Tag: Walking Manhattan

Day Three Hundred and Seventy-Nine Exploring The Met at ‘Met After Hours’                                                                        February 12th, 2026

Day Three Hundred and Seventy-Nine Exploring The Met at ‘Met After Hours’ February 12th, 2026

One of the things I love about being a member the Metropolitan Museum of Art is the private Member’s Night ‘Met After Hours’ they hold about four times a year. The museum is open after the closing hours and it is a night of wondering the museum galleries, great music and entertainment and wonderful tours and talks in the galleries. You really experience the museum at its best and it does shine.

The outside of The Met at night

https://www.metmuseum.org/

My review on TripAdvisor:

My ‘Met After Hours’ reviews on MywalkinManhattan.com:

https://mywalkinmanhattan.com/category/met-after-hours-event/

The lines move very quickly to get into the museum and with traffic getting into the City that night, I arrived about twenty minutes after opening and there were no crowds to face and I got right in. There’s always a sense of excitement on these nights.

The Grand Hall in the front of the museum decorated with Spring flowers

The beautiful Spring flowers lined all the urns around the Great Hall

The museum welcoming all the members of the museum at ‘The Met After Hours’

I started my walk around the galleries in the Greek Wing touring the main hallway. It still boggles my mind how old these statues are and I am looking at something almost two thousand years old.

The Greek Gallery wing

https://www.metmuseum.org/departments/greek-and-roman-art

(From the Metropolitan Museum of Art website):

The Museum’s collection of Greek and Roman art comprises more than thirty thousand works ranging in date from the Neolithic period (ca. 4500 BCE) to the time of the Roman emperor Constantine’s conversion to Christianity in 312 CE. It includes the art of many cultures and is among the most comprehensive in North America. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea, and Cyprus became increasingly Hellenized. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the art of prehistoric Greece (Helladic, Cycladic, and Minoan) and pre-Roman art of Italic peoples, notably the Etruscans (Metropolitan Museum of Art website).

One of the statues that stood out that evening

I spent some time admiring the statues and the craftsmanship of the works along the hallway. The only problem is that most of the Greek and Roman Galleries were closed for the evening so I headed off to the Renaissance Wing. I love the luxury objects in the collection of silver and gold and again their craftsmanship is still unrivaled today. To make these objects takes intensive work and talent.

The historic collection of luxury items

The time pieces of the Renaissance period

https://www.metmuseum.org/learn/educators/curriculum-resources/the-art-of-renaissance-europe

The timepieces show how advanced science had become and the importance of it in not just measurements but in beauty.

The lobby of the American Wing with the facade of what was a former bank and a Wall Street private mansion. I love the quiet elegance of this building and to think they moved it here piece by piece. The American Wing Cafe was open for the evening and the area was busy throughout the evening. It is nice to just sit and enjoy the views by the fountain. The artwork is beautiful.

https://www.metmuseum.org/departments/the-american-wing

(From the Metropolitan Museum of Art website):

Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded (Metropolitan Museum of Art website).

The evening then moved to the Egyptian Wing and the Temple of Dendur, where the entertainment and the cocktail bar was located.

The Temple of Dendur is the hub of activity on Members Nights

https://www.metmuseum.org/art/collection/search/547802

(From the Metropolitan Museum of Art website):

This small temple, built about 15 B.C., honored the goddess Isis and, beside her, Pedesi and Pihor, deified sons of a local Nubian ruler. On the outer walls between earth and sky are carved scenes of the king making offerings to deities who hold scepters and the ankh, the symbol of life. The figures are carved in sunk relief. In the brilliant Egyptian sunlight, shadows cast along the figures’ edges would have emphasized their outlines. Isis, Osiris, their son Horus, and the other deities are identified by their crowns and the inscriptions beside their figures (Metropolitan Museum of Art).

These scenes are repeated in two horizontal registers. The king is identified by his regalia and by his names, which appear close to his head in elongated oval shapes called cartouches; many of the cartouches simply read “pharaoh.” This king was actually Caesar Augustus of Rome, who, as ruler of Egypt, had himself depicted in the traditional regalia of the pharaoh. Augustus had many temples erected in Egyptian style, honoring Egyptian deities (Metropolitan Museum of Art). 

The area was packed with patrons enjoying music and talking by the bars. The crowds were so large at the beginning of the evening that I waited until after 9:00pm for the second performance of the group playing. So I headed into the section of the Egyptian Wing to look at the galleries that were open. I love walking around the Egyptian Wing of the Met. It is one of the most extensive collections outside of Egypt and the most fascinating Mummy exhibition.

Admiring one of the Mummy exhibits in the Egyptian Wing

https://www.metmuseum.org/departments/egyptian-art

(From the Metropolitan Museum of Art website):

The Department of Egyptian Art was established in 1906 to oversee the Museum’s already sizable collection of art from ancient Egypt. In the same year, the Museum’s Board of Trustees voted to establish an Egyptian Expedition to conduct archaeological excavations in Egypt. Between 1906 and 1935, The Met’s Egyptian Expedition worked at a number of important sites, including Lisht in the north and Thebes in the south, and the objects gifted to The Met by the Egyptian antiquities service form the core of our collection. Over the years, the Department of Egyptian Art has also been able to acquire, through purchase and bequest, several important private collections (Metropolitan Museum of Art website).

The ancient tablets outside of the Mummy Exhibition

The Egyptian artwork outside the Mummy Room

The tablets outside the Mummy Room

When the whole gallery is open, it is a treasure trove of objects and information from each Dynasty. I have been mind-boggled by these galleries since I first visited the museum in the third grade for a class field trip. I remember sketching artifacts for a class project and am still fascinated about how old some of these objects are and condition they are still in after thousands of years. It is my favorite part of the museum.

By 9:00pm, the entertainment was starting again, so I joined other members for a cocktail and enjoyed the music in the Temple of Dendur Gallery.

The Temple of Dendur fully lit for the evening before the start of the entertainment

The signature cocktail of the evening, the Starlight Spritz

Enjoying a Starlight Spritz while listening to the music

The bartenders can mix a drink

After a long week at work, it was nice to relax and enjoy the music. The music that night was performed by artist Jasim Perales and Friends, an Afro-Latin Jazz performance. The music was relaxing and soulful and the crowd had a wonderful time.

The start of the music again at 9:00pm

The trio performing

A clip from the entertainment that night

The Master of Ceremonies that night, Jasim Perales

https://www.instagram.com/jasimperales/?hl=en

All good things come to an end and it was time leave. The night was dark and the winter air was crisp creating the perfect Winter evening to set out into for the walk back to Port Authority. The Upper East is so beautiful at night.

The front of the Met that night

The artwork is always so impressive outside the Met

It was in the low 40’s that evening and the perfect night for a walk around the Upper East Side and Midtown. It still surprises me after all these years of walking around Manhattan how beautiful the City really is at night.

The beauty of Carnegie Hall in the evening

https://www.carnegiehall.org/

Passing the front of a quiet Carnegie Hall that evening

Looking up Fifth Avenue at night

Looking up Sixth Avenue and West 35th Street by Herald Square

The New York Public Library on Fifth Avenue at night

https://www.nypl.org/

It was another spectacular evening at the Metropolitan Museum of Art. Thank you to the Membership and Special Events Departments for hosting another wonderful evening.

Day Three Hundred and Sixty-Five Artist Party-Ruth Asawa-Member’s Night at the MoMA November 22nd, 2025

Day Three Hundred and Sixty-Five Artist Party-Ruth Asawa-Member’s Night at the MoMA November 22nd, 2025

The front of the Museum of Modern Art on 11West 53rd Street

https://www.moma.org/

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d105126-r1040038069-The_Museum_of_Modern_Art_MoMA-New_York_City_New_York.html?m=19905

There is always a lot of excitement when a new art exhibition is ready to open. It is even better when the museum opens it to its members first before the public gets a glimpse. It gives a chance to see the exhibitions before it opens to the public.

The long line of MoMA members waiting to get into the museum for the opening night of Artist Ruth Asawa’s exhibition

I noticed this year especially and right before Thanksgiving, all the museums are throwing open their doors for Member’s Nights. I have been invited to five Members Nights at museums all over the City. You can’t attend them all.

The excitement the museum creates for these evenings

Video of entering the museum at the start of the opening with 80’s Japanese Pop Music

I think in an economy like this, these Members Nights are one of the best ways to engage with the membership for both donations and renewals of memberships especially before the holiday season. Plus it gives the members a wonderful night out to see the exhibitions ahead of time and enjoy the evening after a long week at work.

The opening of the Ruth Asawa Retrospect

Artist Ruth Asawa

https://en.wikipedia.org/wiki/Ruth_Asawa

The biography of the artist and her works

https://www.moma.org/artists/21-ruth-asawa

Biography of Artist Ruth Asawa:

(from the Museum of Modern Art website)

Born on a farm in Southern California, Asawa began her arts education when she was a teenager and she and her family were among the thousands of persons of Japanese descent who were forcibly incarcerated by the US government during World War II. It was at the internment camp that Asawa began taking classes in painting and drawing. After her release, Asawa studied to be a teacher but was unable to get a license because of her Japanese heritage, so she enrolled at Black Mountain College, an experimental art school in North Carolina. Asawa took classes from and worked alongside fellow artists Josef AlbersRobert RauschenbergMerce Cunningham, and R. Buckminster Fuller. Black Mountain was also where she met her husband, the architect Albert Lanier.

I loved her wire woven sculptures.

The wire woven sculptures were the standouts of the exhibition

I thought these were a unique design

I liked here colorful paintings, these are of her child’s footprints. I loved the idea that her children were involved with the art

The patrons enjoying the art

The display of the wire art

The displays were impressive and graceful

The colorful faces looked tired

The look of nature in the wire art in the form of trees

I loved her works of food

At the end of the exhibition and the evening, I joined everyone on the main floor where the bar and gift shop were located. The main floor was the busiest part of the museum. I wondered if some of these people even went upstairs to see the exhibition or just stayed downstairs to socialize.

The main floor of the museum is always packed with people

Share in the excitement of the Membership opening

These evenings always get my mind off the stress of life. It is nice to just be in Midtown Manhattan and be in the moment. It is nice to see art, hear music and walk through the museum.

Poster House                                                         119 West 23rd Street                                          New York, NY 10011

Poster House 119 West 23rd Street New York, NY 10011

Poster House

119 West 23rd Street

New York, NY 10011

(917) 722-2439

https://www.facebook.com/posterhousenyc/

Open: Sunday 10:00am-6:00pm/Monday-Wednesday Closed/ Thursday-Saturday 10:00am-6:00pm

Admission: Adults $12.00/Children Over 18/People with Disabilities/Students & Educators/Veterans $8.00. Children under 18 and Members are free (please check website for changes)

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d17794247-Reviews-Poster_House-New_York_City_New_York.html

The Poster House Museum at 119 West 23rd Street.

The Poster House is a little gem of a museum that I must have passed many times and never knew it was a museum. I had never heard of this museum before. The Poster House is dedicated to the history and art of posters and how they impact our lives as a way of communication. I got a chance to see the whole museum in about two hours.

The first exhibition on the first floor of the museum was “Utopian Avant-Guard: Soviet Film Posters of the 1920’s”, a retrospect on the film industry during the Silent Era. It was a time with the fall of the Czar and the coming of Communism where artists tried to shape the new face of Communism before the rigidity of the party controlled the whole film industry from the end of Silents until the Fall of Communism in the early 1990’s.

“The Utopian Avant-Guard: Soviet Film Posters of the 1920’s” exhibition

During the early years of the Communism, the country was going through radical changes that were not facing the rigid standards of the future Communist Party. Artists and film makers were getting their creativity from the West from countries in Europe and the United States. The creative class got to experiment with film and adapted what they saw to their own markets. This did not last long as Communism took hold and then started to control the content that was shown in the country. This continued from the Silent Era until the mid 1990’s when Communism fell.

Movie Poster from the 1920’s: ‘Six Girls Seeking Shelter’ from 1928

There were two interesting exhibitions on the lower level on artist and poster maker Ethel Reed. The exhibition was a collection of her work for magazines, books and film. She handled all sorts of mediums and was prominent for many years in the industry until her work fell out of fashion and her behavior became erratic with addiction.

“Ethel Reed: I am my own Woman”

The last exhibition that I toured was “Experimental Marriage: Women in Early Hollywood”, women whose role in in the film industry included writers, directors and producers. It showed how the influential women were in the industry before it became corporate. It also showed how actors had a lot of say in their films and the themes of the films were more female based. As things got concentrated in California and became more unionized, it became more of ‘Good Old Boys’ network as the industry became more streamlined.

“Experimental Marriage: Women in Early Hollywood” exhibition

What I liked about the museum is that it showed the politics from all angles and explained its progression and future in these industries.

The museum also has a nice gift shop and bookstore and a small restaurant, Café des Affiches.

History & Mission of the Poster House:

(From the Museum website)

The Poster House is dedicated to presenting the impact, culture and design of posters, both as historical documents and contemporary visual communication.

Through temporary exhibitions, a growing permanent collection and educational events, Poster House explores the enormous impact of posters on society and culture and how they have been adapted to contemporary use. As the first poster museum in the United States, The Poster House provides a space for inquiry for all those interested in design, advertising and public interventions with an aim to improve design literacy among the general public.

Posters explore:

*Mass communication and persuasion

*the intersection of art and commerce

*control of the public domain

Poster House was founded in 2015 with an eye towards filling a long-acknowledged gap in the New York cultural landscape for accessible art and design. After several years of planning and construction, Poster House opened its doors on June 20th, 2019.

Poster House is proud to receive support from the New York State Council of the Arts. Poster House is an affiliate member of the International Vintage Poster Dealers Association.

Titanic Memorial Lighthouse                            Pearl Street/South Street Seaport                     New York, NY 10038

Titanic Memorial Lighthouse Pearl Street/South Street Seaport New York, NY 10038

Titanic Memorial Lighthouse

Pearl Street/South Street Seaport

New York, NY 10038

(212) 830-7700

https://www.lighthousefriends.com/light.asp?ID=585

https://en.wikipedia.org/wiki/Titanic_Memorial_(New_York_City)

Open: Sunday-Saturday 24 Hours

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d7738946-Reviews-Titanic_Memorial_Park-New_York_City_New_York.html

The Titanic Memorial Lighthouse

I have been to the South Street Seaport dozens of times over the years and can’t believe that I never noticed this memorial dedicated to those lost in the Titanic disaster. I was visiting the Seaport recently after finishing another walk down the length of Broadway for my blog, “MywalkinManhattan.com” and was walking past the Seaport on my way to Chinatown. Something about it this time caught my attention and I stopped to look at the dedication of this small lighthouse.

It was really touching to see that the people from the 1912 disaster were not forgotten in New York City, its ultimate destination. This was the work of Molly Brown, the ‘Unsinkable Molly Brown’ from the movie. She wanted to be sure that the people who survived were never forgotten. The small lighthouse structure sits at the entrance to the main part of the seaport on an island just off the cobblestone walkway into the complex.

The Memorial plaque on the lighthouse

The tower that it was originally placed a top of the Seamen’s Church Institute Building and it was put up for sale and demolished in 1965 and the small lighthouse memorial was donated to the South Street Seaport Museum. It was placed in its current location in 1976 (Friends of the Lighthouse).

The little lighthouse is a touching reminder of Manhattan’s connection to the event over 100 years ago. Try not to miss it when you are visiting the Seaport.

The history of the Titanic Memorial Lighthouse:

(This is from the Friends of the Titanic Memorial Lighthouse website)

On April 15th, 1913, one year after the sinking of the Titanic, the Titanic Memorial Lighthouse and Time Ball, mounted atop the Seamen’s Church Institute, were dedicated to honor the passengers, officers and crew who perished in the tragedy. The dedicatory service opened with a hymn and prayer and then Rt. Rev. David h Greer, Bishop of New York, read the following lines of dedication:

“To the glory of Almighty God and in loving memory of those passengers, officers and crew who lost their lives in the foundering of the steamship, Titanic, on April 15, 1912, I, David Hummell Greer, Bishop of New York and president of the Seamen’s Church Institute of New York, do solemnly dedicate the Titanic Memorial Lighthouse Tower. As its light by night shall guide pilgrims and seafaring men from every clime into this port, so may they follow Him who is the Light of Life across the waves of this troublesome world to everlasting life and looking at noon toward this place to note the time of day, may they remember that our days pass as the swift ships and in view of the shortness and uncertainty of human life, strive to fulfill their duty well as the beat preparation for Eternity. Amen.”

The Titanic Memorial Lighthouse exhibited a fixed green light that could be seen throughout New York harbor and down as far as Sandy Hook. Five minutes before noon each day, a time ball would be hoisted to the top of a steel rod mounted atop the lighthouse and dropped at the stroke of twelve as indicated over the wires from Washington DC. According to The Lookout, the magazine of the Seamen’s Church Institute, the Titanic Memorial Lighthouse would be a much needed daily reminder for ‘in a busy, carless city the average person so soon forgets’.

The Seamen’s Church Institute was established in 1834 and had announced plans for its new twelve story headquarters at South Street and Coenties Slip in Lower Manhattan several years before the loss of the Titanic. The Flemish style building was meant to reflect new York’s Dutch origins and was to be crowned by a tower whose beacon would welcome incoming seamen. The cornerstone for the building was laid one day after the sinking of the Titanic and a week later the institute announced the lighthouse atop their building would be a memorial to the victims of the tragedy.