The Ford Foundation Building at 320 East 43rd Street in the Turtle Bay neighborhood. Take time after visiting the gallery to tour the gardens in the lobby.
When I was touring the Turtle Bay neighborhood for my blog, “MywalkinManhattan.com”, I toured the Ford Foundation Building on East 43rd Street and wondered through the lobby area gardens I came across the Ford Foundation Gallery, which is just off the main lobby. The small gallery delves into some deep material on social commentaries about life and the artists featured have some pretty interesting perspectives on their work.
The Ford Gallery gardens inside the building
The pool of the Ford Foundation Garden
The beauty of the Ford Foundation gardens
The Ford Foundation Gallery entrance
The first exhibition I saw there was “Radical Love”, a theme is dealing with ‘love as the answer to a world in peril’. This interesting exhibition offers multidisciplinary art dealing with human nature and society. How different cultures show their respect and love to one another. It is an interesting mix of paintings, photos and video art from all over the world with each other showing their interpretation of dealing with the issues in life. You really have to read between the lines with this exhibition.
The ‘Radical Love’ exhibition at the new Ford Foundation Gallery
(from the museum website on the exhibition)
Through the theme of Utopian Imagination, the trilogy of exhibitions in the gallery’s inaugural year create a trajectory toward a more just future. The first exhibition, Perilous Bodies(March 4 – May 11, 2019), examined injustice through the intersecting lens of violence, race, gender, ethnicity, and class. Radical Love responds to the first show by offering love as the answer to a world in peril.
Love, in the context of this exhibition, is defined by a commitment to the spiritual growth and interconnectedness of the individual, their community, and stewardship of the planet. Guided by the powerful words of bell hooks, “Were we all seeing more images of loving human interaction, it would undoubtedly have a positive impact on our lives.” The works in Radical Love are grounded in ideas of devotion, abundance, and beauty; here, otherness and marginality is celebrated, adorned, and revered. The Utopian Imagination exhibition trilogy concept was developed by Jaishri Abichandani.
In 2024, I saw the new show “Cantando Bajito Incantations“:
The sign from the exhibition:
(from the website)
The Gallery
Work from the exhibition
Translated into English as “singing softly,” the exhibition series title is drawn from a phrase used by Dora María Téllez Argüello, a now-liberated Nicaraguan political prisoner, to describe the singing exercises she did while she was incarcerated in isolation. Helping her to conserve her voice and defeat the political terror she endured, Téllez’s quiet singing became a powerful strategy for survival and resistance. Conceived in three movements, Cantando Bajito features artists who explore similar forms of creative resistance in the wake of widespread gender-based violence. The second chapter, Cantando Bajito: Incantations, brings together artists who consider ancestral, contemporary, and future-facing networks of support and care that safeguard feminized bodies through forms of knowledge transmission.
Work from the exhibition
Such networks—symbolic systems, subversive spaces, or covert forms of language—are as varied as the communities that develop them. They include Nüshu, a form of script passed from mother to daughter in China; the use of henna as an agent of protection; and forms of therapeutic communication that have been deemed “gossip.” All have long existed, whether in the shadows or in plain sight. Preserved not in written history but in the body, these channels prepare feminized bodies for potential violence while giving them tools to resist it.
Works from the show
Works from the show
From inside the tent
The History of the Ford Foundation Gallery and it’s recent opening:
(From the museum website)
This new 1,900 square foot gallery space opened in February of 2019 after a two-year renovation of the Ford Foundation Building. The Ford Foundation Gallery will be an innovative exhibition space dedicated to presenting multidisciplinary art, performance and public programming by artists committed to exploring issues of justice and injustice. In creating a space for artists whose work addresses pressing social issues, the foundation continues its decades long history of investing in the arts to advance human welfare (Ford Foundation Press Release).
Athi-Patra Ruga’s ‘Umesiyakazi in Waiting’
With a mission focused on addressing inequality in all its forms and providing more than $600 million annually in grant support to organizations on four continents, the Ford Foundation is a natural home for art that challenges viewers to grapple with fundamental questions of fairness and dignity. Three exhibitions in this inaugural year offer varied interpretations on the theme of Utopian Imagination (Ford Foundation Press Release).
The gallery is small and you can see these exhibitions in under an hour.
The front of the American Museum of Arts & Letters at 633 West 155th Street
I was finally able to visit the American Academy of Arts and Letters on the last day it was open for the year to the public. It was for the ‘Ceremonial Exhibition: Work by New Members and Recipients of Awards’, an exhibition on members art that was chosen specifically for the show. Most of the work was very contemporary and some a little political. It was interesting work by new artists that filled the small gallery rooms.
The front of the American Museum of Arts & Letters
One of the buildings was used for the contemporary art while the one across the courtyard was used for the more architectural pieces. The galleries are small but the art was impressive. What I liked when I talked with one of the women who worked there said to me that after the show, the pieces would be donated to galleries and museums all over the country. The galleries are only open four months out of the year and this was the last day of the exhibition so the work being shown will be gone.
I visited the museum in January 2025 and it had just reopened after a three year renovation after it had been closed since Pre-COVID and it is now fully open with a new exhibitions. All the galleries are brightly lit and displaying new exhibitions.
The entrance to the museum from the courtyard
Some of the pieces that really stood out when I visited in 2019 were by Judith Bernstein, a contemporary painter who seems to not like the current administration too much. The themes were on power and money and corruption in the administration. Her work really shows what she personally thinks of our President. Her ‘Trump Genie” was very clever and I can see this in a major museum in the future.
Judith Bernstein’s work
Other work in the main gallery in 2019 were by artists Stephen Westfall with ‘Solid Gone’, Hermine Ford with ‘Paris, France’ and Paul Mogensen with several ‘Untitled’ pieces. The contemporary works I was not sure what the meaning of them were but they were colorful.
The works of the artists of the front gallery
One of the pieces in the front gallery that really stood out was by artist Francesca Dimattio, ‘She-wolf’ which was a classic Greek character made of porcelain, enamel, paint and steel.
‘She-wolf’ by Francesca Dimattio
There were light installations in 2019 that were very interesting by artist James O. Clark. He had one piece, ‘Wunnerful, Wunnerful’, which is a work that just keeps being creating itself by bubbles and ink markers moving along a turntable that stops and starts.
There was a permanent exhibition of Charles Ives home in Connecticut that was transported and recreated here. His studio and works are featured here as well as his family life. There are copies of his works in the display cases and his career.
The museum in 2025 was fully open with the exhibition by artist Christine Kozlov, a contemporary Video artist whose works were being featured in the main gallery.
The main gallery of the Kristine Kozlov exhibition
In more than fifty artworks arrayed across four galleries at Arts and Letters, Christine Kozlov shows the breadth of Conceptual artist Christine Kozlov’s practice with a focus on works from the mid-1960s through the late 1970s. Nearly all of the works Kozlov contributed to public exhibitions during this period will be on view, many of which were created for landmark exhibitions of Conceptual art such as: One Month (1969), organized by Seth Siegelaub; Information (1970), curated by Kynaston McShine at the Museum of Modern Art, New York; Arte de Sistemas organized by Jorge Glusberg / CAYC—Centro de Arte y Comunicación at the Museo De Arte Moderno (1971); and the Number Shows, a series of exhibitions curated by Lucy Lippard between 1969 and 1974 (American Museum of Arts & Letters website).
Part of the Kristine Kostov exhibition
Works by artist Christine Kozlov
The next exhibition that I viewed was by artist Wadada Leo Smith, which consisted of an exhibition based on colors and sounds. You could take the headsets around the gallery and tour and admire the work with the sounds of the musical groups.
The gallery with works by artist Wadada Leo Smith
Wadada Leo Smith (b. 1941, Leland, MS) is a composer-performer and Arts and Letters member. Formerly an educator at CalArts, he has influenced decades of musicians and artists, including Raven Chacon. In Kosmic Music, Smith’s first solo exhibition in New York, he shares over fifty years of Ankhrasmation (Museum website).
The “Sphere” works by artist Wadada Leo Smith
Ankhrasmation is a musical language Smith began exploring in 1965. Smith does not consider Ankhrasmation to be his creation but rather something he discovered. The name derives from Ankh,anancient Egyptian symbol of life; Ras,an Ethiopian word for leader or father; and Ma, for mother. The distinctive language uses line, color, and shape to designate musical components such as tonal range and intensity of activity. For Smith, performing Ankhrasmation requires focused practice and “having that space in your heart and mind so that you can play from inspiration.” (Museum website).
The last exhibition I saw was in the gallery across the courtyard from the main museum was by artist Raven Chacon. You would walk in the main gallery to the sounds of birds both living and extinct. Just five minutes in the main gallery by myself and I felt like Tippi Hedren in the movie “The Birds”. There were all sorts of bird sounds with no birds around.
The instruments that the artist uses to achieve the sounds of the birds
When Raven Chacon (b. 1977, Fort Defiance, Navajo Nation) visited Arts and Letters for the first time, he paused in our North Gallery to clap his hands, then counted how long it took for the room to go silent. It took around six seconds—a long rate of decay. Standing in that echoing chamber, Chacon noted the building’s Beaux Arts design by Cass Gilbert, with its imported Spanish tile and cage-like glass ceiling that filters the sky. He became curious to learn the history of the land it sits on, once owned by John James Audubon, who purchased it in 1841 with funds from the sale of his illustrated Birds of America (Museum website).
Chacon is a composer and artist who frequently works with the materials and histories of a given site and who considers, as he puts it, “what has been silenced and what happens when it is not.” For the past year, he has worked on Aviary, his site-specific commission for the North Gallery, creating a soundscape that makes space and time for careful listening (Museum website).
Museum Mission:
(from the museum website)
The American Academy of Arts & Letters was founded in 1898 as an honor society of the country’s leading architects, artists, composers and writers. Charter members include William Merritt Chase, Kenyon Cox, Daniel Chester French, Childe Hassam, Henry James, Theodore Roosevelt, Elihu Vedder and Woodrow Wilson. The Academy’;’s 250 members are elected for life and pay no dues.
The main gallery of the museum
In addition to electing new members as vacancies occur, the Academy seeks to foster and sustain an interest in Literature, Music and the Fine Arts by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater and purchasing artwork for donation to museums across the country.
Collections:
(from the museum website)
The Academy’s collection, which are open to scholars by appointment, contain portraits and photographs of members, as well as paintings, sculptures, drawings, prints and decorative art objects. The library has more than 25,000 books by or about members. The archives house correspondence with past members, press clippings, institutional records and original manuscripts of musical and literary works.
History:
(from the museum website)
The National Institute of Arts & Letters, the parent body of the Academy, was founded in 1898 for “the advancement of art and literature”. The Institute met for the first time in New York City in February 1899 and began electing members that fall. Architects, artists, writers and composers of notable achievement were eligible and membership was soon capped at 250. In 1913, President Taft signed an act of Congress incorporating the organization in the District of Columbia.
American Academy of Arts & Letters at twilight
In 1904, The Institution created the American Academy of Arts & Letters, a prestigious inner body of its own members that modeled itself on the Academie francaise. The first seven members of the Academy were William Dean Howells, Augustus Saint-Gaudens, Edmund Clarence Stedman, John La Farge, Mark Twain, John Hay and Edward MacDowell. Those seven then chose eight more and so on, until the full complement of 30 and later 50 was reached. Only after being elected to the Institute, was a member eligible for elevation to the Academy. This bicameral system of membership continued until 1993, when the Institute dissolved itself and all 250 members were enrolled in the American Academy of Arts and Letters.
The Academy inaugurated its annual awards program in 1909 with the Gold Medal for Sculpture. Since then, over 70 awards and prizes have been endowed through gifts and bequests or established by the Academy’s board of directors in the fields of architecture, art, literature and music. There are conferred each year at the Ceremonial in May when new members are inducted and a distinguished speaker is invited to deliver the Blashfield Address.
In 2005, the Academy purchased the former headquarters of the American Numismatic Society, the neighboring building on Audubon Terrace. A Glass Link now connects the Academy’s existing galleries to newly renovated ones in the former Numismatic building. These new galleries house the permanently installed Charles Ives Studio.
Ringwood Manor in Ringwood Park at Christmas time:
I have visited the Ringwood Manor during the Christmas holidays over the last four years and it keeps getting better. Each room in the house is tastefully decorated for the holidays. The West Milford Garden Club does an excellent job decorating every year and in the post-COVID environment, it is nice to see such a beautiful and well thought out display for Christmas.
The outside of the house was decorated with garland and ribbons and welcomed visitors with Christmas cheer.
The entrance of Ringwood Manor.
The entrance to the estate.
The patio of Ringwood Manor.
The outside of the house was tastefully decorated in garland and bows.
The decorated front door on the Ryerson side of Ringwood Manor.
History of Ringwood, NJ:
Colonial Ringwood:
Long before the Forges & Manor of Ringwood existed this property was occupied by the Native American people. Prehistoric artifacts found on the grounds confirm their inhabitants back to the Archaic and Woodlands periods. Living in a hunting and farming paradise, these Munsee-speaking Lenape peoples dwelled at the head of the Topompock or Ringwood River Valley. This paradise attracted colonial prospectors, who by 1740, came for the iron ore found in the ground. Recognizing the rich magnetite ores, Cornelius Board settled here in 1739 and first utilized the property for iron mining. He was followed shortly thereafter by the Ogden family who established the Ringwood Company and built the first blast furnace here in 1742.
After twenty years of production, a German promoter, Peter Hasenclever, organized the American Iron Company to exploit the resources in colonial North America, purchasing the Ringwood area in 1764. He would also develop forges at Long Pond and Charlotteburg but made Ringwood the center of his iron empire. Hasenclever established iron plantations and developed the production of flax and timber across 50,00 acres of land stretching through New Jersey and New York, from present day Butler to New Foundland and Nova Scotia. The iron was said to have been “the best iron in the American colonies.” Robert Erskine, the last ironmaster of the American Iron Company, was sent from England in 1771 and would manage the company during the Revolutionary War.
(History of Ringwood, NJ)
The decorated carriage house.
When you walk into the home, the first rooms is decorated tastefully around a collection of antique guns and hunting equipment. The Great Hall was decorated with garland and ornaments with a large tree in the corner.
The Great Hall of the Ringwood Manor when you enter for Christmas.
The Great Hall upon entering.
The Chamber Gun display.
The Chamber Gun display in the Great Hall of Ringwood Manor.
The Great Hall fireplace decorated for the holidays.
The formal dining room was set for Christmas dinner for the family after church. The elegant china was set on the table with poppers and small Christmas gifts for the guests. The side boards were set with the dinner entrees and sides for the family meal. There was a little discussion of how the Hewitt family would entertain during the holidays and in 2019 and in 2023, they opened up the kitchen and Butler’s pantry for touring.
The Hallway leading to the formal Dining Room.
The decorated staircase in the Great Hall
The Great Hall hallway
The Dining Room sign
The Dining Room at the Ringwood Manor.
The Dining Room set for Christmas dinner.
Dining Room set for Christmas dinner beautifully.
The details of the Dining Room
The Dining Room paintings and details.
Preparing for the holidays in the Dining Room
The statuary of the Dining Room
The lighting fixtures of the Dining Room.
Each room was set for the holidays with garlands, trees and decorations. As it was explained to me on another house tour during the holidays, the Victorians would normally only decorate one or two rooms for the holidays and not the whole house. The whole house might be decorated based on the wealth of the family and the amount of servants to take care of the home. Needles would have to cleaned up and the trees would have to be attended to on a daily basis.
the Butler’s Pantry just off the Dining Room
The Butler’s Pantry in preparation for Christmas dinner
The Christmas treats in the Butler’s Pantry.
I then walked back through the house and passed by the Office on my way to the social rooms of the first floor. The office is where business was taken care by Mr. Hewitt when he was in residence.
Mr. Hewitt’s Office decorated for Christmas
Mr. Hewitt’s office at Christmas time.
The Christmas tree in Mr. Hewitt’s office.
Before I left this part of the house, I passed the Breakfast Room which is just off the Dining Room. It had beautifully decorated for a Christmas breakfast.
The Breakfast Room sign
The Breakfast Room was decorated with desserts and sweets for the Christmas holidays.
The Breakfast Room beautifully decorated for the holidays.
The Breakfast Room for a Christmas feast.
The Christmas tree in the Breakfast Room.
Before entering the Great Hall, I visited the Receiving Room, where guests waited until dinner was served.
The Waiting Room
The Waiting Room was for guests to relax and wait for Mr. & Mrs. Hewitt.
The Waiting Room fireplace is nicely decorated.
The ‘Birdcage’ in the Waiting Room
Passing through the Great Hall again, I entered what had once been the original Ryerson House built in the early 1800’s. The first room on the tour of this side of the house was the French Drawing Room decked out for the holidays. This room was used by the ladies after dinner was over to converse and get away from their husbands, who would have still been in the dining room.
French Drawing Room, the “Withdrawing” room.
The French Drawing Room
The French Drawing Room in all its Christmas glory.
The Christmas tree in the French Drawing Room
The fireplace in the French Drawing Room.
On the other side of the house is the original Ryerson mansion that was added on by the Hewitt’s when they bought the house. The older house had the original moldings and windows from the early 1800’s and that side of the house had a different feel to it starting with the original entrance and staircase.
The Ryerson Staircase and foyer sign
The Ryerson Staircase and foyer
The decorated Ryerson staircase.
One of the nicest rooms that was decorated was the screened in porch. Here there was a tree set with presents, hot house flowers and garland lining the room. The sunlight shined throughout the room and the decorations sparkled.
The South Ryerson Parlor
The South Ryerson South Parlor
The fireplace in the South Parlor.
The latest addition to the house was the screened in porch, The Glass Piazza, of the house which was used in the summer months for rest and relaxation. The screen in porch was beautifully decorated for the holidays with all sorts of Christmas trees and decorations.
The Glass Piazza, the screened in porch of the main house.
The Glass Piazza decked out at Christmas time.
The doll mini tea service in the Glass Piazza.
The Glass Piazza set for tea at the holidays.
The Glass Piazza at Christmas time.
The beautiful Christmas tree in the Glass Piazza in 2023.
When you leave the Glass Piazza, you enter the original part of the house again with the North Ryerson Parlor. This room was used by the family for less formal affairs but it was still decked out of the holidays.
The North Ryerson Parlor
The Ryerson North Parlor decorated for tea.
The Ryerson North Parlor fireplace decorated for Christmas time.
The last room I visited on the tour was the Music Room in the original Ryerson House. The room was used by both the Ryerson’s and the Hewitt’s for social occasions and the Hewitt’s were all musically inclined.
The Music Room at the Ringwood Manor
The Music Room at the Ringwood Manor.
The Music Room at the Ringwood Manor.
The fireplace in the Music Room decked out for the holidays.
The Music Room during Christmas time.
Each room had a docent to explain the decor or what the room’s use had been in the family’s time. A visitor can roam the house at their leisure and see the rooms as many times as they want. There is also a gift shop in a room off the formal dining room that contains some beautiful Christmas crafts for sale by the Women’s Club of New Milford. Some of these women are very creative and sell the most amazing Christmas ornaments made of glitter, wood, branches, walnuts and moss.
The decor of the home changes over time and there are different things to see every year. The barn also on the property as you drive in has more artwork and crafts. In the Gardener’s Shed next to the house, the Society has a small cafe with sandwiches, desserts and coffee/tea/hot chocolate.
The Carriage House was used as a gift shop and a place to get something to eat.
The tour of Ringwood Manor is wonderful during the holiday season and the rest of the house opens up during the warmer months of the year.
History of the House:
This 582 acre historic site is open to the public year round. The historic house museum, Ringwood Manor is open Wednesday to Sundays year round.
History of 19th Century Manor House and Landscape:
The present manor house was begun by Martin J. Ryerson in 1807. He and his sons controlled not only the iron mines and forges on the property but also operated productions at four other locations in the area. The Ryerson family resided in their 10 room Federal style home for almost 50 years.
The entrance to the historical home.
In 1853, the Ryerson’s house and property were purchased by business partners Peter Cooper and his son in law Abram S. Hewitt. The 22,000 acre ironworks and the Ryerson’s home were purchased for a sum of $100,000. Their company, Cooper-Hewitt & Company, grew to be the fifth largest corporation in the United States. The Hewitt’s, one of the most influential and wealthiest families of the 19th century, fell in love with the Ringwood estate.
The expanded Ringwood Manor estate in the winter months.
Ringwood manor at the holidays.
They decided to make this site of their summer home, naming it The Forges and Manor of Ringwood. They enlarged the home of the Ryerson’s, constructing major additions or renovations in 1864, 1875, 1900 and 1910. The completed 51 room house is 226.5 feet long and features 28 bedrooms, 24 fireplaces and 13 bathrooms and more than 250 windows. The house was built in an eclectic style, typical of the Victorian period. In 1875, the Manor House was an excellent example of the Gothic Revival style of architecture. By 1900, the Hewitt’s changed the exterior facade to its present appearance, adding the neo-classical portico and columns of the front porch and affixing white stucco to the exterior walls. The furnishings of the house reflect the varying tastes and styles of the family and time period.
Ringwood Manor during the holidays.
(From the Ringwood Manor website)
The formal gardens surrounding the Manor House were developed by Mrs. Hewitt and her daughter, Eleanor around 1900. Their design was influenced by the Hewitt’s many trips overseas. The gardens possess a mysterious old world charm that captivates visitors as they enjoy the serenity of reflecting pools and the progression of blooms from early spring to late fall. Placed throughout the garden are French and Italian statuary and garden ornaments as well many interesting architectural items from New York City acquired while Abram Hewitt served as Mayor and Congressman. Examples of these features include columns from the old New York Life building, gates from the Astor family’s home and gate posts from Columbia College. Relics from the iron company that are found on the grounds include a trip hammer and anvil, cog wheel and a Dictator-class mortar the base of which was created by the Hewitt’s company and used at the Battle of Vicksburg in Mississippi during the Civil War.
The Ringwood Manor in the Fall of 2026:
I visited the park again in October of 2026 after taking a tour of the NJ Botanical Gardens down the road at the Skylands Manor. The grounds were just changing colors during all the cool weather we were having and the grounds could not have been more picturesque.
The lawn of the estate in the early Fall in 2026
Walking through the walkways and driveway of the estate
Walking up to the Manor House at Ringwood Park
The pond by the house overlooking the barns
The marble walkway up to the house
The Manor House in the Fall of 2026
The estate lawn from the house
The gardens and landscaped gardens on the estate
In the barn which is used as a Art Gallery, hosts a Jazz Concert on some weekends during the Fall. We had a nice time listening the music.
The Jazz Concert in the afternoon
The Jazz Concert at the barn
The grounds are so beautiful at any time of the year.
The Wildwood Historical Society at 3907 Pacific Avenue
I visited the Wildwood Historical Society George F. Boyer Museum (See review on TripAdvisor) when I was visiting Wildwood, NJ for a convention. It was a gloomy morning, and the museum is open from 9:00am-2:00pm. It is the perfect place to visit on a rainy day at the beach. When I revisited the museum in the summer of 2023, the museum was crowded with members of the fire service and their families visiting after the convention meetings.
The Front Gallery
The central gallery on the Wildwood businesses.
The back gallery of the museum
The museum is a treasure trove of artifacts of the history of the three towns, North Wildwood, Wildwood and Wildwood Crest. The history covers the original inhabitants when the Native Americans lived and fished in the area, the rise as a resort community especially its heyday in the 1950’s and 60’s as a solid middle class resort town and an extensive history of the police, fire department and schools as well as the town and its council people.
The Military display
The Fire display at the museum.
The fisherman’s display at the museum.
The doctor’s office display at the museum.
Each room of the museum is stacked with information, artifacts in case lines and the walls are lined with books, manuscripts and albums. The school history shows how integration worked even as far back as the turn of the last century and the development of the school system. There were books of graduation pictures, sporting events and band involvement.
The high school and public-school display.
There is a very interesting display of firefighting pictures especially of the amusement fires of the past and the rebuilding of the parks and piers. Take time to look at the artifacts in the hallways and pictures of the development of the parks. There are interesting pieces saved from the old parks.
The Dracula’s Castle display before the big fire at the park.
The Dracula’s Castle display
The Amusement Park and Dracula’s Castle display at the museum.
The artifacts from Dracula’s Castle
The display by Dracula’s Castle
There is even a section of restaurant menus and dishware from the well-known establishments of the past and many pictures of the hotels and motels of the ages. It showed how it went from a Victorian resort to the modern times of the sixties theme motels with art deco architecture. There was a real change after the war to a more middle-class customer who was depending on the automobile instead of the train system.
Popular businesses of the past
The Wildwood businesses of the past.
Artifacts from businesses from Wildwood’s past from restaurants to hotels.
There is also a large section on the old amusement piers with pictures and artifacts from the old “Dracula’s Castle” park that burned down in the early 2000’s. There are signs, old tickets, small ride cars and prizes from the games from the piers. There is extensive detail to the display, and you have to look at all the pictures of the amusements at various points of history.
The Amusement gallery by Dracula’s Castle
The Amusement Park display of artifacts in fun and interesting. The museum admits they were lucky to save these items.
The “Dracula’s Castle Fire” was one of the biggest in Wildwood history.
Plan about two hours as you will lose track of time when looking at all the pictures and displays. It is a little packed in here but there is so much to see and take time to watch their videos which are fascinating and informative on the history of the town of Wildwood.
Artifacts and pictures from the old amusement parks that were once part of Wildwood’s glory.
Who was founder George F. Boyer:
George F. Boyer was born in Philadelphia in 1904. He came to Wildwood around 1932 and earned his living as a butcher, a merchant and a fireman. His real local fame, however, came from his role as the City of Wildwood’s first and only official historian. While serving with Wildwood fire department in 1959, he came across the stump of a tree (now known as the “W” tree) in the old city hall.
Running down the origin of the tree, sparked a tsunami of information as he talked to local residents and researched and collected old records. One thing led to another and in January of 1962, Boyer was appointed in the city’s newly established historical commission and became the first president of the Wildwood Historical Society.
The Wildwood music and ‘Doo Wop’ display.
The entertainer Mario Lanza exhibit when he used to visit here with his parents
Tireless in his efforts to collect and preserve local artifacts, Boyer spoke to school and church groups as well as civic organizations, urging them to “act now. To gather those irreplaceable links with the past and preserve them for generations to come.”
A model of Wildwood in the Business Gallery at the museum.
Founded by Boyer, Wildwood’s first historical museum opened in 1963, on the second floor of the Municipal Building in October 1976, the City of Wildwood honored Boyer for his “long and devoted service” by renaming the museum, the George F. Boyer Historical Museum.
The museum sits proudly in Downtown Wildwood.
He passed away a month later but his legacy lives on. The museum, now located at 3907 Pacific Avenue, continues to welcome visitors and locals alike, just as it did a half century ago under Boyer’s care.
Household items of the past.
The town bell
The non-profit museum is made possible thanks to volunteers who dedicate time to our cause. We always need volunteers. To learn about volunteering, drop in during our open hours, call us or fill the contact form on the website.
The Wildwood Boardwalk and amusements today.
Disclaimer: This information was taken directly from the History of the Wildwood Historical Museum website, and I give them full credit for the information. Remember that the museum has limited hours and the resort is seasonal so please call the above number for the times and dates when the museum is open.
