The Old Paramus Reformed Church at 660 East Glen Avenue
I have toured the Old Paramus Reformed Church at 660 East Glen Avenue in Ridgewood, NJ many times during the year. I have been on cemetery walks and talks during the summer. I have had Christmas services at the church during the Epiphany. I have also toured the grounds during Halloween when the Ridgewood Historical Society had lead tours at the church.
Signage from Route 17
During the Christmas holiday season I was so busy that I was not able to visit my local church. So when I was able to celebrate the Epiphany, I visited the Old Dutch Reformed Church in Ridgewood, NJ. The Church is one of the oldest in both Bergen County, NJ and the State of New Jersey. It is especially beautiful during the holidays. I love coming here because it just reminds you of Christmas and what a church should look like during the holidays. It looks like a Currier & Ives woodcut during the holiday season. The congregation does a nice job decorating it.
The entrance to the Old Paramus Reformed Church at Christmas time
It really was a nice service with music, the choir singing Christmas hymns and a bell service. It reminded me of my years at the Dutch Reformed Church in Woodstock, NY when I celebrated Christmas there. The whole church was decorated in holly and garland with Christmas trees in the corners and white candles lit in the corner.
The entrance of the church in 2023 for Epiphany services.
The Inside of the Old Paramus Reformed Church for the Epiphany holidays in 2023.
The interior of the church during Epiphany services 2022
The start of the Epiphany Services January 8th, 2022
The Choir singing during church services at the Epiphany services
The beautiful decorations at Christmas time at the Paramus Reformed Church
The Front Alter with the Poinsette tree.
The Poinsette tree at the Alter.
What I liked after the service was over was that everyone walked up to me to greet me. I was one of the younger people in the church and I guess that they were happy to see some young blood. The congregation is so welcoming as I think they want newer members to join and I have to say that the services there are very inspiring and though provoking.
The outside of the church during the Epiphany in 2023. It looked like it was out of a Currier & Ives woodcut.
The doorway of the church at Christmas time.
I find that message very positive and very contemporary in an environment that may seem old-fashioned to some. It is called manners, curtesy and a sense of spiritualism that is lacking in the world today. They make the church so welcoming again.
Paramus Reformed Church at nighttime during Christmas 2022
Paramus Reformed Church during night time Christmas services
Nativity scene at the Paramus Reformed Church during Christmas 2022 at night
The Nativity scene during the day
The services there are very nice and I thought the church with its wooden benches and older architecture made the service even more special. It was a combination of the decoration, the music, the songs and the friendliness of the congregation that made the last day of the 12 Days of Christmas special for me.
This church makes a statement when passing it on Route 17 South.
I visited in 2024 the Easter service which was a nice change of pace. I really liked the service of the Reformists and the Reverend here is super nice and very inspirational.
The Choir preparing for the Easter Mass in 2024.
The beautiful flower assortment at the church during the Easter service.
The floral cross on Easter 2024 during the church service.
I had also been to the church a few years prior for a private cemetery walk through the back part of the church looking at the old tombstones, The church is the burial place of many of Bergen County’s original settlers so the headstones are very old. Some of the tombstones were made of sandstone and the other of shale. Many had not survived the weather after all these years.
The cemetery at the Old Paramus Reformed Church is an interesting place
The interesting part of the pre-Halloween walk was that the tour guide from the Ridgewood Historical Society told us the reason the cemetery was shaped the way it was today. The cemetery was placed around the original church and when the new church was built in 1800, the newer part of the cemetery was created. It is interesting to walk amongst the graves and look at all the names of the original families of Bergen County that included the Haring’s, Zabriskie’s, Terhune’s, Blauvelt’s, Van Ripper’s and Demarest’s.
The cemetery at the Old Paramus Reformed Church
The cemetery guide at the Old Paramus Reformed Church
If you get a chance to tour the church or the grounds you will know the reason why this is such a special church. Maybe it was the church’s rich history in Bergen County. It is a really special place during all the holidays.
I returned to church services for the Epiphany in 2025 and I always enjoy the welcoming service and the choir at the church. It is also still decorated for the holidays. Some places do forget that there are Twelve Days of Christmas.
The church decorated for the Christmas holidays
The organ area beautifully decorated
The choir practicing before the service
The History of the Old Paramus Reformed Church of Ridgewood, NJ:
(from the Church website)
The Old Paramus Reformed Church has a rich past. The congregation was formed in the year 1725. During the American Revolution, the Paramus Church was the site of a Continental Army military post for four years during which clashes between American and British forces tool place. It was also in the original church building that General George Washington held a session of the court-martial of General Charles Lee who disobeyed order at the Battle of Monmouth in 1778. Washington had his headquarters here at the church a total of ten times during various days from 1778-1780.
Other noted Revolutionary War figures such as Alexander Hamilton, the Marquis de Lafayette, Anthony Wayne, Richard Henry Lee and Aaron Burr also were here from time to time during the war. From early colonial times, slaves were members of the church congregation, the upper galleries on both sides being designed for their use during services.
The present church building was built in 1800. An interesting feature is that the pews are numbered. The members of earlier days rented them on an annual basis. The most expensive were numbers 50-57 at $52.00 per year while the least expensive were numbers 38-100 at $4.00 per year> Needless to say, the less expensive pews are at the rear of the sanctuary.
On each side of the pulpit, there are three pews placed at right angles to the rest of the pews in the church. These were reserved for the Elders and Deacons (on the left and right respectively). These persons collectively are known as the Consistory, which is the governing board of the church. It was their duty to sit in these pews each Sabbath with their Bibles and copies of the day’s sermons to check on the “Domine” as to his conduct of the service as well as sticking to his sermon!
That tradition (as to seating) was kept alive for many years in Old Paramus by members of the Consistory who sat in the first pew facing the pulpit each Sunday. The only similar practice in use today is that the Elders serving Communion sit in the first rows on either side of the center aisle.
The decorated organ pipes in the rear of the chancel (choir loft) behind the pulpit date back to 1892. In that year, they were installed when the church received the gift of a new organ from a congregation member.
The inside of the Old Paramus Reformed Church
At the top of the arch the pulpit, there is a Dove of Peace. The dove is made of wood and is hand-carved. The exact date of origin of the dove is unknown. One authority claims that, “The bird is an eagle and was a donation by Dr. Garrett D. Banta in 1800.” Records from the Consistory minutes read: 1874, August 3rd: Resolved that the Consistory thankfully recognize the kindness of Mrs. Catherine Wessella for repairing and regilding the Dove, which has been a part of the decoration of the old church.
There are three flags on the pulpit-the American flag, the Christian flag and the flag of The Netherlands, the last representing our Dutch heritage. In a similar vein, for many years the Dutch flag was flown under the American flag on the staff in front of the church. Today only the American flag is flown on the flag pole.
There are several plaques on the inside walls of the church. Some honor the ministers and others honor the various Consistories since 1725. Another just inside the front door notes that this church has been placed on the National Register of Historic Places. In display cases you will find various bits of memorabilia concerning our history.
When attending Old Paramus Reformed Church, you will have come to a warm and comfortable historic church to your whole being.
The Chandelier and the upper pews at the church during Epiphany services in 2024.
On the church campus, you will find modern Educational Building which houses the church offices and facilities need for Christian nurture. Another building is the one-room church like schoolhouse. This building houses the Ridgewood Historical and Preservation Society and is known as The Schoolhouse Museum. It was built in 1872 and was used as a school until 1905. It contains many items of historical note to this area. Make it a point to visit this museum during visiting hours. You should find it to be a very interesting and reward visit.
The signage of the historical landmark status
So what kind of church is Old Paramus Reformed Church? It is affiliated with the Reformed Church in America, the oldest Protestant denomination with a continuous ministry in America. The first church was established in New York City, then known as New Amsterdam in 1628. The Collegiate Churches presently represent the origins of that original Congregational. The best known is Marble Collegiate Church, which is where Dr. Norman Vincent Peale was the minister for fifty-two years. The Reformed Church in America (RCA) is an historic denomination coming out of the Reformation when the Church was “re-formed” and re-organized according to the teachings of the Word of God, the Bible. The Reformed Church of is Biblical in doctrine, semi-liturgical in worship. Presbyterian in government and evangelical in practice.
This year, Old Paramus Reformed Church celebrates 295 years of God’s Loving Spirit. Come join us next Sunday at 10:00am. We would be most happy to see you and you will surely feel rewarded for the experience.
(Disclaimer: This information was taken from the Church’s history and I give them full credit for the information).
Bergen County Department of Parks, Division of Cultural and Historic Affairs
Court Plaza South
21 Main Street, Room 203 W
Hackensack, N.J. 07601-7000
Survey of the Early Stone Houses of Bergen County:
One of the most important early American building types is that of the pre-1840 stone house built in areas with Dutch Cultural affiliation. Bergen County is unique in the abundance, variety and architectural quality of these early stone houses, although adjacent areas of New Jersey and New York have some of the type.
Materials and methods remained constant but the house which were built from the time of Dutch colonization in the 17th century vary in size, plan and stylistic detail. Bergen County’s surviving early stone houses many located along major thoroughfares, provide county residents with tangible links to the formation years of the County, State and Nation.
The Campbell-Christi House at New Bridge Landing/Bergen County Historical Society
The Survey of Early Stone Houses of Bergen County conducted in 1978-79 identified and recorded 230 of these early houses. Of these, 208 retained sufficient architectural integrity to be placed as a thematic group on the New Jersey Register of Historic Places in 1983, 1984 and 1985. A clear recognition of the houses importance is given by inclusion on these Registers, which are the State’s and Nation’s official lists of cultural resources worthy of preservation.
For inclusion in the Stone House Survey a building has to have at least two first story walls of pre-1840 stonework. The stone used in constructing the houses varies according to what as locally available. Many of the houses have reddish-brown sandstone walls but in the north-western section of the county rougher local fieldstone was utilized. Some houses have exterior walls of various types of stone and in some brick or frame exterior walls appear with stone ones. Frequently front facades display finer masonry work than do sides and rear. Usually the houses are 1 1/2 stories in height and have gable or gambrel roofs, sometimes with sweeping overhangs. Often there are side wings.
Wortendyke Barn in Oakland, NJ
The Wortendyke Homestead across the street from the barn.
Examples of the house-type are commonly called “Dutch Colonial.” This name most frequently applied to gambrel-roofed houses is a misnomer. Most of the houses were erected in the early 19th century, long after New Jersey passed from Dutch control in 1664. They date to a time when Anglo-American culture was being assimilated into Bergen’s Dutch cultural base. The typical stone house of the Colonial Period in Bergen County is a simple gable-roofed building.
Because they have been continuous use since they were constructed, many early stone houses have been modified and embellished. Often these changes in themselves have architectural distinction and are important to Bergen’s 19th and 20th century architectural history. Even when altered, the basic form and fabric of the original stone dwellings are usually recognizable and the houses are part of the county’s earliest architectural heritage.
Cadmus House in Fairlawn, NJ
The Stone House survey was sponsored by the Bergen County Board of Chosen Freeholders, the Bergen County Historic Sites Advisory Board and the Division of Cultural and Historic Affairs. It was prepared by the Office of Albin H. Rothe, A.I.A. Claire K. Tholl did the field survey. The survey was made possible by a grant-in-aid from the Office of New Jersey Heritage, Division of Parks and Forestry, N.J. Department of Environmental Protection and matched by funds from the Bergen County Board of Chosen Freeholders.
The report for the Survey of the Early Stone Houses, with background text and inventory forms for houses, may be consulted at the Division of Cultural and Historic Affairs between 9:00am and 4:30pm weekdays.
Hopper House in Upper Saddle River, NJ
The Banta-Coe House on the Fairleigh Dickinson University campus
The Banta-Coe House prominently faces the Hackensack River
Disclaimer: This information was taken directly from the Bergen County Department of Parks, Division of Cultural and Historic Affairs pamphlet and I give them full credit for this information. Please contact the Department for more information on the subject.
I never realized until just recently that we have an art gallery on the Bergen Community College campus. I have been teaching here since 2013 and just found out about this little ‘gem’ that is tucked in the second floor of West Hall.
This wonderful little gallery can be accessed on the Main Campus of Bergen Community College and is open to the public for viewing. The Art students of Bergen Community College show their works in student shows and the Retailing students show their work outside the Gallery.
Gallery Curator Professor Tim Blunk
The Gallery is a reasonably sized space and viewing the Gallery Bergen takes a reasonable amount of time that is not over-whelming. It is a nice way to spend the afternoon when visiting the campus.
Please visit the Bergen Community College for future shows.
Gallery Bergen recently showed, “Belongings: Photographs at the Borders of Citizenship” exhibition which is showing the works of Dorothea Lange, Ansel Adams and Clem Albers (1942) and Tamara Merino (2018). This exhibition pairs two sets of photographic records, two tragic experiences of people on two sides of the US border, separated by seventy-five years in America’s cultural and political struggle over who belongs and who doesn’t (Bergen Gallery Press Release).
A former exhibition was “Lines of Fire/Lines of Ice” . This exhibition is art being presented to get us to think of our effects on nature. The Gallery Bergen is presenting art that might help us change our views of ourselves in the world (Curator).
Curator’s Statement:
“It is 2019. Fires advance; glaciers retreat. Oceans rise; deserts spread. The Homo sapiens population grows exponentially; entire species of fish, mollusks, insects, amphibians and birds perish each day. Lines are being redrawn on the surface of the earth-lines that can be seen from space. Yes these same lines are often blurred or erased when viewed through the lens of ideology”-Tim Blunk, Curator.
See Performance Artist Jaanika Peerna perform the ‘Glacier Elegy’ similar to the one she did at opening night.
The Gallery is curated by Professor Tim Blunk, Director Gallery Bergen.
In April 2019, the Student Art Show is going on in the Gallery. This was where students were showing off their end of the semester projects.
Student Show at Gallery Bergen
A former show by Hackensack-based artist Lauren Bettini, whose exhibition “On the Mend” was an exploration of the female body, displaying themes of “Women’s work” through accounts of women who bear scars, both physically and emotionally. This unique installation utilizes the entirely of the gallery, literally tying together embroidery of surgical procedures are “mended” through the appearance of the physical act of sewing. The exhibition is a platform to celebrate the beauty of their altered bodies while women stand strong together to share their stories.
It is an interesting take on what we endure in life and how we sometimes hide it from society.
“On the Mend” Exhibition Summer 2019
The mounted three-dimensional castings of woman’s hands are used to symbolize a movement of women joining together, sharing their stories and helping each other heal. This platform to honor women who have survived medical surgeries, celebrates the beauty of their altered bodies and pays homage to centuries of women who have created are in the form of sewing and embroidering (Gallery Bergen Promotional packet).
The recent ‘NJSeoul: New Art from the Korean Diaspora’ that opened for the Fall of 2019. The show was a combination of paintings, pictures and visual art from five different Korean artists. The show also features video art and interesting short films.
New show from September 12th-October 31st 2019
Some information of the Exhibition on Studio Bergen
The exhibition that opened for the Fall semester 2019 is the ‘(Pro) Found Objects’, the Bergen Community College Faculty Exhibition. The exhibition features works from 19 different Professor/Artists whose work includes statuary, photos, paintings, video art and clothing construction.
This painting is by Professor Juan Leon
This painting is by artist Juan Leon
This painting is by Professor Ada Goldfeld
The opening night on November 14th 2019 featured a performance by the Music Department and a performance by the head of the Drama Department from the upcoming show “I do, I do”. Then everyone had time to look over the art before a light reception at the end of the evening.
Opening in the Spring of 2020, Gallery Bergen is featuring “Ornithology: Patterns of Flight” that features birds in flight, sound and behavior. I saw the exhibition as man’s perception of birds at play and at rest and our concept of aviation in terms to humans. How do we communicate with the natural world, if we can and how do we relate as humans to the natural world.
‘Moche-Bird Runner’ by Susan Haviland
The art was everything from visual to video and showed the artist’s interpretation of the bird world. This was my favorite piece in the show.
‘Ashes to Gold’ by Caroline Bergonzi
Each artist had a unique take on their art.
‘Deep Song’ by Susan Haviland
During the musical performance part of the opening, one of the artist’s in the exhibition teamed up with another musician and performed their concept of birds in flight. To that our Dance Department created a performance that encompassed the whole gallery.
Our Adjunct Dance Professor’s performed that night
Professor Justin Watrel at Gallery Bergen Opening
Here I am admiring the art that night. It was a wonderful exhibition. The Gallery Openings are an interesting night of art and music. The receptions are not bad either. Our Culinary Department does a nice job with appetizers and desserts.
This time lapse on YouTube is from the opening night of ‘Patterns of Flight’ at Bergen Community College
With the Gallery Bergen closed with campus being closed, Curator Tim Blunk created this YouTube video “20Big20: Quarantine and Protest” on the pandemic and racial strife:
Another exhibition that the College has is BCCAnimation:
In the era of COVID, Gallery Bergen has created new exhibitions via YouTube. This is for the new “Black Lives Matter @BCC: Photographs from the Live Protest”:
These are photos from all over the country during the Summer of 2020 protests.
Gallery Bergen recently hosted the Student Exhibition 2021 virtually:
The creative approach to Gallery Bergen in the era of COVID keeps us active.
When Gallery Bergen reopened in 2021, the first big exhibition was “The Ramapough Nation: Excavating Identity”, the art of the nation.
The exhibition featured works by local Native American artists.
The exhibition contained visual arts by local indigenous artists, panel discussions (see Facebook page) and gallery talks.
The new exhibition that recently opened in the Fall 2021 is “Zoom Out: Works from Bergen Community College Artists”, a faculty show of works from the professors from the art department.
“Zoom Out” exhibition
Works from the Opening Night:
The opening night of “Zoom Out” with works in the visual arts
The “Zoom Out” exhibition was a selection of faculty works in the visual arts, painting, graphics and sculpture. One professor created an interesting piece of video art reworking the movie “Psycho” by Alfred Hitchcock.
The video creation on the movie “Psycho”
New Works from “Zoom Out”
Work by curator and Professor Tim Blunk
In the Spring of 2022, Gallery Bergen has exhibited “Art in History: the photographers of the Great Depression”, with photos from the Depression era of the 1930’s. It was a heart-breaking display of a very dark time in our country’s history. I could see that many people don’t realize that this was only 80 years ago. It gave a view into the lives ordinary people whose lives were affected by the falling economy. Lives were upended by things like the Stock Market Crash and the Dust Bowl.
“Art in History: the photographers of the Great Depression” exhibition
The photographers were part of the WPA where people from the arts part of the government program were to keep artisans working during the Great Depression. The works are a heartbreaking reminder of how fast life can change.
I was lucky that I got to sit in on Professor Tim Blunk’s class that afternoon for the lecture on the exhibition. It is scary how much these students didn’t learn in high school about this time. What amazed me was that how much this is still going on not just all over the world but in our own state as well. I have travelled to parts of the New Jersey that remind me of these pictures.
The BCC Student Art Show 2022 was the first time in two years the students got to showcase their work in the Gallery
Asian Awareness Month in 2022 brought interesting speakers and engaging movies to Gallery Bergen.
The lectures and independent films were very interesting and brought wonderful conversations to Gallery Bergen during the celebrated month of April.
In June of 2022, I attended the opening of the “Reflection/Refraction/Manhattan: Photographs by Jin Hong Kim” exhibition at Gallery Bergen, celebrating this local Korean-American photographer/artist. Each of the works was from a section of Manhattan from the Hudson Yards to Midtown to Lower Manhattan giving a almost surrealist look at the City in the Post-COVID era. It was as if the artist asked us to look at Manhattan again from a different lense or perspective.
The new exhibition by local photographer Jinhong Kim
Each of the pictures looked as one patron said, “like something that Salvador Dali might do.” It gave buildings in Manhattan movement and asked us to look at them a second time.
The Exhibition “Pulse: Resonating Earth” by artist Poramit Thantapalit is very engaging and fascinating to walk through.
From the Gallery Bergen Website:
During the fall of 2022, Gallery Bergen will be transformed into an aquatic installation by Thai artist Poramit Thantapalit. His medium is trash – as in found plastic bottles, plastic bags, and other refuse that might have as easily found its way into the Hackensack River, a landfill, or the Great Pacific Garbage Patch. Instead, Poramit breathes life into these materials, shaping luminous organic sculptures that undulate and pulse from the ceiling and wall. They make the viewer forget their origins in their newly aggregated forms.
There is a genre referred to as eco-art, or “trash art,” but this is something very different. “Jackson Pollock painted with house paint, but he wasn’t a house painter,” says Gallery Bergen director and curator Tim Blunk. “Poramit’s deft artistic hand and his understanding of transforming quantity into quality creates work that transcends its materials.” PULSE: Resonating Earth will be embellished with several performance events, including the scheduled opening gala on September 22 and its closing on December 8. Both will include dance performance pieces by BCC faculty member Lynn Needle and her Art of Motion Dance Theatre and Steinway pianist Carolyn Enger. The opening will include excerpts from Needle’s work, The Poseidon Project – An Aquatic Myth – a suite with live music and dance, including narrated choreographed sections, each connecting to aquatic myth, legend, and nature.
Pictures from the Exhibition:
Story from the exhibition on Land Acknowledgement.
The exhibition:
All the art displays of Poramit Thantapalit’s work in Gallery Bergen
Picture One:
Beautiful works
Picture Two:
Picture Three:
Picture Five:
Picture Six:
The colorful interactive art of Gallery Bergen in 2022 of artist Poramit Thantapalit
The Faith Ringgold: Coming to Jones Road-Her Exhibition on moving to Englewood, NJ
These were the works by the artist when she moved from Harlem to New Jersey.
The artist bio with the exhibition.
The Exhibition in Gallery Bergen
The Exhibition in Gallery Bergen
Her work based on the George Washington Bridge
Another interesting work
The Gallery Opening of “Faith Ringgold-Coming to Jones Street” at Gallery Bergen
Some of the works in the exhibition
“We come to America” by Faith Ringgold
More works in Gallery Bergen
The Theme of “Coming to Jones Road”
The new exhibition “The Cup Flows Over: Art from the Soul of Iran” starting in October 2023 and runs through the end of November 2023:
The Art from the soul of Iran.
Gallery Bergen: September 21 – November 21, 2023
(From the Gallery Bergen Website)
In Munich, Germany:
Glockenbachwerkstatt Community Center with events at the Bellevue di Monaco Cultural Center in Munich, Germany:
October 24 – December, 2023
Works from “The Cup Flows over: Art from the Soul of Iran” exhibition
Gallery Bergen announces the opening of a collaborative exhibition of contemporary Iranian artist to take place this fall in two locations – its own gallery on the campus of Bergen Community College in Paramus, NJ and the Bürgerhaus Glockenbachwerkstatt (Glockenbach Townhouse Workshop) located in Munich, Germany. The Cup Flows Over: Art from the Soul of Iran features work by prominent artists such as Berlin-based Parastou Forouhar, younger Iranian artists living and working in California and Berlin, as well as artists living in Iran. The choice of two separate venues divided between Europe and the US speaks directly to the reality of the Iranian diaspora.
Art works from the “The Cup Flows Over: Art from the Soul of Iran”
This exhibition seeks to move beyond the headlines to explore the ongoing and historic struggles of immigration and the diaspora experience, of merging with and simultaneously changing the culture of newly adopted countries. The artists make use of a variety of media including film, video, photography, fabric work and installation while invoking ancient Persian texts to describe their new realities.
Art works from “The Cup Flows Over: Art from the Soul of Iran”
The title comes from an ancient Persian ghazal by the renowned lyric poet Hafez (c. 1365):
“Last night I took my troubles to
The Magian sage whose keen eyes see
A hundred answers in the wine
Whose cup he, laughing, showed to me.
I questioned him, “When was this cup
That shows the world’s reality
Handed to you?” He said, “The day
Heaven’s vault of lapis lazuli
Was raised, and marvelous things took place
By Intellect’s divine decree,
And Moses’ miracles were made
And Sameri’s apostasy.”
He added then, “That friend they hanged
High on the looming gallows tree—
His sin was that he spoke of things
Which should be pondered secretly,
The page of truth his heart enclosed
Was annotated publicly.”
BY HAFEZ
TRANSLATED BY DICK DAVIS
Anonymous work from “The Cup Flows Over: Art from the Soul of Iran” exhibition.
In the art of Iran, reality’s cup overflows.
The curators are organizing several livestreamed events that will connect the two spaces with live music, poetry and discussion. Opening receptions and events are planned for September 21 at Gallery Bergen (US) and for the Bürgerhaus Glockenbachwerkstatt on October 24.
Art works from “The Cup flows Over: Art from the Soul of Iran”.
The paintings “Death” and “Devil’s Confrontation” by artist Raven.
The Bürgerhaus Glockenbachwerkstatt (Glockenbach Townhouse Workshop) is located in the cultural and artistic heart of Munich. The “Glocke” is a popular community center with childcare, workplaces, art studios, and a neighborhood café. It is around the corner from the Bellevue di Monaco, a residential and cultural center for refugees. The Bellevue offers diverse culture programming ranging from panel discussions on topics of migration and diversity to films from and about the home countries of their guests, to theater plays and concerts presenting artists from all over the world (Gallery Bergen Website).
Performance artist Sholeh Asgary and artist David Rothenberg performing “Shabah e Baad”.
As part of the exhibition, Iranian-American sound/performance artist Sholeh Asgary and ECM recording artist/clarinetist David Rothenberg performed on November 3rd, 2023. In the performance of ‘Shabah e Baad’ (Ghost Winds), Asgary vocalizes recordings of water bodies transcribed into notation for voice with the help of electronics and synthesizers for notes beyond human capability (Gallery Bergen press release).
Performance artist Sholeh Asgary and artist David Rothenberg performing “Shabah e Baad”.
Art works from “The Cup Flows Over: Art from the Soul of Iran”
The exhibition in February to April 2024 is “Arrivals/Departures EAST80WEST: The Bicoastal realities of Immigration”. The exhibition’s theme is based on seven contemporary artists from both the West and East coasts that are connected by US interstate 80 and how they examine the bicoastal realities of new immigrants to the United States.
The “Arrivals/Departures East80West: The Bicoastal realities of Immigration”.
The “Arrivals and Departures” exhibition gallery.
Native American art
The exhibition was fascinating in that it looked at different perspectives of how immigration has happened whether forced or not. I think back to European immigration in the 1600 and 1700’s and how this affected the Americas to what is happening today.
The Yamar Paintings
The biography of Layqo Nuna Yawar and his work.
New York scenesThe biography of Hobong Kim
The works of Hobong Kim.
Street scenes by Hobong Kim
The exhibition explored different elements of how environment changes us and shapes us.
Migrant farmers and workers
The exhibition also explores their sense of place in the scheme of life.
More work by Hobong Kim
Do we erase part of ourselves.
Who are you?
It delves into a place of self. What an interesting aspect of life. How much of yourself do you have to give up to fit in?
The exhibition makes you think about this.
The latest exhibition is by artist Jeramy Turner ‘A Cautionary Tale for Billionaire’s” that opened on January 23rd, 2025.
Jeramy Turner is an American born self-taught painter. In the beginning of 1986 as an attempt to create films, one frame at a time. They were large-scaled to emulate the screen in a movie theater. She began with the intention of using visual art as a tool of protest. Her paintings are most often depictions of capitalists’ vulnerability. Her work often features animals, as symbols of forces of resistance, and terrified bankers (Artist bio)
‘The CEOs” paintings showing the dark side of business
Gallery Bergen on the Bergen Community College campus in Paramus, NJ
The painting ‘Wage Earner’
The sign for “Wage Labor”
The painting “Deluge”
The sign for “Deluge”
The painting “Of Course We Rule”
The sign for “Of Course We Rule”
The painting “Elephant”
The sign for “Elephant”
The painting “Crash”
The sign for “Crash”
The painting “ Kapital”
The sign for “Kapital”
A view of the gallery display for the Jeramy Turner Show for “A Cautionary Tale for Billionaires”
In the Spring of 2025, Gallery Bergen had its Spring Student show and there was some interesting art to see. It was a wonderful Opening on April 24th, 2025.
The Bergen Institute for the Creative Arts (BICA), Fashion at Bergen, and Gallery Bergen:
Gallery Bergen presents its annual BCC Student Art Expo 2025 at Gallery Bergen (3rd Floor, West Hall) from April 24 through May 2. The college community and public are invited. All artistic media from BCC students and the Institute for Learning in Retirement are represented, including fashion design, painting, 2D and 3D design, animation, sculpture, and photography.
The reception featured hors d’oeuvres by the Culinary Arts program with a live music performances by BCC music graduates, Kurley Skeletons.
The Gallery Bergen Student Spring 2025
The Spring 2025 Student show
The Spring 2025 Student show
The Student Show has some unique pieces of art that can be admired and debated. Really take time to admire the students works.
Spring 2025 Student show
These were some of the standouts that I enjoyed at the show with my favorite being ‘Temple of Love’ video which I thought was very clever.
The Spring 2025 Student show
The Spring 2025 Student show
The Spring 2025 Student show
“Little Demons”, one of my favorite pieces at the show.
“Little Demons” sculpture
The “Little Demons” sculpture
The Spring 2025 Student Show
The interesting nudes
The back part of the Gallery
The back part of the museum
The Spring 2025 Student show
The “Harvey” painting
One of the most interesting works at the show was the art music video “Temple of Love”
The “Temple of Love” video
The art surrounding them”Temple of Love” video
The “Temple of Love” video”, my favorite piece of the show.
The sculpture “Vibrant Vito Guest” below the video
That evening to close out the Opening was the band ‘Kurly Skelatons’, who had graduated from Bergen Community College a few years ago.
The concert was interesting as the music contemporary and rhythmic.
At the end of the evening, there was a light reception and we enjoyed being outside on the patio over looking the golf course.
The patio view
Watching ‘The Temple of Love’ again
It was a nice crowd that evening
The Spring 2025 Student Show offered interesting art and music and equally interesting visuals. The students did a nice job.
In the Fall of 2025, Gallery Bergen featured the exhibition of Artist Gregg Bormann entitled ‘Personal Effects’. The exhibit featured work by the artist based on Hollywood works that featured the dark and macabre. The works included clips of films done in video collage and surrealist works based on film scenes.
“The full exhibition “I’m Laughing at Clouds”
“Eyes without a Face”
The reception after the opening
It was an interesting take on the movie magic of these films.
In the Fall of 2025, Gallery Bergen exhibited ‘Tesla’s de Solidaridad: Art & Connection to Guatemala ‘, an exhibition of local Guatemalan artist, mostly from Jersey City.
The promotion poster
The exhibition was a celebration of works by Guatemalan artists who live in the United States, especially in the New York City area.
The gallery opening
Works by artist Lucas Emilio Romero
Artist Lucas Emilio Romero explaining his works at the show
Work by artist Nivia Hernandez
Works by artist Juan Carlos Vail Lucas
The work ‘Ayer’
The crafts of Guatemala
A local jazz band played at the opening with lyrics in Spanish.
The Jazz band performing
Gallery Bergen
The Jazz performance at Gallery Bergen the night of the Opening of the Exhibition
I have been to many special events at the Garretson Forge & Farm over the years, but COVID had put a stop to many of them since 2020. The farm is now back and running beautifully with the help of their roster of volunteers and master gardeners manning the grounds both in the front and back of the homestead.
In previous years when I have visited, I have toured the home visiting the indoor kitchen and display room that is the oldest part of the house which was built in 1719.
The signage in front of the house
The kitchen of the Garretson Forge is from the original structure of the house.
The kitchen
The cooking utensils at the Garretson Forge kitchen
The spinning at the Garretson Forge farm was part of life
The newer part of the house where spinning takes place and where you can see examples of Dutch furniture with chest for clothing and a rope bed, where the expression ‘sleep tight don’t let the bedbugs bite’ comes from. You had to tighten a rope bed with a key to tighten the ropes at night and the mattresses were either made from straw or if you were lucky, goose feathers.
The newer part of the home with the upstairs dormers was built in 1760.
The upstairs is the newest addition to the house
The Upstairs
The Garretson Family tree
Inside the original part of the home is the family tree of the Garretson family who lived in the house for six generations from 1719 to 1972 when the last of the Garretson line, the husband of the wife who was a direct descendant died and the home was bought by a developer. The also have a collection of Presidential signatures that are kept under lock and key at night.
The Presidential Signature Room
The Living Room fireplace is right off the Signature Room
The kitchen in the original 1719 part of the home is decorated with period utensils, herbs and vegetables for drying and all the things you would need to prepare food for the long winter. These things would have been placed in the fruit cellar.
The Herb Garden right off the kitchen
The water pump and herb garden are right in back of the kitchen
Outside the home during the recent Harvest Festival that I attended in October 2022, you can visit all sorts of farming equipment, sleds, and hoes for using on the farm to grow plants.
The barn has herbs drying for the season and foods being stored. This along with farm equipment. These items have been brought from all over Bergen County.
The Fall Festival 2022 on October 9th, 2022
The other barn had period carriages and even a dairy vehicle delivery of milk and eggs to homes. There were items drying out in the barn for basketmaking and even in the back the tombstone of an original member of the family.
The Barn Vehicles
The barn equipment
The backyard of the home is an extensive number of plantings that the Master Gardeners maintain and many of the items grown on the property go to a foodbank in Paterson, NJ. I thought that was a very nice donation to give especially these days. I was able to walk through what was left of the vegetables and fruits that had not either been picked or went through their growing cycle.
Items drying in the barn
Activities at the Harvest Festival included making colonial dishes from original recipes including a roasting ham on the fire, pumpkin pie, chopped vegetables for stew and a stew that was cooking on the fire.
The bounty of Fall in Colonial America
Unfortunately, we were not able to sample these delicious looking items because of a food license but everything looked really good. They had everything laid out on the table as the ladies explained to me how things were cooked back then.
Roasting meats on the fire a traditional way
Here and there were tables of items for sale including snacks, crafts and vintage decorative items for the home. This helps raise money for the maintenance of the house.
There was also a plant sale where items grown on the property were being sold for people’s decorative gardens.
Before I left, the master gardener explained to me that the Chinese Chestnut Tree in the back of the property was a documented tree and was one of the oldest and largest in the State of New Jersey. They are not too sure who planted it years ago.
Their Harvest Festival was a lot of fun and there were lots to do for families with small children. This takes place every October.
In December I took a special tour of the farmhouse during the holiday season when the forge was decorated for the Sinterklaas event and the Christmas holiday season. I was very lucky that the President of the organization gave me a private tour of the house and gardens. The house had been very busy for the Christmas season.
During the time of the Dutch, homes would not have been as decorated for the holidays as they would during the Victorian Age with trees and massive amounts of decorations. Around the time of the Revolutionary War, ‘greens’ would have decorated the home to bring ‘life’ back into the home during the long winter months. So things like pine, holly and mistletoe would have decorated the house.
The front of the house for the holiday season.
The front of the house at Christmas time.
The entrance to the house decorated in bows and garland.
The entrance to the house decked in garland, bows and fruit during the holiday season.
Entering the house from the back door.
The entrance to the back door decked out for the holidays.
The entrance to the historic farmhouse.
During the holiday season, the New Jersey Dutch citizens would celebrate “Sinterklaas”, the Dutch Christmas festival in which Sinterklaas (Santa Claus) would bring good little children toys and sweets. During the first week of December, the farmhouse has the traditional “Dutch Christmas Festival” in which children can visit with Sinterklaas and enjoy music and holiday treats.
The front hallway decorated for the Dutch Festival.
The Dutch Kitchen ready for the holidays.
The kitchen getting ready for the holidays.
The back fireplace during the Christmas holidays.
The main room of the Dutch Farmhouse during the Christmas holidays.
The banister was decorated in garland and bows.
The Spinning Wheel and fireplace during the festivities.
Where Sinterklaas engages the small children at the event.
The stockings and wooden shoes which would have been filled with candy and toys by Sinterklaas for good little girls and boys. The Christmas tree would have come in Victorian times along with the presents in the later part of the 1870’s and 80’s with the rise of Queen Victoria.
As we exited the house at the end of the tour, the President took me on a tour of the greenhouse that was attached to the house. This is where all the new plants and saplings were being grown during the winter months.
The Greenhouse is attached to the main house.
The decorated window box just outside the kitchen of the farmhouse.
We passed through the gardens that were now dormant for the holidays but would be sprouting in about four months.
During the Revolutionary War and the take over of the English, Christmas would have meant church services on Christmas Day and a light luncheon in the afternoon. Things like gift giving, entertainment and music would have been later in the 1800’s as the ‘Puritan influence’ would have prevailed at this time with little merriment during the holidays.
After the Civil War and the rise of the Industrial Revolution did Christmas get more elaborate and festivities became more colorful. You see this in different stages of the house. The forge is open for the “Sinterklaas Festival” the first week of December every year.
In the Spring, I attended “Pea Day”, the first planting of the gardens took place in March of 2024. The volunteers were cleaning the beds out and planting the first fruits and vegetables that could survive in the cool weather. It gave us a chance to see how things were planted on the farm during the different seasons.
The front of the Garretson Forge & Farm during the last days of Winter.
The property during the late Winter months.
The daffodils were in full bloom on the property.
Cleaning up the property during the late Winter months.
The volunteers planting the beds during “Pea Day”.
The volunteers planting the beds during “Pea Day”.
The students of Bergen Community College learning about the Garretson Forge.
“Pea Day” gave us a chance to see the property and see how the plantings of the farm were timed with the seasons. It also gave the students a chance to see what the farm looked like and understand its logistics.
The farm on “Pea Day”.
The History of Garretson Forge & Farm:
Garretson Forge & Farm is one of the oldest historic sites in Bergen County, New Jersey. Settled in 1719, this Dutch Colonial homestead was home to six generations of the Garretson family. Their homestead remains a rare surviving example of a simple farming life that was prevalent in the 1700’s and 1800’s. It now functions as a living museum and a working farm, preserving our colonial past and agricultural heritage.
The front of the Garretson Forge on River Road in Fair Lawn, NJ.
The Property:
Located along an old Native American trail, about a mile north of Garretson Lane, is one of the original farms in Slooterdam, owned by the Dutch family of Peter Garretson. Today, more than 300 years later, the trail has come to be known as River Road, Garretson Lane is now called Broadway and Slooterdam has evolved into Fair Lawn, yet the original farmhouse and remaining grounds are still referred to as the Garretson Homestead.
In the 17th century, New Jersey was divided into the Provinces of East and West Jersey by its English proprietors, Lords Berkeley and Carteret. These lands were then sold to a group of Quakers headed by William Penn. By 1692, part of East Jersey, known as the Saddle River Tract, had been divided into large lots, one of which was sold to the Stillwell family.
The Garretson homestead stand on a portion of land that was acquired in 1708 by David Daniellse from the Stillwell family. A copy of the original propriety deed signed by King George of England and the Lenni Lenape Chief, Spotted Tail and granting the land to David Daniellse, is hanging in the homestead. The original property was bounded on the west by the Passaic River and on the east by the Saddle River. Peter Garretson purchased the property from Mr. Daniellse in 1719.
After Peter Garretson’s death, title to the land was passed from one generation to the next. From time-to-time parcels of the tract were sold. The present site consists of 1.84 acres along River Road.
The beauty of the Garretson Forge Farm in the Fall
The Homestead:
The house is an example of Dutch Colonial architecture which is charismatic of Bergen, Passaic and Hudson Counties.
One and one-half stories high and built about 1719 of rubble and undressed stone, the current kitchen wing is considered by most to be the homestead. It features a large open-hearth fireplace typical of Flemish design of the late 1600’s. On a late nineteenth-century photograph of the house, remnants of a brick beehive oven can be seen on the outer wall.
Farming equipment outside the barn
In 1760, the larger section of the house was built using dressed stone. The sandstone blocks were held together with mortar made of river mud mixed with straw and hogs hair. It was under this section that fragments of clay pipes (c1720) were uncovered.
The farmhouse on River Road in Fairlawn, NJ
The Farmhouse
Extensive renovations were made to the house in 1902. The present gambrel roof replaced a steep gable roof; a front door was replaced with a window; an inner stairway to the basement replaced cellar hatches. A large center Victorian stairway to the second floor was also built and the open-hearth fireplaces were enclosed in the Victorian style. A large pillared porch was also added.
An early nineteenth century carriage house still stands on the property along with a large barn and several smaller outbuildings, the oldest of which is a small wooden structure built circa 1800 in the Dutch barn style.
The barn and carriage house
The Garretson Family:
The history of the Garretson family in America began in 1660 with the emigration of Gerrit Gerritse, his wife, Annetje Hermansse and their son, Gerrit from Wageningen, Gelderland (Netherlands). They arrived in New Amsterdam and proceeded to the town of Bergen, where in 1668, Gerrit (Sr) bought from Philip Carteret, eight parcels of land. The family resided in what is now the Communipaw section of Jersey City, where Gerrit died in October of 1696. His wife died on September 7, 1696.
Some of Gerrit Gerritse’s children took the name Van Wagenen, while others retained that of Garretson, from the name of their father. The descendants of Gerrit Gerritse, going by the surname of Garretson, Van Wegenen and Van Wagoner are today numerous throughout Bergen and Hudson Counties.
Mary Garretson’s Tombstone is located in the barn
Peter Garretson, grandson of the elder Gerrit Gerritse, purchased the Slooterdam Patent from David Daniellse in 1719. The house was built shortly afterwards. Six generations of the Garretson family resided on the farm until the death of Mary Garretson Brocker in 1950. Her widower, Feenix Brocker, remained at the homestead and continued farming until 1974.
The Gardens:
Originally a homestead farm, subsistence and market crops were grown from the early 1700’s through the early 1970’s by the Garretson family.
The back of the house
Today, the gardens at Garretson continue an agricultural tradition. A variety of heirloom vegetables, all open-pollinated are grown in the kitchen garden using organic and sustainable practices. Produce in season is donated to a local emergency food pantry. An extensive herb garden contains over 75 types of medicinal and culinary herbs that were grown in the seventeen and eighteen hundreds.
The Garretson farm gardens behind the house are tended to by the master gardeners.
Garretson’s Butterfly Garden provides host plants and nectar sources for many different kinds of butterflies. Since 2005, Garretson has been certified by Monarch Watch as a Monarch Waystation (monarch habitat).
The Children’s Garden at Garretson abounds in spring ephemeral wildflowers, bulbs and ferns. In the heat of summer its offers a welcome place to sit in the shade. Gardeners have been restoring native plants to this woodland area.
The garden sheds behind the house
Many of the garden volunteers are Rutgers-trained Master Gardeners who have done their community service at Garretson and who give back to the community and Bergen County Master Gardener Program by training new gardeners at Garretson.
The gardens at the Garretson Forge farms behind the house
Garretson Forge and Farm Restoration Inc.:
The Garretson property was sold in 1974 to a private builder for residential value, community members became interested in acquiring the property for preservation. This led to the founding of the Garretson Forge and Farm Restoration Inc. in 1974 for the purpose of raising funds for the purchase. Through the efforts of the organization, the community at large and government agencies, the necessary funds were raised for the acquisition of the property.
GFFR Inc. continued to raise funds to maintain the site and to restore the kitchen to its eighteenth-century design. Money was also used to purchase artifacts and articles related to Garretson history.
The open kitchen at the Garretson Farm
In 1977, ownership of the property was accepted by the Freeholders of Bergen County. Now a county historical site, the Garretson homestead continues to be administered by the members of Garretson Forge and Farm Restoration Inc.
GFFR Inc. is a volunteer organization whose mission is to preserve and maintain the Garretson homestead, keeping it open to the public; to educate the greater community about local and state history; to foster environmentally sustainable agricultural practices and biodiversity.
Programs and Special Events:
Throughout the year, Garretson Forge and Farm offers.
Living history events:
*The Spring Festival celebrating colonial life and crafts in the 1700’s.
*The Fall Festival celebrating the harvest and the 1800’s farm.
Fall Festival 2022
Civil War Activities at the Garretson Forge
Civil War activities at the Fall Festival
Spinning wool and cloth making at the Fall Festival
*Dutch Christmas presenting a traditional Dutch celebration with the homestead decorated in Victorian style.
The house decorated for the Sinterklaas and Christmas festivals.
The house decorated for the Christmas holidays.
Educational Programs:
The Map and Signature galleries
*School Tours
Children’s toys at the Garretson Forge
*Open House and garden tours
*Lectures on the environment and on local history.
The Signature and Map Collection at Garretson Forge
*The Master Gardener Program
*Organic/sustainable gardening
*Garden and craft workshops
*The annual Butterfly Festival for families.
Community Service Programs:
*Eagle Scout Projects
*Community Seed Bank
*Seasonal produce donations to local food banks.
For more information on events, please check out the website:
The Bergen County Division of Cultural & Historic Affairs received an operating support grant from the New Jersey Historical Commission, a division of the Department of State.
Disclaimer: This information is taken directly from the pamphlet from the Garretson Forge & Farm. For more information on the site, please call the above numbers or email them.
In the Spring Semester of 2023, my Introduction to Business class at Bergen Community College in Paramus, NJ created a project to promote the Garretson Forge & Farm for Destination Tourism. It was an extensive project creating new programs, new advertising and promoting the site with commercials and walking tours.
I think a lot of these historical sites do not get the attention they deserve and with the 250 Anniversary of the Revolutionary War happening in two years, these wonderful sites needed to be showcased. They needed to dusted off, revamped and a fresh perspective was needed to tell their story. This is where the project for the “The Bergen 250: Tourism at the Garretson Forge & Farm” came from.
The project “Bergecco-Parc Consulting Inc. presents “Bergen 250-Touring the Garretson Forge & Farm”:
That and the tour the former President gave me during the holiday season when I begged to see the Christmas decorations for the Sinterklaas celebrations were still up. I needed pictures for my blog, “VisitingaMuseum.com” and “MywalkinManhattan.com”.
My blog on Touring the Garretson Forge & Farm on VisitingaMuseum.com:
When I toured the home during the holidays, I approached them on using the home as a future project and she seemed to like the idea. This is where the partnership for the project came from.
Our first visit to the site was on “Pea Day” in March 2024 for an extra credit assignment to start the project off so that the students could see the grounds and experience the farm and its attributes.
Visiting the Garretson Forge & Farm in Fair Lawn, NJ for “Pea Day”
Visiting the farm house and gardens on “Pea Day”
The volunteers planting at the Garretson Forge & Farm on “Pea Day”.
Observing the Master Gardeners and Volunteers on “Pea Day”.
The students coming in on their day off to attend “Pea Day”
Everyone took turns getting their hands dirty on “Pea Day”
We also had a special field trip to the Garretson Forge & Farm on class day so that everyone could tour the farm and the farmhouse. Outside “Pea Day”, it was the first time anyone in my class had ever visited the site.
We started the tour on a rather gloomy night. We had just had a rain storm but that did not stop our visit. Our whole class attended the trip (it is a mandatory part of both the project and the class) and it was a interesting tour for all of us.
Our host was the President of the Friends group that helps raise money for the site. We started the tour after the rain storm with a trip through the barns to see some of the old farm equipment. The were some interesting artifacts that included farm plows and horse drawn articles to carriages and sleds.
Then we toured the gardens where the volunteers had just finished the plantings of the summer fruits and vegetables. The President explained that the fruits and vegetables that were grown here were donated to a soup kitchen in Paterson. I thought this was a great idea.
Then were toured the farmhouse, which I had just been to for a private tour during the holidays. The kitchen was set up for a harvest meal now and I explained to some of the students how food was cooked back then in the hearth.
Then we toured the small museum and looked at the family tree, where generations of Garretson’s had lived. Our last stop on the tour of the farmhouse was the main living room where the Sinterklass event was held and many of the talks on domestic life on the farm.
This is where we concluded the tour and many students asked questions about life at that period of time. After the tour was over, I took the students out to dinner as part of their Team Building. It is important for the students to get to know one another.
The start of the tour near the barns.
Our tour of the grounds, the barns and life on the farm.
The grounds near the second barn. Touring the gardens at twilightTour of the kitchen.
Discussing the expression “Sleep tight don’t let the bed bugs bite” and where it came from.
Discussion on the second floor.
The second floor had been added on years later.
Discussion on farm living.
Discussing the furnishings and how the farmhouse ran as a farm and a home.
Continuing our discussion of life on the farm.
Talking about life on the farm.
The Bergecco-Parc Consulting Inc. tour of the site.
Our group shot with President of the Garretson Forge & Farm April Barth.
After the tour was over, I took my class to Bella Vita Pizzeria in Fair Lawn, NJ for their first Corporate dinner and Team building exercise. The dinner was wonderful, and the pizza was excellent. It really warmed us up after a cold night of touring and the students seemed to enjoy getting to know each other over a hot pizza dinner.
Bella Vita Pizzeria at 1761 River Rd A, Fair Lawn, NJ 07410:
My Teams dining together at a “Corporate” pizza dinner.
The company Team dining together that night.
The aspect of dining together is an important part of the Team Building exercise and you can tell by the pictures that my students enjoyed it.
The next few weeks were preparing the project for the presentation. We had a visit from Vivian Davis, who I had known for years from working in the Division of Disability Services when she was one of our speakers. She now was running the “Bergen 250: The 250th Anniversary of the Revolutionary War in Bergen County” and we had incorporated part of this in the project. I had given her a copy of the project and she came into the class to discuss what she was planning and the significance of the Revolutionary War had on the towns in Bergen County. It was a real history lesson on some of the towns in Bergen County and some of the historical homes and sites in Bergen County.
This project was a bit more intense than my morning class. While they designed the rigors of the Bergen Room Bistro, my evening class was putting together an entire game plan of Revolutionary War events for the ‘Bergen 250’.
I had the students working on an Independence Day event, a Children’s Walking tour of the property, a Mid Summer dinner with a Revolutionary War themed dinner, a continuation of the Sinterklaas event that would extend visiting the decorations in the house another two weekends and then a new Digital Marketing campaign for the site with a commercials and posters.
The night of the presentation on April 24th, it all came to life. The students each showed the PowerPoints with their ideas, menus and commercials to promote the site. They really had some interesting ideas.
Finishing the evening with my Student Consultants was great. The students were so excited to finish and I have to admit it was quite the journey for me too. It was a lot of work (and money) to pull this event off but it went by well. The Board of the Garretson Forge & Farm really seemed to enjoy it and asked lots of questions.
Vivian Davis, who is running the “Bergen 250″ asked the most important question of the night, if I was to run all of these events, would your age group come?” This got the students thinking and one said, “We are a busy group with college and work. If you want our age group to come, you are going to have to cater to things we like.” I thought that was fair and gave her something to think about as well.
We then took our Board picture. I am always so proud of my Student Executive Consultants. They come dressed for work.
The Bergecco-Parc Consulting Inc. “Bergen 250″: Garretson Forge & Farm” Executive Team.
I want to thank my President of the Team Project, President TJ Fischer and SVP of Operations Camila Alvarado and the entire Team of Vice-Presidents, Team Leaders and Team Members for tackling this very difficult and very detailed job of promoting this wonderful historical site with such detail.
The questions on the project were excellent and direct and audience was very impressed by how thorough the project was done that evening. To all my Student Consultants, you did an excellent job!
Great Work!
New Historic Project for 2025:
To Celebrate the “Bergen 250: the Two Hundredth Anniversary of the Revolutionary War in Bergen County”, we are creating a new project with a series of special events and meals at different historical sites in Bergen County. It gives these sites a fresh approach to new visitors.
Our class toured the site and I tried to showcase this site to another Team of students to reimagine it.
We were joined by County Historian Vivian Davis who led the tour to my students
We toured the grounds and gardens where a Country Afternoon Tea would be planned in the backyard of the home with a house and garden tour and plant sale.
My class toured the historic kitchen
We then toured the historic room with the homes past and the family tree
The Bergecco-Parc Consulting 250 Team in the backyard of the Garretson Forge & Farm
Our selfie with Vivian
The end of our tour that afternoon
It was another successful in the field by Bergecco- Parc Consulting Inc.
Visiting a Museum: The Unique, Unusual, Obscure and Historical 