Tag: Exploring New York City

Bronx Museum of the Arts 1040 Grand Concourse The Bronx, NY 10456

The Bronx Museum of the Arts

1040 Grand Concourse

The Bronx, NY 10456

(718) 681-600

http://www.bronxmuseum.org/

Open: Sunday 11:00am-6:00pm/Monday & Tuesday Closed/Wednesday-Saturday 11:00am-6:00pm

Fee: Free

My review on Tripadvisor:

https://www.tripadvisor.com/Attraction_Review-g47369-d312012-Reviews-Bronx_Museum_of_the_Arts-Bronx_New_York.html?m=19905

I recently had some time to visit the Bronx Museum of the Arts when I was visiting Yankee Stadium recently for a football game. The museum is right down the road on the Grand Concourse. It is an impressive little museum.

I had wanted to see the exhibit “Art Versus Transit: 1977-1987” by artist Henry Chalfant who had recorded the graffiti art on the subway cars during the late 70’s into the early 1980’s. This is before the subway investing in the new subway cars that could be cleaned by hosing them off.

“Art versus Transit: 1977-1987”

The art was interesting as it was an expression of the times just when Hip-Hop was becoming popular and the City was going through the financial crisis. The artist did a good job capturing the times. Not only do we see the art but the music and dance as well of the time.

Subway Art

The other exhibition that I saw was “The Life and Times of Alvin Baltrop” which displayed the artist’s interpreted that Gay Community and the beginnings of the AIDS crisis. It was an another interesting perspective of the times of New York City.

Mission and Background:

The Bronx Museum of the Arts is a contemporary art museum that connects diverse audience to the urban experience through its permanent collection, special exhibitions and education programs. Reflecting the borough’s dynamic communities. The Museum is the crossroad where artists, local residents, national and international visitors meet.

Today an internationally recognized cultural destination. The Bronx Museum of the Arts is committed to presenting new ideas and voices in a global context and making contemporary art a vital, relevant experience. For the past four decades, the Bronx Museum has presented hundreds of changing exhibitions featuring works by culturally diverse and under-represented artists from a spectrum of levels. Exhibition have investigated themes of special interest to the Bronx community while exploring the interplay between contemporary art and popular culture.

A permanent collection of over 2000 artworks in all visual media preserves and documents artists who are not typically represented within traditional museum collections by showcasing work by artists of African, Asian and Latin American ancestry, as well as artists for who the Bronx has been critical to their development. The Museum provides direct support to artists through Artist in the Marketplace, which nurtures the work of 35 emerging artists each year and providers professional development seminars culminating in a multi-site biennial exhibition and catalog.

The Museum’s education department empowers students from grades K-12 by offering a variety of programs that inspire academic proficiency visual literacy and critical thinking. Through the Group Visits Program, students are exposed to the Museum’s works during single-session tours lead by teaching artists. Through In-School Partnerships. Museum educators work with school teachers to encourage scholastic excellence through the application of arts education techniques in addition, the Museum’s Teen Council Program helps Bronx high-school students build applied arts and media skills as they create a variety of visual and text-based materials.

(Bronx Museum of the Arts Mission-Website)

History:

The Museum opened on May 11, 1971, in a partnership between the Bronx Council on the Arts, which was founded in 1961 and the Metropolitan Museum of Art. The opening coincided with a borough-wide “Bronx Day” event. The first exhibit consisted of 28 paintings from the Met’s collection. The Museum was first housed in the first floor rotunda of the Bronx County Courthouse. Additional galleries were located in the Bronx’s Co-op City, Bedford Park and Allerton neighborhoods. In its first 12 years of operation, the museum held over 350 exhibitions.

In 1982, the city purchased a vacant synagogue at 165th Street and the Grand Concourse as a new location for the museum. The new location opened to the public in May 1983 in conjunction with “Bronx Week”, which succeeded “Bronx Day”. The new space was inaugurated with an exhibition of twentieth artwork. It consisted of paintings, photographs and prints borrowed from the Met.

In February 2004, construction began on a $19 million expansion project that doubled the museum’s size 33.000 square feet. The expansion opened in October 2006. In 2008, a arts center was added to accommodate educational programs for local schoolchildren and their families. The Museum no longer charges fees since 2012.

The Bronx Museum of Art and its additions

The original design was by Simon B. Zelnick in 1961 and the extensions were designed by Castro-Blanco, Piscioneri & Feder in 1988 and a second addition in 2006 by Arquitectonica.

(The Bronx Museum WIKI)

Day One Hundred and Twenty Eight-The Victorian Christmas Walking Tour of the Ladies Shopping Mile with the Cornell Club December 15th, 2018

To all of you history buffs and readers who like architecture, take this Victorian Walking Tour I took last Christmas. It really shows how the City keeps changing.

Ladies Shopping Mile in it’s heyday

The Ladies Shopping Mile today

The beauty of the architecture of these stores. This is the Adams Dry Goods store.

mywalkinmanhattan

On Saturday, December 15th, I met with other members of the Cornell Club to travel back to the Victorian Era and learn about the traditions of the Christmas past. We explored the Gramercy Park, Union Square and lower Sixth Avenue sections of the City to visit where a New York Victorian Christmas would be celebrated and honored.

We would be walking the old “Ladies Shopping Mile” that had been built up right after the Civil War when the disposable income for Middle and Upper Middle Class residents had increased after the Civil War and people wanted to spend their money at the newly built department stores, shops and restaurants. The Industrial Revolution was in full swing and shopping had changed with the development of the department store.

The tour took us past brownstones, parks, restaurants and old department stores that line the streets of Manhattan between East and West 21st Street…

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Institute for the Study of the Ancient World/ New York University 15 East 84th Street New York, NY 10028

Institute for the Study of the Ancient World/New York University

15 East 84th Street

New York, NY 10028

(212) 992-7800/Fax (212) 992-7809

http://www.isaw.nyc.edu

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d1572637-Reviews-Institute_for_the_Study_of_the_Ancient_World-New_York_City_New_York.html?m=19905

I just happened to stumble across this museum on the way back from the Metropolitan Museum of Art and saw that they were having an exhibition entitled “A Wonder to Behold: Craftsmanship and the Creation of Babylon’s Ishtar Gate”. The exhibition is on the craftsman who created the ‘Ishtar Gate’ and the ‘Processional Way’ in the Ancient City of Babylon.

Glazed brick art from the ‘Processional Way’

The small exhibition contains many examples of clay bricks that were used to build the decorative walls and pathways, artwork from the ‘Processional Way’ were displayed as well as smaller decorative art pieces from the time period.

Some of the works in the exhibition

The exhibition also showed tablets from the time period, information on the digs on the site of Babylon and some of the recorded history of the civilization.

There are interesting tablets on display

For two small rooms of gallery space, the Institute for the Study of the Ancient World covers a lot of information on the time period. One nice thing about the museum is that you can see the whole exhibit in less than an hour and they do have a very nice gift shop.

The History of the Museum:

The Institute for the Study of the Ancient World is a center for advanced scholarly research and graduate education, which aims to encourage particularly the study of the economic, religious, political and cultural connections between ancient civilizations. It offers both doctoral and postdoctoral programs with the aim of training a new generation of scholars who will enter the global academic community and become intellectual leaders.

In effort to embrace a truly inclusive geographical scope while maintaining continuity and coherence, the Institute focuses on the shared and overlapping periods in the development of cultures and civilizations around the Mediterranean basin and across central Asia to the Pacific Ocean. The approaches of anthropology, archaeology, geography, geology, history, economics, sociology, art history, digital humanities and the history of science and technology are as integral to the enterprise as the study of texts, philosophy and the analysis of artifacts. The Institute’s Director and permanent faculty determine particular directions of research but both historical connections and patterns as well as socially illuminating comparisons will always be central to its mission.

The public presence matches its vision, engaging both the public and scholars worldwide in the work and findings of its scholarly community. Exhibitions, public lectures, publications, digital resources and other programs reflect the Institute’s ideal of study that bridges disciplines and ancient peoples.

The creation of the Institute for the Study of the Ancient World at New York University has its roots in the passion that Shelby White and Leon Levy had for the art and history of the ancient world, which led them to envision an Institute that would offer an unshuttered view of antiquity across vast stretches of time and place. It was founded in 2006 with funding from the Leon Levy Foundation.

Areas of specialty among the museum’s faculty include the Greco-Roman world, the Ancient Near East, Egypt, Central Asia and the Silk Road, East Asian art and archaeology, Late Antiquity and the early Middle Ages, ancient science and digital humanities.

Disclaimer: This information was taken from the museum’s website and I give them full credit for it.

Cooper-Hewitt Smithsonian Design Museum 2 East 91st Street New York, NY 10128

Cooper-Hewitt Smithsonian Design Museum

2 East 91st Street

New York, NY 10128

(212) 849-8400

Home

Open: Sunday-Saturday 10:00am-6:00pm

Fee: Adults $18.00/People with Disabilities & Seniors $10.00/Children Under 18 Free/Students $9.00. Check the prices online as they change.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d106188-Reviews-Cooper_Hewitt_Smithsonian_Design_Museum-New_York_City_New_York.html?m=19905

The Second Floor Design floor

I recently visited the Cooper-Hewitt Smithsonian Design Museum for the first time. I can’t believe that all those years visiting the Met just down the road I had never stopped in the museum to take a peak. I went into see the “Nature-Cooper Hewitt Design Triennial” exhibition that was showing on all three floors of the museum. It was an interesting look on how nature plays a role in design and there is a beauty in the unusual shapes and colors that nature provides us.

Third Floor studio

The first floor was composed of design found in nature. You will see blood samples that move and shiver, electric movements and the role of it in nature and how plants and animals can be shown in simplest terms. On the second floor, you will see the prints in clothing and in home décor and see how color and design enhance beauty in an every day environment. The third floor will show more home décor and design objects.

The First Floor Elements

What is unique about the museum is how the mansion was converted into display areas and the use of the interior was blended into fabric of the museum. Take time to look at the areas around the staircases to admire the ceiling and the walls. It must have been a very grand home in its day.

The stairs of the mansion

Purpose of the Museum:

The Cooper Hewitt Smithsonian Design Museum is a design museum located in the Upper East side’s Museum Mile in Manhattan. It is the only museum in the United States devoted to historical and contemporary design. Its collections and exhibitions explore approximately 240 years of design aesthetic and creativity. In June 2014, the museum changed its name from Cooper-Hewitt, National Design Museum to Cooper Hewitt, Smithsonian Design Museum and reopened to the public that December (Wiki).

History of the Museum: (Provided by Wiki)

The Cooper-Hewitt Museum was founded in 1896. It was originally named Cooper Union Museum for the Arts of Decoration and it fell under the wing of the Cooper Union for the Advancement of Science and Art. In 1895, the granddaughters of Peter Cooper, Sarah Cooper Hewitt, Eleanor Garnier Hewitt and Amy Hewitt Green, asked the Cooper Union for a space to create a Museum for the Arts of Decoration. The museum would take its inspiration from the Musee des Arts Decoratifs, Paris. The museum would serve as a place for Cooper Union students and professional designers to study decorative arts collections. Cooper Union trustees provided the fourth floor of the Foundation Building. It opened in 1897. It was free and open three days a week (Wiki).

The museum and the art school started to distance themselves from on another in regards to programming. Other departments of the Cooper Union were making financial demands and the Cooper Union announced that they would close the museum. This led to the museum being closed on July 3, 1963. Public outcry was strong against the closing. A committee to Save the Cooper Union Museum was formed by Henry Francis Du Pont (Wiki).

The American Association of Museums developed a case study about the future of the museum. Negotiations then began between the Cooper Union and the Smithsonian Institution. On October 9, 1967, Smithsonian Secretary S. Dillon Ripley and Daniel Maggin, the chair of the Board of Trustees signed an agreement turning over the collection and library of the museum to the Smithsonian. On May 14, 1968, the New York Supreme Court transferred to the Smithsonian and the museum was renamed the Cooper-Hewitt Museum of Design. The following year, 1969, it was renamed as the Cooper-Hewitt Museum of Decorative Arts and Design. In October of that year, Lisa Taylor became the Director (Wiki).

The museum, which was the first Smithsonian museum outside of Washington DC, moved to its home at the Andrew Carnegie Mansion in 1970. The Mansion was renovated and the museum opened to the public on October 7, 1976 with the exhibition “Man transFORMs”. A conservation laboratory was opened in July 1978. The Samuel H. Kress Foundation funded the lab and it focuses on textile and paper conversation. Lisa Taylor retired in 1987 and in 1988 Dianne H. Pilgrim took her place as Director. In 1994, the museum’s name was changed again to Cooper-Hewitt, National Design Museum. Pilgrim retired from the museum in 2000. In 2000, Paul W. Thompson became Director. On June 17, 2014, the museum’s name was changed again to Cooper Hewitt, Smithsonian Design Museum. A new graphic identity, wordmark and new website was launched on this day. This identity was designed by Eddie Opara (Wiki).

The building is located in the Andrew Carnegie Mansion. The Georgian style mansion was built over the course of years 1899 to 1902 and has sixty rooms. The home served as not only the home for Andrew Carnegie, his wife and daughter but also as his office for his philanthropic work after his retirement. The mansion was designed by Babb, Cook & Willard. It was the first private residence in the United States to have a structural steel frame. It was the first home in New York to have an Otis elevator (Wiki).

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