Category: Exploring Kips Bay

The National Museum of Mathematics                                     225 Fifth Avenue                                                                   New York, NY 10010

The National Museum of Mathematics 225 Fifth Avenue New York, NY 10010

The National Museum of Mathematics

225 Fifth Avenue

New York, NY 10010

(212) 542-0566

https://momath.org/

https://www.facebook.com/MoMath1/

Open: Sunday-Saturday 10:00am-5:00pm

Fee: Adults $25.00/Seniors-Children-Students $20.00/Members are Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d3726207-Reviews-National_Museum_of_Mathematics-New_York_City_New_York.html?m=19905

The Museum of Mathematics at 225 Fifth Avenue

https://momath.org/

In 2020, COVID had closed this unique little family orientated museum when I visited the NoMAD neighborhood earlier last year and it finally reopened for business right before the holidays. I could see the reasons why in that the museum is very interactive and there are a lot of activities and displays that warrant families touching objects and getting involved with the exhibitions.

The entrance to the new museum at 225 Fifth Avenue

Like most museums in Manhattan, the MoMATH or the Museum of Mathematics is quite pricey at $25.00 ($26.00) for an adult and for students, children over 12 and seniors over 60 it is $20.00. While it may be lot for an average family, a trip there is an eye-opening experience at least to me it was that day.

The sign welcoming you on Fifth Avenue

In 2021 when it reopened, the museum was two full floors of exhibitions with a spiral staircase separating the floors and a gift shop at the entrance. On the main floor there are interesting interactive exhibitions such as the Shapes of Space that show how different shapes fit together on a curved surface. I was not too sure what the point of it was, but the kids seemed to enjoy it and it was interesting to see how they connected. The Square wheeled Trike was interesting as you rode a square wheeled type of bike on a bumpy surface to check velocity. The kids and young parents really liked this.

The “Shapes of Space” exhibition

In 2024, the museum was moved around the corner until the permanent location could be finished. The museum was on one floor with a art gallery in the front of the museum and the back of the museum was all the interactive activities.

The Math “Fractorals” Gallery Exhibit at the Museum of Math

The “Fluids and Fractals” exhibition of artist Karl Sims

The Art Gallery exhibition

The art in the Gallery

The art gallery at the Museum of Mathematics

‘Light Grooves’ by artist Matthew Brandt

Artist Matthew Brandt

https://matthewbrandt.com/

Matthew Brandt is an American born artist. Matthew Brandt received his BFA from Cooper Union and MFA from UCLA. Brandt has been the subject of institutional solo shows at the Newark Museum, the Columbus Museum of Art, Virginia Museum of Contemporary Art and SCAD Museum of Art, Savannah (Artist bio).

“Light Grooves”

The interactive display

The interactive display

The displays I enjoyed in the old museum were Motionscape, where you had to walk as fast as you could on the track to check the relationship between velocity, your position and acceleration. It was interesting to see how your body movements when walking affects the way you react. The other display that was really popular was Hoop Curves which was always busy. The exhibit used statistics and a robot arm to shoot the basketball. The kids got a real kick out of this when trying to make a basket.

In 2021, the museum was two stories but in 2024, the museum moved to the new Fifth Avenue location and all the interactive displays were on the first floor, along with an explanation of the math along with the creators of the theory. I found that interesting because you could see who all the mathematicians were who the projects were based on or who had contributed to them.

I started with the “Self-Reflections” exhibit where shapes and sizes mattered, and the use of symmetrical patterns shaped our faces and observations. I got to see how the shapes altered my reflection in the mirrors.

The use of mirrors and shapes

The use of shapes and colors in the experiment

The signage

How we look at ourselves in the mirror

Taking pictures in the ‘mirror’

One of the first interactive displays that I enjoyed was the Tessellation Station, where you could create displays with magnetic tiles on a large board. Later I learned about Tessellation as a form of making shapes fit together in a pattern and then the theory behind that. It was a fun way to use your creativity. This exhibition was very popular in the old museum as well but had been a much bigger interactive display.

The “Tessellation Station” exhibition is a lot of fun

Another was the Tree of Life, where the computer copied the movements of myself and then used them to show the how I moved my arms and legs in a pattern. It was funny to see myself repeated over and over again like a tree with branches. It really did measure the movement of my body. This was a lot of fun because you got to see smaller versions of yourself attached to you.

Me playing with the Tree of Life

Me having fun by the Tree of Life exhibition

The Twist and Roll display showed how to put different shapes and sizes together and show their movement on the board.

The Twist and Roll hands on display

The one display that all the kids got a kick out of was the Math Board, where the colors and shapes of the section of the floor lit up when you walked on them and was controlled by the way you walked on them.

The “Math Morphing-Formula Morph” replaced the “Math Board”

The Museum of Mathematics is a great museum for younger children who want to get physical and have a good time and like the interaction. I learned a few things too about the fundamentals of math and some of its background theories.

The geometrics of the Museum of Mathematics

Still, it is a great museum for kids under the age of twelve and their younger parents. I think anything over that age would warrant a trip to the American Museum of Natural History or the Liberty Science Center with more exhibits that are age appropriate. It is a museum you should visit once or twice with small children who are at the learning stage and just want to have fun.

The Gift Shop

The Museum Gift Shop

The History of the National Museum of Mathematics:

(From the museum website)

The National Museum of Mathematics began in response to the closing of a small museum of mathematics on Long Island, the Goudreau Museum. A group of interested parties (the “working group”) met in August 2008 to explore the creation of a new museum of mathematics-one that would go well beyond the Goudreau in both its scope and methodology. The group quickly discovered that there was no museum of mathematics in the United States, and yet there was a incredible demand for hands0n math programming.

Interactive objects at the Museum of Mathematics

Accomplishments to date include: opening Manhattan’s only hands-on science center, welcoming more than one million visitors; creating the popular Math Midway exhibition, which has delighted millions of visitors at museums throughout the United States and internationally; leading math tours in various U.S. cities; running dozens of Math Encounters and Family Fridays events; delivering a broad array of diverse and engaging programs for students, teachers, and the public to increase appreciation of mathematics and creating the largest public outdoor demonstration of the Pythagorean Theorem ever.

The “Monkeying Around” exhibition at the museum

The Museum Mission:

(From the Museum website)

Mathematics illuminates the patterns that abound in our world. The National Museum of Mathematics strives to enhance public understanding and perception of mathematics. Its dynamic exhibits and programs stimulate inquiry, spark curiosity and reveal the wonders of mathematics. The Museum’s activities lead a broad and diverse audience to understand the evolving, creative, human and aesthetic nature of mathematics.

The “Weights and Balances” exhibition at the museum

Math Geographics

Video on the displays

The displays are so interesting

The Morgan Library & Museum                                                                                                225 Madison Avenue                                           New York, NY 10016

The Morgan Library & Museum 225 Madison Avenue New York, NY 10016

The Morgan Museum & Library

225 Madison Avenue

New York, NY 10016

(212) 685-3484

Open: Sunday 11:00am-6:00pm/Monday Closed/Tuesday-Friday 10:30am-5:00pm/Saturday 10:00am-6:00pm

Fee: Adults $22.00/Seniors (over 65) $14.00/Current Students with ID $13.00/Free to Members and Children under 12 accompanied by a parent. Free on Friday Nights from 7:00pm-9:00pm. Discount for people with disabilities $13.00-Caregiver Free.

https://www.themorgan.org/

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d107356-Reviews-The_Morgan_Library_Museum-New_York_City_New_York.html?m=19905

The Morgan Restaurant:

https://www.tripadvisor.com/Restaurant_Review-g60763-d502683-Reviews-Morgan_Cafe-New_York_City_New_York.html?m=19905

What I love about the Morgan Library & Museum is the level of sophistication and quality of their exhibitions. The museum really makes you think when you tour their galleries and attend their lectures and gallery talks. Their docents and curators bring an exhibition to a whole new level. I always feel like I am taking a college course and will be graded afterwards. They really make you think about the work or what the author or artist is trying to say.

Two of my favorite exhibitions were the “150th Anniversary Celebration of Alice in Wonderland”, which is why I joined the Morgan Library & Museum. I loved the novel and I wanted to get some ideas for our library’s own celebration. They had the original manuscript written by Lewis Carroll, some original prints and memorabilia from various times including posters, books, artwork and decorative items.

The entrance to the “Alice in Wonderland” exhibition

Another wonderful and interesting exhibition was on Mary Shelley’s “Frankenstein” which was a celebration of her life, her works and of the novel through the ages in both context of the novel and in Hollywood. There were various copies of the books in the exhibition as well as the history of the author’s life.

The Frankenstein print

The exhibition showed the clips of the original silent version of the film, the 1931 version with Boris Karloff and the modern version “Young Frankenstein” with Gene Wilder from 1974. I learned from the exhibition that the set used in the 1974 version of the film was from the original 1931 film and it had been in the director’s basement all those years.

The entrance to “It’s Alive: Frankenstein at 200” exhibition at the museum

Another exhibition that was very interesting was the recent American artist Al Taylor with an showing of his drawings. The works were unusual but really stood out was his time in Hawaii and the drawings that inspired him.

Duck Bondage Study by Al Taylor

Untitled by Al Taylor

American artist Al Taylor

A YouTube video on the “David Hockney” Exhibition:

The recent David Hockney Exhibition that I missed.

I rejoined the museum after a long COVID absence and the first exhibition that I attended was the “Beatrix Potter” exhibition on her work on Peter Rabbit. It had many of the early drawings of her children’s books as well as some of her merchandising. The exhibition discusses her life before and after her books were published and then her second act as a farmer and conservationist.

The “Beatrix Potter: Drawn to Nature” exhibition in April 2024:

Beatrix Potter: Drawn to Nature

The entrance to the gallery

The gallery opening

Here work included the initial drawings to the actual books.

Her early gift cards
One of her original pieces.
The main part of the exhibition.

The gallery of the exhibition

The exhibition is broken into two parts. The first part is on her early life in London with her family and her personal life as a child and an early adult. The second half of the exhibition is on her early books, manuscripts and letters. Then her later life as a ‘gentle farmer’ who ended up preserving and donation over 4000 acres of Lake District land for later generations to enjoy.

These are the original drawings for the book “The Tale of Peter Rabbit”

The original card
The original card

Other pieces of her works.

Some of the original drawings.

Some letters that she wrote to friends.

All the wonderful novelty items that she helped create. She had a real hand in merchandising way before this became the norm in publishing. She created all the cards, stuffed animals and small books that would become her collection.

Some of her original books.
The original Peter Cottontail book.
The original drawing from the exhibition.

The stuffed animal of Jeremiah Puddle Duck

The sign as you enter the exhibition.

The end of the exhibition with the author holding one of her pets.

https://en.wikipedia.org/wiki/Beatrix_Potter

The other exhibition that I saw that day which will be closing soon is the Walton Ford exhibition. Mr. Ford’s works are a reflection on his relationship with nature with works being influenced by trips to the American Museum of Natural History. His works draw from nature.

The entrance to the exhibition

Artist Walton Ford

https://en.wikipedia.org/wiki/Walton_Ford

https://www.kasmingallery.com/artists/63-walton-ford/

The main gallery of Mr. Ford’s works.

The works with the Black Tiger

It is nice to walk among the permanent collection of prints in the lower level and to visit the former private areas of Mr. Morgan’s home. It adds to who he was as a financier and as a homeowner. The home was not as elaborate as you would have thought.

The private part of the museum

I also enjoy the Morgan Cafe on the main level of the museum in the courtyard area of the first floor. The food is a little pricey and a limited menu but the service is wonderful and the quality of the food is very good. You will enjoy the meal and I have heard from other patrons that the Afternoon Tea is very nice as well.

They also have a Dining Room in the Library area that I have heard is very nice as well.

The Morgan Dining Room

They have a nice selection of books, cards and gifts in their Gift Shop just beyond The Morgan Dining Room. I really like their selections at the holidays and their theme books to the exhibitions especially for the “Alice in Wonderland” exhibition.

The Morgan Library giftshop

It is a nice place to take a gallery talk, then a light lunch in the main hall and then a lecture at night. It’s a great way to spend the day.

The History of the Morgan Library & Museum:

(from the Morgan Library & Museum website)

The Museum is a complex of buildings in the heart of New York City and began as the private library of financier Pierpont Morgan, one of the preeminent collectors and cultural benefactors in the United States. As early as 1890, Mr. Morgan had begun to assemble a collection of illuminated, literary and historical manuscripts, early printed books and old master drawings and prints.

Mr. Morgan’s library was built between 1902 and 1906 adjacent to his New York residence at Madison Avenue and 36th Street. Designed by Charles McKim of the architectural firm McKim, Mead & White, the library was intended as something more than a repository of rare materials. Majestic in appearance yet intimate in scale, the structure was to reflect the nature and stature of its holdings.

The side view of the Morgan Library

The result was an Italian Renaissance-style palazzo with three magnificent rooms epitomizing America’s Age of Elegance. Completed three years before McKim’s death, it is considered by many to be his masterpiece. In 1924, eleven years after Mr. Morgan’s passing, his son, J.P. Morgan Jr., known as Jack, realized that the library had become too important to remain in private hands. It what constituted one of the most momentous cultural gifts in the United States history. He fulfilled his father’s dream of making the library and its treasures available to scholars and the public alike by transforming it into a public institution.

Mr. Morgan’s private areas are part of the museum

Over the years, through purchases and generous gifts, The Morgan Library & Museum has continued to acquire rare materials as well as important music manuscripts, early children’s books, Americana and materials from the twentieth century. Without loosing its decidedly domestic feeling, the Morgan also has expanded its physical space considerably.

The Middle Eastern exhibit in the Library.

In 1928, the Annex building was erected on the corner of Madison Avenue and 36th Street, replacing Pierpont Morgan’s residence. The Annex connected to the original McKim library by means of a gallery. In 1988, Jack Morgan’s former residence, a mid-nineteenth century brownstone on Madison Avenue and 37th Street was added to the complex. The 1991 garden court was constructed as a means to unite the various elements of the Morgan campus.

JP Morgan II home which is now part of the Morgan Library.

The largest expansion in the Morgan’s history, adding 75,000 sq ft to the campus was completed in 2006. Designed by Pritzker Prize winning architect Renzo Piano, the project increases exhibition space by more than fifty percent and adds more important visitor amenities, including a new performance hall, a welcoming entrance on Madison Avenue, a new cafe and a new restaurant, a shop, a new reading room and collections storage. Piano’s design integrates the Morgan’s three historical buildings with three new modestly scaled steel and glass pavilions. A soaring central court connects the buildings and serves as a gathering place for visitors in the spirit of an Italian piazza.

The Morgan Library & Museum expansion by Renzo Piano

The Morgan Library & Museum Mission:

The mission of The Morgan Library & Museum is to preserve, build, study, present and interpret a collection of extraordinary quality, in order to stimulate enjoyment, excite the imagination, advance learning and nurture creativity.

The Dorothea Maria Gsell painting “Heron Encircled by a Snake with a worm in his Bill”

A global institution, focused on the European and American traditions, the Morgan houses one of the world’s foremost collections of manuscripts, rare books, music, drawings and ancient and other works of art. These holdings, which represent the legacy of Pierpont Morgan and numerous later benefactors, comprise a unique and dynamic record of civilization as well as an incomparable repository of ideas and of the creative process.

(From the Morgan Library & Museum website and history)

Japan Society                                                        333 East 47th                                                       New York, NY 10017

Japan Society 333 East 47th New York, NY 10017

Japan Society

333 East 47th Street

New York, NY  10017

(212)  832-1155

https://www.japansociety.org

Open: Monday-Friday 10:00am-6:00pm/Saturday & Sunday Closed

Fee: Depends on the event; See the website

The front of the Japan Society on 333 West 47th Street.

I recently visited the Japan Society for the ‘Japan Cuts’ film festival 2019 to see four films as part of the festival. I had visited the Society years ago for a ‘Monsters’ exhibition which coincided with the dropping of the Atom Bomb. It was told to me during the tour of the exhibition that the Godzilla movies were the Japanese reaction to the dropping of the bombs and the effects of nuclear was on nature.

Japan Society III.jpg

The inside lobby  of the Japan Society

This time around it was a little more upbeat. I went to see new films by Japanese directors who are looking at contemporary culture a little more differently that film makers of the past. I was most impressed with “Dance with Me”, a light weight musical that reminded me of 1960’s musicals that came out in the United States and “Whole” about Japanese who come from mixed backgrounds and their role in society. It was nice to sit back and watch the films and participate in the Q & A’s.

Japan Society Film Festival

My favorite scene from “Dance with Me” “Happy Valley”

It was also nice to walk around the building to see the indoor gardens and pools that are located in the lobby area of the building. The building does have a feeling of Ying and Yang. There will be more exhibitions in the Fall.

Japan Society IV.jpg

The inside of the lobby of the Japan Society

The opening film “Dance with Me”

The Q & A at Japan Cuts for “Dance with Me”:

I recently visited the Japan Society for the “Made in Tokyo” exhibition on the development of architecture in the City of Tokyo between the 1962 and the 2020 Olympic Games. The exhibition showed the development and progress of the City since the bombings in WWII and how the City has rethought  the building and rebuilding of the City since.

Japan Society V

“Made in Tokyo”

Just like in the United States old department stores and office buildings are finding new use and older buildings in fringe and outside rural areas are becoming tech hubs. It was interesting so see how they were reworking old turn of the last century buildings and homes as incubators for the ‘computer age’.

Japan Society VII

The “Made in Japan” exhibition is closing at the Japan Society on January 26th, 2020. If you like the history of architecture this is an exhibition not to be missed.

Japan Society VI

The “Made in Tokyo” exhibition at the Japan Society

I recently went to the Japan Society for the screening of the famous movie, “Ringu” which is the original version of the American film, “The Ring”. It is rarely shown, and you can’t find it on YouTube or in the local libraries, so it was a treat to see this film. It was also the first time I had been in the museum since COVID closed everything down and it was nice to visit again.

Guess what I found on YouTube the next morning: “Ringu” the comparison:

Still, it was nice to go to the museum again and just relax for the evening.

The Trailer of “Ringu”

I recently went to see the “Family Portrait: Japanese family in Flux Series” in 2024 on some of the more contemporary films of Japan from the 1980’s and 90’s that are outside the studio system. These films dealt with real issues that most studio films don’t want to touch. I saw a film about a woman with terminal cancer and all the secrets of her past came out and the problems she had to face when the end was coming. Many twists and turns. The films dealt with these issues in a mature way and the series was very successful.

The sign for this amazing series of films.

The Japan Society mission:

The Japan Society is a non-profit organization formed in 1907 to promote friendly relations between the United States and Japan. Its headquarters, the youngest landmark building in New York was designed by Junzo Yoshimura and opened in 1971 at 333 East 47th Street near the United Nations. With a focus on promoting “arts and culture, public policy, business, language and education,” the organization has regularly held events in its many facilities including a library, art gallery and theater since its opening. After suspending all activities during World War II, Japan Society expanded under the leadership of John D. Rockefeller III (Wiki).

History:

In 1907, Tamemoto Kuroki and Goro Ijuin were chosen to represent Japan at the Jamestown Exposition. They attended a welcome dinner in New York with Japanese ambassador to the United States, Shuzo Aoki, where there was talk of forming an organization to promote US-Japan relations in the city. Two days later at a luncheon held by Kuroki, Japan Society was born. The organization would be run by Aoki, then Honorary President of the Japan Society of the UK and John Huston Findley.

Japan Society spent the next forty years hosting events in honor of Japanese royalty, giving annual lectures on a wide range of topics and presenting art exhibits that drew in thousands of New Yorkers. In 1911, Lindsay Russell, another founding member of the society and later president, met with Emperor Meiji and spent his visit to Japan encouraging more societies to form there and throughout the United States.

Japan Society was soon incorporated under New York law and finally found a home near one of Russell’s work offices, though it continued to relocate throughout its history before its current headquarters was opened in 1971. At this time, Japan Society and its members began to express interest in improving teaching about Japan in the United States. The organization began sponsoring trips to the country, publishing books and sent a report to the Department of Education about the portrayal of Japan in American textbooks.

It remained active during World War I, operating as it had for the last seven years but the organization became more political when it began associating with the Anti-Alien Legislative Committee, an advocacy group that spoke out against yellow peril. Russell and Hamilton Holt, another founding member used the organization’s publication to defend all of Japan’s actions at the time. Unbeknownst to anyone at the time, even one of Japan Society’s writers secretly worked for the Japanese government with the task of improving Japan’s imagine in the United States. The organization eventually realized the dangers of taking sides and by 1924 stopped publishing any political commentary.

By the 1930’s, membership had dropped significantly due to financial difficulties and the Second Sino-Japanese War. Following the attack on Pearl Harbor in 1941, Henry Waters Taft immediately resigned as president after serving  from 1922 to 1929 and again from 1934. Russell also stepped down as one of Japan Society’s directors. All activities were suspended and would not resume until the Treaty of San Francisco was signed in 1951.

John D. Rockefeller III served as president from 1952 to 1969 and then as Chairman of the Board until his death in 1978.  He accompanied John Foster Dulles on his trip to Japan that eventually led to the signing of the 1951 treaty. Rockefeller, a supporter of the Institute of Pacific Relations, who visited Japan in 1929 during one of its conferences, wanted to contribute to bettering US-Japan relations after the war and believed there needed to be non-governmental organizations like Japan Society in each country in order for such friendly relations to exist.

Under Rockefeller’s leadership, Japan Society expanded and talk began to find a permanent headquarters for it. It shared offices with another Rockefeller-led organization, Asia Society but as the two organizations continued to grow during the 1960’s,  it became increasingly clear that Japan Society needed its own building. After receiving donations from Rockefeller and other members, construction began on “Japan House” in 1967. Designed by Junzo Yoshimura, whose work also includes Asia Society’s headquarter, it became the first building in New York of contemporary Japanese architecture. On September 13, 1971, it was finally opened to the public after a ceremony attended by Prince Hitachi. He echoed Russell’s first words about Japan Society, calling for “closer people-to-people” contact between countries.

Japan Society II

Japan Society building

(This information was taken from Wiki and I give them full credit for the information. I also included information of Japan Society).

The Museum of Sex                                              233 Fifth Avenue (@27th Street)                      New York, NY 10016

The Museum of Sex 233 Fifth Avenue (@27th Street) New York, NY 10016

The Museum of Sex

233 Fifth Avenue (@27th Street)

New York, NY  10016

(212) 689-6337

Open: Sunday-Thursday 10:30am-11:00pm/Friday & Saturday 10:30am-12:00am

Fee: General Admission $20.50/$3.00 off for Students, Seniors and Military

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d525259-Reviews-Museum_of_Sex-New_York_City_New_York.html?m=19905

The Museum of Sex at 233 Fifth Avenue.

I made my first visit to the Museum of Sex in New York City and highly recommend it. I have to admit it is different but what I like about the museum is that it doesn’t try to hide the subject and it also just doesn’t jump out at you. It is an interesting progression in art and I saw this in the exhibition “The History of Pornography”,  where the films were set up in order since the Victorian times. Sometimes it had to go underground due the times but pornography has been around since the days of the media.

The exhibition shows early pictures and viascopes of sexual acts and the early films date back to the Silent era. The exhibition covers from the Silent era to present times and the advancement of sex in films once the Hayes Code was broken in the 1960’s. With the relaxed rules and the mainstream films of “Tie Me Up Tie Me Down” and “Deep Throat”, you can see the progression of this as an art form and progression of the way the films were made.

Another great exhibition that I saw was “Punk Lust: Raw Provocation 1971-1985”. This show matches nicely with the current show on the “Punk Movement” at the Museum of Arts & Design. It was interesting to see the posters, flyers, clothes and hear the music of the era. Just at the height of the ‘Sexual Revolution’ and into the fragments of the Disco era came a new sound and way to dress that started in the early 80’s before the progression of the Reagan years in Washington DC, this movement came with a new sound with Punk, New Wave and Technographic and a new way to dress provocative without being too revealing.

Museum of Sex III.jpg

“Punk Lust” exhibition

As the museum was quoted saying: “The survey looking at the way Punk Culture used the language of sexuality, both visually and lyrically, to transgress and defy, whether in the service of political provocation, raw desire or just to break through the stifling gender norms and social expectations that punks refused to let define them.”

Museum of Sex II

“Punk Lust” exhibition

On a more recent trip to the museum, three exhibitions were open and all very interesting, highlighting different types of eroticisms. These countered different parts of the artworld. Also, in the post-COVID era, all the interactive displays opened up and I was able to visit and experience each of these as well. These are the most fun!

The Andy Warhol exhibition:

“Looking at Andy Looking” exhibition:

(from the museum website)

This exhibition will explore themes of intimacy and voyeurism, including the depiction of homosexual desire, in Warhol’s early years of filmmaking. In films and footage from 1963-64, we witness the artist beginning to figure out what he could do and say with his newest plaything: the 16mm camera.

“Looking at Andy Looking”

(from the museum website)

Filmmaking is a mechanical art, but it can capture real people on the surface and below. Andy Warhol (1928-1987) lived much of his life “on the surface.” He embraced mechanical techniques like screen-printing, photography, and film, but Andy himself was not a machine. Behind the cool, detached persona was the highly personal—and above all queer—perspective of an inveterate experimenter.

The exhibition I saw was the “Artifact” exhibition from the Museum of Sex’s collection of items exploring how we look at sexual encounters. What is sex and how does a play a role in our lives?

“Artifact: Selection from a Secret Collection”

(from the museum website)

Gathered from the Museum of Sex’s permanent collection of more than 15,000 objects as well as from other notable collections and institutes of antiques, medical history and sexology, Artifact (xxx): Selections from Secret Collections presents an intimate exploration of how sex manifests across culture through art, science, and design. An early vibrator made in Great Britain, a lotus shoe worn by a woman in China, and a Braille issue of Playboy magazine provide insight into prevailing belief systems and societal taboos across geography and time.

Hugh’s Hefner’s smoking jacket

Jeweled Bra

(from the museum website)

Fulfilling a wide range of functions from artwork, medical devices and pop-culture mementos to guidebooks and accessories used for enhancing pleasure or pain, these objects tell the stories of the expansive yet nuanced influence of sexuality throughout history.

Candy pants from the 1970’s

Deep Throat Memorabilia

The memory of the movie a movie ‘Deep Throat’’

Intercourse Chair

Another exhibition that I enjoyed on my last trip to the Museum of Sex was the “I Licked it, It’s Mine” exhibition on exotic paintings and sculpture.

The ‘Licked it, it’s Mine’ exhibition sign

(from the museum website)

What does it mean to be “consumed” by lust, or to “possess” another? The artists Oh de Laval, Shafei Xia, and Urara Tsuchiya explore every manner of appetite, from sublimated yearning to all-consuming hunger. United by an irreverent, tongue-in-cheek approach to the erotic and a flair for fantasy, the paintings and ceramic sculptures in this exhibition move between pulpy melodrama and decorative daintiness.

Along the way, sexuality is experienced as love, but also as competition, involving our animal natures—and sometimes even the swapping of human and animal roles.

The gallery for ‘I licked it, it’s mine’ exhibition

The literature from the exhibition explaining the works

These were some of my favorite works from the exhibition:

The exotic works

The unusual works

The unique paintings and ceramics

One of my favorite pieces from the exhibition. I thought this was quite exotic.

I walked next through Carn-O-Rama and experienced the workings behind the scenes of a traveling carnival reaching the suburbs. I always thought it was just lights, rides and cotton candy. There is more to it than that.

After my visits to the three galleries, I took a took to the interactive section of the museum and experienced Funland, where I walked though Stardust Lane and all the lights and sounds of the mirrored rooms.

A Video walk through Funland is a lot of fun. It really pleases the senses.

I next took a trip to Super Funland and this was my trip through Stardust Lane. This is all lights and mirrors and it was an unusual walk through the museum that challenges the senses. Walking through Super Funland is a voyage in the wild with mirrors and music.

It get pretty interesting walking through here.


In another video walk through of Funland, I met a lot of interesting people on my walk through the museum. It really puts you into a interesting mood.

The pathway around the museum took me to other interactive exhibitions. Jump for joy was a very interesting interactive world of different sexual parts and mood lighting.

The ‘Jump for Joy’ exhibition

Then I walked through ‘Lucky Land’

Then I walked through and climbed ‘The Pink Palace’, a series of colored features that led through what looked like another sexual parts. This is called the ‘ClimbX”.

The colored building blocks of the exhibition of “ClimbX”

The colored blocks of the exhibition “ClimbX”

Another object to climb through on your way out of the exhibition.

It really is an interesting museum to visit. You really have to stop and enjoy the pleasures of each floor. You have to take the time experience all the sights and sounds. The funny part of leaving the museum is that there is an exotic food vendor on Fifth Avenue with the most unusual items he sells.

The Erotic Waffle food truck just outside the museum. Not your kids food truck. The truck sold sexual organ pastries, waffles and other exotic items. You have to stop by when you are in the neighborhood!

History of the Museum of Sex:

(This comes from the Museum of Sex History Website)

The Mission of the Museum of Sex is to preserve and present the history, evolution and culture significance of human sexuality. The museum produces exhibitions, publications and programs that bring  the best of current scholarship to the wildest possible audiences and is committed to encouraging public enlightenment, discourse and engagement.

The Museum of Sex

The Beginning:

When the Museum of Sex first emerged on New York City’s Fifth Avenue on October 5th, 2002, it was without precedent in the museum world. In the development of its inaugural award winning exhibition NYCSEX: How New York Transformed Sex in America, the Museum created a board of comprised of leading scholars and historians. The Museum’s advisory board has guided curators and guest curators towards research resources, pertinent collections and exhibition relevant artists. Advisors such as Steven Heller, Timothy J. Gilfoyle, PhD, Mike Wallace PhD and June Reinisch, Director Emeritus for The Kinsey Institute  for Research on Sex, Gender and Reproduction as well as institutional collaborations with New York University’s Center for the Study of Gender and Sexuality, Planned Parenthood Federation of America, New York Historical Society and the Lower East Side Tenement Museum have contributed to making the Museum of Sex one of the most dynamic and innovative institutions in the world.

Design has played a pivotal role in both exhibition development and execution with world-renowned design firms such as Pentagram Design Inc, Casson Mannand 2×4, helping to transform the galleries and historic building over the last six years. The museum’s building, built in the area of New York formerly known as the “Tenderloin,” a district of NYC made notorious by the 19th century for its bordellos, dance halls, theaters and saloons, serves as a New York City landmarked site.

Our Work:

Since its inception, the Museum of Sex has generated over 30 exhibitions and 6 virtual installments, each in keeping with the Museum’s mission of advocating open discourse surrounding sex and sexuality as well as striving to present to the public the best in current scholarship, unhindered by self-censorship. With each new exhibition, lecture series, event and publication, the Museum of Sex is committed to addressing a wide range of topics, while simultaneously highlighting material and artifacts from different continents, cultures, time periods and media.

Our Collection:

The Museum’s permanent collection of over 20,000 artifacts is comprised of works of art, photography, clothing and costumes, technological inventions and historical ephemera. Additionally, the museum houses both a research library as well as an extensive multimedia library, which includes 8mm, Super 8mm, 16mm, BETA, VHS and DVD’s. From fine art to historical ephemera to film, the Museum of Sex preserves an ever-growing collection of sexually related objects that would otherwise be destroyed and discarded due to their sexual content.

Our Public:

In a short time, the Museum has received attention from academic institutions, major publications, media outlets and celebrities, positioning the Museum of Sex within the realm of academia and pop culture alike. The Museum has been featured in numerous publications including The New York Times, The New Yorker, Esquire and Time and on television broadcasts ranging from CNN to IFC to NBC’s Law & Order Criminal Intent. Award-winning advertising campaigns in print and television media have sealed the Museum’s arrival as a cultural touchstone.

Accolades continue to pour in from visitors and the press in every corner of the world, inspiring the Museum of Sex to continually surpass its own high expectations. Future planned exhibitions and events-the likes of which have never been offered by any other institution-are guaranteed to captivate and resonate, securing the Museum of Sex a well-deserved, distinguished place in history (Museum of Sex History)