture.
The Birthplace house
The historical significance of the Manse was first noted in 1881 when Cleveland was running for Governor of New York. As his political star ascended, so did the interest in preserving his birthplace as a museum. A group of Cleveland’s friends and admirers began negotiations to purchase the Manse in 1907. Their efforts culminated in the opening of the house to the public on March 18, 1913.
Most of the first floor rooms portray the Manse as it was in 1837, the year Grover Cleveland was born. The decidedly middle-class character of the rooms reflect the day to day life of the Reverend Richard Cleveland and his family. Among the artifacts on display from Cleveland’s early years are his cradle and original family portraits.
Grover Cleveland’s crib where he was born
Contrasting sharply with the humble beginnings portrayed in these rooms, the exhibit gallery features a striking display of artifacts that reflect the financial and political success Cleveland achieved during the last quarter of the 19th Century. Here, the mud-slinging campaign of 1884, the public’s intense interest in his wife and children and America’s political climate throughout his split terms of office are explored.
The Grover Cleveland Birthplace State Historic Site is the only house museum in the country dedicated to the interpretation of President Cleveland’s life. It is the nation’s leading repository of Cleveland artifacts and political memorabilia. The Grover Cleveland Birthplace is listed on the New Jersey and National Registers of Historic Places.
The President’s time in New Jersey:
Stephen Grover Cleveland was born on March 18, 1837 to the Reverend Richard Cleveland and his wife, Ann. Named for the first ordained pastor of the First Presbyterian Church at Caldwell, he would in time become known by his middle name, Grover.
Cleveland was raised in a strict, modest home. As the son of a minister and the fifth of nine children, he had a religious and principled upbringing with few luxuries. When Grover was four, Reverend Cleveland moved his family to Fayetteville, NY.
The Cadmus House was built in 1808 by landowner Jacob Haring and his wife, Margarat. It was originally a two room farmhouse when it was built on their extensive farm land. The Harings’ sold the house to Abraham and Harmones Van Derbeek in 1815 and they turned around and sold the house to Thomas Cadmus and his wife, Margaret in 1816 and the name stuck from there.
The Haring house originally and then it had a gable and second floor built in the late 19th century
More information on the Haring Family from the novel “A Dutch Family for the Middle Colonies” by author Firth Haring:
Over the years, the house had had many owners and many uses. Before the house was moved in 1985 to its current location, it served as a real estate office at that time. When they were building new construction on the spot, the house was saved by a group of concerned Fair Lawn residents to preserved the town’s past and it was turned into the Cadmus House-Fair Lawn Museum.
The house is broken down into different themed rooms. The downstairs rooms are devoted to the Fair Lawn’s past with pictures of old homes that used to line the streets of the neighborhood. There are pictures of old farms and farm houses, relics from town such as arrowheads, farming equipment and old farm house decor such as ice boxes and apple presses for cider.
Pictures of Fair Lawn’s past
In the room that once served as a dining room, there are period Dutch items that would be needed to run a household or a business.
The apple press which was a big part of the farming community in Bergen County
The upstairs rooms have different displays. One room is devoted to Victorian living with furniture and bedroom decors along with dolls and cribs. The other room is dedicated to the history of the Fair Lawn Fire and Police Departments as well as memorabilia from Fair Lawn High School such as trophies, yearbooks and old films of football games.
There is plenty of parking in the front of the house and the parking lot is shared with the railroad station next door. The house is only open the third Sunday of each month and it is closed for the months of July and August.
If you want to take a glimpse of Bergen County’s past Colonial, Victorian, Motor Age or current, the Cadmus House will give you a perspective on living in Bergen County in the past into current times.
The house now sits by the train station in Fairlawn, NJ
I visited the Dia: Beacon in Beacon, NY many times and I have to say that is an interesting space to display art and the pieces themselves make a statement. The museum is sited on thirty-one acres on the banks of the Hudson River and is adjacent to ninety acres of riverfront parkland. The museum is located in a former printing plant built in 1929 by Nabisco (National Biscuit Company) (Wiki). The space square footage gives the museum the opportunity to display larger statement pieces of well known artists.
The history of the Dia: Beacon:
(from the museum website)
The Dia: Beacon presents Dia Art Foundation’s collection of art from the 1960’s to the present as well as special exhibitions, performances and public programs. The Dia invited artist Robert Irwin to conceive the master plan for a twenty-century museum that retained the original character of the factory’s interior spaces, Irwin also designed seasonally changing garden throughout the surrounding landscape. Following the renovation, the Dia: Beacon was added to the National Register of Historic Places (Dia: Beacon Museum).
Dia Art Foundation:
(from the museum website)
Founded in 1974, Dia Art Foundation is committed to advancing, realizing and preserving the vision of artists. In addition to Dia: Beacon, Dia maintains a constellation of iconic, permanent artworks and installations in New York City, the American West and Germany (Dia Museum).
Each of the galleries are devoted one artist’s work and these galleries make their own statements. There is also a really nice bookstore and gift shop on the extension of the museum and small restaurant.
It is nice to just walk around in your own time and visit each of the galleries. Plan about two hours to see the whole museum. It is an interesting place to see contemporary art in a gallery that is devoted to one artist at a time. The outside grounds of the museum and the parking lot makes it own statement. There is not much parking so plan on getting there early or later in the afternoon.
The museum has clean lines and big halls and a minimalist landscaping
The one thing about the Dia is that the works are quite large and pack a bold statement. The museum uses a combination of both American and Foreign artists and their works make a bold statement. The museums galleries are large and airy and can show larger works of art. The museum shows many of the artists largest pieces of work.
The inside of the Dia: Beacon’s large galleries
These larger pieces were interactive
Inside the museum, many contemporary artists are featured each season. Many of their larger works were featured in their galleries. While the shows rotate collections of many artists, these were the pieces that stood out to me on my visits to the museum over the years.
The Artists I most admired and their works that most stood out to me:
Artist Louise Bourgeois has displayed some interesting sculptures that dominate the upper floors. One of the most fascinating pieces was that of a large spider that dominates the corner of the floor.
This Louise Bourgeois work is a rather creepy piece of art like something out of the movie “It”.
In Bourgeois’s works on view in these galleries, organic formations fuse with the inorganic materiality of the media in which they are rendered, be it marble, wood, or bronze. The artist’s repertoire of materials spans traditional media and new textures, such as latex and synthetic resin. In her work, representation often entails the creation of a surrogate for the body and its suffering organs (Dia: Beacon museum website).
Artist Dan Flavin has some interesting light sculptures on display along the walls and floors of the gallery. Things are made of long fluorescent lights of various colors.
After 1963 Flavin’s work was composed almost entirely of light, in the form of commercially available fluorescent tubes in ten colors (blue, green, pink, red, yellow, ultraviolet, and four whites) and five shapes (one circular and four straight fixtures of different lengths). Initially arranging these fixtures in varying autonomous configurations, Flavin increasingly made work in relation to architecture, such as his monumental barriers that physically block a passageway or segment of a space with light (The Dia: Beacon museum website).
In the main gallery as you walk in are the large geometric shapes of artist Charlotte Posenenske who created these pieces in various colors and shapes. These pieces line the floors and walls.
The geometric shapes of Artist Charlotte Posenenske
Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced sculptural Minimalism that addressed the pressing socioeconomic concerns of the decade by circumventing the art market and rejecting established formal and cultural hierarchies. Posenenske employed playful conceptual devices to oppose compositional hierarchy and invite the collaborative engagement of the public in the continual reconfiguration of her variable sculptures (The Dia: Beacon website).
Artist Andy Warhol has one of his largest works displayed in the main gallery on the first floor.
What I loved about the work by Warhol was the continuous colorful pattern of the work and the way it wrapped around the room. The pattern took form in many colors and showed consistency and balance.
A single painting in multiple parts, Shadows is one of Warhol’s most abstract works, yet one that cohesively synthesizes key elements of his practice, including film, painting, photography, and screen-printing. Originally commissioned by Dia and acquired in 1979 for a solo exhibition at 393 West Broadway in New York, Shadows includes a total of 102 canvases; the final number of canvases on view in each installation is determined by the dimensions of an existing exhibition space (The Dia: Beacon museum website).
American artist Senga Nengudi had a some interesting works on display, one resembling melted ‘freeze pops’, which I thought was rather clever. Her large works took liquid forms and were colorful and spontaneous. These large works had lots of color and looked whimsical and fun.
One of Artist Senga Nengudi works
I thought this was a large ‘freeze pop’
One of her non-liquid works
Made of everyday materials such as vinyl, water, nylon, sand, dry-cleaning bags, lint, paper, and tape, Nengudi’s installations are at once proxies for bodies and sites for performance. The works accommodate a variety of cultural references from African, Japanese, and South Asian rites to Western avant-garde art. Characteristic of her openness to multiplicity, the artist, born Sue Ellen Irons, has assumed pseudonyms that inflect her creative identities as sculptor (Senga Nengudi), painter (Harriet Chin), photographer (Propecia Leigh), and writer (Lily Bea Moor) (The Dia: Beacon museum website).
Some of the other works that I liked as I walked around the museum:
Displayed on the first floor of the Dia: Beacon
Another interesting work on the first floor
The large galleries and open air space give patrons a chance to walk around the works and really get a feel for what the artists are trying to express. You really get to see the art up close and that is why I like the way they display their art. We can engage with each piece and develop our own meaning from it.
The grounds and the proximity to the river gives the museum a picturesque spot. It is nice to walk around the lawn on a warm day and enjoy the paths around the museum. The museum also has a very interesting gift shop featuring many books and gifts. The small restaurant can be pricey but offers a place for a light lunch or a quick snack.
Visiting a Museum: The Unique, Unusual, Obscure and Historical 