Tag: Exploring Historic Hudson River Valley

John Burrough’s Slabsides and Nature Sanctuary                                          500 Burroughs Drive                                                           West Park, NY 12493

John Burrough’s Slabsides and Nature Sanctuary 500 Burroughs Drive West Park, NY 12493

John Burrough’s Slabsides and Nature Sanctuary

500 Burroughs Drive

West Park, NY 12493

(845)384-6320

https://www.hudsonrivervalley.com/sites/John-Burroughs-Slabsides-/details

https://johnburroughsassociation.org/

Open: The Second and Forth Saturday of the month when in season. Please visit the website for the days open. The cabin is open from 12:00pm-4:00pm when in season.

My review on TripAdvisor:

The entrance to John Burroughs ‘Slabsides’

The entrance to Slabsides is located on a local country road off another local country road off Route 9. Use your Google Map carefully when visiting or you will miss the turn off. The parking lot is really small and holds only about eight cars so please make the turn around on the road above and park facing down from the parking lot (word of advice on parking).

The pathway from parking lot to the house is really beautiful and lush in the summer. It seemed more desolate in the cooler months and just empty. Still it is only about a five minute walk from the parking lot to the cabin.

The original cabin “Slabsides” from the pathway. This one room cabin was used by Naturalist John Burroughs as a home away from home to write and to think.

The lawn outside the cabin

The historic sign outside the cabin

The porch of Slabsides in the summer

John Burroughs work area inside the cabin and his kitchen

John Burroughs work station overlooked the woods and rock formations

The fireplace and resting area

The kitchen area in the back of the cabin

The bedroom and sleeping area of the cabin

The bedroom of the cabin

The pictures of Walt Whitman and John Burroughs in the bedroom

https://www.britannica.com/biography/John-Burroughs

https://exhibits.archives.marist.edu/s/marist-heritage-project/page/Esopus-Community-John-Burroughs

John Burroughs as a young man

https://johnburroughsassociation.org/about/about-john-burroughs

(From the John Burroughs website)

John Burroughs was one of the most popular authors of his day and is credited with creating the modern nature essay. Using easily understood prose, he described nature that was familiar and local, bringing the natural world to his readers. He encouraged them in the art of observation by sharing a sense of place and purpose in the land. Burroughs wrote more than three hundred articles published in leading magazines and in twenty-seven books over sixty years. Through his writings and friendships with influential leaders he had a profound impact on the emerging conservation movements.   

Born in the Catskill Mountains in 1837 he settled on a nine-acre fruit farm on the west bank of the Hudson River north of Poughkeepsie that he named “Riverby.” Poet Walt Whitman and Burroughs tramped through its surrounding woods during Whitman’s several visits, moving Burroughs to call these woods “Whitman Land.” In 1895 he purchased a nearby tract of land and built a two-story cabin as a place to write and entertain, calling it “Slabsides.”  

Though Burroughs was a writer particular to the Hudson Valley region, his travels were widely known and celebrated. In 1899 he joined the Harriman Expedition to Alaska and wrote the “Narrative” of the expedition. He accompanied Roosevelt into the wilderness of Yellowstone, telling the story in Camping & Tramping with Roosevelt, which provided the narrative for a segment of Ken Burns’s The National Parks. Burroughs also traveled to the Grand Canyon and Yosemite with John Muir and went on elaborate camping trips with his industrialist friends Henry Ford, Thomas Edison and Harvey Firestone. Accounts of these events are in Burroughs’ journal archived at Vassar College. 

Burroughs received honorary doctorates from Yale, Colgate, and the University of Georgia, and the Gold Medal of the American Academy of Arts and Letters.  

The ceiling of the cabin

The stairs to the upstairs loft

The cabin was small and is pretty much one full room with one or two walls partitioning the rooms. This seems more like a summer cabin. Still it had its charm.

We then finished the tour outside along the trails outside the cabin.

I admired the outside woods from the patio

(From the John Burroughs Association website)

The land around Slabsides informed many of his essays in which he described nature close at hand. Through works written here, John Burroughs inspired national leaders to preserve land and its wildlife and generations of readers to head out-of-doors. For nearly three decades Slabsides drew devoted readers and prominent friends. There are nearly seven thousand signatures in his Slabsides guest books. Among the early signers were ornithologists Frank Chapman and William Brewster, conservationist John Muir, leader of the Arts and Crafts movement Gustav Stickley, and his friends Theodore Roosevelt and Henry Ford, who gave him a series of three Ford cars. The young journalist Theodore Dreiser interviewed Burroughs at Slabsides.

The trail outside the cabin which Aldo served as the lawn when it is not full of vegetation from all the recent rain.

The trail signs

Looking down the trails outside the cabin

The rock formations outside the cabin on the trails

One last look back at the cabin before I left that morning

Walking along the trails outside back to the car

Walking along the trails bank to the car

Walking along the trails

Walking along the trails

The parking lot before I left that day

It was a wonderful private tour with Joan, who is the President of the organization. She explained who John Burroughs was, his significance in writing and his life. It was a very interesting tour.

The pathways were so beautiful and there is a full series of trails to follow throughout the property to explore.

Fred J. Johnson House/The Friends of Historic Kingston Gallery                                                      63 Main Street                                               Kingston, NY 12402

Fred J. Johnson House/The Friends of Historic Kingston Gallery 63 Main Street Kingston, NY 12402

Fred J. Johnson House/The Friends of Historic Kingston Gallery

63 Main Street

Kingston, NY 12402

(845) 339-0720

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g48003-d8546539-Reviews-The_Fred_J_Johnston_Museum-Kingston_Catskill_Region_New_York.html

Admission: $10.00/Members are free

Hours: Sunday-Thursday Closed/Friday-Saturday 11:00am-4:00pm (May-October)

The Fredrick J. Johnson Museum and the Friends of Kingston

About Friends of Historic Kingston

We are a not-for-profit organization founded in 1965 whose members share a common mission: preserving and promoting the local history and landmarks of Kingston, New York.

Our Mission

The Friends of Historic Kingston champions our unique architectural, historical and cultural legacy and shares it with residents of all ages of the Kingston community and with visitors to the Hudson Valley.

What We Do

The exhibition at the Fredrick J. Johnson Museum and at the Friends of Kingston Gallery was “Still Standing”. How the Friends have saved many historical buildings in Kingston, NY from destruction. This contribution from the members of the Friends organization have saved many historical sites in the city that make up the character of the City of Kingston. These contributions have helped developed the historical sections of the city and made them the desirable destination they are today (FOHK website).

“Still Standing”

The Louw-Borgardus Ruins that have been saved and preserved by the Friends that are located on the edge of Downtown Kingston in the Stockade section of the city. This is an example of the Friends efforts to restore these treasures that would have otherwise disappeared.

The rest of the exhibition can be seen in the Friends of Kingston Gallery. The walls were lined with homes and businesses that were served by the conservation efforts of the Friends organization.

The Friends of Kingston Gallery to the right and the Fred Johnson Museum is to the left. These are open seasonally.

House & Gallery

The Friends offers changing exhibits, house tours, guided walk tours of the Stockade and Rondout Historic Districts, special events and publications related to the stories of the city of Kingston (FOHK website).

The “Still Standing” exhibition:

“Still Standing” exhibition: The Sharp Burying Ground

“Still Standing” exhibition: The Office of Simeon and William B. Fitch

“Still Standing” exhibition: The Pieter Cornelise Louw House

After walking through the “Still Standing” exhibit and noting the structures that had been saved.

The Fred J. Johnston House

A Treasury of American Decorative Arts

Fred J. Johnston (1911-1993)
Antiquarian and Preservationist

The Fred J. Johnston House located in the heart of the Stockade District, Kingston, New York is a classic Federal style clapboard house. It was built circa 1812 as the residence for John Sudam (1782-1835) and his family. Sudam was a prominent attorney, New York State Senator and New York State Regent. In the 1880’s, the house was acquired by the Van Leuven family. In 1938, the site was to be sold, the building razed and a gas station constructed. Although the home was in a deteriorated condition, Fred J. Johnston, a local antiques dealer bought the house to save it from demolition.

 The front room gallery of the Fredrick J. Johnson Museum

Johnston devoted the remainder of his life to restoring the property for use as his home and antiques shop. Under his care, the house became a visual landmark of uptown Kingston which was listed on the Stockade National Historic District Register in 1975. When Johnston died in 1993, he left the property to the Friends of Historic Kingston.

The Reception Room of the Johnson Museum

In fulfilling our mission, Friends of Historic Kingston maintains the integrity of the property and continues this unique preservation story by displaying the house and its contents as they were left by Fred J. Johnston. A visit to the Johnston House today is very much like the singular experience his clients enjoyed while shopping for antiques. The tour of the house is an immersion in the taste and connoisseurship of antiquarian Fred J. Johnston who celebrated America’s material past (FOHK Website).

Portraits of Mr. and Mrs. Perry who were local residents.

I was lucky enough to get a private tour of the house with a seasoned docent who I toured the house with that afternoon. We went room by room and she told me the story of how the museum came about. Fred Johnson had been an antiques dealer who filled the house with furniture and objects of art for sale and the rooms became his showroom. Both his unmarried sister and his mother moved into the house and helped entertain and run the household. So, the business became a family affair. Both his mother and sister lived with him until they died.

The Johnson Living Room

What I thought was unique about the museum was the whole house was for sale. The docent told me that one day his sister came home and found that her bed had been sold. As we toured the house, I could still see tags on all the furniture. The contents were still marked for sale.

The Johnson family kitchen

The stairs to the upstairs bedrooms

The house still holds much of the Johnson Collection of antiques and upon the death of his sister, the home became a museum to maintain this very unique collection of objects.

Mr. Johnson’s mother’s bedroom

Mr. Johnson’s sister’s bedroom

The Guest Bedroom

Mr. Johnson’s bedroom

After we toured the very tasteful and stylish upstairs, we went back downstairs to tour the outside gardens. The docents did a very nice job with the landscaping of the house and the gardens were beautifully maintained. It was a nice way to get some fresh air and sunshine while admiring the beds.

The back of the Johnson House Museum and the back gardens.

The Johnson Museum Gardens

The back of the Johnson House from the gardens

After the touring the whole house, we were able to take one last look at the first floor and all the beautiful antiques that filled the rooms. The museum gives you the perspective of not just how the Johnson family must have lived but how people had lived in past centuries.

The house is also beautifully decorated and maintained by the staff of docents and members of the Friends and is a wonderful view of the past.

Columbia County Historical Society                       5 Albany Avenue                                   Kinderhook, NY 12106

Columbia County Historical Society 5 Albany Avenue Kinderhook, NY 12106

Columbia County Historical Society

5 Albany Avenue

Kinderhook, NY 12106

(518) 758-9265

Open: Sunday 11:00am-4:00pm/Monday-Friday Closed/Saturday 11:00am-4:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60899-d12000596-Reviews-Columbia_County_Historical_Society_Museum_Library-Kinderhook_New_York.html

The Columbia County Historical Society Museum

The main building of the Historical Society contains an exhibition on farming. It also contains the society’s library and genealogy center.

The James Vanderpoel House Museum

The afternoon I visited the society, the Vanderpoel House was the only building open but it was interesting to visit. I saw the early American portraits.

History of the House:

One of the finest examples of Federal architecture in Columbia County, the James Vanderpoel House was constructed circa 1819–1820 for prominent Kinderhook lawyer and judge James Vanderpoel. 

Trimmed with marble and built with local brick, the side-gabled structure has two stories, five bays, and rests on a fieldstone foundation. Symmetry and graceful architectural details are found throughout the home. Purchased by the Columbia County Historical Society in 1925, the property is now preserved as an exhibition space showcasing paintings and decorative arts from the CCHS permanent collection and is home to the CCHS Museum Store & Bookshop (CCHS website).

There are two exhibitions going on right now:

New York Portraits from the permanent collection:

Columbia County’s painted portraiture legacy spans more than three centuries of historically significant or artistically important works by self-taught, naïve and itinerant painters, as well as important artists of the time, and including some of the earliest works in America.

In the Portraits of the Permanent Collection shows us how the middle to upper middle class in the early years before photography was created to be remembered. Portraits were the best way to show the families wealth and prestige in the community plus keep families legacies alive. Today many of these families descendants don’t know what to do with them. This is our benefit that we can enjoy these private works of art.

Portraits from the Permanent Collection sign

The Gallery

The Gallery

The New York portraits in the collection

The New York Portrait Collection exhibition

The Portrait Collection-Children’s Portrait

Part of the Portrait and Federal Style exhibitions

Early Hand Tools & Farm Implements: the permanent collection

In the main building, there is also a permanent collection of farming equipment and the development of family farms in New York State. It shows how the agricultural profession has changed from doing everything by hand when farms catered solely to the family to the commercial farms that developed after the Civil War that found new markets for their products. Automation grew the industry but its start with equipment shows how much the process really hasn’t changed that much. It is a very thought provoking exhibit on how industries progress.

The “Early Hand Tools & Farm Implements” exhibitions

The farming equipment galleries

The farming equipment galleries

The farm equipment at the turn of last century that has not changed much to today.

The new exhibition “Dirt Road Life: Images of Rural Community” again shows how life has progressed in this country.

The description of the exhibition and collection of the artwork:

(From the museum website):

In this exhibit an extensive collection of vintage photographs provided by CCHS and Red Rock Historical Society that document what life was like along these dirt roads a century ago are complemented and contrasted with local high school students’ photos of contemporary winter scenes along Chatham’s unpaved network of roads.   The students’ photographs, curated by nationally celebrated photographer Paul Lange, are drawn from a body of work that is the brainchild of Ichabod Crane art teacher Sandy Dwileski.  Dwileski saw an artistic opportunity—winter road scapes rich in subtle hues, shadow contrasts and complex compositions—and set about organizing an outing with her advanced photography class to follow the system of roads mapped by the Chatham Dirt Road Coalition and photograph the journey.

The new exhibition “Dirt Road Life: Images of Rural Community”

The gallery exhibition on “Dirt Road Life”

Pictures from the exhibition

Pictures from the exhibition

The next special exhibition at the museum was the “A Farm, a Family and a Legacy”:

(from the museum website)

Farms have been the heart of Columbia County’s economy and culture throughout its history. One of these was Birge Hill Farm, established in 1785 by Hosea Birge, a Revolutionary War veteran who settled in Chatham, N.Y., in the early years of the republic.

The write up on the exhibition

The deed to the original farm

Here and on other small farms, families and neighbors worked cheek by jowl to sustain their small, tightly woven communities, until vast changes in technology, industry and society forever altered their rural way of life. 

The Birge Family artifacts in this interesting exhibition of family life on a multi generational farm

The farm is currently for sale

This exhibition presents highlights from the Birge Family Collection, donated to the Columbia County Historical Society by Hosea’s fourth great-grandson, Van Calhoun, and Van’s wife, Susan Senecah. The expansive collection comprises more than 200 objects, preserved by family members with remarkable foresight and care over eight generations. In their stories, we see the evolution of farm and family life in Columbia

The family heirloms

The current farmhouse of the family’s

The exhibition was interesting in that it must be hard for a family giving up a way of life and a home that has been in the family for 200 years. It was nice of the family to let us in and see their life in this exhibition.

Federal Style: Refinement, Grace and Symmetry:

America’s newly founded nation beamed with patriotism following its victory in the Revolutionary War. The original foundations of the United States government and culture immediately following its independence is known as the Federal Era (1780–1830).

George Washington and other American icons looked toward the Classical ages of Greece and Rome in forging an identity for the young American Republic through architecture, furniture, textiles, ceramics and works of art. Neoclassical designs and motifs are distinguished through simple lines, a satisfying balance of symmetry and overall elegance that signals strength and democracy. In celebrating 200 years of the James Vanderpoel House, we present its Federal architectural excellence along with diverse material culture representing characteristics of the Federal Style and era in Columbia County and America (CCHS website).

The other buildings that are part of the Society’s museum:

Signage at the Historical Houses

The Crane Schoolhouse

This authentic, circa-1850 one-room schoolhouse served as a public school for the Town of Kinderhook into the 1940s. It replaced an earlier “log cabin-style” single-room school where a man named Jesse Merwin served as school master. Merwin, who was a longtime friend of the writer Washington Irving, is said to have been the “pattern” for Irving’s character of Ichabod Crane in “The Legend of Sleepy Hollow.”

A “Legends & Lore” historic marker, awarded by the New York Folklore Society and William G. Pomeroy Foundation, stands a few yards from the school and commemorates this literary connection. Today, the Ichabod Crane Schoolhouse is a seasonal museum. See exhibitions, period school desks and other objects relating to one-room schoolhouse education in Columbia County.

During the 1950s and ’60s, it was saved from disrepair by a group of local women who retrofitted the space to function as an ad hoc community center. In 1952, former first lady Eleanor Roosevelt visited the schoolhouse to deliver a radio address praising “the work of women” and recognizing their efforts to preserve the historic school.

In 1974, the schoolhouse was moved 200 yards down the road to the Luykas Van Alen House site. That same decade, it was restored to its 1930s appearance. It remains an excellent and intact example of a rural, one-room schoolhouse with a gable roof, clapboard siding and a single pent-roofed entrance. The interior consists of a large classroom with two adjacent cloakrooms — one for boys and one for girls. The building was never modified to have heat or hot water and still retains its original 1929 wood-burning stove, wood flooring, chalkboards and double-hung sash windows(CCHS website).

Luykas Van Alen House

Built circa 1737 and designated a National Historic Landmark in 1967, the Luykas Van Alen house is recognized as one of the best examples of fewer than a dozen historically intact Dutch Colonial houses in the Hudson Valley. 

Located on rural land once used by native Mohican peoples for hunting and seasonal camping, the house was the center of a prosperous farm and home to several generations of the Van Alen family. The last Van Alen descendant to live in the house, Maria Van Alen Herrick, died in 1935. The house was purchased in 1938 by William Van Alen, a descendant of Luykas’ brother, Johannes. In 1964, unable to undertake extensive restorations himself, William generously donated the house to Columbia County Historical Society (CCHS website).

The signage by the Van Alen House

The Donald & Barbara Tober Exhibit Room/Conrad N. Hilton Library-The Culinary Institute of America Campus 1946 Campus Drive                                                               Hyde Park, NY 12538

The Donald & Barbara Tober Exhibit Room/Conrad N. Hilton Library-The Culinary Institute of America Campus 1946 Campus Drive Hyde Park, NY 12538

The Donald & Barbara Tober Exhibition Room/Conrad N. Hilton Library-The Culinary Institute of America Campus

1946 Campus Drive

Hyde Park, NY 12538

(845) 452-9600

https://library.culinary.edu/ciaexhibits

Open: When the library is open. Please check the website.

Admission: Free

The Donald & Barbara Tober Exhibit Room plaque inside the Conrad N. Hilton Library hallway

The Donald and Barbara Tober Exhibit Room is on the main floor of the Conrad N. Hilton Library. The exhibit room is open to the CIA community and to the public. The exhibition room has ongoing displays of culinary themed exhibits that cover topics involving the culinary world and food service. This is run by both the college and by students. It is not quite a museum but more of a display room of artifacts that are held by the Conrad N. Hilton Library and its archives.

The Hallway exhibition

The Hallway exhibition

The two display cases are in the main entrance of the Conrad N. Hilton Library and hold more of the exhibition. These are displays of industry pamphlets and flyers plus menus and equipment.

The library exhibition of China pieces

The Menu Collection:

The Tober Room Exhibition space

The CIA’s menu collection began in the small library at the New Haven campus and was used as a reference tool by the culinary students.  By 1978, then in Hyde Park, the library had amassed a file of over 3,000 menus which were openly available to students and used regularly in their studies.  These menus still remain in the collection and are known as the “Original CIA Menu Collection.” They provided the foundation for the growing menu collection that was later added to by many prominent menu collectors and friends of the CIA.

Seth Bradford and Edward S. Dewey Menu Collection

Roland Chenus Menu Collection

Craig Claiborne Menu Collection

Roy Andries de Groot Menu Collection

This collection of nearly 800 menus, acquired by the CIA in 1984, were collected by the culinary writer and critic, Baron Roy Andries de Groot (1910-1983), during the course of editing his column, “A Moveable Feast,” for Esquire Magazine. The menus date primarily from the 1960s and 1970s and are from major U.S. cities (many from New York City), as well as Canada, France, Belgium, Spain, Puerto Rico, Hong Kong, and Thailand. Some menus include supplemental materials, as well as annotations by de Groot or his staff noting the date of visit, names of other guests, the chef’s name, and his evaluations and/or ratings.

Herbert Ernest Menu Collection

In 1987, Herbert Ernest donated to the CIA over 300 menus collected by his father, Semy Ernest. The menus date from 1889-1977 and include menus from restaurants and clubs in New York City, Boston, Indianapolis, Los Angeles, and San Francisco; international menus from France and Germany; and several menus from on board the Santa Magdalena ocean liner. This collection is rich in pre-1920 menus.

Greenebaum Menu Collection

The Greenebaum Menu Collection was donated to the CIA by Henry Greenebaum in 1989.  Greenebaum’s father, Michael H. Greenebaum, started the collection and it was continued by his two sons, Henry and Richard. It includes menus from 1905-1988, many international and many from railroads and ships.  Several menus are signed by the chef or proprietor.

Auguste Guyet Menu Collection

Donated to the CIA in 1989, this personal menu collection from Chef Auguste Guyet includes over 200 menus, mostly from France. The earliest are a Restaurant Julien special event menu and a Waldorf-Astoria wine list for the 27th annual banquet of the Hotel Association of New York City, both from 1906.

Bruce P. Jeffer Menu Collection

Bruce P. Jeffer donated his collection of 2,500 menus to the CIA in 2013. Jeffer, a California lawyer and wine connoisseur, began collecting menus during his travels as a child. The menus date from 1950s-1990s. Much of the collection is international menus from over 70 countries on 6 continents. A selection of these were featured in an exhibit in the Conrad N. Hilton Library in August 2013.

George Lang Menu Collection

George Lang, restaurateur and author, donated his personal collection of over 3,000 menus to the CIA in 1989. Many of these menus are international, including often under-represented countries such as Australia, Cuba, Hong Kong, Hungary and the Philippines. Although most menus date from 1950s-1970s, the earliest two menus are from Hotel Knickerbocker in New York City, 1907.

Vinnie Oakes Menu Collection

In 2000, Vinne Oakes donated his collection of over 200 menus to the CIA. The collection is strong in menus from restaurants in Nevada, as well as ship menus from the 1960s.

John Edward Oxley Menu Collection

Chapman S. Root Menu Collection

The Chapman S. Root Menu Collection of nearly 10,000 menus was donated by The Root Company in 2000. The largest collection recieved so far, it includes menus from almost every state (strongest in California, Florida and Nevada), and several foreign countries. The bulk of the menus date from 1960s-1980s, although the earliest are from 1878. Over 3,000 U.S. Railroad menus are an important highlight of the collection.

Chapman S. Root’s grandfather, Chapman J. Root, designed the classic green, ridged Coca-Cola bottle in 1915. At his grandfather’s death in 1945, Chapman S. Root inherited Associated Coca-Cola Bottling Plants, Inc. He traveled a great deal, mostly by car or train, and amassed an enormous menu collection. Friends, knowing of his interest, also contributed to his collection.

Jacob Rosenthal Menu Collection

Jacob Rosenthal, former president of the Culinary Institute of America, donated nearly 500 menus to the CIA menu collection. The bulk of these menus are from food and wine societies in the 1960s-1970s, including Confrerie des Chevaliers du Tastevin, Confrerie de la Chaine des Rotisseurs, and the International Food & Wine Society.  Also of note are several international menus from the 1930s-1950s.

Smiley Family Menu Collection

The Smiley Family Menu Collection was donated to the CIA in 1982 and 1993, a gift of Mohonk Mountain House. (The Smiley family are the founders and proprieters of the Mohonk Mountain House in upstate New York.) Three generations of Smileys traveled the world, by land and by sea, and collected menus along the way. This collection is rich in pre-1920 menus; menus from historically world-renowned resorts including Laurel-in-the-Pines (Lakewood, N.J.), Haverford Court (Pennsylvania) and Hotel Colonial and Royal Vicotoria Hotel (Nassau, Bahamas); beautifully-illustrated ship menus; and a selection of early menus from Mohonk Mountain House.

Lois Westfall Menu Collection

The display case in the main library showcases the collection of China and Silverware and decorative objects that are in the collection.

The Tober Room exhibition on “Fat” at the Conrad N. Hilton Library on the CIA campus

The exhibition that they were showing when I came up to visit was “Clarifying Butter: A Cultural History of Fat”. There were a lot of recipes, objects and equipment to make butter, understand the use of fats in cooking, recipes, menus and corporate information.

The description of the exhibition:

FAT. The very word, fat, conjures images of unctuous oils, crispy fried foods and flavorsome pools of golden richness (indeed, medieval European foods that were described as “rich” meant both fatty and foods of the privileged). Conversely, the idea of fat can also make people frown with scorn, concerned over blocked arteries or a perceived moral laxity of a diner.

Fat. as an substance found in animals and oil, as a plant based ingredient, appear across time and place and reveal cultural attitudes and historical changes. At a culinary school, we use fats and oils daily and as eaters, they literally become part of us. While ubiquitous they are never without deep meaning. This exhibit explores but some of the aspects of a food group that is simultaneously present and polarizing.

Both the two display cases and the middle display case were set with all sorts of information through the ages of the subject of fat, fried foods and items used to produce and make them.

The Display Cases in the Tober Room

The Display Cases in the Tober Room

The exhibitions here are very detailed and display over a hundred years of culinary arts research. The displays are revolving every quarter. The room is off to the right of the entrance to the library and is open for free to the public. It is a wonderful way to learn the aspects of food than in one of the best culinary libraries in the world.

A close up shot of the display case.