I visited The Frick Collection for the first time when I was walking the Upper East Side for my project, “MywalkinManhattan” Day One Hundred and Twelve-Walking the Upper East Side”. In all the years I had been coming into Manhattan I had never been inside. So I stopped for the afternoon to see what it was like inside the old Frick Mansion.
When you first walk into the museum, in the inside of the main foyer of the house there is fountain with a large indoor pool with benches, the perfect place to relax after the long walk outside. All around the pool are various doors and windows that lead to the rooms that house the collection.
The Fountain area
All around the house you will see famous Old Master’s paintings, statuary and porcelain figurines. While I was visiting there, I stopped in to see the new exhibition “George Washington Statuary Collection”.
The “George Washington” exhibition showed the creation of the statue for the Virginia State Capital that was destroyed by fire in the last century. All of the models and drawings were accompanying the display to see how the work was created.
After that, I just walked through the galleries to see all the paintings and sit by the fountain in the middle of the old house. Each of the rooms houses each part of the Mr. Frick’s Collection plus new pieces that continue to be added.
The inside galleries
Before you leave, remember to check out their gift shop which has interesting items for sale and copies of the art in various forms to take home. Also on a nice day take time to walk around the gardens. For a mansion on Fifth Avenue, it is cared for beautifully and is well cared for just as the Frick’s would have done.
History of The Frick Collection:
The Frick Collection is house in the former residence of Henry Clay Frick (1849-1919), which was designed by Thomas Hastings and constructed in 1913-14. After Mrs. Frick’s death in 1931, changes and additions to the building were by the architect John Russell Pope and in 1935 the Collection was opened to the public.
The Collection preserves the ambiance of Mr. Frick’s private house and visitors are therefore asked to observe regulations necessary for protecting the works of art and their domestic setting:
*Because few ropes or cases are used to guard fragile objects, children under ten are not admitted to the Collection.
Inside the Frick Collection
*Group visits are by appointment only and large groups must be divided into parties of no more than ten. Lecturing in the galleries is prohibited.
*Free checking is provided in the coat room. Coats (if not worn), packages, umbrellas and large handbags must be checked.
The Collection includes some of the best known paintings by the greatest European artists, major works of sculpture (among them one of the finest groups of small bronzes in the world), superb eighteenth-century French furniture and porcelains, Limoges enamels, Oriental rugs and other works of remarkable quality.
Inside the Frick Collection
Disclaimer: This information was taken directly from The Frick Collection Museum pamphlet and I give the museum full credit for this information. Please check out times and dates before you visit.
Admission: $5.00 for Adults/$3.00 for Seniors & Students/Children under 12 are free/General Admission is free on Wednesdays. Guided and group tours are available.
The entrance of the Van Cortlandt House decorated for the Revolutionary era Christmas
I visited the Van Cortlandt House Museum for the their Annual Christmas Decorated House event. The mansion was decorated for Christmas in the 1700’s so it was not overdone as it would during the Victorian times. The front of the house entrance was done with sprays of holly, mistletoe above the door and garlands of pine around the banister and fireplaces. The windows had candles in them and the dining room was set for Christmas luncheon in post-Revolutionary War era.
Van Cortlandt House for Christmas is Post-Revolutionary War in 2019
The entrance hall welcomes you to a Revolutionary era holiday season
While most of the house is represented during the Dutch era with floors with no rugs, vintage furniture and decorations and the second and third floors are set for family entertainment. The first floor is set for entertaining for the holidays with the formal dining room, family parlor and the formal living room for games and dancing. The formal dining room was the only room decorated post-Revolutionary War era.
Van Cortlandt Mansion at Christmas 1800’s
The current entrance to the house from the back of the building
Until the Victorian era, Christmas was a more religious affair with church service in the morning and luncheon in the afternoon. Things were formal and less elaborate. The acts of gift giving, sleigh rides, tree decorating and card giving came during the affluence of Queen Victoria’s reign in the post Civil-War era. This is the reason why the house is decorated so simply and elegantly.
Dining Room set for Christmas lunch circa 1780’s
In 2019, the site celebrated the holidays with a Sinterklaas, a Dutch Christmas celebration, a candlelight tour and a reading from Santa Claus. Please check their website for more information on future events. The house was closed for most of the COVID years and nothing had been planned. The house was open in December of 2022 for touring again for the holidays but was not decorated as much as in the past.
In 2022, when the house reopened after a long period of COVID, the self-guided tours were back and you could tour the house at your own pace ($5.00 donation) and tour the three floors of furnished rooms. You can see how the family lived from the three generations that lived in the residence.
The tour starts at the front hallway where guests would be received for formal affairs and for business meetings with the head of the household.
You would be greeted by servants at the entrance of the home
On either side of the front hallway is the East and West Parlors where you would be directed where the family would receive you. The West Parlor would have been used for business calls and more informal meetings when meeting with the Van Cortlandt family. The family’s wealth would be on display with fine furniture, china and bric-a-brac that would show off the family’s merchant roots and business.
The West Parlor
The West Parlor decorated for Christmas
The East Parlor on the other side of the entranceway would have been used for more formal affairs. The East Parlor is where the family would formally entertain guests with dancing, music and card playing. This is where long evenings of entertaining would take place and the family would enjoy their holiday celebrations.
The East Parlor
The East Parlor decorated for the Christmas holidays
The Dining Room was toward the back of the hallway and was decorated in the Empire Design of the late 1700’s to early 1800’s. The look is very similar to styles used today and the wallpaper is a copy from one of the styles used by the family that was imported in from France. The table was set for Christmas luncheon circa the late 1780’s.
The Dining Room
The Dining Room at the Van Cortlandt House
There are two sets of stairs to the second level of the house where the family bedrooms were located. There was the formal stairs and then there was the stairs that the servants used to go from floor to floor so that they would not be seen.
The steps upstairs to the second floor
On the second floor of the home are the bed chambers of the family. The main bedrooms for the family were located here and then the nursery and servants quarters were located on the Third floor of the home.
The West Chamber:
The bedroom
The ‘Washington Bedroom’ in the Van Cortlandt House
The East Chamber Bedroom:
The Bedroom:
The Landing of the stairs to the third floor lead to the Nursery, an additional guest room and the enslaved servants quarters. These were kept out of site from the other members of the household. It is a reminder of the pecking order of the household and the conditions that people lived under at this time.
The Second Floor Landing leads to the nursery and servants quarters
The Dutch Chamber was formerly a guest room that is used to show life in early Colonial New York City:
The Dutch Chamber:
The Dutch Chamber shows early life in Colonial America
The Second Floor Setup:
The Nursery:
The nursery set up room:
The servants quarters were to the back of the house and were not the most glamorous place to live in the house. There were drafty and not insulated. The amount of time a servant would be here would have been minimal.
The servants quarters:
The servants quarters:
History of the Van Cortlandt’s:
The Van Cortlandt House Museum, also known as Fredrick Van Cortlandt House or Van Cortlandt House, is the oldest surviving building in New York City’s borough of The Bronx. The Georgian style house, begun in 1748, was build of fieldstone by Fredrick Van Cortlandt (1699-1749) on the plantation that had been owned and farmed by his family since 1691. Fredrick intended the house to be a home for him and his wife, Francis Jay and daughters, Anna Maria, 14 and Eve, 13. His sons, Augustus, 21 and Fredrick, 19, were not intended to be permanent residents of the house.
Sadly, Fredrick died before the new house was completed. In his will written in 1759, Fredrick left the house to his son, James Van Cortlandt (1726-1781) and a lifetime tenancy to his widow, Francis Jay Van Cortlandt (1701-1780).
The Van Cortlandt House gardens in the Summer
The Van Cortlandt’s were a mercantile family prominent in New York affairs. Fredrick’s father, Jacobus, established a thriving wheat growing and processing business on the plantation including a grist mill for processing the wheat into flour and a fleet of shallow draft boats to carry the flour from the south end his lake down Tibbet’s Brook and out to the Harlem and Hudson Rivers to market. During the Revolutionary War, the house was used by Rochambeau, Lafayette and Washington.
(From History of Van Cortlandt House and Museum)
In 1887, after 140 years of occupancy by the Van Cortlandt family and the community of plantation workers, the property was sold to the City of New York and made a public parkland. Before the house became a museum, it saw a variety of uses including as a temporary police precinct house and as a dormitory for ranch hands responsible for taking care of a herd of buffalo.
Van Cortlandt House historic marker
By 1895, The National Society of Colonial Dames in the State of New York expressed their interest in restoring the house as a museum open to the public. There was only one obstacle keeping the Colonial Dames from this important project, there was no provision in the New York State Law allowing the stewardship of a publicly owned building by a private organization. Undaunted, the first Society President, Mrs. Townsend, took the Society’s cause to Albany where on May 22, 1896 in the 199th session of the New York Legislature, Chapter 837 was approved by the governor and passed by a 3/5 majority to become law.
The Van Cortlandt House dollhouse
After nearly a year if repairs and restoration, Van Cortlandt House Museum was opened to great fanfare on May 25th of 1897. The original license agreement grained custody of the house to the National Society of Colonial Dames in the State of New York for a period of 25 years at a ‘peppercorn’ rent of $1.00 per year. Although the Society no longer pays the city rent, they remain, to this day as dedicated to Van Cortlandt House as they were in 1896.
Van Cortlandt Park in the Summer Months
In 1967, Van Cortlandt House was added to the National Register of Historic Places and was designated a National Historic Landmark in 1967. The house was declared a New York City Landmark on March 15, 1966, recognizing the historic and architectural importance of both the exterior and interior.
(From the Van Cortlandt House Museum NSCDNY)
The Van Cortlandt House gardens during the winter of 2022
The Mount Vernon Hotel Museum at 421 East 61st Street
Mount Vernon historical sign
I had come across the Mount Vernon Hotel Museum when I was walking East 61st Street and went to take the tour of the building ($8.00). It is a one hour (or more as I there for almost two hours but I was by myself) tour of both floors. The upstairs is the sleeping rooms, the ladies parlors where female guests would enjoy tea, games, music and reading. The main landing was for dancing and for gatherings.
The Ladies Palour at the Mount Vernon Museum
The main floor was the Men’s parlors where there is a bar and two rooms for male activities such as cards, gambling and reading. The main entrance was used as the dining room for dinner (our lunch), which was the biggest meal of the day served around 2:00pm.
Dinner time at the Mount Vernon Hotel Museum
The tour guide went over what would have been served, menu’s and meal times. Dinner would have been served at 2:00pm, tea time would have been around 4:00pm-6:00pm and Supper around 8:00pm. The tour of the kitchen show preparation of foods, recipe books and all kitchen equipment including the stoves and baking materials.
If you like the history of “Old New York” and like old homes, hotels and buildings, this is a very interesting tour that deals with the City’s growing middle-class and the new ‘leisure time’ that was coming with the changes in the work week. There are many pieces of period furniture all over the building that show the growth of affluence of the time.
Don’t miss the formal walled in garden in the back. It is a place of relaxation from the rest of the city. There are stone walk ways and landscaped gardens as well as an herb garden. The building is owned and maintained by the Colonial Dames of America.
The walled gardens
I revisited the museum for the holidays and the hotel was decked out in garland and holy based on the decor traditional for the Revolutionary War era Christmas. The archways and tables were lined with greenery and the tables were loaded with oranges plunged with cloves to give the homes at that time a rich citrus smell.
The downstairs dining table was set for a Christmas meal of wild turkey, mock turtle soup, and apple and pumpkin pies. This would have been served in the afternoon as the main meal while it was still light out.
Holiday goodies at the Mount Vernon Hotel Museum getting ready for the holidays
There had been a light snow while we were touring the hotel so when we visited the gardens, it really did have that Christmas feel to it with that light snow all over the pine and the bushes.
During the time of the Revolutionary War and afterwards, homes were not as elaborately decorated as they would have been during Victorian times after the Civil War. Homes were lined with greenery that would have given the home the fragrant smell of pine and strings of cranberries and popcorn would have been used to decorate mantles.
The hotel was getting ready for one of its many special events during the holidays so there was a lot of commotion going on downstairs.
It is a very festive looking place for the holidays so try to tour it when it is open in the month of December.
What is the Museum:
Constructed in 1799 as a carriage house and converted into a ‘day hotel’ in 1826, the Museum transports visitors back to Mount Vernon Hotel, a 19th Century country resort for New Yorkers escaping the crowded city below 14th Street.
Recognizing the building as one of the few remaining 18th century sites and the only surviving day hotel in New York City Historic Landmark in 1967, added to the National Register of Historic Places in 1973 and accredited by the American Association of Museums in 1983.
History of the House:
The Mount Vernon Hotel Museum & Garden presents the period of the Mount Vernon Hotel which operated from 1826 until 1833.
Constructed in 1799 as a carriage house for a 23 acre estate and converted into the Mount Vernon in 1826, this stone building sits on land originally owned by Colonel William Stephens Smith and his wife, Abigail Adams Smith, the daughter of John Adams.
This fashionable country resort was popular among New Yorkers who wished to escape the hustle among the bustle of the city, which at that time extended only as far north 14th Street. The Hotel advertised “free from the noise and dust of the public roads and fitted up and intended for only the most gent respectable” clientele. In those days, one could take the stagecoach or steamboat up to 61st Street spend the day at the hotel sipping lemonade in the ladies parlor or playing cards in the gentlemen’s.
In 1833, the house became the home for three generations of a New York City family. In 1905, as the area became more industrialized, the building was purchased by Standard Gas Light Company (today’s Con-Edison). The Colonial Dames of America, a woman’s patriotic society purchased the building in 1924 and did an extensive restoration to the structure, the Colonial Dames opened the site to the public in 1939. The building endures as a rare reminder of an important era in New York City’s history.
What the organization does:
*Welcome 5000 school children annually in grades-pre-K through high school for field trips.
*Summer History Weeks for children ages 6-12
*A Summer High School Internship for 15 students to support college readiness skills and career exploration.
*Two summer Hearst Fellowships for undergraduates or graduate students.
*40+public programs each year, including:
-monthly free Story time
-monthly Lunchtimes lectures
-holiday programs, garden concerts, hands on craft and cooking workshops.
*Temporary exhibitions on facets of life in early 19th century NYC, some promoting local contemporary artists.
*Special programs for individuals with Alzheimer’s and their caregivers.
*Outreach programs to schools, senior centers and homeless shelters.
*Themed group tours focused on 19th century food, decorative arts or literature.
*Three options for team building events.
*Two free admission days: Smithsonian Museum Day and Open House New York.
Programs are made possible in part by the support of the New York City Department of Cultural Affairs in partnership with the City Council and Council Member Ben Kallos, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the Manhattan Borough President Gale Brewer, the Institute of Museum and Library Services, the Rosenthal Foundation and the Michael Tuch Foundation.
(Mount Vernon Hotel Pamphlet)
The Colonial Dames of America:
With these words, spoken in April 1890, Maria Denning “May” Van Rensselaer imitated what was to become the oldest colonial lineage society for women in the United States. The Colonial Dames of America. Its mission is to preserve historic sites and objects, award scholarships, educate the public about American history, inspire patriotism and promote fellowship among its members.
I came across the Americas Society Museum when walking on Park Avenue on the Upper East Side for my walking project, “MywalkinManhattan.com”. I noticed the sign for the exhibition, “The Metropolis in Latin America 1830-1930”. The exhibition was on the transformation of cities in Latin America from their traditional path starting with Spanish colonization to a more European layout that was developed between the Revolutionary and Civil Wars with the ‘Gilded Age’ thrown in as the third generation of settlers became long time citizens and became more wealthy.
They wanted to live like they were still in Europe. It showed how the cities developed over time with planning and then with extended, unintended growth that lead to the outlaying slums. Very interesting exhibition (now closed).
A exhibition at the Americas Society Museum
In the summer of 2024, the museum had an interesting exhibition on artist Alejandra Seeber. Her colorful interactive works had some of the patrons playing golf inside of the galleries. I thought her work was vibrant and exciting. She draws you in with the bright invigorating colors and on the floor pieces of carpet whose colors lead your golf balls from hole to hole as you travel the exhibition.
The museum press release on the Alejandra Seeber exhibition:
The description of the show:
(from the museum’s website):
Americas Society presents the first solo exhibition and career survey of the Argentine artist Alejandra Seeber in New York, starting June 5. Seeber (b. 1969, Buenos Aires, Argentina) is a painter who centers representations of various spaces to explore the tension between representation and abstraction in painting. Seeber utilizes bold color and gesture to examine liminal spaces within built and domestic environments. Later work veers further into abstraction, implementing visual devices like Rorschach drawings or knit grids to structure the composition.
My favorite painting in the show by Alejandra Seeber “La Bourgeoisie”
The sign of the painting
The exhibition pairs these paintings with Seeber’s contemporary explorations of the built landscape with an installation. This survey of her work is organized around a playable golf course installed inside the gallery space in which visitors will be invited to play golf as they walk through the show. The golf obstacles become active sculptures in the exhibition, creating porous boundaries between artwork and audience. This playful environment manifests the explorations of edges, doorways, windows, and borders in the artist’s painting. As they play, visitors will be able to trace Seeber’s artistic trajectory and see how her interventions in the form and practice of painting continue to this day.
The vibrance of the art with its colorful details
The interactive art in the gallery
The art golf course
History:
The Americas Society is an organization dedicated to education, debate and dialogue on the Americas and is located at 680 Park Avenue on the Upper East Side of Manhattan. The Americas Society was established by David Rockefeller in 1965. The Americas Society promotes the understanding of the economic, political and social issues confronting Latin America, the Caribbean and Canada; its mission is “to increase public awareness and appreciation of the diverse cultural heritage of the Americas and the importance of the inter-American relationship.
The buildings historical past as the Percy Rivington Pyne House
The Americas Society Building is listed in the National Register of Historic Places. The building was previously the Percy Rivington Pyne House before serving as the Soviet Mission to the United Nations until its current usage. along with the neighboring buildings of the Queen Sofia Spanish Institute and the Italian Consulate General, the house constitutes one of the few remaining unified architectural ensembles on Park Avenue. The Center for Inter-American Relations was later to be absorbed into Americas Society 1985.
Activities:
The Americas Society organizes interviews, speeches, podcasts, exhibitions, readings and musical performances at its headquarters and reports on Congressional updates and local events. Many events are held at the Salon Simon Bolivar, an expansive room in the building’s Neo-Federal style with wide windows, a 15 foot ceiling and wood-paneled and silk fabric walls.
An Exhibition at the museum:
The Americas Society produces the MetLife Music of the Americas (concert series) to showcase the diversity of styles and genres of music in the Americas. The concert series is held at the Society’s headquarters.
The Americas Society, together with Council of the Americas, produces the publication ‘Americas Quarterly’, a policy journal for the Western Hemisphere. The Americas Society also publishes ‘Review Magazine’, which was first founded in 1968. ‘Review Magazine’ is an English language journal for literature from Latin America, the Caribbean and Canada. ‘Review Magazine’ also helped support the first English translation of “One Hundred Years of Solitude” by Gabriel Garcia Marquez as well as other translations.
The Americas Society has also organized working groups on the topics of women’s empowerment and leadership. Cuba, energy policy, immigration, trade facilitation and Venezuela.
Council of the Americas (COA)
Is the premier international business organization whose members share a common commitment to economic and social development, open markets, the rule of law and democracy throughout the Western Hemisphere. The Council’s membership consists of leading international companies representing a broad spectrum of sectors, including banking and finance, consulting services, consumer products, energy and mining, manufacturing, media, technology and transportation.
(This information was taken directly from Wiki and Americas Society publications)
Visiting a Museum: The Unique, Unusual, Obscure and Historical 