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World War II Lookout Tower Museum & Memorial Sunset Boulevard Lower Township near Cape May Point, NJ 08204

World War II Lookout Tower Museum & Memorial

Sunset Boulevard

(609) 884-5404/(800) 275-4278

http://www.capemaymac.org

Open: Sunday-Saturday 10:00am-4:00pm

Fee: Adults $6.00, the first child free with paying adult and the next child $3.00 (3-12)/Veterans $3.00/Active Military Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g46341-d2256593-Reviews-World_War_II_Lookout_Tower-Cape_May_Cape_May_County_New_Jersey.html?m=19905

The Lookout Tower from Sunset Beach

The World War II Lookout Tower Museum & Memorial is an interesting look of how our armed forces used these towers to watch the coastlines for U-boats and enemy ships during the war. Several German submarines were spotted along the coasts of New York and New Jersey during the war and the threat of attack was uncertain. As the war progressed on though, we found that this was a war being fought in the air and these towers were actually obsolete by the end of the war.

The World War II Tower

The tower is very interesting and very easy to climb. Don’t let the height fool you, there are only about a 100 stairs with landings on all three levels with displays on them.

The bottom level has a gift shop and display pictures of the history of the tower. The second level has shots of veterans of the wars before when the were enlisted and today (when they were much older). There were a lot of local veterans to the Cape May area.

World War II Tower pictures

The top level was manned by a docent who talked about the history of the tower, provided pictures of the area before and after World War II and the role it played during the war. She discussed the only ship attack since Pearl Harbor was right off the coast of New Jersey as well as the ‘Blackouts’ that were conducted in town to stymie any attacks.

World War II Tower

Take time to look over all the displays and pictures and the role Cape May had in the war to help protect the East Coast.

History of the World War II Lookout Tower Museum & Memorial:

Why is Fire Control Tower No. 23 administered by the Mid-Atlantic Center for the Arts & Humanities (MAC):

Like the Cape May Lighthouse, Fire Control Tower No. 23 is owned by the State of New Jersey (specifically the Department of Environmental Protection Division of Parks). As was the case with the Lighthouse, the State lacks the funds to restore and operate these historic structures. Instead it has leased them to the area’s leading cultural and historic preservation organization, the Mid-Atlantic Center for the Arts & Humanities (MAC). Founded in 1970, MAC saved and restored the 1879 Emlen Physick Estate and operates it as Cape May’s only Victorian house museum. Starting in 1986, MAC spent 15 years (and some $2 million) on the restoration of the Cape May Lighthouse.

In 2004, MAC signed a 20 year lease for Fire Control Tower No. 23. After raising one million dollars (from the New Jersey Historic Trust, the Casino Reinvestment Development Authority, a Small Cities Block Grant administered by the New Jersey Department of Community Affairs and Lower Township and a Save America’s Treasures Grant administered by the U.S. Department of the Interior), MAC restored the Tower in 2008-09 and opened it to the public in April 2009. MAC is also mounting permanent Memorial Plaques in the Tower that will allow family members to honor veterans of any war or engagement.

(This information was taken from the World War II Lookout Tower pamphlet proved by the Mid-Atlantic Center for the Arts & Humanities)

Was Fire Control Tower No. 23 used for spotting fires?

No, it was used for spotting enemy ships during World War II and aiming guns to fire on them.

This Fire Tower was part of Fort Miles. So, where was Fort Miles anyway?

Fort Miles was never a building. It was a number of fire control towers, gun batteries plus barracks and support buildings on both sides of Delaware Bay. By World War II, the military used a spread-out series of towers and batteries, whose firing ranges overlapped to protect a large territory. Its largest guns and headquarters were located on the Delaware side (in what is now Cape Henlopen State Park), since the shipping channel hugs the Southern shore of Delaware Bay.

Were there any other Fire Control Towers?

Yes, there were originally 15 concrete fire control towers, 11 on the Delaware side and four here in New Jersey. Of the four in New Jersey, the ones in North Wildwood and Wildwood Crest have been destroyed, while the one on Beach Avenue in Cape May has been engulfed by the Grand Hotel (with only its top visible, sticking above the roof). One of the towers in Cape Henlopen State Park in Delaware has been restored and opened to the public.

Were there any naval battles in the Delaware Bay?

No. German submarines sank many merchant vessels off the coast of Cape May but no German ships ever got up the Delaware River to attack the Philadelphia Navy Yard, Philadelphia or Camden.

Was Fire Control Tower No 23 built here or prefabricated?

The Fire Control was built here in June, 1942 by using a sliding tube shaped form. A ring of reinforced concrete was poured. When that solidified, the form was slid up and more concrete was poured. The whole Tower was formed this way except for the top, which required a form of its own. The whole process took only two and a half days.

Was the Cape May area important during World War II?

Yes, the Cape May area was a beehive of military activity during World War II. Cape May harbor had a Naval Air Station, a Coast Guard base and an airport. Naval Air Station Wildwood (where the County Airport is now) trained aircraft carrier pilots. Cape May Shipbuilders on Wilson Drive, where the Cape May Whale Watcher is now, built Navy tugboats and dredges. The Northwest Magnesite plant, which made an ingredient used in firebricks for steel mills, was located across Sunset Boulevard from Fire Control Tower No. 23.

(This information was taken from the World War II Tower pamphlet and I give them full credit for it.)

Firefighting Museum of Dutchess County P.O. Box 2435 Poughkeepsie, NY 12601

Firefighting Museum of Dutchess County

(Antique Firehouse & Firefighting Museum)

P.O. Box 2435

Poughkeepsie, NY 12601

https://dchsny.org/firemuseum/

https://www.facebook.com/DutchessCountyFirefightingMuseum/

My review on TripAdvisor:

The new home of the Dutchess Firefighting Museum at the Dutchess County Fairgrounds

I recently visited the Dutchess County Fair in August of 2024 and discovered that they finally built the new Firefighting Museum of Dutchess County in the Century Village complex of the fairgrounds. This will only be open when the fairgrounds are open. It replaced the tent display that had been part of the fair since 2022.

The old tent museum that was a temporary display

The Firefighting Museum of Dutchess County (Dutchess County Firefighting Museum) is finally open and houses all the memorabilia and artifacts for fire companies all over Dutchess County. I met fire fighters from companies all over Dutchess County who are dedicated in showing the history of their departments and of fire fighting over the years. The museum had just opened in August 2024 so all the displays have not been mounted yet. They should be ready for future events at the fairgrounds.

The firefighting equipment of the museum visited by many firefighters from the area and their families

The Dutchess County Fairgrounds Management had proposed to build them a new building on the Fair Grounds with the stipulation that it remain open when the fair grounds are being used and closed when they are not being used. It will be part of the Century Museum Village & Collectors Association to include a reproduction of a late 19th Century firehouse and museum of firefighting memorabilia.

Firefighting artifacts at the front of the museum

The Parade Celebration cart with uniform for parades.

Firefighting artifacts at the new museum

The antique firehouse will join the Pleasant Valley Railroad Station, the Mount Ross Schoolhouse, the Washington Hollow Fair Judging Gazebo and the Century Museum.

Dutchess County Firefighters Museum logo

The new museum has an interesting combination of equipment, medals, horns and firefighting objects from the 1800 and 1900’s. It really is an interesting way to see how firefighting from the past relates to today and how much really has not changed. There were three different pieces of equipment on display: an old Ladder Truck from the 1890’s, a pumper from 1902 and an old hose bed that must have been around 1896.

The Pine Plains FD Ladder Truck

The old pumper on display

The handheld hose bed

There were old fire horns used long before traditional fire whistles and modern pagers, firefighting ribbons and awards, old buckets and hoses for moving water and lots of pictures of old fires. The members were explaining to me that they take the objects out at all sorts of town and county functions to promote the museum.

Old Fire Medallions from the old fire insurance days when these were placed on the houses

The roll call of fire fighting in Poughkeepsie, NY

The Gamewell Fire Alarm System

History of the Dutchess County Firefighting Museum:

(from the museum pamphlet)

The Dutchess County Agricultural Society Inc. (DCAS) and the Century Museum Village & Collectors Association will be growing The Antique Village, located on the Dutchess County Fairgrounds which will include a reproduction of a late 19th Century Firehouse and museum of Firefighting memorabilia.

Firehouse artifacts in the museum

The Antique Firehouse will join the Pleasant Valley Railroad Station, the Mt. Ross Schoolhouse, Washington Hollow Fair Judging Gazebo and the Century Museum.

This grouping of special buildings on the Fairgrounds has been dedicated to preserving life in the late 1800’s in Dutchess County and sharing it with the over 500,000 visitors to the Dutchess County Fairgrounds over the course of the year.

The awards of the fire service from the old museum that will be displayed at the new museum soon

The Firehouse Project Research and artifact collection is underway, and the Fairgrounds is committed to adding to Dutchess County’s Fire Service history.

The project cost is $300,000 and was raised from funds all over Dutchess County, NY. This year’s fair the association was proud to open this museum as part of the Century Village on the fairgrounds.

The history of the Dutchess County Fire Service on video.

Special Firefighting “Coins” have been minted commemorating different fire stations, historic Dutchess County firefighting events and the dream of the Antique Fire Station and Museum. You can be a part of this exciting project by purchasing coins or making a tax-deductible donation.

The fire truck in front of the museum at the Dutchess County Fairgrounds

Disclaimer: This information is taken directly from the Antique Firehouse & Firefighting Museum of the Dutchess County Fair Grounds, and I give them full credit for it. The above picture is of the original proposed design for the museum and will be changed once the new building is built.

The new museum will house many more exhibitions in the future

Ukrainian Institute of America 2 East 79th Street New York, NY 10021

Ukrainian Institute of America

2 East 79th Street

New York, NY 10021

(212) 288-8660

https://ukrainianinstitute.org/

Open: Sunday 12:00pm-6:00pm/Monday Closed/ Tuesday-Saturday 12:00pm-6:00pm

Fee: Adults $8.00/ Seniors $6.00/ Students with current ID $4.00/Children under 12 Free/ Members Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d5953575-Reviews-Ukrainian_Institute_of_America-New_York_City_New_York.html?m=19905

The Ukrainian Institute of America at 2 East 79th Street

I was really impressed by the Ukrainian Institute of America on a recent visit. I must have passed this building a hundred times on my way to the Metropolitan Museum of Art and never thought twice of it. I was sorry I did as you will miss a lot by not walking in. The galleries are really impressive and the main gallery on the bottom gives you an interesting look at the history of the Ukrainian.

The first floor gallery discusses the formation of the country, a bit about its history and its ties to Europe and to Russia, its religious past and the current state of affairs of the country including its recent split of the eastern sections of the country and Crimea to Russia. Its a country in turmoil considering they want to join the European Union. It is a country in flux and on the cusp of entering the 21st Century with some of its past still tugging at it. Like all countries, it will prevail on the will of it’s people. There is a lot of solid history here and a country ready to enter its future.

The artwork of artist Vasyl Diadyniuk

The second and third floor galleries are full of art work from Ukrainian artists that is on sale and each of the galleries is dedicated to certain artists selling their works at somewhat hefty prices. Still you get to see the developments of the artists both here and abroad.

The forth floor is dedicated to special exhibitions. There are two shows going on now. One is by artist Vasyl Diadyniuk and another show is by artist Alexander Archipenko.

The artwork of artist Alexander Archipenko

The Museum has an interesting history.

Ukrainian Institute of America History:

The Ukrainian Institute of America Inc. is a non-profit organization whose primary mission is to showcase and support Ukrainian culture. To that end, the Institute affords the general public an opportunity to learn about Ukraine and how the Ukrainian spirit expresses itself, with special emphasis on the creative arts.

Founded more than fifty years ago by William Dzus, a prominent Ukrainian industrialist and philanthropist, the Institute sponsors:

*Art exhibitions

*Music concerts

*film screenings

*theater presentations

*Poetry readings

*Lectures and symposia

*Educational programs

*Children’s events

*Documentation center

The history of the building:

The building that is home to the Institute, the National Historic Landmark Harry F. Sinclair House is one of the few remaining examples of the splendid mansions that prominent citizens of New York City built in the 19th Century. The mansion was built in 1897 for Isaac D. Fletcher, a wealthy banker and broker, by the architect C.P.H. Gilbert. Executed in Gothic Revival style, the building is richly decorated with intricate crockets, carvings, moldings, pinnacles and other exquisite details. Six stories high, partly surrounded by a dry moat, the Institute features stately rooms that are magnificently proportioned and lavishly finished (Institute History).

The C.P.H. Gilbert house

In 1887, manufacturer, Isaac D. Fletcher, commissioned famed Gilded Age architect, C.P.H. Gilbert to design the mansion. When Mr. Fletcher died, left this mansion and his art collection to the Metropolitan Museum of Art, which sold it to Harry F. Sinclair, founder of Sinclair Oil Company and also famous for his involvement in the Teapot Dome affair. The last private owner was Augustus Van Horne Stuyvesant Jr., the last descendant of Peter Stuyvesant, who was the first governor of New Amsterdam, today’s New York City bought the house in 1930 and lived here with his sister, Anne. The house was sold as part of the estate when Mr. Stuyvesant died in 1953. The Ukrainian Institute of America acquired the mansion in 1955 (Institute History).

A key goal of the Institute is to continue to preserve this extraordinary fragment of the city’s history for the benefit of all citizens of New York. The house still retains its wooden moldings and the house looks as if its residents just moved out.

Museum of Arts & Design (MAD) Jerome and Simona Chazen Building 2 Columbus Circle New York, NY 10019

Museum of Arts & Design (MAD)

Jerome and Simona Chazen Building

2 Columbus Circle

New York City, NY 10019

(212) 299-7777

Open: Sunday 10:00am-6:00pm/Monday Closed/Tuesday-Saturday 10:00am-6:00pm

Fee: General $16.00/Seniors $14.00/Students $12.00/ Members Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d524927-Reviews-Museum_of_Arts_and_Design-New_York_City_New_York.html?m=19905

I recently visited the Museum of Arts & Design for the “Too Fast to Live, Too Young to Die: Punk Graphics 1976-1986” exhibition on the rise of Punk and New Wave music that came onto to the radar during the end of the Vietnam War to the Second Reagan Administration. I remember how the music was changing from folk and funk to the beginnings of ‘Underground’ music and then the rise of the Disco era.

The posters of ‘Punk Graphics’

The exhibition displayed all the posters and flyers from the clubs like the Mudd Club, CBGB’s, Max’s Kansas City and Danceteria when they were in their heyday. Groups that were included in the exhibition were such known names as DEVO, The Talking Heads, Blondie, Richard Hell and The B52’s. This was at a time of collages and photocopying so the posters and flyers could be rudimentary but made their point. It got people into the door.

It was also a time that graffiti artists could show their work off and integrated themselves into the music scene. So it is a nice combination of music, video and pictures. Take time out to listen to the songs and really look at the pictures at the music leaders at the time. It really does capture a moment in history.

‘Punk Graphics’

I also got to see the Roger Brown exhibition of paintings and ceramic work which bought to light the artists paintings along with items that he found over the years to match with his work. It was different.

The latest exhibition running through the holidays and into the new year of 2020 is the Anna Sui, the American designer, exhibition with a retrospect of her work over the last twenty years.

Designer Anna Sui at the opening of the exhibition of her work

Ms. Sui’s works can be labelled as Grunge, Surfer, Street Wise and Classic. The exhibition covers her clothing line, jewelry and accessories and extensive cosmetic line. When I was taking the walking tour of the exhibition, the docent said that she was involved in every aspects of her business as well as the runway shows. It was a unique display of her work over her career.

History of the Museum of Arts & Design:

The museum first opened its doors in 1956 as the Museum of Contemporary Crafts whose original mission of recognizing the craftsmanship of contemporary artists. Nurtured by the vision of philanthropist and craft patron, Aileen Osborn Webb, the museum mounted exhibitions that focused on the materials and techniques associated with craft disciplines. From the earliest years, the Museum celebrated the changing roles of craftsmanship in society, served as an important advocate for emerging artists and linked art to industry (Wiki).

From 1963 to 1987, under the directorship of Paul J. Smith, the Museum presented dynamic and often participatory exhibitions that reflected the social currents of the era and broke down hierarchies in the arts with the celebration of popular culture and mundane materials. In 1979, the Museum reopened as the American Craft Museum in an expanded location at 44 West 53rd Street. To accommodate its ever-growing programming, the Museum relocated again in 1986 to its 18,000 square foot home at 40 West 53rd Street, where it remained until 2008 (Wiki).

The next ten years were a period of rapid growth and change as the American Craft Council was restructured and the Museum and the Council were established as independent organizations. Holly Hotchner was appointed as director of the Museum in 1996 and served as director for 16 years until 2013. Hotchner initiated a comprehensive strategic planning process that expanded the Board of Trustees, curatorial staff and exhibition and educational program. This process led to the Museum’s name change in 2002 to the Museum of Arts & Design to reflect the institution’s increasingly interdisciplinary collections and programming. The continued growth of MAD’s collections, public programs and attendance resulted in its successful 2002 bid to the New York Economic Development Corporation to acquire the building at 2 Columbus Circle (Wiki).

The Museum opened in its new home at 2 Columbus Circle to great controversy. The purposed changes to the building originally designed by Edward Durrell Stone sparked a preservation debate by many artists. The new building was designed by Brad Cloepfil of Allied Works Architecture in September 2008. With its facade of glazed terra-cotta tile and fritted glass, the Jerome and Simona Chazen Building reflects MAD’s craft heritage and permanent collection and animates Columbus Circle (Wiki).

The new Brad Cloepfil Building

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