The mission of El Museo del Barrio is to present and preserve the art and culture of Puerto Ricans and all Latin Americans in the United States. Through its extensive collections, varied exhibitions and publications, bilingual public programs, educational activates, festivals and special events, El Museo educates its diverse public in the richness of Caribbean and Latin American arts and cultural history.
By introducing young people to this cultural heritage, El Museo is creating the next generation of museum-goers while satisfying the growing interest in Caribbean and Latin American art of a broad national and international audience.
The History of the Museum:
El Museo was founded 45 years ago by artist and educator Raphael Montanez Ortiz and a coalition of parents, educators, artists and activists who not that mainstream museums largely ignored Latino artists. Since its inception, El Museo has been committed to celebrating and promoting Latino culture, thus becoming a cornerstone of El Barrio and a valuable resource for New York City.
The exhibitions in the Main Gallery
El Museo’s varied permanent collection of over 6,500 objects, spans more than 800 years of Latin American, Caribbean and Latino art, includes pre-Columbian Taino artifacts, traditional arts, twentieth-century drawings, painting, sculptures and installations as well as prints, photography, documentary films and video. For a brief overview of our history and to explore the institutional chronology and exhibition history year by year.
The Galleries of El Museo del Barrio
Our Purpose:
El Museo del Barrio’s purpose is to collect, preserve, exhibit and interpret the art and artifacts of Caribbean and Latin American cultures for posterity.
To enhance the sense of identify, self-esteem and self-knowledge of the Caribbean and Latin American peoples by educating them in their artistic heritage and bringing art and artists into their communities.
To provide an educational forum that promotes an appreciation and understanding of Caribbean and Latin American art and culture and its rich contribution to North America.
To offer Caribbean and Latin American artists greater access to institutional support in the national and international art world.
To convert young people of Caribbean and Latin American descent into the next generation of museum-goers, stakeholders in the institution created for them.
To fulfill our special responsibility as a center of learning and training ground for the growing numbers of artists, educators, art historians and museum professionals interested in Caribbean and Latin American Art.
The mission reaffirms the vision of Raphael Montanez Ortiz, who founded El Museo del Barrio in 1969 and of the Puerto Rican educators, artists and community activities who worked in support of this goal.
(El Museo del Barrio pamphlet online)
The Collection:
The museum features an extensive collection of around 8,500 pieces composed of pre-Columbian and traditional artifacts, particularly a large permanent Taino exhibit as well as 20th century arts and crafts, graphics and popular media, Mexican masks, textiles from Chile and photographs and traditional art from Puerto Rico. There are often temporary exhibits on Puerto Rican and Latino modern art. The museum also sponsors numerous festivals and educational programs throughout the year including the annual Three Kings Day parade. Due to a lack of space prior to their 2009-2010 expansion, the museum began to place some of their permanent collection online. This also served as a means of audience development. (Wikipedia)
I have been to many special events at the Garretson Forge & Farm over the years, but COVID had put a stop to many of them since 2020. The farm is now back and running beautifully with the help of their roster of volunteers and master gardeners manning the grounds both in the front and back of the homestead.
In previous years when I have visited, I have toured the home visiting the indoor kitchen and display room that is the oldest part of the house which was built in 1719.
The signage in front of the house
The kitchen of the Garretson Forge is from the original structure of the house.
The kitchen
The cooking utensils at the Garretson Forge kitchen
The spinning at the Garretson Forge farm was part of life
The newer part of the house where spinning takes place and where you can see examples of Dutch furniture with chest for clothing and a rope bed, where the expression ‘sleep tight don’t let the bedbugs bite’ comes from. You had to tighten a rope bed with a key to tighten the ropes at night and the mattresses were either made from straw or if you were lucky, goose feathers.
The newer part of the home with the upstairs dormers was built in 1760.
The upstairs is the newest addition to the house
The Upstairs
The Garretson Family tree
Inside the original part of the home is the family tree of the Garretson family who lived in the house for six generations from 1719 to 1972 when the last of the Garretson line, the husband of the wife who was a direct descendant died and the home was bought by a developer. The also have a collection of Presidential signatures that are kept under lock and key at night.
The Presidential Signature Room
The Living Room fireplace is right off the Signature Room
The kitchen in the original 1719 part of the home is decorated with period utensils, herbs and vegetables for drying and all the things you would need to prepare food for the long winter. These things would have been placed in the fruit cellar.
The Herb Garden right off the kitchen
The water pump and herb garden are right in back of the kitchen
Outside the home during the recent Harvest Festival that I attended in October 2022, you can visit all sorts of farming equipment, sleds, and hoes for using on the farm to grow plants.
The barn has herbs drying for the season and foods being stored. This along with farm equipment. These items have been brought from all over Bergen County.
The Fall Festival 2022 on October 9th, 2022
The other barn had period carriages and even a dairy vehicle delivery of milk and eggs to homes. There were items drying out in the barn for basketmaking and even in the back the tombstone of an original member of the family.
The Barn Vehicles
The barn equipment
The backyard of the home is an extensive number of plantings that the Master Gardeners maintain and many of the items grown on the property go to a foodbank in Paterson, NJ. I thought that was a very nice donation to give especially these days. I was able to walk through what was left of the vegetables and fruits that had not either been picked or went through their growing cycle.
Items drying in the barn
Activities at the Harvest Festival included making colonial dishes from original recipes including a roasting ham on the fire, pumpkin pie, chopped vegetables for stew and a stew that was cooking on the fire.
The bounty of Fall in Colonial America
Unfortunately, we were not able to sample these delicious looking items because of a food license but everything looked really good. They had everything laid out on the table as the ladies explained to me how things were cooked back then.
Roasting meats on the fire a traditional way
Here and there were tables of items for sale including snacks, crafts and vintage decorative items for the home. This helps raise money for the maintenance of the house.
There was also a plant sale where items grown on the property were being sold for people’s decorative gardens.
Before I left, the master gardener explained to me that the Chinese Chestnut Tree in the back of the property was a documented tree and was one of the oldest and largest in the State of New Jersey. They are not too sure who planted it years ago.
Their Harvest Festival was a lot of fun and there were lots to do for families with small children. This takes place every October.
In December I took a special tour of the farmhouse during the holiday season when the forge was decorated for the Sinterklaas event and the Christmas holiday season. I was very lucky that the President of the organization gave me a private tour of the house and gardens. The house had been very busy for the Christmas season.
During the time of the Dutch, homes would not have been as decorated for the holidays as they would during the Victorian Age with trees and massive amounts of decorations. Around the time of the Revolutionary War, ‘greens’ would have decorated the home to bring ‘life’ back into the home during the long winter months. So things like pine, holly and mistletoe would have decorated the house.
The front of the house for the holiday season.
The front of the house at Christmas time.
The entrance to the house decorated in bows and garland.
The entrance to the house decked in garland, bows and fruit during the holiday season.
Entering the house from the back door.
The entrance to the back door decked out for the holidays.
The entrance to the historic farmhouse.
During the holiday season, the New Jersey Dutch citizens would celebrate “Sinterklaas”, the Dutch Christmas festival in which Sinterklaas (Santa Claus) would bring good little children toys and sweets. During the first week of December, the farmhouse has the traditional “Dutch Christmas Festival” in which children can visit with Sinterklaas and enjoy music and holiday treats.
The front hallway decorated for the Dutch Festival.
The Dutch Kitchen ready for the holidays.
The kitchen getting ready for the holidays.
The back fireplace during the Christmas holidays.
The main room of the Dutch Farmhouse during the Christmas holidays.
The banister was decorated in garland and bows.
The Spinning Wheel and fireplace during the festivities.
Where Sinterklaas engages the small children at the event.
The stockings and wooden shoes which would have been filled with candy and toys by Sinterklaas for good little girls and boys. The Christmas tree would have come in Victorian times along with the presents in the later part of the 1870’s and 80’s with the rise of Queen Victoria.
As we exited the house at the end of the tour, the President took me on a tour of the greenhouse that was attached to the house. This is where all the new plants and saplings were being grown during the winter months.
The Greenhouse is attached to the main house.
The decorated window box just outside the kitchen of the farmhouse.
We passed through the gardens that were now dormant for the holidays but would be sprouting in about four months.
During the Revolutionary War and the take over of the English, Christmas would have meant church services on Christmas Day and a light luncheon in the afternoon. Things like gift giving, entertainment and music would have been later in the 1800’s as the ‘Puritan influence’ would have prevailed at this time with little merriment during the holidays.
After the Civil War and the rise of the Industrial Revolution did Christmas get more elaborate and festivities became more colorful. You see this in different stages of the house. The forge is open for the “Sinterklaas Festival” the first week of December every year.
In the Spring, I attended “Pea Day”, the first planting of the gardens took place in March of 2024. The volunteers were cleaning the beds out and planting the first fruits and vegetables that could survive in the cool weather. It gave us a chance to see how things were planted on the farm during the different seasons.
The front of the Garretson Forge & Farm during the last days of Winter.
The property during the late Winter months.
The daffodils were in full bloom on the property.
Cleaning up the property during the late Winter months.
The volunteers planting the beds during “Pea Day”.
The volunteers planting the beds during “Pea Day”.
The students of Bergen Community College learning about the Garretson Forge.
“Pea Day” gave us a chance to see the property and see how the plantings of the farm were timed with the seasons. It also gave the students a chance to see what the farm looked like and understand its logistics.
The farm on “Pea Day”.
The History of Garretson Forge & Farm:
Garretson Forge & Farm is one of the oldest historic sites in Bergen County, New Jersey. Settled in 1719, this Dutch Colonial homestead was home to six generations of the Garretson family. Their homestead remains a rare surviving example of a simple farming life that was prevalent in the 1700’s and 1800’s. It now functions as a living museum and a working farm, preserving our colonial past and agricultural heritage.
The front of the Garretson Forge on River Road in Fair Lawn, NJ.
The Property:
Located along an old Native American trail, about a mile north of Garretson Lane, is one of the original farms in Slooterdam, owned by the Dutch family of Peter Garretson. Today, more than 300 years later, the trail has come to be known as River Road, Garretson Lane is now called Broadway and Slooterdam has evolved into Fair Lawn, yet the original farmhouse and remaining grounds are still referred to as the Garretson Homestead.
In the 17th century, New Jersey was divided into the Provinces of East and West Jersey by its English proprietors, Lords Berkeley and Carteret. These lands were then sold to a group of Quakers headed by William Penn. By 1692, part of East Jersey, known as the Saddle River Tract, had been divided into large lots, one of which was sold to the Stillwell family.
The Garretson homestead stand on a portion of land that was acquired in 1708 by David Daniellse from the Stillwell family. A copy of the original propriety deed signed by King George of England and the Lenni Lenape Chief, Spotted Tail and granting the land to David Daniellse, is hanging in the homestead. The original property was bounded on the west by the Passaic River and on the east by the Saddle River. Peter Garretson purchased the property from Mr. Daniellse in 1719.
After Peter Garretson’s death, title to the land was passed from one generation to the next. From time-to-time parcels of the tract were sold. The present site consists of 1.84 acres along River Road.
The beauty of the Garretson Forge Farm in the Fall
The Homestead:
The house is an example of Dutch Colonial architecture which is charismatic of Bergen, Passaic and Hudson Counties.
One and one-half stories high and built about 1719 of rubble and undressed stone, the current kitchen wing is considered by most to be the homestead. It features a large open-hearth fireplace typical of Flemish design of the late 1600’s. On a late nineteenth-century photograph of the house, remnants of a brick beehive oven can be seen on the outer wall.
Farming equipment outside the barn
In 1760, the larger section of the house was built using dressed stone. The sandstone blocks were held together with mortar made of river mud mixed with straw and hogs hair. It was under this section that fragments of clay pipes (c1720) were uncovered.
The farmhouse on River Road in Fairlawn, NJ
The Farmhouse
Extensive renovations were made to the house in 1902. The present gambrel roof replaced a steep gable roof; a front door was replaced with a window; an inner stairway to the basement replaced cellar hatches. A large center Victorian stairway to the second floor was also built and the open-hearth fireplaces were enclosed in the Victorian style. A large pillared porch was also added.
An early nineteenth century carriage house still stands on the property along with a large barn and several smaller outbuildings, the oldest of which is a small wooden structure built circa 1800 in the Dutch barn style.
The barn and carriage house
The Garretson Family:
The history of the Garretson family in America began in 1660 with the emigration of Gerrit Gerritse, his wife, Annetje Hermansse and their son, Gerrit from Wageningen, Gelderland (Netherlands). They arrived in New Amsterdam and proceeded to the town of Bergen, where in 1668, Gerrit (Sr) bought from Philip Carteret, eight parcels of land. The family resided in what is now the Communipaw section of Jersey City, where Gerrit died in October of 1696. His wife died on September 7, 1696.
Some of Gerrit Gerritse’s children took the name Van Wagenen, while others retained that of Garretson, from the name of their father. The descendants of Gerrit Gerritse, going by the surname of Garretson, Van Wegenen and Van Wagoner are today numerous throughout Bergen and Hudson Counties.
Mary Garretson’s Tombstone is located in the barn
Peter Garretson, grandson of the elder Gerrit Gerritse, purchased the Slooterdam Patent from David Daniellse in 1719. The house was built shortly afterwards. Six generations of the Garretson family resided on the farm until the death of Mary Garretson Brocker in 1950. Her widower, Feenix Brocker, remained at the homestead and continued farming until 1974.
The Gardens:
Originally a homestead farm, subsistence and market crops were grown from the early 1700’s through the early 1970’s by the Garretson family.
The back of the house
Today, the gardens at Garretson continue an agricultural tradition. A variety of heirloom vegetables, all open-pollinated are grown in the kitchen garden using organic and sustainable practices. Produce in season is donated to a local emergency food pantry. An extensive herb garden contains over 75 types of medicinal and culinary herbs that were grown in the seventeen and eighteen hundreds.
The Garretson farm gardens behind the house are tended to by the master gardeners.
Garretson’s Butterfly Garden provides host plants and nectar sources for many different kinds of butterflies. Since 2005, Garretson has been certified by Monarch Watch as a Monarch Waystation (monarch habitat).
The Children’s Garden at Garretson abounds in spring ephemeral wildflowers, bulbs and ferns. In the heat of summer its offers a welcome place to sit in the shade. Gardeners have been restoring native plants to this woodland area.
The garden sheds behind the house
Many of the garden volunteers are Rutgers-trained Master Gardeners who have done their community service at Garretson and who give back to the community and Bergen County Master Gardener Program by training new gardeners at Garretson.
The gardens at the Garretson Forge farms behind the house
Garretson Forge and Farm Restoration Inc.:
The Garretson property was sold in 1974 to a private builder for residential value, community members became interested in acquiring the property for preservation. This led to the founding of the Garretson Forge and Farm Restoration Inc. in 1974 for the purpose of raising funds for the purchase. Through the efforts of the organization, the community at large and government agencies, the necessary funds were raised for the acquisition of the property.
GFFR Inc. continued to raise funds to maintain the site and to restore the kitchen to its eighteenth-century design. Money was also used to purchase artifacts and articles related to Garretson history.
The open kitchen at the Garretson Farm
In 1977, ownership of the property was accepted by the Freeholders of Bergen County. Now a county historical site, the Garretson homestead continues to be administered by the members of Garretson Forge and Farm Restoration Inc.
GFFR Inc. is a volunteer organization whose mission is to preserve and maintain the Garretson homestead, keeping it open to the public; to educate the greater community about local and state history; to foster environmentally sustainable agricultural practices and biodiversity.
Programs and Special Events:
Throughout the year, Garretson Forge and Farm offers.
Living history events:
*The Spring Festival celebrating colonial life and crafts in the 1700’s.
*The Fall Festival celebrating the harvest and the 1800’s farm.
Fall Festival 2022
Civil War Activities at the Garretson Forge
Civil War activities at the Fall Festival
Spinning wool and cloth making at the Fall Festival
*Dutch Christmas presenting a traditional Dutch celebration with the homestead decorated in Victorian style.
The house decorated for the Sinterklaas and Christmas festivals.
The house decorated for the Christmas holidays.
Educational Programs:
The Map and Signature galleries
*School Tours
Children’s toys at the Garretson Forge
*Open House and garden tours
*Lectures on the environment and on local history.
The Signature and Map Collection at Garretson Forge
*The Master Gardener Program
*Organic/sustainable gardening
*Garden and craft workshops
*The annual Butterfly Festival for families.
Community Service Programs:
*Eagle Scout Projects
*Community Seed Bank
*Seasonal produce donations to local food banks.
For more information on events, please check out the website:
The Bergen County Division of Cultural & Historic Affairs received an operating support grant from the New Jersey Historical Commission, a division of the Department of State.
Disclaimer: This information is taken directly from the pamphlet from the Garretson Forge & Farm. For more information on the site, please call the above numbers or email them.
In the Spring Semester of 2023, my Introduction to Business class at Bergen Community College in Paramus, NJ created a project to promote the Garretson Forge & Farm for Destination Tourism. It was an extensive project creating new programs, new advertising and promoting the site with commercials and walking tours.
I think a lot of these historical sites do not get the attention they deserve and with the 250 Anniversary of the Revolutionary War happening in two years, these wonderful sites needed to be showcased. They needed to dusted off, revamped and a fresh perspective was needed to tell their story. This is where the project for the “The Bergen 250: Tourism at the Garretson Forge & Farm” came from.
The project “Bergecco-Parc Consulting Inc. presents “Bergen 250-Touring the Garretson Forge & Farm”:
That and the tour the former President gave me during the holiday season when I begged to see the Christmas decorations for the Sinterklaas celebrations were still up. I needed pictures for my blog, “VisitingaMuseum.com” and “MywalkinManhattan.com”.
My blog on Touring the Garretson Forge & Farm on VisitingaMuseum.com:
When I toured the home during the holidays, I approached them on using the home as a future project and she seemed to like the idea. This is where the partnership for the project came from.
Our first visit to the site was on “Pea Day” in March 2024 for an extra credit assignment to start the project off so that the students could see the grounds and experience the farm and its attributes.
Visiting the Garretson Forge & Farm in Fair Lawn, NJ for “Pea Day”
Visiting the farm house and gardens on “Pea Day”
The volunteers planting at the Garretson Forge & Farm on “Pea Day”.
Observing the Master Gardeners and Volunteers on “Pea Day”.
The students coming in on their day off to attend “Pea Day”
Everyone took turns getting their hands dirty on “Pea Day”
We also had a special field trip to the Garretson Forge & Farm on class day so that everyone could tour the farm and the farmhouse. Outside “Pea Day”, it was the first time anyone in my class had ever visited the site.
We started the tour on a rather gloomy night. We had just had a rain storm but that did not stop our visit. Our whole class attended the trip (it is a mandatory part of both the project and the class) and it was a interesting tour for all of us.
Our host was the President of the Friends group that helps raise money for the site. We started the tour after the rain storm with a trip through the barns to see some of the old farm equipment. The were some interesting artifacts that included farm plows and horse drawn articles to carriages and sleds.
Then we toured the gardens where the volunteers had just finished the plantings of the summer fruits and vegetables. The President explained that the fruits and vegetables that were grown here were donated to a soup kitchen in Paterson. I thought this was a great idea.
Then were toured the farmhouse, which I had just been to for a private tour during the holidays. The kitchen was set up for a harvest meal now and I explained to some of the students how food was cooked back then in the hearth.
Then we toured the small museum and looked at the family tree, where generations of Garretson’s had lived. Our last stop on the tour of the farmhouse was the main living room where the Sinterklass event was held and many of the talks on domestic life on the farm.
This is where we concluded the tour and many students asked questions about life at that period of time. After the tour was over, I took the students out to dinner as part of their Team Building. It is important for the students to get to know one another.
The start of the tour near the barns.
Our tour of the grounds, the barns and life on the farm.
The grounds near the second barn. Touring the gardens at twilightTour of the kitchen.
Discussing the expression “Sleep tight don’t let the bed bugs bite” and where it came from.
Discussion on the second floor.
The second floor had been added on years later.
Discussion on farm living.
Discussing the furnishings and how the farmhouse ran as a farm and a home.
Continuing our discussion of life on the farm.
Talking about life on the farm.
The Bergecco-Parc Consulting Inc. tour of the site.
Our group shot with President of the Garretson Forge & Farm April Barth.
After the tour was over, I took my class to Bella Vita Pizzeria in Fair Lawn, NJ for their first Corporate dinner and Team building exercise. The dinner was wonderful, and the pizza was excellent. It really warmed us up after a cold night of touring and the students seemed to enjoy getting to know each other over a hot pizza dinner.
Bella Vita Pizzeria at 1761 River Rd A, Fair Lawn, NJ 07410:
My Teams dining together at a “Corporate” pizza dinner.
The company Team dining together that night.
The aspect of dining together is an important part of the Team Building exercise and you can tell by the pictures that my students enjoyed it.
The next few weeks were preparing the project for the presentation. We had a visit from Vivian Davis, who I had known for years from working in the Division of Disability Services when she was one of our speakers. She now was running the “Bergen 250: The 250th Anniversary of the Revolutionary War in Bergen County” and we had incorporated part of this in the project. I had given her a copy of the project and she came into the class to discuss what she was planning and the significance of the Revolutionary War had on the towns in Bergen County. It was a real history lesson on some of the towns in Bergen County and some of the historical homes and sites in Bergen County.
This project was a bit more intense than my morning class. While they designed the rigors of the Bergen Room Bistro, my evening class was putting together an entire game plan of Revolutionary War events for the ‘Bergen 250’.
I had the students working on an Independence Day event, a Children’s Walking tour of the property, a Mid Summer dinner with a Revolutionary War themed dinner, a continuation of the Sinterklaas event that would extend visiting the decorations in the house another two weekends and then a new Digital Marketing campaign for the site with a commercials and posters.
The night of the presentation on April 24th, it all came to life. The students each showed the PowerPoints with their ideas, menus and commercials to promote the site. They really had some interesting ideas.
Finishing the evening with my Student Consultants was great. The students were so excited to finish and I have to admit it was quite the journey for me too. It was a lot of work (and money) to pull this event off but it went by well. The Board of the Garretson Forge & Farm really seemed to enjoy it and asked lots of questions.
Vivian Davis, who is running the “Bergen 250″ asked the most important question of the night, if I was to run all of these events, would your age group come?” This got the students thinking and one said, “We are a busy group with college and work. If you want our age group to come, you are going to have to cater to things we like.” I thought that was fair and gave her something to think about as well.
We then took our Board picture. I am always so proud of my Student Executive Consultants. They come dressed for work.
The Bergecco-Parc Consulting Inc. “Bergen 250″: Garretson Forge & Farm” Executive Team.
I want to thank my President of the Team Project, President TJ Fischer and SVP of Operations Camila Alvarado and the entire Team of Vice-Presidents, Team Leaders and Team Members for tackling this very difficult and very detailed job of promoting this wonderful historical site with such detail.
The questions on the project were excellent and direct and audience was very impressed by how thorough the project was done that evening. To all my Student Consultants, you did an excellent job!
Great Work!
New Historic Project for 2025:
To Celebrate the “Bergen 250: the Two Hundredth Anniversary of the Revolutionary War in Bergen County”, we are creating a new project with a series of special events and meals at different historical sites in Bergen County. It gives these sites a fresh approach to new visitors.
Our class toured the site and I tried to showcase this site to another Team of students to reimagine it.
We were joined by County Historian Vivian Davis who led the tour to my students
We toured the grounds and gardens where a Country Afternoon Tea would be planned in the backyard of the home with a house and garden tour and plant sale.
My class toured the historic kitchen
We then toured the historic room with the homes past and the family tree
The Bergecco-Parc Consulting 250 Team in the backyard of the Garretson Forge & Farm
Our selfie with Vivian
The end of our tour that afternoon
It was another successful in the field by Bergecco- Parc Consulting Inc.
The Studio Museum in Harlem is the nexus for artists of African descent locally, nationally and internationally and for work that has been inspired and influenced by black culture. It is a site fro the dynamic exchange of ideas about art and society.
The Studio Museum of Harlem
History:
The Studio Museum in Harlem was founded in 1968 by a diverse group of artists, community activists and philanthropists, who envisioned a new kind of museum that not only displays artwork but also supports artists and arts education. The Museum was originally located in a rented loft at 2033 Fifth Avenue, just north of 125th Street. Renowned architect J. Max Bond Jr. led a renovation that adapted the building into a two level exhibition space with offices and space for rental tenants.
The Galleries at The Studio Museum in Harlem
In 1985, the Museum began excavation of an adjacent vacant lot at 142 West 125th Street, leased from the City of New York. Over the following two decades, the Museum, in partnership with the City, completed additional renovations to the building and lot and added additional gallery and lobby space, a theater and a flexible outdoor space. The Museum has been accredited by the American Alliance of Museums (AAM) since 1987, when it became the first black or Latino institution to gain this recognition.
The Studio Museum in Harlem is internationally known for its catalytic role in promoting the works of artists of African descent. The Artist-in-Residence program was one of the Museum’s founding initiatives, and gives the Museum the “Studio” in its name. The program has supported more than one hundred emerging artists of African or Latino descent, many of whom who have gone on to establish highly regarded careers. Alumni include Chakia Booker, David Hammons, Kerry James Marshall, Julie Mehretu, Wangechi Mutu, Mickalene Thomas and Kehinde Wiley.
The Rico Gatson exhibition in 2018
The Studio Museum serves as a bridge between artists of African descent and a broad and diverse public. A wide variety of programs bring art alive for audiences of all ages-from toddlers to seniors-through talks, tours, art-making activities, performances and on and off-site educational programs. Museum exhibitions expand the personal, public and academic understanding of modern and contemporary art by artists of African descent. The Studio Museum is a leader in scholarship about artists of African descent, publishes Studio magazine twice yearly and regularity creates award-winning books, exhibition catalogs and brochures.
The Museum’s permanent collection includes nearly two thousand paintings, sculptures, watercolors, drawings, pastels, prints, photographs, mixed-media works and installations dating from the nineteenth century to the present. The Museum’s Acquisition Committee facilitates the growth of the collection through donations and purchases. Artists in the collection include Romare Bearden, Robert Colescott, Jacob Lawrence, Norman Lewis, Chris Ofili, Betye Saar, Lorna Simpson, Kara Walker and Hale Woodruff as well as many former artists in residence. The Museum also is the custodian of an extensive archive of the work of photographer James VanDerZee, the quintessential chronicler of the Harlem community from 1906 to 1983. The Museum does not have a permanent exhibition of work from its collection but frequency shows selections in temporary exhibitions.
The current exhibitions are wonderful and include:
Regarding the Figure
Rico Gatson Icons 2007-2017
Jamel Shaazz Crossing 125th
All them are compact exhibitions and you will need about two hours to see everything at the museum (See TripAdvisior review).
Folks, please don’t miss this gem of a museum in your travels to NYC in a very quickly gentrifying Harlem (See ‘MywalkinManhattan’ site for more details).
The Grant Memorial was designed by architect John Duncan. Rising to an imposing 150 feet from the bluff overlooking the Hudson River, it took 12 years to build and remains the largest mausoleum in North America. Its great size was meant to express the profound admiration Americans felt for the Civil War commander and was propelled to the forefront of America’s pantheon of heroes and declared the equal of George Washington and Abraham Lincoln.
Spearheaded by the Grant Monument Association, some 90,000 people from around the United States and the world donated over $600,000 to construct the memorial, the largest public fundraising effort up to that time.
The statuary in front of the building
Initial fundraising was led by Richard T. Greener, first black graduate of Harvard and a Grant supporter who credited the general with his advancement. Many African Americans contributed to the building fund.
The eagles that flank the front of the tomb
The memorial is open from 9:00am-5:00pm daily. For information or to arrange for group visits call (212) 666-1640.
The entrance to the Mausoleum
Among the most Revered of Men:
This large classically proportioned mausoleum honors the Civil War general who saved the nation from dissolution and the president who worked to usher in a new era of peace and equality for all Americans.
The Civil War era flag being displayed inside
Sign for the flag display in the Western trophy case
The flags in the Western trophy case
The sign for the flags in the Eastern Case
The flags in the Eastern case display
Ulysses S. Grant, a plain-spoken unassuming man who studiously avoided pomp and ceremony had volunteered his services for the Union effort when the Civil War erupted in 1861.
The details inside the rotunda
In doing what he considered simply his duty, he emerged after four years of fighting as one of the great military leaders in history. Aggressiveness, speed, tenacity and the ability to adjust his plans in the face of unexpected impediments all helped to bring him victory.
General Ulysses S. Grant
As great as he was in war, Grant showed magnanimity and compassion in peace. He granted humane and generous terms when General Robert E. Lee surrendered to him on April 9, 1865 at Appomattox Court House. As president he pardoned many former Confederate leaders at the same time insisting on protecting the full political equality of former slaves.
The friezes of General Grant with General Lee
The General leading his troops
The General leading his troops
He was also concerned that American Indian tribes be treated with dignity and respect. His fundamental desire for peace was reflected in his efforts to solve international disputes by arbitration rather than by threat of war. At the time of his death in 1885. Grant was universally respected by northerners and southerners alike.
The main floor of the tomb
The main floor of the tomb
Because of Grant’s status as a national hero, most Americans assumed he would be buried in Washington DC but his family preferred New York City. Grant himself had no strong preference; his only desire was for his wife, Julia to be buried next to him.
The funeral on August 8, 1885 was one of the most spectacular events New York had ever seen. Buildings all over the city were draped in black. An estimated one million people crowded sidewalks, filled windows, stood on rooftops and climbed trees and telephone poles for a view of the procession, which stretched seven miles and took five hours to pass.
The resting place for General Grant and his wife
Grant’s remains were placed in a temporary vault until an appropriate memorial could be funded and built. On April 27, 1897, the 75th anniversary of Grant’s birth, thousands of people, including diplomats from 26 countries, attended the dedication ceremony for the completed memorial.
The President’s tomb is surrounded by the busts of his contemporaries:
The bust of General Sheridan
The bust of General McPherson
The bust of General Sherman
The bust of General Ord
The bust of General Thomas
The dedication parade, led by President William McKinley, was almost as large as Grant’s funeral parade. Julia Grant reviewed the ceremony sitting next to President McKinley. She was laid by her husband’s side after her death in 1902.
The Tomb of General Grant and his wife
The tomb is located in Riverside Park near Columbia University and across the street from Sakura Park, where Japanese Cherry trees are in bloom every Spring.
The park outside the Memorial
The Memorial with a park view
The Memorial from the park
The Memorial from Claremont Park
Claremont Park behind the tomb is beautiful in the Spring
The artwork surrounding the tomb
The artwork surrounding the tomb
The artwork surrounding the tomb
Near the tomb is the memorial to the ‘Amicable Child’ and that should not be missed as well.
The Tomb of the Amiable Child right down the path
The little park the tomb sits in
Disclaimer: This information was taken directly from the National Park Service pamphlet. This is a very interesting National Memorial and should not be missed.
The gift shop is across the street
The theater is in the next room where you can watch the film
It is opened at certain times of the week, so please look for the posted hours. (The memorial is open from 9:00am to 5:00pm daily. For more information or to arrange for groups visits, please call (212) 666-1640).
Visiting a Museum: The Unique, Unusual, Obscure and Historical 