Category: Historic Sites in NYC

Visiting Stone Street in Lower Manhattan September 2017, November 2019 and April 2024

Visiting Stone Street in Lower Manhattan September 2017, November 2019 and April 2024

Visiting Stone Street in Lower Manhattan:

As part of my tour of Historic Bars and Pubs on Day One Hundred and Thirteen with the Cornell Club on May 9th, 2018, we toured the famous ‘Stone Street’ one of the original paved streets of Manhattan. You will not find architecture or pavings like this left in New York City. Here and there are streets or buildings that represent these times during the early to mid-1800’s but they are few and scattered in remote spots all over the island. Here the street still represents a different era of Manhattan.

Stone Street IV

The stores in the 90’s had been either boarded up or were used but in horrible shape. During the business hours not too many people inhabited this area of Lower Manhattan and it was ignored. The neighboring South Street Seaport was being transformed in the mid 80’s into a type of historic theme park and entertainment center by the Rouse Corporation. It put these old neighborhoods back into vogue and people started to return again.

Over time, especially after 9/11 and the changes in downtown Manhattan, the street is now home to many trendy bars and restaurants and a hang out for the downtown business crowd. During the recent walking tour, the place was hopping with people spilling out of restaurants, ordering drinks during happy hour and eating pizza at the local pizzeria.

During ‘Happy Hour’ after work, the place is mobbed with people milling around having a good time. The tables toward the end of the street are filled with tourists taking pictures and at one end of the street is the famous “India House” and at the other is the Frances Tavern where George Washington gave his troops his farewell address.

Stone Street’s India House

It is not only a historical neighborhood but loaded with things to see and do. The buildings which were once in horrible shape have been brought back to life and repositioned to use for the meals and entertainment. It is interesting to see how a neighborhood comes back in full circle in a 150 years.

The Stone Street dining area in the warmer months.

History of the area:

Stone Street is a short street in Manhattan’s Financial District. It originally ran from Broad Street to Hanover Square but was divided into two sections by the construction of the Goldman Sachs building at 85 Broad Street in the 1980’s. Today the cluster of historic buildings along Stone, South William, Pearl Streets and Coenties Alley form the Stone Street Historic District.

Fire of 1835 III

The area burned during the Fire of 1835

Stone Street is one of New York’s oldest streets. It was originally known by its Dutch name, Hoogh Staet (High Street). In 1632, the Dutch West India Company built the first commercial brewery in North America there. Around 1656, Hoogh Straet was shifted about twenty to twenty-five feet to align it with Brouwer Street, the extension of Hoogh Straet west of the Gracht and which in 1658 became the first paved street in Nieuw Amsterdam. Following the British conquest of the colony, the name Hoogh Straet was translated to High Street. It was then called Duke Street for the Duke of York during most of the 18th century. Leveled in 1771 and 1790, it was renamed Stone Street in 1794 because of it’s cobblestone paving as New Yorkers abandoned reminders of British Rule.

Fire of 1835

The Fire of 1835

The street’s stores and loft were built for dry-goods merchants and importers, shortly after the Great Fire of 1835, which destroyed many remnants of New Amsterdam. Most buildings were used as storage. The building at 57 Stone Street was rebuilt in 1903 by C.P.H, Gilbert in Dutch Colonial Revivial architecture at the behest of the owner, Amos F. Eno as son of Amos R. Eno. The buildings to the back on South William 13-23 also were reconstructed in the Dutch revival style, evoking New Amsterdam.

Stone Street at night

Today is a busy series of bars and restaurants.

Following many decades of neglect, a joint partnership between the Landmarks Preservation Commission and other city agencies, the Alliance for Downtown New York and Stone Street owners has transformed Stone Street from a derelict back alley into one of Downtown’s liveliest scenes. Restored buildings, granite paving, bluestone sidewalks and period lights set the stage for the half dozen restaurants and cafes, whose outdoor tables are very popular on warm summer nights.

The eastern portion of the street and the surrounding buildings have been protected since 1996 by the New York City Landmarks Preservation Commission as the Stone Street Historic District and is pedestrian only. The historic district is now populated by several restaurants and bars and has a outdoor dining when the weather permits. The India House historic landmark is located at the Hanover Square end of the street.

(This information was taken directly from Wikipedia and I give them full credit)

Van Cortlandt House Museum in Van Cortlandt Park at Broadway & West 246 Street                                              Bronx, NY 10471

Van Cortlandt House Museum in Van Cortlandt Park at Broadway & West 246 Street Bronx, NY 10471

Van Cortlandt House Museum

Van Cortlandt Park at Broadway & West 246 Street

Bronx, NY  10471

(718) 543-3344

infor@vchm.org

Open: Tuesday-Friday 10:00am-4:00pm/Saturday & Sunday 11:00am-4:00pm

Admission: $5.00 for Adults/$3.00 for Seniors & Students/Children under 12 are free/General Admission is free on Wednesdays. Guided and group tours are available.

Review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47369-d103501-Reviews-Van_Cortlandt_House-Bronx_New_York.html?m=19905

The Van Cortlandt House:

Welcome:

Van Cortlandt House during Christmas time

The entrance of the Van Cortlandt House decorated for the Revolutionary era Christmas

I visited the Van Cortlandt House Museum for the their Annual Christmas Decorated House event. The mansion was decorated for Christmas in the 1700’s so it was not overdone as it would during the Victorian times. The front of the house entrance was done with sprays of holly, mistletoe above the door and garlands of pine around the banister and fireplaces. The windows had candles in them and the dining room was set for Christmas luncheon in post-Revolutionary War era.

Van Cortlandt House VI.jpg

Van Cortlandt House for Christmas is Post-Revolutionary War in 2019

The entrance hall welcomes you to a Revolutionary era holiday season

While most of the house is represented during the Dutch era with floors with no rugs, vintage furniture and decorations and the second and third floors are set for family entertainment. The first floor is set for entertaining for the holidays with the formal dining room, family parlor and the formal living room for games and dancing. The formal dining room was the only room decorated post-Revolutionary War era.

van cortlandt mansion xmas ii

Van Cortlandt Mansion at Christmas 1800’s

The current entrance to the house from the back of the building

Until the Victorian era, Christmas was a more religious affair with church service in the morning and luncheon in the afternoon. Things were formal and less elaborate. The acts of gift giving, sleigh rides, tree decorating and card giving came during the affluence of Queen Victoria’s reign in the post Civil-War era. This is the reason why the house is decorated so simply and elegantly.

Dining Room set for Christmas lunch circa 1780’s

In 2019, the site celebrated the holidays with a Sinterklaas, a Dutch Christmas celebration, a candlelight tour and a reading from Santa Claus. Please check their website for more information on future events. The house was closed for most of the COVID years and nothing had been planned. The house was open in December of 2022 for touring again for the holidays but was not decorated as much as in the past.

In 2022, when the house reopened after a long period of COVID, the self-guided tours were back and you could tour the house at your own pace ($5.00 donation) and tour the three floors of furnished rooms. You can see how the family lived from the three generations that lived in the residence.

The tour starts at the front hallway where guests would be received for formal affairs and for business meetings with the head of the household.

You would be greeted by servants at the entrance of the home

On either side of the front hallway is the East and West Parlors where you would be directed where the family would receive you. The West Parlor would have been used for business calls and more informal meetings when meeting with the Van Cortlandt family. The family’s wealth would be on display with fine furniture, china and bric-a-brac that would show off the family’s merchant roots and business.

The West Parlor

The West Parlor decorated for Christmas

The East Parlor on the other side of the entranceway would have been used for more formal affairs. The East Parlor is where the family would formally entertain guests with dancing, music and card playing. This is where long evenings of entertaining would take place and the family would enjoy their holiday celebrations.

The East Parlor

The East Parlor decorated for the Christmas holidays

The Dining Room was toward the back of the hallway and was decorated in the Empire Design of the late 1700’s to early 1800’s. The look is very similar to styles used today and the wallpaper is a copy from one of the styles used by the family that was imported in from France. The table was set for Christmas luncheon circa the late 1780’s.

The Dining Room

The Dining Room at the Van Cortlandt House

There are two sets of stairs to the second level of the house where the family bedrooms were located. There was the formal stairs and then there was the stairs that the servants used to go from floor to floor so that they would not be seen.

The steps upstairs to the second floor

On the second floor of the home are the bed chambers of the family. The main bedrooms for the family were located here and then the nursery and servants quarters were located on the Third floor of the home.

The West Chamber:

The bedroom

The ‘Washington Bedroom’ in the Van Cortlandt House

The East Chamber Bedroom:

The Bedroom:

The Landing of the stairs to the third floor lead to the Nursery, an additional guest room and the enslaved servants quarters. These were kept out of site from the other members of the household. It is a reminder of the pecking order of the household and the conditions that people lived under at this time.

The Second Floor Landing leads to the nursery and servants quarters

The Dutch Chamber was formerly a guest room that is used to show life in early Colonial New York City:

The Dutch Chamber:

The Dutch Chamber shows early life in Colonial America

The Second Floor Setup:

The Nursery:

The nursery set up room:

The servants quarters were to the back of the house and were not the most glamorous place to live in the house. There were drafty and not insulated. The amount of time a servant would be here would have been minimal.

The servants quarters:

The servants quarters:

History of the Van Cortlandt’s:

The Van Cortlandt House Museum, also known as Fredrick Van Cortlandt House or Van Cortlandt House, is the oldest surviving building in New York City’s borough of The Bronx. The Georgian style house, begun in 1748, was build of fieldstone by Fredrick Van Cortlandt (1699-1749) on the plantation that had been owned and farmed by his family since 1691. Fredrick intended the house to be a home for him and his wife, Francis Jay and daughters, Anna Maria, 14 and Eve, 13. His sons, Augustus, 21 and Fredrick, 19, were not intended to be permanent residents of the house.

Sadly, Fredrick died before the new house was completed. In his will written in 1759, Fredrick left the house to his son, James Van Cortlandt (1726-1781) and a lifetime tenancy to his widow, Francis Jay Van Cortlandt (1701-1780).

Van Cortlandt House IV.jpg

The Van Cortlandt House gardens in the Summer

The Van Cortlandt’s were a mercantile family prominent in New York affairs. Fredrick’s father, Jacobus, established a thriving wheat growing and processing business on the plantation including a grist mill for processing the wheat into flour and a fleet of shallow draft boats to carry the flour from the south end his lake down Tibbet’s Brook and out to the Harlem and Hudson Rivers to market. During the Revolutionary War, the house was used by Rochambeau, Lafayette and Washington.

(From History of Van Cortlandt House and Museum)

In 1887, after 140 years of occupancy by the Van Cortlandt family and the community of plantation workers, the property was sold to the City of New York and made a public parkland. Before the house became a museum, it saw a variety of uses including as a temporary police precinct house and as a dormitory for ranch hands responsible for taking care of a herd of buffalo.

Van Cortlandt House historic marker

By 1895, The National Society of Colonial Dames in the State of New York expressed their interest in restoring the house as a museum open to the public. There was only one obstacle keeping the Colonial Dames from this important project, there was no provision in the New York State Law allowing the stewardship of a publicly owned building by a private organization. Undaunted, the first Society President, Mrs. Townsend, took the Society’s cause to Albany where on May 22, 1896 in the 199th session of the New York Legislature, Chapter 837 was approved by the governor and passed by a 3/5 majority to become law.

The Van Cortlandt House dollhouse

After nearly a year if repairs and restoration, Van Cortlandt House Museum was opened to great fanfare on May 25th of 1897. The original license agreement grained custody of the house to the National Society of Colonial Dames in the State of New York for a period of 25 years at a ‘peppercorn’ rent of $1.00 per year. Although the Society no longer pays the city rent, they remain, to this day as dedicated to Van Cortlandt House as they were in 1896.

Van Cortland Park.jpg

Van Cortlandt Park in the Summer Months

In 1967, Van Cortlandt House was added to the National Register of Historic Places and was designated a National Historic Landmark in 1967. The house was declared a New York City Landmark on March 15, 1966, recognizing the historic and architectural importance of both the exterior and interior.

(From the Van Cortlandt House Museum NSCDNY)

The Van Cortlandt House gardens during the winter of 2022

The General Porter Statute in front of the house

Fearless Girl Statue                                                                         Bowling Green Park  (now on Wall Street)                                          New York City, NY 10004

Fearless Girl Statue Bowling Green Park (now on Wall Street) New York City, NY 10004

Fearless Girl Statue

Bowling Green Park (Now on Wall Street)

New York City, NY  10004

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d13109380-Reviews-Fearless_Girl-New_York_City_New_York.html?m=19905

*The statue has been moved since this blog has been written and it on Broad Street near the New York Stock Exchange.

The ‘Fearless Girl’ statue is the latest addition to the street art in lower Manhattan. Placed next to the statue of the ‘Charging Bull’, she portrays a defiance and a look that almost says, “I am standing up to the power and I am standing up to fear’. She has a look of determination on her face that clearly shows that she is standing her ground. She was designed by artist Kristen Visbal.

The statue is located at the northern tip of Bowling Green Park in Lower Manhattan both statues are an easy find on the Broadway side of the park. Be aware that this is a big tourist area for pictures so there will be a crowd.

Kristen Visbal artist

Artist Kristen Visbal

http://www.visbalsculpture.com/

There has been some controversy from Arturo Di Modica the creator of ‘Charging Bull’ who says that it takes away from the meaning of his own work. Di Modica has challenged that the piece exploits his work and distorts the meaning of his own work by turning the ‘Charging Bull’ into a villain instead of the his true meaning for the work which is a ‘symbol of prosperity and for strength’. Both statues are being planned to be moved by the NYC Parks Department in the future (Wiki and the New York Times 2018).

The Charging Bull

History of ‘Fearless Girl’:

The statue was installed on March 7, 2017, the day before International Women’s Day, by State Street Global Advisors, in a campaign developed by advertising agency McCann New York. SSgA was celebrating the first anniversary of its “Gender Diversity Index” fund that “invests in U.S. large-capitalization companies that rank among the highest in their sector in achieving gender diversity across senior leadership. The concept for the statue was developed by Senior Art Director Lizzie Wilson and Senior Copywriter Tali Gumbiner. Wilson and Gumbiner established both the idea for the statue as well as the overall look of the girl using countless mood boards  and imagery, which Visbal referenced (Wiki).

Fearless Girl was originally given a one week City Hall permit that was later extended to 30 days. Later, it was announced that the statue would remain in place through February 2018. Among those advocating for the statue to stay longer was U.S. Representative Carolyn Maloney of New York’s 12th congressional district who stated, “This statue has touched hearts across the world with its symbolism of the resiliency of women. New York City Public Advocate Letitia James wrote a letter that supported keeping the statue, “Fearless Girl stands as a powerful beacon, showing women, young and old, that no dream is too big and no ceiling is too high” (Wiki).

A petition on Change.org asking for the statue to be made permanent gathered 2,500 signatures in the first 48 hours. Efforts to make the statue permanent continued after the statue was granted a one-year permit. In April 2018, after ‘Fearless Girl’ had been in place for thirteen months, New York City Mayor Bill de Blasio announced that both ‘Charging Bull’ and ‘Fearless Girl’ would be moved to a location facing the New York Stock Exchange. The move would occur before the end of 2018 (Wiki).

The plaque below the statue states: “Know the power of women in leadership. SHE makes a difference.” (Wiki)

The statue is available to be seen 24 hours a day.

Disclaimer: The history of the statue was taken from Wikipedia and I give them full credit on the information. The rest is my personal opinions on the statue.

Charging Bull                                                 Bowling Green Park                                            New York, NY 10004

Charging Bull Bowling Green Park New York, NY 10004

Charging Bull

Bowling Green Park

New York City, NY  10004

http://www.chargingbull.com/

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d1605557-Reviews-Charging_Bull_Wall_Street_Bull-New_York_City_New_York.html?m=19905

When you are in lower Manhattan and are visiting the Battery Park and/or Wall Street area don’t miss the Charging Bull statue by artist Arturo Di Modica. The artist created this piece of ‘guerrilla’ art after the Crash of 1987, when we were about to enter the depths of another major recession, one that went from the end of 1987 until the summer of 1995.

This interesting piece of New York history is actually a recent addition to the street art of New York City. The statue was created and cast in 1987 following the Crash and made its first appearance outside the New York Stock Exchange on December 15, 1989.

The bull according to the artist, “represents the symbol of the strength and power of the American people’ following the Crash. It has taken on many meanings since such as the power of Wall Street and the progressiveness of money and power in the Financial industry.

During the high tourist season expect to see the statue surrounded by tourist taking pictures in all directions. The statue of ‘Charging Bull’ is now paired with ‘Fearless Girl’ by artist Kristen Visbal. Some have commented that it has changed the meaning of the statue but I think it is how you interpret both works. Its best to visit and make your own opinion.

Fearless Girl Statue II

The ‘Charging Bull’ with ‘Fearless Girl’

While you are visiting the statue, take time to visit this historic section of Manhattan and visit the other sites that include Bowling Green Park, the Museum of the Native Americans, Frances Tavern and Stone Street as well as the boats to Governor’s, Ellis and Liberty Islands. It is a wonderful way to spend the afternoon.

Please refer to my blog, ‘MywalkinManhattan.com’- “Day One Hundred and Thirteen Tour of Historic Pubs and Bars in Lower Manhattan with the Cornell Club” for a full list of things to see in this section of the City.

History of Charging Bull:

Construction and installation:

The Bull by Bowling Green Park in the early morning hours.

The bull was cast by the Bedi-Makky Art Foundry in Greenpoint, Brooklyn. Di Modica spent around $360,000 to create, cast and install the sculpture following the 1987 stock market crash as a symbol of the ‘strength and power of the American people’. The sculpture was Di Modica’s idea and in an act of ‘guerrilla art’, Bedi Makky Art Foundry and Di Modica trucked it to Lower Manhattan. On December 15, 1989, they installed it beneath a 60 foot (18m) Christmas tree in the middle of Broad Street in front of the New York Stock Exchange as a Christmas gift to New Yorkers. That day, hundreds of onlookers stopped to admire and analyze it as Di Modica handed out copies of a flier about his artwork (Wiki).

NYSE officials called the police later that day and the NYPD seized the sculpture and placed it into a impound lot. The ensuing public outcry led the New York City Department of Parks & Recreation to reinstall it two blocks south of the Exchange in the Bowling Green, with a ceremony on December 21, 1989. It faces up Broadway at Whitehall Street (Wiki).

Confusion over ownership:

The sculpture technically has a temporary permit allowing it to stand on city property since the city does not own the sculpture but the temporary permission has lasted since 1989, when city officials said the new location would not be permanent. Art on loan is usually limited to a year’s display and although the city does not buy art, it does accept donations. A writer in the New York Daily News wrote in 1998 that the statue’s placement was ‘beginning to look a mite permanent.’ According to an article in Art Monthly, Di Modica as well as officials and New Yorkers, ‘view it as a permanent feature of Lower Manhattan (Wiki).

In 2004, Di Modica announced that the bull sculpture was for sale, on condition the buyer does not move it from its present location. Di Modica continues to own the artistic copyright to the statue. In 2006, Di Modica sued Walmart and other companies for illegally benefiting from his copyright, by selling replicas of the bull and using it in advertising campaigns. In 2009, Di Modica sued Random House for using a photo of the bull on the cover of a book discussing the collapse of financial services firm Lehman Brothers (Wiki).

Artist Arturo Di Modica:

Arturo Di Modica artist

Artist Arturo Di Modica

http://www.artnet.com/artists/arturo-di-modica/

Arturo Di Modica first conceived of the Charging Bull as a way to celebrate the can-do spirit of America and especially New York, where people from all over the world come regardless of their origin or circumstances and through determination and hard work overcome every obstacle to become successful. It’s this symbol of virility and courage that Arturo saw as the perfect antidote to the Wall Street Crash of 1987.

The artist was born in Vittoria, Italy in 1941 and studied at the Academia Del Nudo Libra in Florence, Italy in 1960. In 1973, he relocated to New York City to a Lower Manhattan space. ‘Charging Bull’ is his most famous piece (Artnet).