Tag: Walk Around Manhattan

Charging Bull                                                 Bowling Green Park                                            New York, NY 10004

Charging Bull Bowling Green Park New York, NY 10004

Charging Bull

Bowling Green Park

New York City, NY  10004

http://www.chargingbull.com/

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60763-d1605557-Reviews-Charging_Bull_Wall_Street_Bull-New_York_City_New_York.html?m=19905

When you are in lower Manhattan and are visiting the Battery Park and/or Wall Street area don’t miss the Charging Bull statue by artist Arturo Di Modica. The artist created this piece of ‘guerrilla’ art after the Crash of 1987, when we were about to enter the depths of another major recession, one that went from the end of 1987 until the summer of 1995.

This interesting piece of New York history is actually a recent addition to the street art of New York City. The statue was created and cast in 1987 following the Crash and made its first appearance outside the New York Stock Exchange on December 15, 1989.

The bull according to the artist, “represents the symbol of the strength and power of the American people’ following the Crash. It has taken on many meanings since such as the power of Wall Street and the progressiveness of money and power in the Financial industry.

During the high tourist season expect to see the statue surrounded by tourist taking pictures in all directions. The statue of ‘Charging Bull’ is now paired with ‘Fearless Girl’ by artist Kristen Visbal. Some have commented that it has changed the meaning of the statue but I think it is how you interpret both works. Its best to visit and make your own opinion.

Fearless Girl Statue II

The ‘Charging Bull’ with ‘Fearless Girl’

While you are visiting the statue, take time to visit this historic section of Manhattan and visit the other sites that include Bowling Green Park, the Museum of the Native Americans, Frances Tavern and Stone Street as well as the boats to Governor’s, Ellis and Liberty Islands. It is a wonderful way to spend the afternoon.

Please refer to my blog, ‘MywalkinManhattan.com’- “Day One Hundred and Thirteen Tour of Historic Pubs and Bars in Lower Manhattan with the Cornell Club” for a full list of things to see in this section of the City.

History of Charging Bull:

Construction and installation:

The Bull by Bowling Green Park in the early morning hours.

The bull was cast by the Bedi-Makky Art Foundry in Greenpoint, Brooklyn. Di Modica spent around $360,000 to create, cast and install the sculpture following the 1987 stock market crash as a symbol of the ‘strength and power of the American people’. The sculpture was Di Modica’s idea and in an act of ‘guerrilla art’, Bedi Makky Art Foundry and Di Modica trucked it to Lower Manhattan. On December 15, 1989, they installed it beneath a 60 foot (18m) Christmas tree in the middle of Broad Street in front of the New York Stock Exchange as a Christmas gift to New Yorkers. That day, hundreds of onlookers stopped to admire and analyze it as Di Modica handed out copies of a flier about his artwork (Wiki).

NYSE officials called the police later that day and the NYPD seized the sculpture and placed it into a impound lot. The ensuing public outcry led the New York City Department of Parks & Recreation to reinstall it two blocks south of the Exchange in the Bowling Green, with a ceremony on December 21, 1989. It faces up Broadway at Whitehall Street (Wiki).

Confusion over ownership:

The sculpture technically has a temporary permit allowing it to stand on city property since the city does not own the sculpture but the temporary permission has lasted since 1989, when city officials said the new location would not be permanent. Art on loan is usually limited to a year’s display and although the city does not buy art, it does accept donations. A writer in the New York Daily News wrote in 1998 that the statue’s placement was ‘beginning to look a mite permanent.’ According to an article in Art Monthly, Di Modica as well as officials and New Yorkers, ‘view it as a permanent feature of Lower Manhattan (Wiki).

In 2004, Di Modica announced that the bull sculpture was for sale, on condition the buyer does not move it from its present location. Di Modica continues to own the artistic copyright to the statue. In 2006, Di Modica sued Walmart and other companies for illegally benefiting from his copyright, by selling replicas of the bull and using it in advertising campaigns. In 2009, Di Modica sued Random House for using a photo of the bull on the cover of a book discussing the collapse of financial services firm Lehman Brothers (Wiki).

Artist Arturo Di Modica:

Arturo Di Modica artist

Artist Arturo Di Modica

http://www.artnet.com/artists/arturo-di-modica/

Arturo Di Modica first conceived of the Charging Bull as a way to celebrate the can-do spirit of America and especially New York, where people from all over the world come regardless of their origin or circumstances and through determination and hard work overcome every obstacle to become successful. It’s this symbol of virility and courage that Arturo saw as the perfect antidote to the Wall Street Crash of 1987.

The artist was born in Vittoria, Italy in 1941 and studied at the Academia Del Nudo Libra in Florence, Italy in 1960. In 1973, he relocated to New York City to a Lower Manhattan space. ‘Charging Bull’ is his most famous piece (Artnet).

 

Gallery of New York School of Interior Design:   NYSID Gallery                                                        170 East 70th Street                                                             New York, NY 10021

Gallery of New York School of Interior Design: NYSID Gallery 170 East 70th Street New York, NY 10021

Gallery of the New York School of Design; NYSID Gallery

170 East 70th Street

New York, NY 10021

(212) 472-1500

https://www.nysid.edu/exhibitions

https://www.nysid.edu/

Hours: Tuesday-Saturday: 11:00am-6:00pm/Closed on Sunday and Monday

Admission: Free

My review on TripAdvisor:

 New York School of Interior Design at 170 East 70th Street

I came across the Gallery of the New York School of design when walking the Upper East Side for my project, ‘MywalkinManhattan.com’ when covering the lower part of the Upper East Side.

The entrance to the Gallery

The New York School of Interior Design was displaying their Senior projects as most the college galleries I visited were doing at this time (this takes place between May and June around graduation time). It was interesting to see how the seniors at the college reused space in old buildings for new purposes. The seniors use their creativity to recreate these spaces. It is the student’s project to take a space and redesign it for a new purpose.

The entrance sign to the gallery

We had done similar projects in college but did not have the computer technology that students do today and they really went above and beyond the things we did back then. You can take this project into 3-D if you want and how real it looks. These kids are so talented that their creativity reminds me of us when we were in school. If only we had what they have today.

The Student Projects line the walls

Take time to look at the detail work and space design of each project. Some of the students even include samples of fabrics and stone/wood work that will be used for the surfaces.

The Gallery is located on the Upper East Side in the back of the school’s building on the first floor. The admission is free and the Gallery is open when the school is open. There are only two shows a year. You just have to show your ID to get into the galleries.

The student project along the walls

The student project along the walls

What I like about the museum is that you get to see the student creativity and how they imagine the space will be designed. The use of color and shape play a roll in all the designs. It looks like the students get to choose their own space to design.

The best part is the you get to go in for free with you ID and just enjoy the show and see the students creativity.

History of the Gallery/Museum at the College:

The New York School of Design’s gallery presents two public exhibits yearly on design and architecture. Exhibitions have included ‘Paris in the Belle Epoque’, rare photographs from the years 1880-1914; Perspective on Perspective, an exploration of artistic technique; ‘The Great Age of Fairs; London, Chicago, Paris, St. Louis’, selective coverage from the first World’s Fair in 1851 to the last in 1904; ‘Venice’s Great Canal’, architectural drawings of the buildings along the famous thoroughfare; ‘Stanford White’s New York’, a survey of that classicist’s many metropolitan buildings and ‘Vanishing Irish Country Houses’, a look into the preservation crisis facing these not infrequently grand structures.

The gallery’s Thursday-evening lectures have included ‘Palladio’s Villas’; ‘Beaux-Arts New York’ and a survey of the Grands Projects undertaken in Paris during the tenure of French President Francois Mitterrand.

(New York School of Interior Design Website)

The Hewitt Gallery of Art                       Department of Art & Art History/                        Marymount College Manhattan                                221 East 71st Street                                            New York, NY 10021

The Hewitt Gallery of Art Department of Art & Art History/ Marymount College Manhattan 221 East 71st Street New York, NY 10021

The Hewitt Galley of Art

Department of Art & Art History

Marymount College Manhattan

221 East 71st Street

New York, NY 10021

(212) 517-0400

http://www.mmm.edu/departments/art/the-hewitt-gallery-of-art.php

Admission: Free

Hours: Open when the building is open

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d32972661-r994090482-The_Hewitt_Gallery_of_Art-New_York_City_New_York.html?m=19905

The entrance to Marymount College’s Carson Hall where the gallery is located.

I came across The Hewitt Gallery of Art when I was exploring the Upper East Side for my project, ‘MywalkinManhattan.com’ and found myself walking into the Department of Art & Art History on the Marymount Manhattan College campus.

The Hewitt Gallery on the Marymount Campus

The Hewitt Art Gallery:

The Hewitt Gallery of Art

In conjunction with the exhibitions, gallery receptions give students the opportunity to engage with professional artists, critics, collectors and curators. Many of the exhibiting artists are also guest presenters in our Art and Art History classes.

This small but unique gallery was showing the Senior Class’s Thesis Show where several members of the Senior Class were showing their final projects in the three hallways of the gallery. The students did a good job mounting their works and each was different in their own way, some pictures, some video, some painting. You got to walk through the first floor to admire the work and the best part was that the gallery was free.

The main gallery on the first floor

The student artwork in the back gallery

The Hewitt Gallery of Art, comprised of the Esplanade and the adjacent Black and White Galleries in Nugent Hall and Carson Hall, offers the Marymount Manhattan community exposure to professional artists and to the larger art world.

The Gallery is known in the New York art community as an alternative exhibition space showcasing contemporary art of emerging and mid-career artists. Innovative and challenging works of art reflecting a wide range of concerns and styles are presented in changing thematic exhibitions. Recent professional exhibitions have been ‘Altered States’, ‘Art & Politics: See it Now!’, ‘The Selfie & Others’, ‘Self-similarity in Math’, Nature and Art’ and ‘The Mind’s Eye: Sight & Insight’. The current exhibition that I visited in 2025 was “Echoing Identities” Light & Form”.

The Black and White Galleries

The Echoing Identities: Light & Sound exhibition

When I visited the Gallery in 2025, the Graduate students were exhibiting their Senior project and the show was entitled ‘Echoing Identities: Light & Form’. Each student explored their work with their own original pieces.

The entrance of the Gallery to the ‘Echoing Identities

The exhibition had many different mediums from cloth and textiles to sculpture and print. There was also a mixture of video and printed media.

The Mexican inspired works

The sign for Gray Laxton’s work

The works by artist Gray Laxton

The sign for artist Alyssa Rodriguez

The piece by artist Alyssa Rodriguez

The sign for Alice Linkh’s work and my favorite in the show ‘Alice and Compony’ based on a story that she created and a book her grandmother created for her based on the story she told her after a dream she had. I loved both the book and the art that was related to it.

The original artwork for ‘Alice and Company’:

The book Alice Linkh’s grandmother created

The book and artwork for ‘Alice and Company

I thought it was a cute story of a little girl who worked with animals to repair the moon when it was damaged. I thought it was a clever children’s dream that made an interesting story.

The room off to the side of the Gallery, the Black and White Gallery offers more contemporary works of the students.

The Black and White Gallery

The works of some of the graduating students

The sign for ‘Finding the Sun’ by artist Ethan Foley

The work ‘Finding the Sun’

One of the clothing art sculpture

The students did a great job on their final projects. Each student gave their perspective in a very original way.

History of the Museum:

The Hewitt Gallery of Art is a laboratory for and an extension of the pedagogy of the Art Department programs.

The Hewitt Gallery provides opportunities for art majors to gain first-hand experience in exhibiting their Senior Thesis projects, as well as having solo exhibitions in their spring semester. Juniors also exhibit in an annual group exhibition and students are able to curate and organize shows in conjunction with their mentors and the Gallery Director.

Americas Society Museum                                   680 Park Avenue                                                 New York, NY 10021

Americas Society Museum 680 Park Avenue New York, NY 10021

Americas Society Museum

680 Park Avenue

New York, NY 10021

(212)628-3200

https://www.as-coa.org/visual-arts/arts_americas_circle

https://www.as-coa.org/arts-culture-americas-society

Open: Wednesday-Saturday: 12:00pm-6:00pm/Closed Sunday-Tuesday
Varies with exhibitions

Admission: Free

http://www.as-coa.org/visual arts

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d548518-Reviews-Americas_Society-New_York_City_New_York.html

 The Americas Society Museum at 680 Park Avenue

I came across the Americas Society Museum when walking on Park Avenue on the Upper East Side for my walking project, “MywalkinManhattan.com”. I noticed the sign for the exhibition, “The Metropolis in Latin America 1830-1930”. The exhibition was on the transformation of cities in Latin America from their traditional path starting with Spanish colonization to a more European layout that was developed between the Revolutionary and Civil Wars with the ‘Gilded Age’ thrown in as the third generation of settlers became long time citizens and became more wealthy.

They wanted to live like they were still in Europe. It showed how the cities developed over time with planning and then with extended, unintended growth that lead to the outlaying slums. Very interesting exhibition (now closed).

Americas Society Museum II

A exhibition at the Americas Society Museum

In the summer of 2024, the museum had an interesting exhibition on artist Alejandra Seeber. Her colorful interactive works had some of the patrons playing golf inside of the galleries. I thought her work was vibrant and exciting. She draws you in with the bright invigorating colors and on the floor pieces of carpet whose colors lead your golf balls from hole to hole as you travel the exhibition.

The museum press release on the Alejandra Seeber exhibition:

The description of the show:

(from the museum’s website):

Americas Society presents the first solo exhibition and career survey of the Argentine artist Alejandra Seeber in New York, starting June 5. Seeber (b. 1969, Buenos Aires, Argentina) is a painter who centers representations of various spaces to explore the tension between representation and abstraction in painting. Seeber utilizes bold color and gesture to examine liminal spaces within built and domestic environments. Later work veers further into abstraction, implementing visual devices like Rorschach drawings or knit grids to structure the composition. 

My favorite painting in the show by Alejandra Seeber “La Bourgeoisie”

The sign of the painting

The exhibition  pairs these paintings with Seeber’s contemporary explorations of the built landscape with an installation. This survey of her work is organized around a playable golf course installed inside the gallery space in which visitors will be invited to play golf as they walk through the show. The golf obstacles become active sculptures in the exhibition, creating porous boundaries between artwork and audience. This playful environment manifests the explorations of edges, doorways, windows, and borders in the artist’s painting. As they play, visitors will be able to trace Seeber’s artistic trajectory and see how her interventions in the form and practice of painting continue to this day. 

The vibrance of the art with its colorful details

The interactive art in the gallery

The art golf course

History:

The Americas Society is an organization dedicated to education, debate and dialogue on the Americas and is located at 680 Park Avenue on the Upper East Side of Manhattan. The Americas Society was established by David Rockefeller in 1965. The Americas Society promotes the understanding of the economic, political and social issues confronting Latin America, the Caribbean and Canada; its mission is “to increase public awareness and appreciation of the diverse cultural heritage of the Americas and the importance of the inter-American relationship.

The buildings historical past as the Percy Rivington Pyne House

https://en.wikipedia.org/wiki/Percy_Rivington_Pyne_I

The Americas Society Building is listed in the National Register of Historic Places. The building was previously the Percy Rivington Pyne House before serving as the Soviet Mission to the United Nations until its current usage. along with the neighboring buildings of the Queen Sofia Spanish Institute and the Italian Consulate General, the house constitutes one of the few remaining unified architectural ensembles on Park Avenue. The Center for Inter-American Relations was later to be absorbed into Americas Society 1985.

Activities:

The Americas Society organizes interviews, speeches, podcasts, exhibitions, readings and musical performances at its headquarters and reports on Congressional updates and local events. Many events are held at the Salon Simon Bolivar, an expansive room in the building’s Neo-Federal style with wide windows, a 15 foot ceiling and wood-paneled and silk fabric walls.

Americas Society Museum III

An Exhibition at the museum:

The Americas Society produces the MetLife Music of the Americas (concert series) to showcase the diversity of styles and genres of music in the Americas. The concert series is held at the Society’s headquarters.

The Americas Society, together with Council of the Americas, produces the publication ‘Americas Quarterly’, a policy journal for the Western Hemisphere. The Americas Society also publishes ‘Review Magazine’, which was first founded in 1968. ‘Review Magazine’ is an English language journal for literature from Latin America, the Caribbean and Canada. ‘Review Magazine’ also helped support the first English translation of “One Hundred Years of Solitude” by Gabriel Garcia Marquez as well as other translations.

The Americas Society has also organized working groups on the topics of women’s empowerment and leadership. Cuba, energy policy, immigration, trade facilitation and Venezuela.

Americas Society Museum

Council of the Americas (COA)

Is the premier international business organization whose members share a common commitment to economic and social development, open markets, the rule of law and democracy throughout the Western Hemisphere. The Council’s membership consists of leading international companies representing a broad spectrum of sectors, including banking and finance, consulting services, consumer products, energy and mining, manufacturing, media, technology and transportation.

(This information was taken directly from Wiki and Americas Society publications)