Category: Smile! Your Visiting New Jersey!

The American Labor Museum/Botto House Museum National Landmark                                                                               83 Norwood Street                                                                       Haledon, NJ 07508

The American Labor Museum/Botto House Museum National Landmark 83 Norwood Street Haledon, NJ 07508

The American Labor Museum/Botto House Museum National Landmark

83 Norwood Avenue

Haledon, NJ  07508

Phone: (973) 595-7953/7291

Email: labormuseum@gmail.com

http://www.labormuseum.org

https://labormuseum.net/

https://labormuseum.net/?p=about-us

Open: Wednesday-Saturday-1:00pm-4:00pm/Sunday-Tuesday-Closed/All other times are by appointment. Closed major holidays but Open on Labor Day.

Fee: Free

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46485-d15087067-Reviews-The_American_Labor_Museum_Botto_House_National_Landmark-Haledon_New_Jersey.html?m=19905

 The Botto House at 83 Norwood Avenue

I recently visited The American Labor Museum/Botto House National Landmark for the afternoon and learned a lot about the American Labor Union formations and the rights we now take for granted.

A group of us took the tour of the Botto House and learned of its history and its place in the Paterson Silk Strikes of 1913. The first floor which serves as the meeting room has pictures of the Paterson Silk Strike which lasted just over five months and since the Mayor of Paterson at the time would not let the strikers meet, the Botto’s agreed to let the strikers meet at their home which at the time was in a isolated section of Haledon.

The history of the Silk Strike in Paterson

The Mayor of Haledon was sympathetic to the Union cause and let them meet in the town. Their house was situated in the middle of a field so that the strikers could gather around the home and listen to speakers.

The Botto House during the Paterson Silk Strikes

From their balcony, speakers could talk to the strikers and keep everyone abreast of the situation. Here people gathered and picnicked together and worked together to get their rights heard.

From the main display room, you will tour the home of Pietro and Maria Botto. First stop is the kitchen where Mrs. Botto ran her household. She made extra money selling food to the strikers and arranging meals for Mr. Botto’s co-workers. The family family did what it could to make money for the family.

Mrs. Botto’s kitchen

The sink area

Here she made meals for her family, did her jarring and preserving and the washing was done. Then a tour of the dining room, bedroom and the palour area where the family met and greeted people. The upstairs was formerly two apartments that were built to help ‘pay the bills’.

The Botto House Kitchen

The upstairs is now the display space where a display on the Dock Workers Union is currently being shown. We got to stand on the second floor balcony where so many speeches were made.

The backyard area

We took the back stairs to the backyard where the family had the grape arbor, root cellar where the preserves were kept and the boccie ball court. It seemed the family was very social at the time and self-sufficient.

The root cellar and Vineyard

Things turned bad for the family when both Mr. And Mrs. Botto both passed away two years after the strike. The strike could have taken its toll on the family or the fact that Mr. Botto could not find a job after the strike was over. No one knows.

It is an interesting tour of how one family opened their home to an important cause and it made a difference in the success of the strike and getting it resolved.

The history of the Botto’s:

The museum headquarters was the home of an immigrant family of industrial workers whose story is a fascinating one. In many ways, the telling of their saga is a doorway for museum visitors to step through and make connections with their own ethnic backgrounds.

The European Heritage:

Pietro and Maria Botto hailed from the region of Biella, Piedmonte, Italy. This area, at the foothills of the Alps, was a leading textile producer of linen and wool. The mountainous area was home to a fiercely independent people who, for centuries, wove cloth in their homes on looms which they owned.

The Industrial Revolution forced weavers to give upon cottage-based production to seek employment in large shops or mills. the displacement of workers by mechanized looms and weavers’ lack of economic independence caused people in Biella (as in other European textile areas where Paterson’s workforce originated) to embrace new ideas about worker rights and to be a vocal workforce wherever they roamed.

Pietro decided to leave Italy because he was made eligible for a second draft into the army at the recently united Kingdom of Italy (Italy had quadrupled its army at that time to strengthen unification and to acquire African colonies). A skilled weaver who also painted church interiors, Pietro brought his wife, Maria and daughter, Albina (born 1889) on the long voyage to America in 1892.

The Botto’s settled in crowded West Hoboken, New Jersey (today’s Union City), where they worked in silk mills for 15 years until they had saved enough money to afford a home for their growing family. The family now included three more daughters, Adelia (born 1894), Eva (born 1895) and Olga (born 1899). In 1908, the Botto’s moved to Haledon, a tiny community, growing up along the streetcar line from Paterson, where many other country folk from Biella had already settled.

The Botto’s home became a focal point for a dramatic slice of history in 1913 when the epic Paterson Silk Strike broke out. Pietro was on strike with 24,000 fellow silk workers when massive and constant arrests forced the workers to consider the independent borough of Haledon as a location for great outdoor rallies. Mayor William-Brueckmann guaranteed the safety of the workers and Pietro offered his home as a meeting place for the strikers.

The Botto’s courageous stand allowing their home to be so closely identified with the strike stemmed from a belief in the rights of the common man. During the strike, Pietro and his family played host to the social and labor leaders who were the idols of the working person at that time. After the strike, the family had to very circumspect about employment in the mills, with one of the daughters denying her family name to avoid blacklisting by an employer.

The large house and spacious hillside gardens are a tribute to the family’s combined labor. Pietro and his daughters worked 10-12 hour days, 5 1/2 days a week in the mills. The eldest daughter began mill work at age 11 and the youngest at age 13.

On Sundays, the usual day of rest, the girls helped their mother serve patrons of the resort aspect of the property. Maria ran a large household, feed boarders during the week and the scores of people on Sunday and did piecework from mills; she died in 1915 at the age of 45.

Pietro lived until 1945, a beloved father and grandfather to a growing clan.

History of the House and Land:

The house in Haledon, NJ

The total environment of the Botto House National Historic Landmark reflects the ethic origin of this family of silk workers from the Piedmonte (Biella) area of Italy and the development of housing in early streetcar suburbs. It is representative of the sensitive use of small landholdings in American urban areas by various European immigrant groups.

The Botto family purchased Block X, Lots 38, 39 and 40 in 1907 from Alexander King, a real estate speculator. King himself purchased a large parcel of land from the Cedar Cliff Land Company, a group of Paterson industrialist and business leaders who were quick to see the advantages of selling cheap land to workers in Haledon. The completion of a horse-drawn trolley line in 1872 allowed for expansion of residential and recreational areas outside  of the City of Paterson, a major American industrial center.

The Botto House sign

(Information from American Labor Museum: Botto House National Landmark, a Brief History)

The Period Rooms:

The Front Hall

The front entrance hall light fixture is original to the house. One of the restoration tasks yet to be carried out is the replacement of embossed wallpaper on the walls which was made to look like the carved leather coverings in the homes of the rich.

The front hallway

The Kitchen:

The kitchen was a major center of activity in the household. The large coal and gas range dominates the room. It was used as a heating source as well as for cooking foods. A table provided the space for food preparation; a cupboard stored pots, pans and dishes; an icebox kept food items cold (the root cellar, located in the garden was also used for cold food storage) and a sink for dishes and a tub for laundry utilities indoor plumbing-certainly a recent innovation for working class households.

The kitchen

Even with the convenience of indoor plumbing and the gas range, the kitchen was the scene of virtual non-stop labor for Maria Botto and her daughters. In addition to meals prepared for the family, the Botto’s fed a noon meal to extra people during the week, there were workmen without families, who rented rooms and come from the mills for a hot dinner.

On Sundays, the Botto women prepared food for as many as 100 people who came to recreate on the property. This, of course, provided on additional income for the family.

The Botto family’s foodways reflected their home region of Biella, Piedmonte, Italy. Piedmontese cooked scorned tomato sauce, preferring wine and chicken broth to accompany such staple foods as polenta (corn meal), risotto (rice) and tortellini, a pasta. Generally, rosemary, sage, and other herbs were used in cooking and grown outside in the garden. The herbs also had medicinal uses.

The kitchen sinks

Some of the artifacts placed around the kitchen are the copper put used to cook polenta (purur), meat grinder, fish scale, orange juice squeezer, coffee grinder (from a German immigrant household), rug beater, mousetrap and wall calendars which were used by working people as decorations.

The Botto women were generally charged with kitchen duties. Maria Botto hired a German woman to do the wash. One special job was reserved for Pietro, stirring the polenta and cutting it with a string.

The Dining Room:

The dining room was another work area for the family. Here the family and the ‘boarders’ dined. Here Maria ‘picked’ silk on a frame, located in the corner of the room under the window, examining the bolts of broadsilk brought from the mill for imperfections.

The Dining room

This was another task to bring income to the household. Maria used the sewing machine to make clothes. The table reflects a setting for the family and ‘boarders’, placed with dishes, silver-plated utensils and a condiment set.

The Dining Room

The sideboard, table chairs and sewing machine are family pieces. The lighting fixtures in this room as in the rest of the house were powered by gas. As is typical in the area, paintings were hung by string from a picture rail as the walls were made of plaster.

The Sideboard

The small painting shows sheep, which provide the wool upon which textile manufacture was based, against the backdrop of the Alps. The large sketched portrait of Pietro Botto in later years was produced by his grandson and professional artist, Richard Botto. On the side of the room hang pictures of the Botto daughters in their wedding attire.

The Dishes in the sideboards

The Bedroom:

This room, which was actually the girls bedroom has been recreated to resemble where Maria and Pietro slept. The dresser is set with brushes, combs and mirrors that are from the period. The Botto’s slept in a brass bed.

The bedroom at the home

Swimsuits and other clothing hang in the wardrobe. A travelling trunk rests on the floor next to the wardrobe. Next to the window hangs a photograph of Mr. and Mrs. Guala of Biella, Italy. Next to the wardrobe hangs the elaborately framed photograph of Adalgiso Valle of Paterson, NJ, a jacquard card cutter.

The Bedroom

The Parlor:

The most formal room in the house, the parlor was used for guests, weddings and wakes. Dominating is the oak mantle with its columns and mirror top. It surrounds a fireplace where, in the winter, a gas heater was attached to a pipe behind the hearth. The clock had to be wound every day and chimes on the half-hour.

The parlor

The photographs on the shelf are Maria’s sisters in Italy (right) and the three eldest Botto daughters (left). Members of the Bocchio family of Biello, Italy are pictured in the photograph to the left of the mantle.

The Parlor and decorations

The furnishings in the house

Other Rooms:

The area making up the library on the first floor was a sitting room and bedroom for the family. The Botto daughters rented the two apartments upstairs when they first married and started their families and other non-family members served as renters through the years. The bathroom on the first floor is the approximate size of the original but today has modern fixtures and is not meant to be part of the restoration.

(From the American Labor Museum/Botto House National Landmark)

The Labor Day display of the Union history:

Labor display

Labor Display

History of Paterson:

The City of Paterson was founded in 1792 as America’s first planned industrial city. Alexander Hamilton, Elias Boudinot and other members of The Society for the Establishment of Useful Manufactures chose the Great Falls of the Passaic River as the ideal site for a manufacturing center.  The Falls provided water power, while the river provided transportation upstream and down.

During the 19th Century, Paterson flourished. It became known as “Silk City” and “The City” with an Arm of Iron in a Sleeve of Silk for the silk mills and locomotive works that made their homes here. Immigrants flocked to the city at first from England, Switzerland. Germany and France and later from Southern and Eastern Europe. Many found jobs in the mills and a few took their place among the captions of industry.

(Mill Worker…Mill Owner-Botto House Museum)

The gift shops

Disclaimer: This information was taken directly from The American Labor Museum/Botto House National Landmark pamphlets. This museum is one of the few historical sites dealing with the Labor Unions in the United States and plays a huge role in workers rights today.

 

 

Gethsemane Cemetery                                                                   Between Summit Place & Liberty Street north of Route 46                                                             Little Ferry, NJ 07643

Gethsemane Cemetery Between Summit Place & Liberty Street north of Route 46 Little Ferry, NJ 07643

Gethsemane Cemetery

Between Summit Place & Liberty Street

(with entrance on Summit Place north of Route 46)

Little Ferry, NJ  07643

Hours: Secured historic site: Open by appointment only.

Contact: (201) 336-7267

Call for accessibility information.

http://www.co.bergen.nj.us/parks

Free admission

My review on TripAdvisor:

The three times I have visited the Gethsemane Cemetery, it was a very quiet place to reflect on the people who are buried here. Located by a stretch of Route 46 West, you would hardly notice it was there. Sitting on a small hill above the highway lies some of our Counties most prominent Black citizens as well as just ordinary people and freed slaves who were denied entry into other church cemeteries. They were interned here in their own cemetery.

Gethsemane Cemetery is located west of the Hackensack River in southwest Bergen County on a one acre sandy hill located in Little Ferry, NJ. The 1860 deed of sale identifies it as a “burial ground for the colored population of the Village of Hackensack.” In 1901, it was turned over to seven African-American trustees and incorporated as Gethsemane Cemetery.

Gethsemane Cemetery IV

The entrance to the Gethsemane Cemetery in Little Ferry, NJ

Although there are only 50 graves stones, the graves of over 500 people have been documented, including that of Elizabeth Dulfer, who was born a slave (c 1790), freed in 1822 and died in 1880. She became one of the wealthiest business owners and landholders in Bergen County. Three Civil War veterans, Peter Billings, Silas M. Carpenter and William Robinson are also buried here.

Gethsemane Cemetery II

Gethsemane Cemetery figured the center of controversy surrounding the burial of Samuel Bass, sexton of Hackensack’s First Baptist Church. When he died on January 22, 1884, his family wanted to bury him in the Hackensack Cemetery but was refused due to his race. Mr. Bass was then buried in Gethsemane Cemetery.

New Jersey Governor, Leon Abbett, protested the denial: “The Legislator should see that the civil and political rights of all men, whether white or black are protected…It ought not be tolerated in this State that a corporation whose existence depends on the Legislature’s will…should be permitted to make a distinction between a white man and a black man.” Two months later in March 1884, New Jersey’s “Negro Burial Bill” was passed desegregating cemeteries in New Jersey.

In 1985, Bergen County acquired the neglected cemetery and dedicated it as a County Historic Site. It was entered into the New Jersey and National Registers of Historic Places in 1994 for the historical significance it played in the enactment of N.J.’s early Civil Rights legislation and for containing evidence of West African burial customs.

Gethsemane Cemetery

The County of Bergen marker

In 2003, the county celebrated the dedication of new meditation areas and historic interpretive panels that tell Gethsemane’s story and lists the names of 515 people known to be buried here.

Gethsemane Cemetery III

The cemetery markers

New mediation areas and historic panels tell the story of the cemetery and list the names of 515 people who were buried here.

The cemetery is open only a few times a year to the public for special holidays and events. I came for the Juneteenth Celebration of the emancipation of slavery from the Union on June 19th. There was an independent tour on your own of the cemetery and the panels. If you had any questions, there are County representatives to guide you through.

The Gethsemane Cemetery in the Fall

(Information taken from the Bergen County Parks System guide).

Disclaimer: This information was taken directly from the Bergen County Parks Directory. Please call or email the above information for more details on visiting the cemetery. It can be opened for private tours.

The Old Station Museum                                                                     171 Old Station Lane                                                                 Mahwah, NJ 07430

The Old Station Museum 171 Old Station Lane Mahwah, NJ 07430

The Old Station Museum

171 Old Station Lane

Mahwah, NJ  07430

(201) 512-0099

http://www.mahwahmuseum.org

http://mahwahmuseum.org/mahwah-history/old-station-timetable/

https://mahwahmuseum.org/the-old-station-museum/

*The Museum is currently closed for the season yet it was open for this event. It will reopen in late June. Admission to the museum is $3.00 per person over the age of 16 and is free for kids under 16 years of age.

TripAdvisor Review:

 The front of the Old Station Museum in Downtown Mahwah, NJ

The historic Marker for the Old Train Station

As part of my tour on the Eighth Annual Northwest Bergen History Coalition Day, I visited the Old Station Museum, which is partnered with the Mahwah Museum (mentioned in this blog also) and its concentration is on the history of trains and the trains that serviced the area.

Old Station Museum VI

They had an interesting exhibition on the trains that used to run in the area before they consolidated years ago, the companies that ran them and a full train display (as well as there is a complete train set in the lower level of the Mahwah Museum that you should not miss. It will bring the kid out in you).

The Old Caboose in the back of the museum is open for touring in the summer months

One of the displays that I really liked was the Pullman Car exhibition of menus, china and other things that were used on the car to make service the best it could be. Like they mentioned in the display, food was a loss leader to the company which was made up in the ticket itself but it is what made the experience for the passenger. It what was brought them to the train in the first place. All I could keep thinking of was Eve Marie Saint in ‘North by Northwest’ when she was dining with Cary Grant.

The inside of the Caboose at the Old Station Museum in Mahwah.

The best part of the museum is when you tour the museum’s caboose that is located in the back of the museum. There are displays of the men that worked the line and their role in the railroad as well as a display of their living conditions. With new technology the caboose went out of service and there are very few left now. You really see the caboose from inside out and its purpose on the train.

The historical sign in front of the museum

I revisited the museum during the Northwest Bergen Historical Coalition. The museum was closed but I got to see the museum from the outside.

The outside of the Caboose

The outside sign

The inside Station Manager’s display

The inside train set

The Museum’s History:

(from the Mahwah Museum website):

The exhibition at the station this season features several models built by former Mahwah resident, Hollis C. Bachmann. Mr. Bachmann constructed a model of N.Y.C. #999 and several other trolleys. We are fortunate to receive a donation of this balance of Mr. Bachmann’s collection from his niece, Kay Doody. Mr. Bachmann had built out model of the North Jersey Rapid Transit interurban car (trolley) that ran from Suffern to Paterson. You may remember seeing that model in our main museum building. It was constructed of tin cars, was two feet in length and included a detailed interior, having taken Mr. Bachmann six months to build. Please come by and see these really nicely detailed creations that are the offspring of that trolley.

The Old Station Museum established in 1967 is located in a building that was the original station on the Erie Railroad in Mahwah. It was rescued from destruction, first by the Winters family and later by the Mahwah Historical Society. It contains many interesting artifacts given to the museum by collectors of railroad memorabilia. It also features a 1929 Erie cupola caboose which has been recently restored. There is a scale model of the Erie system and photos of the early days of railroading in Mahwah and along the rest of the mainline.

In 1848, the Paterson and Ramapo Railroad was built through Mahwah to carry passengers and freight from New York City via Paterson  to the mainline of the Erie Railroad located in Suffern, New York. From there, connections could be made to upstate New York then Chicago and on to the west.

In 1871, the leaders of Mahwah petitioned the Erie to allow a stop at a new station in Mahwah. The 1871 station remained in service until 1904 when the Erie expanded to four tracks and raised the roadbed from the ground level. The second station remained until 1914 when it was destroyed by fire. The current station was built in 1914 and still serves commuters today.

Disclaimer: This information was taken directly from the museum’s website and I give them full credit for all of the work. The museum will be reopening in June so be on the lookout for more information on events at the museum. It is a great place for kids.

 

 

The African Art Museum of the SMA Fathers (Society of African Missions)                                                                             23 Bliss Avenue                                                                              Tenafly, NJ 07670

The African Art Museum of the SMA Fathers (Society of African Missions) 23 Bliss Avenue Tenafly, NJ 07670

The African Art Museum of the SMA Fathers (Society of African Missions)

23 Bliss Avenue

Tenafly, NJ  07670

(201) 894-8611

http://www.smafathers.org/museum

https://smafathers.org/museum/

https://smafathers.org/museum/about-us/

Open: 8:00am-5:00pm Seven Days a week

Please contact us for group tours.

Fee: Free admission but a donation is suggested.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46863-d3967225-Reviews-African_Art_Museum_of_the_Society_of_African_Missions-Tenafly_New_Jersey.html?m=19905

I recently revisited the African Museum of Art on the SMA Father’s and on this trip really took my time to learn about the Mission and study the art in the various displays. Each country that the Mission is involved with is represented here with detailed information on the meaning of the art and its purpose. It is an interesting approach to understanding the culture of each of these countries.

The beautiful stained glass windows line the ceiling and walls and has a beautiful effect in the room on a sunny day.

The sculpture in the middle of the main hall

The History of the Museum:

(From the museum website)

This museum was established in 1980 and is one of the only rare few in the United States dedicated solely to the arts of Africa. Its permanent collections, exhibited on a rotating basis, offer a unique advantage in the study and research of sub-Saharan sculpture and painting, costumes, textiles and decorative arts, religion and folklore.

The main hall of the museum

The history of the Mission

The history of the Mission

The history of the Mission

The African Art Museum of the SMA Fathers is one of five museums around the world founded and maintained by the Society of African Missions, an International Roman Catholic missionary organization that serves the people of Africa.

The display case that line the main hall

The display case that line the main hall

The art works up close

The descriptions of the works

The display case that line the main hall

Some of the works up close

The description of the masks

The display case that line the main hall

The museum is the continued vision of SMA’s founder, Bishop Melchior de Marion Bresillac (1813-1859). The French-born clergyman urged his Society to respect and preserve the culture of the peoples they serve, the unique among the missionaries of his time. (This information is provided by the museum).

Some of the works being featured in the exhibition

Their current exhibitions is on the “Africanizing of Christian Art” which shows the 20th Century encounter between Catholic Christianity and the visual culture of the Yoruba, a prominent west African people of southwest Nigeria under the conditions of late colonization (This information provided by the museum).

The hallway off the main room

Linking the walls of the main room are wooden carved doors from a palace in Africa. The interesting detail work tells it own story.

The description of one of the doors

Panel One

Panel Two

Panel Three

Panel Four

The collection contains many works in the form of masks, textile work, religious figurines and decorative arts. Each display case shows a different theme in the art.

The works of art in the cases

The puppets in the case

The works of art lining the cases

The engaging Mask collection

The museum is the main hallway of the church. I found it a quiet place where you could really concentrate on the beauty of the art. It grounds are also nice to walk around in in the nice weather.

The Chapel just off the museum is interesting to visit. I wondered how many people came to serve here and how the service was performed.

The main chapel of the mission

The beautiful stained glass windows in the chapel

The museum is a true hidden gem of wonderful and interesting testimonial and contemporary art. An inspiring museum if you take the time to really enjoy it.