Tag: vistingamuseum.com

Dia: Beacon 3 Beekman Street Beacon, NY 12508

Dia: Beacon

3 Beekman Street

Beacon, NY 12508

(845) 440-0100

https://www.diaart.org/visit/visit/diabeacon-beacon-united-states

https://www.diaart.org/visit/visit

Open: Sunday & Monday 11:00am-6:00pm/ Closed Tuesday & Wednesday/Thursday-Saturday 11:00am-6:00pm

Fee: General Admission $20.00/Seniors $18.00/Students $12.00/Children 11-5 $5.00/Free to Children under 12

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47291-d273538-Reviews-Dia_Beacon-Beacon_New_York.html?m=19905

The front of the Dia: Beacon

I visited the Dia: Beacon in Beacon, NY many times and I have to say that is an interesting space to display art and the pieces themselves make a statement. The museum is sited on thirty-one acres on the banks of the Hudson River and is adjacent to ninety acres of riverfront parkland. The museum is located in a former printing plant built in 1929 by Nabisco (National Biscuit Company) (Wiki). The space square footage gives the museum the opportunity to display larger statement pieces of well known artists.

The history of the Dia: Beacon:

(from the museum website)

The Dia: Beacon presents Dia Art Foundation’s collection of art from the 1960’s to the present as well as special exhibitions, performances and public programs. The Dia invited artist Robert Irwin to conceive the master plan for a twenty-century museum that retained the original character of the factory’s interior spaces, Irwin also designed seasonally changing garden throughout the surrounding landscape. Following the renovation, the Dia: Beacon was added to the National Register of Historic Places (Dia: Beacon Museum).

Dia Art Foundation:

(from the museum website)

Founded in 1974, Dia Art Foundation is committed to advancing, realizing and preserving the vision of artists. In addition to Dia: Beacon, Dia maintains a constellation of iconic, permanent artworks and installations in New York City, the American West and Germany (Dia Museum).

Each of the galleries are devoted one artist’s work and these galleries make their own statements. There is also a really nice bookstore and gift shop on the extension of the museum and small restaurant.

It is nice to just walk around in your own time and visit each of the galleries. Plan about two hours to see the whole museum. It is an interesting place to see contemporary art in a gallery that is devoted to one artist at a time. The outside grounds of the museum and the parking lot makes it own statement. There is not much parking so plan on getting there early or later in the afternoon.

The museum has clean lines and big halls and a minimalist landscaping

The one thing about the Dia is that the works are quite large and pack a bold statement. The museum uses a combination of both American and Foreign artists and their works make a bold statement. The museums galleries are large and airy and can show larger works of art. The museum shows many of the artists largest pieces of work.

The inside of the Dia: Beacon’s large galleries

These larger pieces were interactive

Inside the museum, many contemporary artists are featured each season. Many of their larger works were featured in their galleries. While the shows rotate collections of many artists, these were the pieces that stood out to me on my visits to the museum over the years.

The Artists I most admired and their works that most stood out to me:

Artist Louise Bourgeois has displayed some interesting sculptures that dominate the upper floors. One of the most fascinating pieces was that of a large spider that dominates the corner of the floor.

This Louise Bourgeois work is a rather creepy piece of art like something out of the movie “It”.

https://en.wikipedia.org/wiki/Louise_Bourgeois

https://diaart.org/collection/collection/bourgeois-louise-crouching-spider-2003-l-2007-012

In Bourgeois’s works on view in these galleries, organic formations fuse with the inorganic materiality of the media in which they are rendered, be it marble, wood, or bronze. The artist’s repertoire of materials spans traditional media and new textures, such as latex and synthetic resin. In her work, representation often entails the creation of a surrogate for the body and its suffering organs (Dia: Beacon museum website).

Artist Dan Flavin has some interesting light sculptures on display along the walls and floors of the gallery. Things are made of long fluorescent lights of various colors.

Artist Dan Flavin’s light sculptures

https://en.wikipedia.org/wiki/Dan_Flavin

After 1963 Flavin’s work was composed almost entirely of light, in the form of commercially available fluorescent tubes in ten colors (blue, green, pink, red, yellow, ultraviolet, and four whites) and five shapes (one circular and four straight fixtures of different lengths). Initially arranging these fixtures in varying autonomous configurations, Flavin increasingly made work in relation to architecture, such as his monumental barriers that physically block a passageway or segment of a space with light (The Dia: Beacon museum website).

In the main gallery as you walk in are the large geometric shapes of artist Charlotte Posenenske who created these pieces in various colors and shapes. These pieces line the floors and walls.

The geometric shapes of Artist Charlotte Posenenske

https://en.wikipedia.org/wiki/Charlotte_Posenenske

https://www.diaart.org/exhibition/exhibitions-projects/charlotte-posenenske-exhibition

Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced sculptural Minimalism that addressed the pressing socioeconomic concerns of the decade by circumventing the art market and rejecting established formal and cultural hierarchies. Posenenske employed playful conceptual devices to oppose compositional hierarchy and invite the collaborative engagement of the public in the continual reconfiguration of her variable sculptures (The Dia: Beacon website).

Artist Andy Warhol has one of his largest works displayed in the main gallery on the first floor.

The artist Andy Warhol gallery

https://en.wikipedia.org/wiki/Andy_Warhol

The large Andy Warhol piece

What I loved about the work by Warhol was the continuous colorful pattern of the work and the way it wrapped around the room. The pattern took form in many colors and showed consistency and balance.

A single painting in multiple parts, Shadows is one of Warhol’s most abstract works, yet one that cohesively synthesizes key elements of his practice, including film, painting, photography, and screen-printing. Originally commissioned by Dia and acquired in 1979 for a solo exhibition at 393 West Broadway in New York, Shadows includes a total of 102 canvases; the final number of canvases on view in each installation is determined by the dimensions of an existing exhibition space (The Dia: Beacon museum website).

Artist Senga Nengudi Gallery

https://www.sengasenga.com/

American artist Senga Nengudi had a some interesting works on display, one resembling melted ‘freeze pops’, which I thought was rather clever. Her large works took liquid forms and were colorful and spontaneous. These large works had lots of color and looked whimsical and fun.

One of Artist Senga Nengudi works

I thought this was a large ‘freeze pop’

One of her non-liquid works

Made of everyday materials such as vinyl, water, nylon, sand, dry-cleaning bags, lint, paper, and tape, Nengudi’s installations are at once proxies for bodies and sites for performance. The works accommodate a variety of cultural references from African, Japanese, and South Asian rites to Western avant-garde art. Characteristic of her openness to multiplicity, the artist, born Sue Ellen Irons, has assumed pseudonyms that inflect her creative identities as sculptor (Senga Nengudi), painter (Harriet Chin), photographer (Propecia Leigh), and writer (Lily Bea Moor) (The Dia: Beacon museum website).

Some of the other works that I liked as I walked around the museum:

Displayed on the first floor of the Dia: Beacon

Another interesting work on the first floor

The large galleries and open air space give patrons a chance to walk around the works and really get a feel for what the artists are trying to express. You really get to see the art up close and that is why I like the way they display their art. We can engage with each piece and develop our own meaning from it.

The grounds and the proximity to the river gives the museum a picturesque spot. It is nice to walk around the lawn on a warm day and enjoy the paths around the museum. The museum also has a very interesting gift shop featuring many books and gifts. The small restaurant can be pricey but offers a place for a light lunch or a quick snack.

The Wyckoff Historical Society The Barbershop next to the Pond Wyckoff, NJ 07481

The Wyckoff Historical Society

The Shop next to the Pond

Wyckoff, NJ 07481

http://www.wyckoffhistory.org

Hours: Please check the website above

Fee: Please check their website

My review on TripAdvisor:

The Wyckoff Historical Society was established to research, preserve and educate about the rich history of Wyckoff, NJ. The organization was founded in 1974 and is incorporated. Recent programs included a walking tour of Wyckoff.

The Society recently restored the old Wyckoff barbershop that was donated to them and now sits on the town property by the Zabriskie Pond and the historic Zabriskie Home. Inside the building houses all sorts of local artifacts, farm tools and vintage furniture along with historic photos of the town of Wyckoff, NJ.

The little building sits right on the Zabriskie Pond.

The Zabriskie Pond in Wyckoff, NJ

History of the Museum:

This 1890’s structure was recorded as being a barbershop in 1905 when it was owned by John Lawrence, who worked for the railroad by day and cut hair at night. It was also a cobbler shop for several years and again a barbershop. The building was on Main Street and Everett Avenue relocating to its current home and donated to the Wyckoff Historical Society by resident and member, Sebastian Gaeta.

The farming display at the Barbershop Museum

The history of the building

The building was neglected for several years and was restored several times, most recently in the summer of 2018 by the society including a full paint job of the interior and exterior and refinishing the bare floors.

The barber chair from the old barber shop

On display are artifacts from Russell Farms, a barber chair from longtime Wyckoff barber, Frank Muscara, a 1905 child’s dress, Lenape artifacts, a Hoosier cabinet and photographs.

The Native American Collection

Artifacts from Wyckoff’s past

Artifacts from old businesses in Wyckoff and the surrounding areas

The tiny museum has a display of its own history as a barbershop on the Main Street of Wyckoff, NJ and how the building served as a local center for its citizens. It was eventually moved as times changed and became the museum it is today telling the story of the Town of Wyckoff, NJ.

The history and movement of the building when it left its original location

The history of the barbershop

The history of the building and the barbershop and of Wyckoff, NJ

Where the building was located in Wyckoff, NJ

Please check their website for opening dates.

The beauty of the Zabriskie Pond on a fall day in 2022. The area is just beautiful.

The Zabriskie Pond in Wyckoff, NJ

Disclaimer: This information was taken directly from the Wyckoff Historical Society pamphlet and I give them full credit for the information. Please email them for more information.

Thomas Edison National Historical Park, Laboratory Complex and Glenmont 211 Main Street West Orange, NJ 07052

The Thomas Edison National Historical Park

211 Main Street

West Orange, NJ 07052

(973) 736-0550

https://www.nps.gov/edis/index.htm

Open: Sunday 10:00am-4:00pm/Closed Monday-Tuesday/Wednesday-Saturday 10:00am-4:00pm

Note: There are renovations going on at the site so please call ahead to check on hours and fees.

The Thomas Edison National Historical Park, Laboratory Complex and Glenmont home are a step back in time when machines were run by belts and pulleys and music was played on phonographs. Where to the passerby, the buildings betray little evidence of the industries they once started. Discover where America’s greatest inventor changed our world forever.

The Laboratory site Complex contains:

Visitor Center (Restrooms & Gift shop)
Chemistry Laboratory
Chemical Storage and Pattern Shop
Metallurgical Laboratory
Main Laboratory
Powerhouse
Blacksmith Shop
Building 11
Vault 12
Black Maria
Water Tower
Vault 32
Vault 33
Building 35 (Maintenance Facility)

Park Information:

The Laboratory Complex is open Wednesday through Sunday. The Glenmont Estate is open Friday, Saturday and Sunday. Glenmont tickers are limited and are distributed on a first-come, first-serve basis from the Laboratory Visitor Center. Please call for specific hours.

Fees:

Entrance Fee-$10 (Under 16 years old free)

Optional Laboratory Audio Tour-$5

Park Annual Pass-$40

Inter-agency Passes Accepted

Group Reservations: Call 973-736-0550 ext. 33

Filming and Photography: Call 973-736-0550 ext. 50

Corporate Events: Call 973-736-0550 ext. 50

For more Information: http://www.nps.gov/edis (973) 736-0550 ext. 11

Calendar of Events: http://www.nps.gov/edis/planyourvisit/events/htm

*Thomas Edison National Historical Park Facebook.

Directions to Glenmont:

*Please respect the privacy of our neighbors by driving directly to and from Glenmont.

Directions to Glenmont:

*Put your pass on the dashboard of your car

*Right out of the parking lot

*Right at the first light and stop at the gatehouse

*Go up Park Way

*Right onto Glen Avenue

*Left onto Honeysuckle Road

*Right into paved parking lot

*Tour begins in front of the home

*Restrooms located in Potting Shed/Visitor Center

*Information is taken from National Park Service, US Department of the Interior, Thomas Edison National Historical Park, West Orange, New Jersey.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60796-d1023095-Reviews-Thomas_Edison_National_Historical_Park-West_Orange_New_Jersey.html?m=19905

I had visited the Laboratories of Thomas Edison and it is very interesting to tour the floors of inventions. There are very innovative items that I never knew he invented, things like talking dolls and many household items for the kitchen and home.

Another room they showed was his private office where he did most of his personal work and spent his sleeping hours when working at the laboratory. Each of the rooms show how and at what stages of the invention process that each object.

Glenmont, the family home, can be a musty place in the colder months. The house smells like it is old. It needed a good airing out. The period furniture are very interesting. The house is full of Victorian elegance but it needs a good renovation. The walls and ceilings need some plastering and the home needs a good deep cleaning. Still it is interesting that for all their prestige, they still lived more like an upper middle class family.

The history Edison National Historical Park:

Thomas Edison National Historical Park preserves Thomas Edison’s laboratory and residence, Glenmont, in Llewellyn Park in West Orange in Essex County, NJ. These were designed, in 1887, by Henry Hudson Holly. For more than 40 years, the laboratory had a major impact on the lives of people worldwide. Out of the West Orange laboratories came the motion picture camera, improved phonographs, sound recordings, silent and sound movies and the nickel-iron alkaline electric storage battery (Wiki).

Edison’s home was designated as the Edison Home National Historic Site on December 6, 1955. The laboratory was designated as Edison Laboratory National Monument on July 14, 1956. On September 5, 1962, the 21 acre site containing the home and the laboratory were designated the Edison National Historic Site and overseen by the National Park Service. On March 30, 2009, it was renamed Thomas Edison National Historical Park, adding “Thomas” to the title in hopes to relieve confusion between the Edison sites in West Orange and Edison, NJ. Following extensive renovations of the laboratory complex, there was a grand reopening on October 10, 2009 (Wiki).

Historic Glenmont Mansion:

Thomas Edison resided at Glenmont, his 29 room Victorian mansion, for over half his lifetime. Its architect, Henry Hudson Holly, is considered to be the father of the Queen-Anne style architectural movement in the United States. Holly’s crowning achievement, Glenmont, was part of a working estate which presently contains six outbuildings including a barn and a greenhouse. Examples of Thomas Edison’s poured concrete structures, the auto garage and the potting shed are also still in existence. (Wiki).

Thomas Edison’s Home “Glenmont”

The interior of the fully furnished Victorian home is a rare example of Pottier & Stymus interiors, a New York decorating firm that lost the majority of its records in a catastrophic warehouse fire in the year 1888. Glenmont’s interiors display rare examples of the firm’s modern Gothic style furniture suites and also include decorative arts objects chosen by the company to outfit this home in Victorian style. The Edison family appreciated the original interiors, consequently making only minimal changes to the home’s decoration during their residency (Wiki).

Glenmont’s period rooms reflect examples of the era’s Eastlake style and Aesthetic Movement style interiors. The first floor library boasts hand stenciled walls in flat, stylized floral patterns with a ceiling of distemperment. Tall case cabinets store leather bound volumes. The decorative arts collection at Glenmont ranges from major works of art and sculpture to everyday objects. The collection, consisting of 40,000 items, includes remarkable examples of Hudson River School artists and antiques (Wiki).

Examples of more utilitarian items include the Edison china collection, still housed in the historic Butler’s Pantry, the household linen collection, family toiletry items, books and household receipts that detail purchases made by the Edison family. These vouchers reveal to us the Edison’s choice of household products and their spending habits (Wiki).

Disclaimer: The above information on the history of the house and labs came from Wiki and I give the format full credit for the information. The above information also comes from the National Parks Services pamphlet and I give them full credit for the Visitor’s information.

The Staten Island Zoo 614 Broadway Staten Island, NY 10310

The Staten Island Zoo

614 Broadway

Staten Island, NY 10310

(718) 442-3100

http://www.statenislandzoo.org/

Open: Sunday-Saturday 10:00am-4:45pm

Fee: Adults $10.00 (15 and older)/Seniors (60 and over) $7.00/Children (3-14) $6.00

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g48682-d110278-Reviews-Staten_Island_Zoo-Staten_Island_New_York.html

The front of the Staten Zoo on Groundhog’s Day in 2025

The ceremony for Groundhog’s Day in 2025

I wanted to celebrate Groundhog’s Day this year and had fully planned to go to Punxsutaway, PA to see the Groundhog’s Day festival again (see Day Thirty-Seven of ‘MywalkinManhattan’) but a ‘Arctic Vortex’ swept all over the Midwest with its fringes reaching the middle of Pennsylvania. It would be 30 degrees on Groundhog’s Day with a temperature of 4 degrees that night. The thought of sitting in Gobbler’s Knob in almost 0 weather had no appeal to me and I changed my plans. I had remembered that there was a festival on Staten Island at the Staten Island Zoo with ‘Staten Island Chuck’ on Groundhog’s Day so off I went early the next morning to see the groundhog see his shadow.

Staten Island Chuck during the ceremony in 2025

The Staten Island Zoo had a fun and engaging Groundhog’s Day ceremony (see Day One Hundred and Thirty One of ‘MywalkinManhattan’) with a musical concert with the students of P.S. 29 and a private band who made up a song to go with the festival. At 8:00am, they presented Staten Chuck to the audience and he told us that there would be an early spring (its still freezing out!).

The Groundhog’s Day ceremony in 2025

The video on the event in 2025:

After the ceremony was over, the Zoo gave us plenty of time to explore the park before it opened to the public. With it being so cold outside, a lot of the outdoor animals were not in their pens outside but I was able to most of the exhibits.

Map of the Staten Island Zoo

I was able to visit all the inside exhibitions which was nice because the crowds began to thin as the morning went on. It is a nice sized zoo with a lot of indoor exhibitions for a rainy or cold day. I visited the Birds of Prey exhibit which contains many types of birds in their simulated natural habitat. There were some interesting colorful birds that the zoo keepers took out so that we could see them up close.

The Bird display at the zoo

There was a Fox exhibition where the small furry creatures were crawling and climbing all over the rocks and formations. They just stared at me looking at them leading me to believe that they were used to humans looking at them. There were all sorts of animals that stare back at you. The Meerkats were very playful and really started at me like they knew who I was.

The Meerkat display inside

The Meerkats are so playful when I was visiting

The video on these Meerkats playing in front of me:

The Meerkats being playful and trying to get my attention:

The furry anteater

I walked through the African, Tropical Forest and the Aquarium which were located towards the front of the zoo. I walked through the aquarium which is small but still nice and you are able to see many types of fish and plant life.

The Aquarium tanks at the zoo

The Aquarium tanks from the Asian River Tank

The Starfish tank in the tanks

The Pacific Kelp Forest with kelp and starfish

The Red Bellied Pacu fish display in the Jungle exhibition

The Pacu sign describing the fish

The Pacu fish in the display

In the African exhibition, I loved looking at the bearded monkeys who just looked back at me and then it was off to the reptile wing to look at snakes, turtles and frogs.

The display of the Lemur monkeys

The Lemur just stared at me

I went outside later in the morning and looked at the horses (who looked freezing) and the kangaroos, who looked at me like they wanted to run back inside (it was about 35 degrees at that point). The emus looked at me with desperation as well like ‘at least he is going to feed us’ look.

The Llamas and Pony looked at me like they were shivering

None of the outdoor animals looked comfortable in this weather. Even Staten Island Chuck was inside because his keeper said that it was too cold even for him to be outside.

The Llamas looking at all of us when we were walking around

The one thing about the Staten Island Zoo is that it is compact and you can see the whole zoo in one afternoon. There is also plenty of parking behind the zoo in the park.

The small goats at the zoo

The Leopard exhibition and the poor Leopard looked so cold

The Leopard looked so cold

The Zoo also has a nice gift shop, where a ‘Staten Island Chuck’ stuffed animal will cost you $20.00 ( in 2020 I bought the little stuffed animal. It is really cute). There is also a restaurant with stand kid fare like chicken fingers and burgers in the afternoon hours. There selection of doughnuts are really good. For a dollar, it is worth the trip.

The Staten Island Zoo Snack Shop

The menu is very basic but the food is really good

I ate a early lunch at the Snack Shop and the food is very reasonable. I got a Grilled Cheese with Bacon with a side of French Fries and a Coke and it was really good. The selection of items are the typical items that appeal to children and adults alike.

The Grilled Cheese lunch at the Staten Island Zoo Snack Shop

I would highly suggest the Grilled Cheese with Bacon as savory and buttery and was really gooey. The perfect comfort food on a cold day.

The Grilled Cheese with Bacon was the perfect lunch on a cold day

The gift shop has a lot of fun things to buy and I did buy a Staten Island Chuck in 2020 when I visited the second time. It really is a great toy and memento of the event.

The stuffed Staten Island Chuck is the perfect gift to remember the event

The Groundhog Day ceremony in 2020!

Watch the video on the event right before the country’s shutdown:

Check out my blog on ‘Visiting the Staten Island Zoo for the Groundhog’s Celebration Day One Hundred and Thirty-One’:

https://wordpress.com/post/mywalkinmanhattan.com/8121

After visiting the zoo, take time to walk through the park and then walk down Forest Avenue to visit the shops and restaurants. Don’t miss Bruno’s and Moretti’s Bakery’s for a snack.

Very clever cartoon when the Mayor dropped the Groundhog.

Chuck predicted Spring would come early in 2025

Spring is in the air in 2025

The History of the Staten Island Zoo:

(from the Zoo website)

In August 1933, the Staten Island Zoological Society was created and the park built by the Civilian Conservation Corps. On March 25, 1935, the Egbert-Robillard Bill was passed by the New York State Senate to have the city provide maintenance for the zoo. Two months later on May 7, 1935, the Governor of New York signed an agreement to allocate public fund for the zoo to cover operational and maintenance costs while the exhibits, animal care and educational programs were to be maintained by the Staten Island Zoological Society. With the land now owned by the city and a program to convert the 8 acre estate into a zoo. The zoo opened to the public on June 10, 1936 and was considered the first U.S. “educational zoo”. (Wiki)

The murals made of tile in the Jungle exhibit

Staten Island Zoological Society:

(from the Zoo website)

Unlike all the other zoos in New York City, which are operated by the Wildlife Conservation Society, the Staten Island Zoo is operated by the Staten Island Zoological Society which was created in August 1933 under the organization of Harold O’Connel. Local legend maintains that the society was partially formed from the Staten Island Reptile Club, which was located nearby on Britton Street and Broadway.

The Reptile Room at the Zoo

The snakes in the Reptile Room

Although no written documentation exists regarding the merger it would explain the newly formed Staten Zoological Society’s affinity for reptiles and why the zoo was (and still is) known for its extensive reptile collection. Just short of one year after its organization on July 24, 1934, the Staten Island Zoological Society was officially incorporated. (Wiki)

Chuck’s Home at the Zoo

Chuck looked really cold in 2025

The zoo is home to Staten Island Chuck, a groundhog who is the official Groundhog Day forecaster for New York City and Grandpa, a black-handed Spider Monkey, who made local newspapers when he accurately ‘predicted’ the outcome of six out of nine matches during the U.S. Open Tennis Championship. (Wiki)

The presentation in 2019:

Staten Island Chuck Festival 2019

The presentation in 2025 at the Staten Island Zoo:

The musical performance of the band live singing ‘Staten Island Chuck’:

The live musical performance at the event

There was also a second song about Groundhog’s Day:

The second song on Groundhog’s Day

The ceremony was a little on the long side because every politician had to chime in but still was a lot of fun:

The Opening Ceremony in 2025

The next person to talk was the Zoo Director:

The Staten Island Zoo directors speech

It was nice to welcome back the choir of P.S. 29 in Staten Island who had entertained us back in 2019. They had not been there in 2020 during the start of the pandemic.

The musical performance of P.S. 29

The prediction of an early Spring:

The prediction was of an early Spring

Meanwhile in Punxsutawney Phil predicted six more weeks of Winter. It depends on who you want to listen to in the forecast. Once they finished the ceremony, everyone took pictures with Chuck and then they put the poor, cold guy away.