Category: College Art Gallery and Museum

Hereford Inlet Lighthouse                                              111 North Central Avenue                                         North Wildwood, NJ 08260

Hereford Inlet Lighthouse 111 North Central Avenue North Wildwood, NJ 08260

Hereford Inlet Lighthouse

111 North Central Avenue

North Wildwood, NJ  08260

(609) 522-4520

http://www.herefordlighthouse.org

Open:

Mid May through October-Seven days a week: 9:00am-5:00pm

November through mid-May: Thursday-Sunday: 10:00am-1:00pm

*Days and hours may change without notice during these off-season months. Please call ahead to check on updates.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46686-d532246-Reviews-Hereford_Inlet_Lighthouse-North_Wildwood_Cape_May_County_New_Jersey.html?m=19905

The Hereford Lighthouse in the summer of 2023.

The front gardens of the lighthouse.

The front gardens of the lighthouse.

I visited the Hereford Lighthouse Museum recently (See my review on TripAdvisor) and toured the building and grounds. It was three floors of vintage furnishings, artifacts from the nautical era and the items from a working lighthouse, past and present.

The first floor meeting room.

The Living Room of the Hereford Lighthouse.

The Living Room of the Hereford Lighthouse.

There was an interesting display of ship wrecks and their history, the role of lighthouses in New Jersey and their past and an interesting storyboard of the lighthouse keepers and the families that lived there at all stages of the history of the lighthouse.

The shipwrecks of the Jersey coastline

The shipwrecks off the coast of New Jersey.

The Hereford Victorian Lighthouse Museum and Gardens is a working lighthouse as well as a museum. Visitors will learn about the historic structure’s history and get a glimpse into the life of a lighthouse keeper in the late 19th and early 20th centuries (Hereford Lighthouse Museum).

The Children who lived in the Hereford Lighthouse.

Nestled into one of the most scenic settings in the State, the lighthouse overlooks the picturesque Hereford Inlet and the Atlantic Ocean. A park surrounding the building overflows with numerous flower gardens that have won many awards. Benches, a gazebo and a seawall observation deck allow visitors to linger and take in all the beauty (Hereford Lighthouse Museum).

The seawall just outside the lighthouse.

There is a gift shop located on the first floor of the lighthouse.

History of the Lighthouse:

(from the museum website)

The Lighthouse sign welcomes you.

Historic and picturesque Hereford Inlet Lighthouse, a beacon of safety and assurance to the 19th century mariners, has become a cherished landmark for residents and visitors of this seashore resort community.

The Lighthouse is situated on the south side of the Hereford Inlet, which leads from the Atlantic Ocean to the famed Intra-Coastal Waterway linking Maine to Florida. First used by the 17th century whalers to haul in and butcher their catches, the Inlets use as a haven to mariners greatly increases as travel and shipping along the coast became more prevalent.

The front of the lighthouse and the front gardens.

Strong currents and shifting sandbars near the entrance to the Inlet caused frequent groundings and shipwrecks. Because of this, in 1849, a Life Saving Station was constructed along the south bank of the Hereford Inlet. A second, larger station replaced this in 1871, the time of the creation of the United States Life Saving Service. As the use of the Inlet and coastal shipping continued to increase, so did the number of shipwrecks. It became obvious that a Lighthouse was needed to mark the mouth of the Inlet.

On June 10th, 1872, Congress enacted legislation to finance the purchase of land and the construction of a fourth order Lighthouse. The site chosen held a prominent position on the dune area overlooking the approach to the Inlet.

The view from the top of the lighthouse.

Construction bean on the uninhabited barrier island on November 8, 1873 and was completed on March 30, 1874. This wood frame residential style Lighthouse was designed by the Lighthouse Boards Chief Draftsman, Paul J. Pelz. His Victorian era design is referred to as Swiss Carpenter Gothic and also Stick Style.

Hereford is the only Lighthouse like it on the East Coast although it had five sister lights on the West. Pelz designed Point Fermin, East Brother, Mare Island and Point Hueneme in California and Point Adams in Washington State. All of these were almost identical to Hereford and were built about the same time. Only Point Fermin and East Brother still exist. Paul Pelz would later garner world wide fame as the designer of the Library of Congress in Washington DC.

The view from the top of the lighthouse.

On May 11, 1874, a Notice to Mariners formally announced the start of operation of the Light. The fixed white light was located at latitude 39 degrees and longitude 74 degrees, 47 minutes. The tower height is 49 1/2 feet with the light elevation rising to 57 feet above sea level. The light is visible at a distance of 13 nautical miles.

John Marche was the first Lighthouse Keeper. He was in the post less than three months when he drowned when his boat capsized while returning to the mainland. He was replaced by a young man from Cape May Court House, Freeling Hysen Hewitt.

Freeling was a civil war veteran and a former merchant seaman. He would stay on as the keeper of the Light for the next 45 years. Freeling was considered a Pioneer of the island and among his many contributions, held the first formal religious services to occur in the Wildwood’s, in the Lighthouse parlor.

In 1888, a third larger Bibb#2 style Life Style Station was constructed three hundred feet Northwest of the Lighthouse. The Lighthouse Service and the Life Saving Service were both run by the Department of the Treasury but were separate organization. They were, however, both in the business of saving lives. The Lighthouse by warning and the Life Saving Service by rescue.

Hereford stood firm against the onslaught of the winds, rains and tides for 40 years at its original location. A severe storm in August of 1913 significantly damaged the foundation, requiring it to be moved westward 150 feet to where it sits today.

In 1915 the Coast Guard absorbed the duties of the U.S. Life Saving Service. A larger building was needed and in 1939 the modern Roosevelt Style Coast Guard Station was constructed. This Station also had a boathouse and a maintenance garage. These are the white buildings just north of the Lighthouse. 1939 was also the year that the Coast Guard took over control of the Lighthouse Service.

For the next 25 years the Hereford Lighthouse continue in operation. By the early 1960’s the Coast Guard began to automatize many of its many of its lighthouses. In 1964 this was the fate of Hereford when an automatic rotating modern optic was placed on an iron skeletal tower behind the Lighthouse. The Lighthouse was closed as was the Coast Guard Station next door. The entire property was transferred to the control of the New Jersey State Marine Police. The Police made use of the Coast Guard Buildings but the Lighthouse was boarded up and left to deteriorate for the next 18 years.

In 1982 through the long and painstaking efforts of Mayor Anthony Catanoso and his wife, Phyllis, a lease was signed Whereby the New Jersey Department of Environmental Protection turns over the stewardship of the Lighthouse to the City of North Wildwood.

The Children’s Room at the Hereford Lighthouse.

Restoration of the neglected building was immediately begun. After only ten months of intense work, on July 1, 1983, a portion of the restored building was opened to the public. Hundreds of public spirited citizens who helped raise funds for the restoration and contributed time, talent, energy and materials were on hand to celebrate the official reopening of the historic landmark for public use.

The Shell Collection in the Living Room of the Hereford Lighthouse.

In 1986, the modern automated light was removed from the iron tower and placed in the Lighthouse lantern room making it a fully functional aid to navigation once again.

Efforts were then begun to also create a museum in the Lighthouse. The interior of the building was furnished with period antiques, educational displays and lighthouse memorabilia. The 4th order Fresnel Lens was also restored and placed on display on the 2nd floor of the Lighthouse.

The Fresnel Lens at the Hereford Lighthouse

A project to improve the sandy, barren grounds into a park was undertaken by Superintendent of Parks Steve Murray, who designed the Park along with its many garden areas.

Finally an authentic restoration of the entire Lighthouse was begun in 1998 and as with many old, historic structures is always a work in progress. Grants awarded by the New Jersey Historic Trust and the N.J. Department of Transportation have helped finance this work.

The Hereford Lighthouse is listed on both the National and State Registers of Historic Places. It is also part of the New Jersey Coastal Heritage Trail.

The pictures of the Lighthouse Keepers over the years.

Keepers of The Hereford Inlet Lighthouse:

John Marche: 1874

John Nickerson: 1874

Freeling Hewitt: 1874-1919

William Hedges: 1919-1925

Laura Hedges: 1925-1926

Ferdinand Heizman: 1926-1939

Robert O’Neil: 1939-1942

George Baker: 1945-1955

Newman Bowden: 1955-1959

Bruce Bolon: 1960-1961

In the back of the Lighthouse is a wonderful set of gardens maintained by the local Garden Club.

The back gardens are beautifully maintained.

The back garden paths.

The back paths of the formal gardens in the back.

The paths leading to the seawall.

The lawns and gardens in the back of the lighthouse.

Disclaimer: This information was taken from the Hereford Lighthouse History website and I give the museum full credit for this information. Please call ahead before visiting in the off-season to see when the museum is open. It is a fascinating piece of New Jersey history.

Gallery of New York School of Interior Design:   NYSID Gallery                                                        170 East 70th Street                                                             New York, NY 10021

Gallery of New York School of Interior Design: NYSID Gallery 170 East 70th Street New York, NY 10021

Gallery of the New York School of Design; NYSID Gallery

170 East 70th Street

New York, NY 10021

(212) 472-1500

https://www.nysid.edu/exhibitions

https://www.nysid.edu/

Hours: Tuesday-Saturday: 11:00am-6:00pm/Closed on Sunday and Monday

Admission: Free

My review on TripAdvisor:

 New York School of Interior Design at 170 East 70th Street

I came across the Gallery of the New York School of design when walking the Upper East Side for my project, ‘MywalkinManhattan.com’ when covering the lower part of the Upper East Side.

The entrance to the Gallery

The New York School of Interior Design was displaying their Senior projects as most the college galleries I visited were doing at this time (this takes place between May and June around graduation time). It was interesting to see how the seniors at the college reused space in old buildings for new purposes. The seniors use their creativity to recreate these spaces. It is the student’s project to take a space and redesign it for a new purpose.

The entrance sign to the gallery

We had done similar projects in college but did not have the computer technology that students do today and they really went above and beyond the things we did back then. You can take this project into 3-D if you want and how real it looks. These kids are so talented that their creativity reminds me of us when we were in school. If only we had what they have today.

The Student Projects line the walls

Take time to look at the detail work and space design of each project. Some of the students even include samples of fabrics and stone/wood work that will be used for the surfaces.

The Gallery is located on the Upper East Side in the back of the school’s building on the first floor. The admission is free and the Gallery is open when the school is open. There are only two shows a year. You just have to show your ID to get into the galleries.

The student project along the walls

The student project along the walls

What I like about the museum is that you get to see the student creativity and how they imagine the space will be designed. The use of color and shape play a roll in all the designs. It looks like the students get to choose their own space to design.

The best part is the you get to go in for free with you ID and just enjoy the show and see the students creativity.

History of the Gallery/Museum at the College:

The New York School of Design’s gallery presents two public exhibits yearly on design and architecture. Exhibitions have included ‘Paris in the Belle Epoque’, rare photographs from the years 1880-1914; Perspective on Perspective, an exploration of artistic technique; ‘The Great Age of Fairs; London, Chicago, Paris, St. Louis’, selective coverage from the first World’s Fair in 1851 to the last in 1904; ‘Venice’s Great Canal’, architectural drawings of the buildings along the famous thoroughfare; ‘Stanford White’s New York’, a survey of that classicist’s many metropolitan buildings and ‘Vanishing Irish Country Houses’, a look into the preservation crisis facing these not infrequently grand structures.

The gallery’s Thursday-evening lectures have included ‘Palladio’s Villas’; ‘Beaux-Arts New York’ and a survey of the Grands Projects undertaken in Paris during the tenure of French President Francois Mitterrand.

(New York School of Interior Design Website)

The Hewitt Gallery of Art                       Department of Art & Art History/                        Marymount College Manhattan                                221 East 71st Street                                            New York, NY 10021

The Hewitt Gallery of Art Department of Art & Art History/ Marymount College Manhattan 221 East 71st Street New York, NY 10021

The Hewitt Galley of Art

Department of Art & Art History

Marymount College Manhattan

221 East 71st Street

New York, NY 10021

(212) 517-0400

http://www.mmm.edu/departments/art/the-hewitt-gallery-of-art.php

Admission: Free

Hours: Open when the building is open

My review on TripAdvisor:

https://www.tripadvisor.com/ShowUserReviews-g60763-d32972661-r994090482-The_Hewitt_Gallery_of_Art-New_York_City_New_York.html?m=19905

The entrance to Marymount College’s Carson Hall where the gallery is located.

I came across The Hewitt Gallery of Art when I was exploring the Upper East Side for my project, ‘MywalkinManhattan.com’ and found myself walking into the Department of Art & Art History on the Marymount Manhattan College campus.

The Hewitt Gallery on the Marymount Campus

The Hewitt Art Gallery:

The Hewitt Gallery of Art

In conjunction with the exhibitions, gallery receptions give students the opportunity to engage with professional artists, critics, collectors and curators. Many of the exhibiting artists are also guest presenters in our Art and Art History classes.

This small but unique gallery was showing the Senior Class’s Thesis Show where several members of the Senior Class were showing their final projects in the three hallways of the gallery. The students did a good job mounting their works and each was different in their own way, some pictures, some video, some painting. You got to walk through the first floor to admire the work and the best part was that the gallery was free.

The main gallery on the first floor

The student artwork in the back gallery

The Hewitt Gallery of Art, comprised of the Esplanade and the adjacent Black and White Galleries in Nugent Hall and Carson Hall, offers the Marymount Manhattan community exposure to professional artists and to the larger art world.

The Gallery is known in the New York art community as an alternative exhibition space showcasing contemporary art of emerging and mid-career artists. Innovative and challenging works of art reflecting a wide range of concerns and styles are presented in changing thematic exhibitions. Recent professional exhibitions have been ‘Altered States’, ‘Art & Politics: See it Now!’, ‘The Selfie & Others’, ‘Self-similarity in Math’, Nature and Art’ and ‘The Mind’s Eye: Sight & Insight’. The current exhibition that I visited in 2025 was “Echoing Identities” Light & Form”.

The Black and White Galleries

The Echoing Identities: Light & Sound exhibition

When I visited the Gallery in 2025, the Graduate students were exhibiting their Senior project and the show was entitled ‘Echoing Identities: Light & Form’. Each student explored their work with their own original pieces.

The entrance of the Gallery to the ‘Echoing Identities

The exhibition had many different mediums from cloth and textiles to sculpture and print. There was also a mixture of video and printed media.

The Mexican inspired works

The sign for Gray Laxton’s work

The works by artist Gray Laxton

The sign for artist Alyssa Rodriguez

The piece by artist Alyssa Rodriguez

The sign for Alice Linkh’s work and my favorite in the show ‘Alice and Compony’ based on a story that she created and a book her grandmother created for her based on the story she told her after a dream she had. I loved both the book and the art that was related to it.

The original artwork for ‘Alice and Company’:

The book Alice Linkh’s grandmother created

The book and artwork for ‘Alice and Company

I thought it was a cute story of a little girl who worked with animals to repair the moon when it was damaged. I thought it was a clever children’s dream that made an interesting story.

The room off to the side of the Gallery, the Black and White Gallery offers more contemporary works of the students.

The Black and White Gallery

The works of some of the graduating students

The sign for ‘Finding the Sun’ by artist Ethan Foley

The work ‘Finding the Sun’

One of the clothing art sculpture

The students did a great job on their final projects. Each student gave their perspective in a very original way.

History of the Museum:

The Hewitt Gallery of Art is a laboratory for and an extension of the pedagogy of the Art Department programs.

The Hewitt Gallery provides opportunities for art majors to gain first-hand experience in exhibiting their Senior Thesis projects, as well as having solo exhibitions in their spring semester. Juniors also exhibit in an annual group exhibition and students are able to curate and organize shows in conjunction with their mentors and the Gallery Director.

Americas Society Museum                                   680 Park Avenue                                                 New York, NY 10021

Americas Society Museum 680 Park Avenue New York, NY 10021

Americas Society Museum

680 Park Avenue

New York, NY 10021

(212)628-3200

https://www.as-coa.org/visual-arts/arts_americas_circle

https://www.as-coa.org/arts-culture-americas-society

Open: Wednesday-Saturday: 12:00pm-6:00pm/Closed Sunday-Tuesday
Varies with exhibitions

Admission: Free

http://www.as-coa.org/visual arts

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d548518-Reviews-Americas_Society-New_York_City_New_York.html

 The Americas Society Museum at 680 Park Avenue

I came across the Americas Society Museum when walking on Park Avenue on the Upper East Side for my walking project, “MywalkinManhattan.com”. I noticed the sign for the exhibition, “The Metropolis in Latin America 1830-1930”. The exhibition was on the transformation of cities in Latin America from their traditional path starting with Spanish colonization to a more European layout that was developed between the Revolutionary and Civil Wars with the ‘Gilded Age’ thrown in as the third generation of settlers became long time citizens and became more wealthy.

They wanted to live like they were still in Europe. It showed how the cities developed over time with planning and then with extended, unintended growth that lead to the outlaying slums. Very interesting exhibition (now closed).

Americas Society Museum II

A exhibition at the Americas Society Museum

In the summer of 2024, the museum had an interesting exhibition on artist Alejandra Seeber. Her colorful interactive works had some of the patrons playing golf inside of the galleries. I thought her work was vibrant and exciting. She draws you in with the bright invigorating colors and on the floor pieces of carpet whose colors lead your golf balls from hole to hole as you travel the exhibition.

The museum press release on the Alejandra Seeber exhibition:

The description of the show:

(from the museum’s website):

Americas Society presents the first solo exhibition and career survey of the Argentine artist Alejandra Seeber in New York, starting June 5. Seeber (b. 1969, Buenos Aires, Argentina) is a painter who centers representations of various spaces to explore the tension between representation and abstraction in painting. Seeber utilizes bold color and gesture to examine liminal spaces within built and domestic environments. Later work veers further into abstraction, implementing visual devices like Rorschach drawings or knit grids to structure the composition. 

My favorite painting in the show by Alejandra Seeber “La Bourgeoisie”

The sign of the painting

The exhibition  pairs these paintings with Seeber’s contemporary explorations of the built landscape with an installation. This survey of her work is organized around a playable golf course installed inside the gallery space in which visitors will be invited to play golf as they walk through the show. The golf obstacles become active sculptures in the exhibition, creating porous boundaries between artwork and audience. This playful environment manifests the explorations of edges, doorways, windows, and borders in the artist’s painting. As they play, visitors will be able to trace Seeber’s artistic trajectory and see how her interventions in the form and practice of painting continue to this day. 

The vibrance of the art with its colorful details

The interactive art in the gallery

The art golf course

History:

The Americas Society is an organization dedicated to education, debate and dialogue on the Americas and is located at 680 Park Avenue on the Upper East Side of Manhattan. The Americas Society was established by David Rockefeller in 1965. The Americas Society promotes the understanding of the economic, political and social issues confronting Latin America, the Caribbean and Canada; its mission is “to increase public awareness and appreciation of the diverse cultural heritage of the Americas and the importance of the inter-American relationship.

The buildings historical past as the Percy Rivington Pyne House

https://en.wikipedia.org/wiki/Percy_Rivington_Pyne_I

The Americas Society Building is listed in the National Register of Historic Places. The building was previously the Percy Rivington Pyne House before serving as the Soviet Mission to the United Nations until its current usage. along with the neighboring buildings of the Queen Sofia Spanish Institute and the Italian Consulate General, the house constitutes one of the few remaining unified architectural ensembles on Park Avenue. The Center for Inter-American Relations was later to be absorbed into Americas Society 1985.

Activities:

The Americas Society organizes interviews, speeches, podcasts, exhibitions, readings and musical performances at its headquarters and reports on Congressional updates and local events. Many events are held at the Salon Simon Bolivar, an expansive room in the building’s Neo-Federal style with wide windows, a 15 foot ceiling and wood-paneled and silk fabric walls.

Americas Society Museum III

An Exhibition at the museum:

The Americas Society produces the MetLife Music of the Americas (concert series) to showcase the diversity of styles and genres of music in the Americas. The concert series is held at the Society’s headquarters.

The Americas Society, together with Council of the Americas, produces the publication ‘Americas Quarterly’, a policy journal for the Western Hemisphere. The Americas Society also publishes ‘Review Magazine’, which was first founded in 1968. ‘Review Magazine’ is an English language journal for literature from Latin America, the Caribbean and Canada. ‘Review Magazine’ also helped support the first English translation of “One Hundred Years of Solitude” by Gabriel Garcia Marquez as well as other translations.

The Americas Society has also organized working groups on the topics of women’s empowerment and leadership. Cuba, energy policy, immigration, trade facilitation and Venezuela.

Americas Society Museum

Council of the Americas (COA)

Is the premier international business organization whose members share a common commitment to economic and social development, open markets, the rule of law and democracy throughout the Western Hemisphere. The Council’s membership consists of leading international companies representing a broad spectrum of sectors, including banking and finance, consulting services, consumer products, energy and mining, manufacturing, media, technology and transportation.

(This information was taken directly from Wiki and Americas Society publications)