Category: Exploring Historic Bergen County

Gallery Bergen, West Hall                                                          Bergen Community College                                                     400 Paramus Road                                                             Paramus, NJ 07652

Gallery Bergen, West Hall Bergen Community College 400 Paramus Road Paramus, NJ 07652

Gallery Bergen-West Hall

Bergen Community College

400 Paramus Road

Paramus, NJ  07652

Open: Monday-Friday-10:00am-5:00pm/Closed on Saturdays and Sundays/After hours by Appointment

Free to the public

https://bergen.edu/community/gallery-bergen

https://www.facebook.com/GalleryBergenAtBergenCommunityCollege/

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46712-d15515383-Reviews-Gallery_Bergen_West_Hall-Paramus_New_Jersey.html?m=19905

I never realized until just recently that we have an art gallery on the Bergen Community College campus. I have been teaching here since 2013 and just found out about this little ‘gem’ that is tucked in the second floor of West Hall.

This wonderful little gallery can be accessed on the Main Campus of Bergen Community College and is open to the public for viewing. The Art students of Bergen Community College show their works in student shows and the Retailing students show their work outside the Gallery.

Gallery Curator Professor Tim Blunk

The Gallery is a reasonably sized space and viewing the Gallery Bergen takes a reasonable amount of time that is not over-whelming. It is a nice way to spend the afternoon when visiting the campus.

Please visit the Bergen Community College for future shows. This is the artist Graham Elliott show in 2026.

Gallery Bergen recently showed, “Belongings: Photographs at the Borders of Citizenship” exhibition which is showing the works of Dorothea Lange, Ansel Adams and Clem Albers (1942) and Tamara Merino (2018). This exhibition pairs two sets of photographic records, two tragic experiences of people on two sides of the US border, separated by seventy-five years in America’s cultural and political struggle over who belongs and who doesn’t (Bergen Gallery Press Release).

Gallery Bergen

A former exhibition was “Lines of Fire/Lines of Ice” . This exhibition is art being presented to get us to think of our effects on nature. The Gallery Bergen is presenting art that might help us change our views of ourselves in the world (Curator).

gallery bergen V

Curator’s Statement:

“It is 2019. Fires advance; glaciers retreat. Oceans rise; deserts spread. The Homo sapiens population grows exponentially; entire species of fish, mollusks, insects, amphibians and birds perish each day. Lines are being redrawn on the surface of the earth-lines that can be seen from space. Yes these same lines are often blurred or erased when viewed through the lens of ideology”-Tim Blunk, Curator.

See Performance Artist Jaanika Peerna perform the ‘Glacier Elegy’ similar to the one she did at opening night.

The Gallery is curated by Professor Tim Blunk, Director Gallery Bergen.

In April 2019, the Student Art Show is going on in the Gallery. This was where students were showing off their end of the semester projects.

Gallery Bergen VI

Student Show at Gallery Bergen

A former show by Hackensack-based artist Lauren Bettini, whose exhibition “On the Mend” was an exploration of the female body, displaying themes of “Women’s work” through accounts of women who bear scars, both physically and emotionally. This unique installation utilizes the entirely of the gallery, literally tying together embroidery of surgical procedures are “mended” through the appearance of the physical act of sewing. The exhibition is a platform to celebrate the beauty of their altered bodies while women stand strong together to share their stories.

Lauren Bettini

Artist Lauren Bettini

https://www.facebook.com/events/bergen-community-college-west-hall/lauren-bettinis-solo-art-show-reception/652924371815699/

It is an interesting take on what we endure in life and how we sometimes hide it from society.

Lauren Bettini II

“On the Mend” Exhibition Summer 2019

The mounted three-dimensional castings of woman’s hands are used to symbolize a movement of women joining together, sharing their stories and helping each other heal. This platform to honor women who have survived medical surgeries, celebrates the beauty of their altered bodies and pays homage to centuries of women who have created are in the form of sewing and embroidering (Gallery Bergen Promotional packet).

The recent ‘NJSeoul: New Art from the Korean Diaspora’ that  opened for the Fall of 2019. The show was a combination of paintings, pictures and visual art from five different Korean artists. The show also features video art and interesting short films.

Gallery Bergen VII.jpg

New show from September 12th-October 31st 2019

Some information of the Exhibition on Studio Bergen

The exhibition that opened for the Fall semester 2019 is the ‘(Pro) Found Objects’, the Bergen Community College Faculty Exhibition. The exhibition features works from 19 different Professor/Artists whose work includes statuary, photos, paintings, video art and clothing construction.

Gallery Bergen Professor Show III.jpg

This painting is by Professor Juan Leon

Gallery Bergen Professor Show

This painting is by artist Juan Leon

Gallery Bergen Professor Show II

This painting is by Professor Ada Goldfeld

The opening night on November 14th 2019 featured a performance by the Music Department and a performance by the head of the Drama Department from the upcoming show “I do, I do”. Then everyone had time to look over the art before a light reception at the end of the evening.

Opening in the Spring of 2020, Gallery Bergen is featuring “Ornithology: Patterns of Flight” that features birds in flight, sound and behavior. I saw the exhibition as man’s perception of birds at play and at rest and our concept of aviation in terms to humans. How do we communicate with the natural world, if we can and how do we relate as humans to the natural world.

Gallery Bergen Birds

‘Moche-Bird Runner’ by Susan Haviland

The art was everything from visual to video and showed the artist’s interpretation of the bird world. This was my favorite piece in the show.

Gallery Bergen Birds V

‘Ashes to Gold’ by Caroline Bergonzi

Each artist had a unique take on their art.

Gallery Bergen Birds II

‘Deep Song’ by Susan Haviland

During the musical performance part of the opening, one of the artist’s in the exhibition teamed up with another musician and performed their concept of birds in flight. To that our Dance Department created a performance that encompassed the whole gallery.

Gallery Bergen Birds IV

Our Adjunct Dance Professor’s performed that night

Gallery Bergen Birds III

Professor Justin Watrel at Gallery Bergen Opening

Here I am admiring the art that night. It was a wonderful exhibition. The Gallery Openings are an interesting night of art and music. The receptions are not bad either. Our Culinary Department does a nice job with appetizers and desserts.

This time lapse on YouTube is from the opening night of ‘Patterns of Flight’ at Bergen Community College

With the Gallery Bergen closed with campus being closed, Curator Tim Blunk created this  YouTube video “20Big20: Quarantine and Protest” on the pandemic and racial strife:

Another exhibition that the College has is BCCAnimation:

In the era of COVID, Gallery Bergen has created new exhibitions via YouTube. This is for the new “Black Lives Matter @BCC: Photographs from the Live Protest”:

These are photos from all over the country during the Summer of 2020 protests.

Gallery Bergen recently hosted the Student Exhibition 2021 virtually:

The creative approach to Gallery Bergen in the era of COVID keeps us active.

When Gallery Bergen reopened in 2021, the first big exhibition was “The Ramapough Nation: Excavating Identity”, the art of the nation.

The exhibition featured works by local Native American artists.

The exhibition contained visual arts by local indigenous artists, panel discussions (see Facebook page) and gallery talks.

The new exhibition that recently opened in the Fall 2021 is “Zoom Out: Works from Bergen Community College Artists”, a faculty show of works from the professors from the art department.

“Zoom Out” exhibition

Works from the Opening Night:

The opening night of “Zoom Out” with works in the visual arts

The “Zoom Out” exhibition was a selection of faculty works in the visual arts, painting, graphics and sculpture. One professor created an interesting piece of video art reworking the movie “Psycho” by Alfred Hitchcock.

The video creation on the movie “Psycho”

New Works from “Zoom Out”

Work by curator and Professor Tim Blunk

In the Spring of 2022, Gallery Bergen has exhibited “Art in History: the photographers of the Great Depression”, with photos from the Depression era of the 1930’s. It was a heart-breaking display of a very dark time in our country’s history. I could see that many people don’t realize that this was only 80 years ago. It gave a view into the lives ordinary people whose lives were affected by the falling economy. Lives were upended by things like the Stock Market Crash and the Dust Bowl.

“Art in History: the photographers of the Great Depression” exhibition

The photographers were part of the WPA where people from the arts part of the government program were to keep artisans working during the Great Depression. The works are a heartbreaking reminder of how fast life can change.

I was lucky that I got to sit in on Professor Tim Blunk’s class that afternoon for the lecture on the exhibition. It is scary how much these students didn’t learn in high school about this time. What amazed me was that how much this is still going on not just all over the world but in our own state as well. I have travelled to parts of the New Jersey that remind me of these pictures.

The BCC Student Art Show 2022 was the first time in two years the students got to showcase their work in the Gallery

Asian Awareness Month in 2022 brought interesting speakers and engaging movies to Gallery Bergen.

The lectures and independent films were very interesting and brought wonderful conversations to Gallery Bergen during the celebrated month of April.

In June of 2022, I attended the opening of the “Reflection/Refraction/Manhattan: Photographs by Jin Hong Kim” exhibition at Gallery Bergen, celebrating this local Korean-American photographer/artist. Each of the works was from a section of Manhattan from the Hudson Yards to Midtown to Lower Manhattan giving a almost surrealist look at the City in the Post-COVID era. It was as if the artist asked us to look at Manhattan again from a different lense or perspective.

The new exhibition by local photographer Jinhong Kim

Each of the pictures looked as one patron said, “like something that Salvador Dali might do.” It gave buildings in Manhattan movement and asked us to look at them a second time.

The Exhibition “Pulse: Resonating Earth” by artist Poramit Thantapalit is very engaging and fascinating to walk through.

From the Gallery Bergen Website:

During the fall of 2022, Gallery Bergen will be transformed into an aquatic installation by Thai artist Poramit Thantapalit. His medium is trash – as in found plastic bottles, plastic bags, and other refuse that might have as easily found its way into the Hackensack River, a landfill, or the Great Pacific Garbage Patch. Instead, Poramit breathes life into these materials, shaping luminous organic sculptures that undulate and pulse from the ceiling and wall. They make the viewer forget their origins in their newly aggregated forms.

There is a genre referred to as eco-art, or “trash art,” but this is something very different. “Jackson Pollock painted with house paint, but he wasn’t a house painter,” says Gallery Bergen director and curator Tim Blunk. “Poramit’s deft artistic hand and his understanding of transforming quantity into quality creates work that transcends its materials.” PULSE: Resonating Earth will be embellished with several performance events, including the scheduled opening gala on September 22 and its closing on December 8. Both will include dance performance pieces by BCC faculty member Lynn Needle and her Art of Motion Dance Theatre and Steinway pianist Carolyn Enger. The opening will include excerpts from Needle’s work, The Poseidon Project – An Aquatic Myth – a suite with live music and dance, including narrated choreographed sections, each connecting to aquatic myth, legend, and nature.

Pictures from the Exhibition:

Story from the exhibition on Land Acknowledgement.

The exhibition:

All the art displays of Poramit Thantapalit’s work in Gallery Bergen

Picture One:

Beautiful works

Picture Two:

Picture Three:

Picture Five:

Picture Six:

The colorful interactive art of Gallery Bergen in 2022 of artist Poramit Thantapalit

The Faith Ringgold: Coming to Jones Road-Her Exhibition on moving to Englewood, NJ

These were the works by the artist when she moved from Harlem to New Jersey.

The artist bio with the exhibition.

The Exhibition in Gallery Bergen

The Exhibition in Gallery Bergen

Her work based on the George Washington Bridge

Another interesting work

The Gallery Opening of “Faith Ringgold-Coming to Jones Street” at Gallery Bergen

Some of the works in the exhibition

“We come to America” by Faith Ringgold

More works in Gallery Bergen

The Theme of “Coming to Jones Road”

The new exhibition “The Cup Flows Over: Art from the Soul of Iran” starting in October 2023 and runs through the end of November 2023:

The Art from the soul of Iran.

Gallery Bergen: September 21 – November 21, 2023

(From the Gallery Bergen Website)

In Munich, Germany:

Glockenbachwerkstatt Community Center with events at the Bellevue di Monaco Cultural Center in Munich, Germany: 

October 24 – December, 2023

Works from “The Cup Flows over: Art from the Soul of Iran” exhibition

Gallery Bergen announces the opening of a collaborative exhibition of contemporary Iranian artist to take place this fall in two locations – its own gallery on the campus of Bergen Community College in Paramus, NJ and the Bürgerhaus Glockenbachwerkstatt (Glockenbach Townhouse Workshop) located in Munich, Germany. The Cup Flows Over: Art from the Soul of Iran features work by prominent artists such as Berlin-based Parastou Forouhar, younger Iranian artists living and working in California and Berlin, as well as artists living in Iran. The choice of two separate venues divided between Europe and the US speaks directly to the reality of the Iranian diaspora. 

Art works from the “The Cup Flows Over: Art from the Soul of Iran”

This exhibition seeks to move beyond the headlines to explore the ongoing and historic struggles of immigration and the diaspora experience, of merging with and simultaneously changing the culture of newly adopted countries. The artists make use of a variety of media including film, video, photography, fabric work and installation while invoking ancient Persian texts to describe their new realities.

Art works from “The Cup Flows Over: Art from the Soul of Iran”

The title comes from an ancient Persian ghazal by the renowned lyric poet Hafez (c. 1365): 

“Last night I took my troubles to

                The Magian sage whose keen eyes see

A hundred answers in the wine

                Whose cup he, laughing, showed to me.

I questioned him, “When was this cup

                That shows the world’s reality

Handed to you?” He said, “The day

                Heaven’s vault of lapis lazuli

Was raised, and marvelous things took place

                By Intellect’s divine decree,

And Moses’ miracles were made

                And Sameri’s apostasy.”

He added then, “That friend they hanged  

                High on the looming gallows tree—

His sin was that he spoke of things

                Which should be pondered secretly,

The page of truth his heart enclosed

                Was annotated publicly.”

BY HAFEZ

TRANSLATED BY DICK DAVIS

Anonymous work from “The Cup Flows Over: Art from the Soul of Iran” exhibition.

In the art of Iran, reality’s cup overflows.

The curators are organizing several livestreamed events that will connect the two spaces with live music, poetry and discussion. Opening receptions and events are planned for September 21 at Gallery Bergen (US) and for the Bürgerhaus Glockenbachwerkstatt on October 24. 

Art works from “The Cup flows Over: Art from the Soul of Iran”.

The paintings “Death” and “Devil’s Confrontation” by artist Raven.

The Bürgerhaus Glockenbachwerkstatt (Glockenbach Townhouse Workshop) is located in the cultural and artistic heart of Munich. The “Glocke” is a popular community center with childcare, workplaces, art studios, and a neighborhood café. It is around the corner from the Bellevue di Monaco, a residential and cultural center for refugees. The Bellevue offers diverse culture programming ranging from panel discussions on topics of migration and diversity to films from and about the home countries of their guests, to theater plays and concerts presenting artists from all over the world (Gallery Bergen Website).

Performance artist Sholeh Asgary and artist David Rothenberg performing “Shabah e Baad”.

https://www.sholehasgary.com/

As part of the exhibition, Iranian-American sound/performance artist Sholeh Asgary and ECM recording artist/clarinetist David Rothenberg performed on November 3rd, 2023. In the performance of ‘Shabah e Baad’ (Ghost Winds), Asgary vocalizes recordings of water bodies transcribed into notation for voice with the help of electronics and synthesizers for notes beyond human capability (Gallery Bergen press release).

Performance artist Sholeh Asgary and artist David Rothenberg performing “Shabah e Baad”.

Art works from “The Cup Flows Over: Art from the Soul of Iran”

The exhibition in February to April 2024 is “Arrivals/Departures EAST80WEST: The Bicoastal realities of Immigration”. The exhibition’s theme is based on seven contemporary artists from both the West and East coasts that are connected by US interstate 80 and how they examine the bicoastal realities of new immigrants to the United States.

The “Arrivals/Departures East80West: The Bicoastal realities of Immigration”.

The “Arrivals and Departures” exhibition gallery.

Native American art

The exhibition was fascinating in that it looked at different perspectives of how immigration has happened whether forced or not. I think back to European immigration in the 1600 and 1700’s and how this affected the Americas to what is happening today.

The Yamar Paintings

The biography of Layqo Nuna Yawar and his work.

New York scenes
The biography of Hobong Kim

The works of Hobong Kim.

Street scenes by Hobong Kim

The exhibition explored different elements of how environment changes us and shapes us.

Migrant farmers and workers

The exhibition also explores their sense of place in the scheme of life.

More work by Hobong Kim

Do we erase part of ourselves.

Who are you?

It delves into a place of self. What an interesting aspect of life. How much of yourself do you have to give up to fit in?

The exhibition makes you think about this.

The latest exhibition is by artist Jeramy Turner ‘A Cautionary Tale for Billionaire’s” that opened on January 23rd, 2025.

The artist perspective on the show

Artist Jeramy Turner

https://www.jeramyturner.com/

Jeramy Turner is an American born self-taught painter. In the beginning of 1986 as an attempt to create films, one frame at a time. They were large-scaled to emulate the screen in a movie theater.  She began with the intention of using visual art as a tool of protest. Her paintings are most often depictions of capitalists’ vulnerability. Her work often features animals, as symbols of forces of resistance, and terrified bankers (Artist bio)

‘The CEOs” paintings showing the dark side of business

Gallery Bergen on the Bergen Community College campus in Paramus, NJ

The painting ‘Wage Earner’

The sign for “Wage Labor”

The painting “Deluge”

The sign for “Deluge”

The painting “Of Course We Rule”

The sign for “Of Course We Rule”

The painting “Elephant”

The sign for “Elephant”

The painting “Crash”

The sign for “Crash”

The painting “ Kapital”

The sign for “Kapital”

A view of the gallery display for the Jeramy Turner Show for “A Cautionary Tale for Billionaires”

In the Spring of 2025, Gallery Bergen had its Spring Student show and there was some interesting art to see. It was a wonderful Opening on April 24th, 2025.

The Bergen Institute for the Creative Arts (BICA), Fashion at Bergen, and Gallery Bergen:

 Gallery Bergen presents its annual BCC Student Art Expo 2025 at Gallery Bergen (3rd Floor, West Hall) from April 24 through May 2. The college community and public are invited. All artistic media from BCC students and the Institute for Learning in Retirement are represented, including fashion design, painting, 2D and 3D design, animation, sculpture, and photography.

The reception featured hors d’oeuvres by the Culinary Arts program with a live music performances by BCC music graduates, Kurley Skeletons.

The Gallery Bergen Student Spring 2025

The Spring 2025 Student show

The Spring 2025 Student show

The Student Show has some unique pieces of art that can be admired and debated. Really take time to admire the students works.

Spring 2025 Student show

These were some of the standouts that I enjoyed at the show with my favorite being ‘Temple of Love’ video which I thought was very clever.

The Spring 2025 Student show

The Spring 2025 Student show

The Spring 2025 Student show

“Little Demons”, one of my favorite pieces at the show.

“Little Demons” sculpture

The “Little Demons” sculpture

The Spring 2025 Student Show

The interesting nudes

The back part of the Gallery

The back part of the museum

The Spring 2025 Student show

The “Harvey” painting

One of the most interesting works at the show was the art music video “Temple of Love” by artist Graham Elliott.

The “Temple of Love” video

The art surrounding them”Temple of Love” video

The “Temple of Love” video”, my favorite piece of the show.

The sculpture “Vibrant Vito Guest” below the video

That evening to close out the Opening was the band ‘Kurly Skelatons’, who had graduated from Bergen Community College a few years ago.

The band “Kurley Skeletons’ performing

https://www.instagram.com/kurley.skeletons/

Their first song of the evening

One of the lead singers solo original songs

A clip of the solo song

The last song of the evening

The concert was interesting as the music contemporary and rhythmic.

At the end of the evening, there was a light reception and we enjoyed being outside on the patio over looking the golf course.

The patio view

Watching ‘The Temple of Love’ again

It was a nice crowd that evening

The Spring 2025 Student Show offered interesting art and music and equally interesting visuals. The students did a nice job.

In the Fall of 2025, Gallery Bergen featured the exhibition of Artist Gregg Bormann entitled ‘Personal Effects’. The exhibit featured work by the artist based on Hollywood works that featured the dark and macabre. The works included clips of films done in video collage and surrealist works based on film scenes.

“The full exhibition “I’m Laughing at Clouds”

“Eyes without a Face”

The reception after the opening

It was an interesting take on the movie magic of these films.

In the Fall of 2025, Gallery Bergen exhibited ‘Tesla’s de Solidaridad: Art & Connection to Guatemala ‘, an exhibition of local Guatemalan artist, mostly from Jersey City.

The promotion poster

The exhibition was a celebration of works by Guatemalan artists who live in the United States, especially in the New York City area.

The gallery opening

Works by artist Lucas Emilio Romero

Artist Lucas Emilio Romero explaining his works at the show

Work by artist Nivia Hernandez

Works by artist Juan Carlos Vail Lucas

The work ‘Ayer’

The crafts of Guatemala

A local jazz band played at the opening with lyrics in Spanish.

The Jazz band performing

Gallery Bergen

The Jazz performance at Gallery Bergen the night of the Opening of the Exhibition

One of the biggest shows of 2026 was faculty member Graham Elliott’s one man show. It was a splash of art that was a cross between Basquiat and Warhol. It was colorful and playful and engaging.

The sign for the gallery opening

Artist Graham Elliott opening the show

The artist giving his opening remarks at the show. This one man show was a combination of his personal At ex and that of his students.

The Graham Elliott Show at Gallery Bergen:

(from the Gallery Bergen website)

The work of Bergen Community College visual arts faculty member, illustrator and motion graphics artist Graham Elliott will appear in Gallery Bergen this month. The exhibition “OMG! Graham Elliott” will open with a public reception on Thursday, February 26 at 6 p.m. in Gallery Bergen, the College’s art exhibition space located on the third floor of West Hall at its main campus in Paramus (400 Paramus Road). The opening reception will feature performances by flutist Carl Aude and cellist The Modesto Kid and refreshments prepared by the College’s culinary students.

“‘OMG!’ embraces play, humor and improvisation as serious artistic strategies, inviting viewers into a space where curiosity, obsession and sustained looking are treated with care and rigor,” Gallery Bergen Director Timothy Blunk said. “Graham Elliott’s work is disarmingly playful, yet purposeful – using accumulation, motion, and wit as engines for reflection rather than distraction. The exhibition reveals how whimsy is not the opposite of depth, but one of its most precise and enduring tools.”

“OMG” will feature two tents inside the gallery to house “shrines” to lost keys, sketchbooks, projections, “wall books,” installations, looped motion graphics and videos. Some pieces include collaborations with Graham’s former and current Bergen students.

“My work meets at the intersection of many art forms: illustration, graphic design, advertising, animation, sculpture, collage, film and storytelling all feeding off each other as if all the animals in a zoo were released and were hanging out, partying,” Elliott said. “I think the process can be more interesting than the finished product.”

During his career, Elliott designed some of the first motion graphics for MTV, illustrated for publications such as The New York Times and collaborated with the Rolling Stones. He has worked for Saatchi and Saatchi, Nickelodeon and the School of Visual Arts in New York. He joined Bergen’s faculty in 2023.

The entrance to the Gallery for the opening of the Graham Elliott show

One of the interactive pieces in the front

The front tent filled with artwork

The center of the exhibit with the exhibition. One of the most interesting and odd pieces of art featured the scab of Prince Charles. I thought this was unique.

The Scab of King Charles

The write up as part of the exhibition

The figurines

The figurines

The paintings

The paintings

The paintings

The diagram

The sculptures

The musician Carla Auld played the flute that night

Carla Auld playing one of her favorite pieces

The Student Show in Spring 2025 “Material Reality”:

The Spring Semester ended with the undergraduate students at Bergen Community College in Paramus, NJ exhibition of their selections for the Annual Student show, “Material Reality”, which features their final projects for the period. Students were on hand that evening to explain their works and talk about what they hoped to achieve with their careers. It was followed by a reception in the students honor.

The sign for the Student Art Show “Material Reality”

https://www.facebook.com/GalleryBergenAtBergenCommunityCollege/

The inside of Gallery Bergen on the night of the Opening of the show “Material Reality”

The inspired works of the show

Close up shot of the artwork

The video art of the show

The video art of the show

The contemporary student works

The contemporary works of the students

The sunflower themed works I thought were the most clever and original in the show.

The sunflower works of the Student show

The sunflower inspired works

My favorite work of the show

My other favorite work

The reception that followed was a lot of fun. Our Culinary Arts students created the menu of wraps, meatballs, noodle cups, pastries and fresh fruits. Trust me, nothing goes to waste here.

The Reception foods provided by the Culinary Department

The students did a nice job at the Spring 2026 Student Show!

The American Labor Museum/Botto House Museum National Landmark                                                                               83 Norwood Street                                                                       Haledon, NJ 07508

The American Labor Museum/Botto House Museum National Landmark 83 Norwood Street Haledon, NJ 07508

The American Labor Museum/Botto House Museum National Landmark

83 Norwood Avenue

Haledon, NJ  07508

Phone: (973) 595-7953/7291

Email: labormuseum@gmail.com

http://www.labormuseum.org

https://labormuseum.net/

https://labormuseum.net/?p=about-us

Open: Wednesday-Saturday-1:00pm-4:00pm/Sunday-Tuesday-Closed/All other times are by appointment. Closed major holidays but Open on Labor Day.

Fee: Free

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46485-d15087067-Reviews-The_American_Labor_Museum_Botto_House_National_Landmark-Haledon_New_Jersey.html?m=19905

 The Botto House at 83 Norwood Avenue

I recently visited The American Labor Museum/Botto House National Landmark for the afternoon and learned a lot about the American Labor Union formations and the rights we now take for granted.

A group of us took the tour of the Botto House and learned of its history and its place in the Paterson Silk Strikes of 1913. The first floor which serves as the meeting room has pictures of the Paterson Silk Strike which lasted just over five months and since the Mayor of Paterson at the time would not let the strikers meet, the Botto’s agreed to let the strikers meet at their home which at the time was in a isolated section of Haledon.

The history of the Silk Strike in Paterson

The Mayor of Haledon was sympathetic to the Union cause and let them meet in the town. Their house was situated in the middle of a field so that the strikers could gather around the home and listen to speakers.

The Botto House during the Paterson Silk Strikes

From their balcony, speakers could talk to the strikers and keep everyone abreast of the situation. Here people gathered and picnicked together and worked together to get their rights heard.

From the main display room, you will tour the home of Pietro and Maria Botto. First stop is the kitchen where Mrs. Botto ran her household. She made extra money selling food to the strikers and arranging meals for Mr. Botto’s co-workers. The family family did what it could to make money for the family.

Mrs. Botto’s kitchen

The sink area

Here she made meals for her family, did her jarring and preserving and the washing was done. Then a tour of the dining room, bedroom and the palour area where the family met and greeted people. The upstairs was formerly two apartments that were built to help ‘pay the bills’.

The Botto House Kitchen

The upstairs is now the display space where a display on the Dock Workers Union is currently being shown. We got to stand on the second floor balcony where so many speeches were made.

The backyard area

We took the back stairs to the backyard where the family had the grape arbor, root cellar where the preserves were kept and the boccie ball court. It seemed the family was very social at the time and self-sufficient.

The root cellar and Vineyard

Things turned bad for the family when both Mr. And Mrs. Botto both passed away two years after the strike. The strike could have taken its toll on the family or the fact that Mr. Botto could not find a job after the strike was over. No one knows.

It is an interesting tour of how one family opened their home to an important cause and it made a difference in the success of the strike and getting it resolved.

The history of the Botto’s:

The museum headquarters was the home of an immigrant family of industrial workers whose story is a fascinating one. In many ways, the telling of their saga is a doorway for museum visitors to step through and make connections with their own ethnic backgrounds.

The European Heritage:

Pietro and Maria Botto hailed from the region of Biella, Piedmonte, Italy. This area, at the foothills of the Alps, was a leading textile producer of linen and wool. The mountainous area was home to a fiercely independent people who, for centuries, wove cloth in their homes on looms which they owned.

The Industrial Revolution forced weavers to give upon cottage-based production to seek employment in large shops or mills. the displacement of workers by mechanized looms and weavers’ lack of economic independence caused people in Biella (as in other European textile areas where Paterson’s workforce originated) to embrace new ideas about worker rights and to be a vocal workforce wherever they roamed.

Pietro decided to leave Italy because he was made eligible for a second draft into the army at the recently united Kingdom of Italy (Italy had quadrupled its army at that time to strengthen unification and to acquire African colonies). A skilled weaver who also painted church interiors, Pietro brought his wife, Maria and daughter, Albina (born 1889) on the long voyage to America in 1892.

The Botto’s settled in crowded West Hoboken, New Jersey (today’s Union City), where they worked in silk mills for 15 years until they had saved enough money to afford a home for their growing family. The family now included three more daughters, Adelia (born 1894), Eva (born 1895) and Olga (born 1899). In 1908, the Botto’s moved to Haledon, a tiny community, growing up along the streetcar line from Paterson, where many other country folk from Biella had already settled.

The Botto’s home became a focal point for a dramatic slice of history in 1913 when the epic Paterson Silk Strike broke out. Pietro was on strike with 24,000 fellow silk workers when massive and constant arrests forced the workers to consider the independent borough of Haledon as a location for great outdoor rallies. Mayor William-Brueckmann guaranteed the safety of the workers and Pietro offered his home as a meeting place for the strikers.

The Botto’s courageous stand allowing their home to be so closely identified with the strike stemmed from a belief in the rights of the common man. During the strike, Pietro and his family played host to the social and labor leaders who were the idols of the working person at that time. After the strike, the family had to very circumspect about employment in the mills, with one of the daughters denying her family name to avoid blacklisting by an employer.

The large house and spacious hillside gardens are a tribute to the family’s combined labor. Pietro and his daughters worked 10-12 hour days, 5 1/2 days a week in the mills. The eldest daughter began mill work at age 11 and the youngest at age 13.

On Sundays, the usual day of rest, the girls helped their mother serve patrons of the resort aspect of the property. Maria ran a large household, feed boarders during the week and the scores of people on Sunday and did piecework from mills; she died in 1915 at the age of 45.

Pietro lived until 1945, a beloved father and grandfather to a growing clan.

History of the House and Land:

The house in Haledon, NJ

The total environment of the Botto House National Historic Landmark reflects the ethic origin of this family of silk workers from the Piedmonte (Biella) area of Italy and the development of housing in early streetcar suburbs. It is representative of the sensitive use of small landholdings in American urban areas by various European immigrant groups.

The Botto family purchased Block X, Lots 38, 39 and 40 in 1907 from Alexander King, a real estate speculator. King himself purchased a large parcel of land from the Cedar Cliff Land Company, a group of Paterson industrialist and business leaders who were quick to see the advantages of selling cheap land to workers in Haledon. The completion of a horse-drawn trolley line in 1872 allowed for expansion of residential and recreational areas outside  of the City of Paterson, a major American industrial center.

The Botto House sign

(Information from American Labor Museum: Botto House National Landmark, a Brief History)

The Period Rooms:

The Front Hall

The front entrance hall light fixture is original to the house. One of the restoration tasks yet to be carried out is the replacement of embossed wallpaper on the walls which was made to look like the carved leather coverings in the homes of the rich.

The front hallway

The Kitchen:

The kitchen was a major center of activity in the household. The large coal and gas range dominates the room. It was used as a heating source as well as for cooking foods. A table provided the space for food preparation; a cupboard stored pots, pans and dishes; an icebox kept food items cold (the root cellar, located in the garden was also used for cold food storage) and a sink for dishes and a tub for laundry utilities indoor plumbing-certainly a recent innovation for working class households.

The kitchen

Even with the convenience of indoor plumbing and the gas range, the kitchen was the scene of virtual non-stop labor for Maria Botto and her daughters. In addition to meals prepared for the family, the Botto’s fed a noon meal to extra people during the week, there were workmen without families, who rented rooms and come from the mills for a hot dinner.

On Sundays, the Botto women prepared food for as many as 100 people who came to recreate on the property. This, of course, provided on additional income for the family.

The Botto family’s foodways reflected their home region of Biella, Piedmonte, Italy. Piedmontese cooked scorned tomato sauce, preferring wine and chicken broth to accompany such staple foods as polenta (corn meal), risotto (rice) and tortellini, a pasta. Generally, rosemary, sage, and other herbs were used in cooking and grown outside in the garden. The herbs also had medicinal uses.

The kitchen sinks

Some of the artifacts placed around the kitchen are the copper put used to cook polenta (purur), meat grinder, fish scale, orange juice squeezer, coffee grinder (from a German immigrant household), rug beater, mousetrap and wall calendars which were used by working people as decorations.

The Botto women were generally charged with kitchen duties. Maria Botto hired a German woman to do the wash. One special job was reserved for Pietro, stirring the polenta and cutting it with a string.

The Dining Room:

The dining room was another work area for the family. Here the family and the ‘boarders’ dined. Here Maria ‘picked’ silk on a frame, located in the corner of the room under the window, examining the bolts of broadsilk brought from the mill for imperfections.

The Dining room

This was another task to bring income to the household. Maria used the sewing machine to make clothes. The table reflects a setting for the family and ‘boarders’, placed with dishes, silver-plated utensils and a condiment set.

The Dining Room

The sideboard, table chairs and sewing machine are family pieces. The lighting fixtures in this room as in the rest of the house were powered by gas. As is typical in the area, paintings were hung by string from a picture rail as the walls were made of plaster.

The Sideboard

The small painting shows sheep, which provide the wool upon which textile manufacture was based, against the backdrop of the Alps. The large sketched portrait of Pietro Botto in later years was produced by his grandson and professional artist, Richard Botto. On the side of the room hang pictures of the Botto daughters in their wedding attire.

The Dishes in the sideboards

The Bedroom:

This room, which was actually the girls bedroom has been recreated to resemble where Maria and Pietro slept. The dresser is set with brushes, combs and mirrors that are from the period. The Botto’s slept in a brass bed.

The bedroom at the home

Swimsuits and other clothing hang in the wardrobe. A travelling trunk rests on the floor next to the wardrobe. Next to the window hangs a photograph of Mr. and Mrs. Guala of Biella, Italy. Next to the wardrobe hangs the elaborately framed photograph of Adalgiso Valle of Paterson, NJ, a jacquard card cutter.

The Bedroom

The Parlor:

The most formal room in the house, the parlor was used for guests, weddings and wakes. Dominating is the oak mantle with its columns and mirror top. It surrounds a fireplace where, in the winter, a gas heater was attached to a pipe behind the hearth. The clock had to be wound every day and chimes on the half-hour.

The parlor

The photographs on the shelf are Maria’s sisters in Italy (right) and the three eldest Botto daughters (left). Members of the Bocchio family of Biello, Italy are pictured in the photograph to the left of the mantle.

The Parlor and decorations

The furnishings in the house

Other Rooms:

The area making up the library on the first floor was a sitting room and bedroom for the family. The Botto daughters rented the two apartments upstairs when they first married and started their families and other non-family members served as renters through the years. The bathroom on the first floor is the approximate size of the original but today has modern fixtures and is not meant to be part of the restoration.

(From the American Labor Museum/Botto House National Landmark)

The Labor Day display of the Union history:

Labor display

Labor Display

History of Paterson:

The City of Paterson was founded in 1792 as America’s first planned industrial city. Alexander Hamilton, Elias Boudinot and other members of The Society for the Establishment of Useful Manufactures chose the Great Falls of the Passaic River as the ideal site for a manufacturing center.  The Falls provided water power, while the river provided transportation upstream and down.

During the 19th Century, Paterson flourished. It became known as “Silk City” and “The City” with an Arm of Iron in a Sleeve of Silk for the silk mills and locomotive works that made their homes here. Immigrants flocked to the city at first from England, Switzerland. Germany and France and later from Southern and Eastern Europe. Many found jobs in the mills and a few took their place among the captions of industry.

(Mill Worker…Mill Owner-Botto House Museum)

The gift shops

Disclaimer: This information was taken directly from The American Labor Museum/Botto House National Landmark pamphlets. This museum is one of the few historical sites dealing with the Labor Unions in the United States and plays a huge role in workers rights today.

 

 

Maywood Station Museum                                 269 Maywood Avenue                              Maywood, NJ 07607

Maywood Station Museum 269 Maywood Avenue Maywood, NJ 07607

Maywood Station Museum

269 Maywood Avenue

Maywood, NJ  07607

(201) 845-3323

http://www.maywoodstation.com

http://www.maywoodstation.com/

https://www.facebook.com/MaywoodStationMuseum/

Open: Times Vary; please check their website

Admission: Free

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46608-d2661796-Reviews-Maywood_Station_Museum-Maywood_New_Jersey.html?m=19905

The Maywood Railroad Museum at 269 Maywood Avenue

This National Registered restored 1872 New York, Susquehanna & Western railroad station, one of oldest in New Jersey, is located in the heart of Maywood, NJ. Restored by the Maywood Station Historical Committee and opened in September 25, 2004, it contains an extensive railroad museum and collection. The site also contains a restored caboose and engine.

The museum sign welcomes you

I visited the Maywood Station Museum when it was open recently and found a fascinating collection of railroad memorabilia, Maywood fire department history and early maps of the town of Maywood. It is a treasure trove of articles for people who like to study railroad history especially its growth in small towns, early stages of industry in the town and in New Jersey.

Maywood Station Museum IV

The inside of the station museum

There is a lot of items that show the history of rail service not just on the train but in the station as well. There are antique desks, phones, ticket takers, mailboxes, benches and pictures all from the turn of the last two centuries.

The Maywood Station Historical Committee (MSHC) division of New York, Susquehanna & Western Technical & Historical Society operates the Maywood Station Museum and is chartered as a tax-exempt, 501(c)3 non-profit, educational and historical organization with a mission to preserve our railroad and cultural heritage through restoration and preservation, historical awareness, archiving and interpretation, museum open houses, meetings and special events (Maywood Station Museum Committee).

The museum complex

The museum is operated and staffed by the volunteer membership of the Maywood Station Historical Committee. The main focus of the museum is concentrated on the history of Maywood Station and the New York, Susquehanna & Western Railroad and the roles they played in the development of the Borough of Maywood and the surrounding area. The museum collection contains hundreds of photographs, displays, documents, maps and artifacts covering the histories of Maywood Station, the NYS&W and local railroads, the Borough of Maywood and the local region, which are changed periodically and designed to entertain and educate visitors of all ages as well as offer a virtual timeline to these subjects.

The Museum and Railroad Car

Maywood Station Museum is also the official site of the New York, Susquehanna & Western Technical & Historical Society’s (www.nyswths.org) archive, which contains thousands of drawings, maps, track diagrams, photos, timetables, documents and records covering the history of the New York, Susquehanna & Western Railroad (Wiki).

For those interested in historical buildings, meticulous care has been taken by the Maywood Station Historical Committee to show the museum in a historical context.  The museum features the original woodwork painted and stained in the original colors and original Maywood Station furnishings have been restored and displayed such as the potbelly stove, station agent’s desk, chairs, telegraph keys and freight scale. Victorian-period original light fixtures and sconces adorn the ceilings and walls. Additional items have been painstakingly reproduced to the exact original specifications of over one hundred years ago including the station benches and bay window area (Wiki).

The Maywood Station Museum collection includes a former Penn Central/Conrail N-12 class caboose, which was restored by Maywood Station Historical Committee members. Visitors to the Maywood Station Museum are invited to come aboard Caboose 24542 and view additional displays and an operating model train layout. The Maywood Station Museum collection also includes original New York, Susquehanna & Western Railroad ALCO Type-S-2 Locomotive #206, which has also been restored by Maywood Station Historical Committee members (Wiki).

On September, 10, 2009, NYS&W S-2 #206 was placed on the State of New Jersey Register of Historical Places. The locomotive was placed onto the National Register of Historical Places on March 19, 2010 (Wiki).

The History of Maywood Station:

Maywood Station Museum III

The Museum Logo

In 1871, the New Jersey Midland Railway, predecessor of today’s New York, Susquehanna & Western (NYS&W), began constructing a rail line between Newfoundland, NJ and Hackensack, NJ.  The line was part of a plan to connect with the New York & Oswego Midland (later New York, Ontario & Western) in Middletown, NY and provide rail service from the Great Lakes to New York Harbor. The residents of what would later become Maywood, which at the time was part of an area called Midland Township, saw the advantages of the new railroad and requested a stop be made.

At the time, approximately 13 homes with nearly 90 residents were in the boundaries of today’s Maywood. Soon afterward, construction of Maywood Station began. On March 11, 1872, the New Jersey Midland commenced operating trains on the new line and Maywood Station formally opened in the same paint colors you see it restored to today. Six passenger trains a day in each direction initially stopped at Maywood. It should be noted that for a brief period after that station opened, the station sign said “West Hackensack” but this removed due to the requests of local residents who wanted the station named “Maywood”, as the immediate area surrounding the station had then become known (Maywood Station Museum).

A station agent was employed and it is believed that the first agent was name George Sipley. The station agent handled passenger  baggage, freight shipments to and from the station, passenger ticketing and general functions in addition to performing the job of postmaster. In the 1872 to 1910 period, Maywood Station served as Maywood’s post office at various times when it wasn’t housed in a local merchant’s store. Another station agent/postmaster was Charles M. Berdan, who held this position in the late 1890’s into the early 1900’s. Mr. Berdan’s home was located directly across Maywood Avenue from the station and exists today. Maywood Station was also equipped with a telegraph so that the railroad could communicate between their stations and local residents could send messages around the world. The station also offered Wells Fargo and later, Railway Express Agency delivery services. These services lasted into the 1960’s (Maywood Station Museum).

When Maywood Station was built, it originally located on the south side of the current tracks. In 1893, the station was moved to its present location on the north side of the tracks due to the addition of a second set of tracks being constructed and a purchase of additional land by the railroad. At the time, several additional NYS&W stations along the line were similarly moved for the same reason. When the station was moved, it was jacked up onto the rails, the rails greased, spun around and slide approximately 30 feet closer to Maywood Avenue, then jacked up again and moved to its present  location. A new foundation was also added. It is interesting made at this time including the addition of a freight platform at the “new” rear of the station.

The Maywood, NJ Railroad Museum

The spot where Maywood Station was moved to originally included a passing siding where steam locomotives were stationed to be added, when necessary to help heavy freight trains on the several grades encountered heading west on the line. When the station was moved, the passing siding was cut back and one of the two switches was removed. The remaining trackage was then used to store freight cars, which were unloaded at the station. The siding started to the west of the station and ran 440 feet to near the rear freight platform of the station. The siding was last used in the early 1970’s and remnants of it can be seen today (Museum Station Museum).

In 1894, the approximate 1.1. square mile area that included Maywood Station, formerly part of Midland Township was incorporated as the Borough of Maywood. Also that year, the NYS&W expanded into western New Jersey and through its Wilkes-Barre & Eastern Railroad subsidiary, into the coal fields in the Pocono region of northeastern Pennsylvania. The rail line could now take a passenger from a ferry at New York City to a connection at Jersey City, NJ to almost Scranton, PA on its own rails. The added ease of transportation began to attract manufacturing to Maywood as well as a demand for new homes. In 1894, the total residents living in Maywood numbered approximately 300 but this was about to change (Maywood Station Museum).

New manufacturing and homes sprang up in the area surrounding the station and included such industry as Schaefer Alkaloids Company, Maywood Chemical Company and Maywood Art Tile Company. As these companies expanded so did Maywood’s population and by 1920 it numbered nearly 3000 (today Maywood has approximately 9,500 residents). The 1920’s also marked the height of passenger service provided by the NYS&W at Maywood Station. Thirteen passenger trains in each direction stopped at Maywood Station on a daily basis. Freight shipments continued to be delivered to the station and most of the local industry had their own rail sidings serving their plants. The NYS&W was enjoying a period of posterity and in 1920, a freight house addition was added to rear of Maywood Station and the exterior walls received a stucco finish over the existing boards and battens.

Stucco was in-vogue in the 1920’s and the NYS&W applied this material to several other stations on their line as well. In 1926, another round of various improvements were made at Maywood Station including the addition of interior men’s and women’s bathrooms, an 8-inch concrete floor installed to replace the wooden floor planking plus electrical and heating improvements. Unfortunately the Great Depression stuck in October 1929 and lasted well into the late 1930’s and the growth slowed dramatically.  In 1937, the NYS&W declared bankruptcy and shortly thereafter was spun off from its parent, the Erie Railroad, which had controlled it since 1898. Around the same time, Maywood Station’s bay window was removed due its deteriorating condition (Maywood Station Museum).

The newly independence NYS&W fought hard to survive and cut back certain services but at the same time tried innovative concepts like streamlined, self-propelled, rail passenger cars as a way of cutting costs while boosting efficiency. The railroad also quickly retired its steam locomotives and replaced them with more efficient diesel locomotives stating in 1941 and completed the program in 1947. During World War II, the fortunes of the NYS&W did improve with the wartime demands placed on America’s railroads. As in World War I, many of Maywood’s servicemen departed through Maywood Station, some never to return. By 1953, the NYS&W was solvent once again but only for a few more years. Faced with mounting losses from the passenger services it offered and America’s love affair with the automobile and a new interstate highway system, the railroad once again embarked on a period of reducing their passenger train schedules.

Losses continued and on June 30, 1966, the last passenger train called on Maywood Station as well as on the entire NYS&W, however the railroad continued to utilize the tracks at Maywood Station for their freight operations, which continues to prosper to this day. Shortly after the end of passenger service, the station was closed and was used by the NYS&W as maintenance base and for storage. Bill Spence served as Maywood Station’s last station agent. In the late 1970’s. Maywood’s Veterans of Foreign Wars (VFW) leased the station from the NYS&W to be used as a meeting hall. The VFW made a number of improvements including repainting the station, repairing cracked stucco, repairing the roof and maintaining the grounds. In the early 1990’s, the VFW moved out of the station and it remained unoccupied until June 2002, even thought the NYS&W attempted to lease it to another tenant during this period.

Faced with a pending order of demolition by the Borough of Maywood in early 2002 due to the deteriorating conditions of the station, a volunteer, 501C3 non-profit group named the Maywood Station Historical Committee Division of the New York, Susquehanna & Western Technical & Historical Society Inc. was formed on May 29, 2002 with a plan to restore the station and turn it into their museum. After several years of volunteer work to restore the station and create a museum, the group has successfully achieved their objectives and more, including placement of the station on both the National Register and State of New Jersey Register of Historic Places. The station now enjoys the notoriety as being one of the most impressive restoration projects and museum efforts to date in the State of New Jersey’s historical community (Maywood Station Museum).

I want to the thank the Maywood Station Museum for this interesting information and please check out their website at http://www.maywoodstation.com.

https://www.facebook.com/MaywoodStationMuseum/

Westwood Heritage Society Museum/Westwood Train Station Broadway and Westwood Avenue                                Westwood, NJ 07675

Westwood Heritage Society Museum/Westwood Train Station Broadway and Westwood Avenue Westwood, NJ 07675

Westwood Heritage Society Museum

Westwood Train Station

Broadway & Westwood Avenue

Westwood, NJ 07675

(201) 666-9682

http://www.westwoodheritage.org

https://www.facebook.com/hfwhalen/

Hours: The Second Saturday of every month; 10:00am-2:00 pm

Admission: Free

TripAdvisor Review:

I had visited the Westwood Heritage Society Museum during its one day opening in the month and no one was there to greet me. It seems that they closed at noon. I was able to walk around the train station’s main room and look around at all the old pictures of town, its history and the interesting facts of how the town grew

Westwood NJ Rail Station where the museum is located

The Westwood NJ Train Station is the home for the Westwood Heritage Society Museum

Many prestigious families of Bergen County, NJ have helped shape the town including members of the Demerest, Blauvelt, Wortendyke and Haring families. These early members of Bergen County Society have left their mark on the politics and construction of the current town. These names are part of the founding families of the town.

The sign in Veterans Park

There are displays of family life in town, life on the railroads, the history of how the railroad came to town, the growth of the town, residents of the town and a display on railroad conductor, Mr. Blauvelt himself.

There are many sets of pictures in the display cases and there is an on-going slide show of pictures on the main wall of the terminal showing the past and present of the town.

They let us tour the bomb shelter that is beneath the train station. This is interesting.

I recently toured the museum with my students on the second Saturday in November of 2022 and met with the members of the Westwood Heritage Society. They put all their displays out when the museum was open from 10:00am-12:00pm. There were some interesting things to see. There was the history of the businesses, schools, the fire and police department and town government. They had some interesting artifacts from Veterans of the Wars as well.

Displays of memorabilia at the museum

If you like the history of railroads into the new suburbs or are from Westwood and are interested in its history, this museum is worth coming to for the afternoon. Take time to walk along the tables and view all the artifacts. There are some interesting things to see.

The glassworks of Westwood

Some of the items from the veterans of foreign wars.

Artifacts from the railroad

The main building of the train station is always open during business hours, so you will have plenty of time to look at all the displays. If you get there on the second Saturday of the month, you might get to talk with a member of the Heritage Society. It only takes about an hour to see all the displays.

The history of the town is in all these notebooks

History:

The Westwood Museum, which is housed in the Westwood Train Station building, was established and held its ‘Grand Opening’ on Memorial Day of 2002.

The Museum serves as an exhibit gallery for the numerous artifacts of Westwood’s past and records of its history that have been acquired or compiled by the Society.

Westwood Heritage Society Museum III

Historic Westwood, NJ

The Historic Displays that line the walls on the history of the town:

Historic homes and businesses of prominent members of the Westwood community

Historic Homes of Westwood

Historic businesses in Westwood

Prominent residents of Westwood, NJ

Historic Downtown Westwood NJ

The commercial we created for the Downtown Westwood, NJ for Bergecco-Parc Consulting Inc.

The Project for “It’s Wonderful in Westwood, NJ-Be a Tourist in your Own Town”:

https://mywalkinmanhattan.com/tag/exploring-downtown-westwood-nj