Bergen County Department of Parks, Division of Cultural and Historic Affairs
Court Plaza South
21 Main Street, Room 203 W
Hackensack, N.J. 07601-7000
Survey of the Early Stone Houses of Bergen County:
One of the most important early American building types is that of the pre-1840 stone house built in areas with Dutch Cultural affiliation. Bergen County is unique in the abundance, variety and architectural quality of these early stone houses, although adjacent areas of New Jersey and New York have some of the type.
Materials and methods remained constant but the house which were built from the time of Dutch colonization in the 17th century vary in size, plan and stylistic detail. Bergen County’s surviving early stone houses many located along major thoroughfares, provide county residents with tangible links to the formation years of the County, State and Nation.
The Campbell-Christi House at New Bridge Landing/Bergen County Historical Society
The Survey of Early Stone Houses of Bergen County conducted in 1978-79 identified and recorded 230 of these early houses. Of these, 208 retained sufficient architectural integrity to be placed as a thematic group on the New Jersey Register of Historic Places in 1983, 1984 and 1985. A clear recognition of the houses importance is given by inclusion on these Registers, which are the State’s and Nation’s official lists of cultural resources worthy of preservation.
For inclusion in the Stone House Survey a building has to have at least two first story walls of pre-1840 stonework. The stone used in constructing the houses varies according to what as locally available. Many of the houses have reddish-brown sandstone walls but in the north-western section of the county rougher local fieldstone was utilized. Some houses have exterior walls of various types of stone and in some brick or frame exterior walls appear with stone ones. Frequently front facades display finer masonry work than do sides and rear. Usually the houses are 1 1/2 stories in height and have gable or gambrel roofs, sometimes with sweeping overhangs. Often there are side wings.
Wortendyke Barn in Oakland, NJ
The Wortendyke Homestead across the street from the barn.
Examples of the house-type are commonly called “Dutch Colonial.” This name most frequently applied to gambrel-roofed houses is a misnomer. Most of the houses were erected in the early 19th century, long after New Jersey passed from Dutch control in 1664. They date to a time when Anglo-American culture was being assimilated into Bergen’s Dutch cultural base. The typical stone house of the Colonial Period in Bergen County is a simple gable-roofed building.
Because they have been continuous use since they were constructed, many early stone houses have been modified and embellished. Often these changes in themselves have architectural distinction and are important to Bergen’s 19th and 20th century architectural history. Even when altered, the basic form and fabric of the original stone dwellings are usually recognizable and the houses are part of the county’s earliest architectural heritage.
Cadmus House in Fairlawn, NJ
The Stone House survey was sponsored by the Bergen County Board of Chosen Freeholders, the Bergen County Historic Sites Advisory Board and the Division of Cultural and Historic Affairs. It was prepared by the Office of Albin H. Rothe, A.I.A. Claire K. Tholl did the field survey. The survey was made possible by a grant-in-aid from the Office of New Jersey Heritage, Division of Parks and Forestry, N.J. Department of Environmental Protection and matched by funds from the Bergen County Board of Chosen Freeholders.
The report for the Survey of the Early Stone Houses, with background text and inventory forms for houses, may be consulted at the Division of Cultural and Historic Affairs between 9:00am and 4:30pm weekdays.
Hopper House in Upper Saddle River, NJ
The Banta-Coe House on the Fairleigh Dickinson University campus
The Banta-Coe House prominently faces the Hackensack River
Disclaimer: This information was taken directly from the Bergen County Department of Parks, Division of Cultural and Historic Affairs pamphlet and I give them full credit for this information. Please contact the Department for more information on the subject.
The entrance to Mesier Park where the Homestead is located
The plaque outside the home
I visited the Mesier Homestead recently and toured the home with a local docent. Home to four generations of the Mesier family, the house has been added onto since it was built in the mid-1700’s. The rooms are decorated with furnishings from the Victorian era and shows life as it may have been in the late 1880’s at the height of the Victorian era.
The Mesier Homestead in the summer months
The tour of the rooms shows how the home was added onto to meet the increased demands of a growing family and one of increasing affluence. The original home was added onto from the back to add service areas and work areas for the household.
The entrance to the Mesier Homestead
A portrait of Mrs. Mesier in the hallway
When you enter the foyer from the front door, there are reproductions of family portraits hallway that had served as the parlor of the original house. As the house expanded, this area became the formal entrance to the home. To the right of the foyer, there is the Living Room, where the Historical Society has uncovered one of the two fireplaces from the original home that once heated the rooms.
The reproductions of Mr. and Mrs. Mesier in the Living Room
During the late 1800’s, the son of the owner heightened the ceilings to get rid of the railroad ties that once decorated the ceiling. This gave the room a more modern look and showed the affluence of the family that could heat a home with heigh ceilings.
The Mesier Homestead Living Room
Another view of the Living Room
The room furnishings included family paintings, a then modern Victrola, ornated furniture and diagram of the family tree. The small steps led to a small office off the Living Room that was added onto with more family objects.
The Library and Office off the Living Room at the Mesier Homestead
When you entered the room from the kitchen and the Butler’s Pantry where food was finished and readied to be served, a formally set Dining Room for dinner showed the family’s status in the community.
The Dining Room at the Mesier Homestead
The sideboard and the Dining Room table
An ornate china set from England enhanced the table with fine linens that the family would have owned. A newly opened fireplace that had once heated the dining room was shown by a heating unit that would have been used in the Victorian age. All sorts of fine decorative objects lined the tables and shelves.
The Dining Room table is set for a fine dinner at the Mesier home
By the amount of space available for living and entertaining with the separate rooms for use in the home it showed how times were changing with the affluence of that time. The family would show off their fine things to show their status in the community.
The Fan Collection from Victorian times
The second-floor tour is a view of the slave/then servants’ quarters and the two-family bedrooms. What I thought was interesting on the tour is how the family had to co-mingle in the bedrooms because of the number of children in the family and how mom and dad were not always alone. The rooms had to be expanded so that there was plenty of room for the growing family.
The Children’s bedroom on the second floor
The Adult’s bedroom on the second floor
There were many family items in the house like clothing, children’s toys and playthings and items for recreation like bikes, ice skates and musical instruments of a time before TV, movies and radio. There were also items for spinning and making clothes.
Children’s toys during the Victorian Age reflected imagination and preparation for adulthood with blocks, dolls, kitchen items and other playthings to stimulate the mind.
Bicycles and Native American art on the second floor
During Victorian times, the way people shopped and carried themselves changed after the Civil War with the rise of department stores and the merchant class. Instead of making your clothes, you bought them at the store and there was protocol on how Victorians behaved and handled themselves in society regardless of class.
The care of grooming a Victorian woman had in her bedroom
Clothes in a Victorian bedroomClothing and accessories for the Victorian woman for dressing for the day
One of the rooms was also set up like a small school with original children’s desks and blackboards. There is even a Civil War era flag that was found in one of the local homes hanging in the room.
The tour guide also noted the drafts in the house before insulation was put in and the conditions of the time with weather effecting living conditions inside with drafts in the winter and heat in the summer through the roof plyboards. This was modern living at the time. The heat would radiate from the lower level of the house and the Dutch doors would let fresh air in the warmer months. These were modern in comparison to our modern homes. This was the interesting part of the home.
When I asked why the back rooms had not been renovated like the front of the house, our tour guide explained that the Meiser’s were a very devout family and even though they were affluent for the times, they were restrained and not showy like you would see in places like the Vanderbilt mansion. They would not have entertained like that on a grand scale. It was an interesting perspective that those things did not mean that much to these older families.
The original section of the homestead from 1742 is currently being renovated. This is the original hearth and oven of the kitchen.
The tour takes about an hour and is a fascinating step back in history of the way these families lived.
Recently the house was decorated for the Christmas holidays with garland, holly and fragrant oranges that once masked the household smells. They also gave the house a festive fragrance. These popular tours last through the holiday season.
Please check their website for a list of their activities.
The History of the Mesier Homestead:
The Mesier Homestead and surrounding property was sold to the Village of Wappinger’s Falls in 1891 with the understanding that it forever be known as Mesier Homestead and Mesier Park. The Wappinger’s Historical Society acquired full custodianship of the Homestead in 2007 and through ongoing fundraising efforts has been able to restore the Homestead to its present appearance.
The Mesier Homestead at Christmastime:
Christmas time at the Mesier Homestead is a festive and elegant affair of decorations and the home being set for a Christmas in the Revolutionary War era. The only difference is the the home has a Christmas tree which did not come into existence until the Victorian era.
the outside of the home decorated with wreaths and garland
The Front Porch
The front door with wreaths and garland
Entering the main hallway of the Mesier Home
The other end of the Hallway
Even the doors were festive with wreaths
The family portraits in the hallway were adorned with garland
The Living Room was the centerpoint of the house on Christmas morning with children coming downstairs to see what Santa had left them in the later part of the 1890’s into the early 1900’s. The tree would have been the centerpiece of the room sparkling in Christmas morning and a place for the family to gather for the day. Nothing has changed in this tradition except electronics.
The Living Room was decorated for both a Victorian and Revolutionary Christmas
The Victorian Christmas tree was lit brightly for the holidays and added a festive touch to the room
The rest of the Living Room was set with flowers and garland
The Library was set with flowers and wreaths and made for a very welcoming environment. This would have been a quiet place on Christmas morning for the family with festivities all through the house.
The Library was simple decorated and elegant
The comfortable Library
Even so, the house was beautifully set with garland all over the mantels and doorways and the Dining Room was set for a formal Christmas lunch which would have been eaten after church. The concept of gift giving on the holidays also did not come about until the Victorian era as well. Still Christmas lunch had been part of the holiday tradition for years.
The Dining Room was set for an elegant Victorian Christmas lunch
Victorian china adorns the festive Christmas dinner table
The mantel in the Dining Room was adorned with garland and oranges which gave the room a wonderful fragrance of pine and citrus
The family portrait in the Dining Room got special attention
Mesier Homestead decorated for the Christmas holiday season
The Wappinger’s Falls Christmas tree is just outside the house
The bandstand outside the house was decorated to the hilt.
The History of the house:
The house itself is part of the ‘Rombout Patent’ of land that had been bought by the Dutch from the local Indian tribes by three prominent Dutch families. This section of the property was bought by Nicholas and Adolphus Brewer and contained 750 acres of land around the Falls area, and they built the first stone house in the village near present Mill Street. In 1742, the Brewers built a mill on the east side of Wappinger Creek.
Nicholas Brewer built the Mesier Homestead in 1741, which he sold in 1777 to Matthew Van Benschoten who in turn sold it to Peter Mesier, a merchant from New York City. In May 1777, soldiers and local residents attacked Peter Meiser’s house in Wappinger’s Falls, disputing the price of tea for sale in a small store inside the home. Mesier was a merchant from New York City and a Loyalist. The angry mob struck Mesier, beat his slaves and drank wine stored in the cellar. They also took the tea and left a small amount of money behind. The house was in the possession of the family for the next four generations (Wiki).
The organization’s goal for 2020 and beyond is to restore the original 1741 building so it can be a showcase of our Colonial history. Your membership, gifts and in-kind donations will help us maintain and restore this jewel of Wappinger’s Falls.
The Wappingers Historical Society Native American Collection:
The Wappingers Historical Society is the curator of an extensive collection of Native American artifacts, many of which stem from the Stoneco/Clinton Point and Bowdoin Park area in the vicinity of the Town of Wappinger. This collection of artifacts was once considered to be the largest private collection in New York State.
Victorian Hair art of the dead
It consists of over 2000 objects, many of which are projectile points (arrowheads and spear points). Some of these have been found to date back 8,500 years. Also included are tools such as scrapers, knives, axes and hatchets. A small portion of approximately 100 pieces of the collection is on display at the Mesier Homestead and can be seen as part of our guided tours.
The Native American collection is extensive at the Meiser House
The Mission of the Wappinger’s Falls Historical Society:
The Wappinger’s Historical is dedicated to preserving and promoting the history of the Town of Wappinger, the Village of Wappinger’s Falls and neighboring communities and to maintain the custodianship of the Mesier Homestead.
The beauty of Downtown Wappinger’s Falls, NY
When you are a member of the Wappinger’s Historical Society, you help:
Storage area of the house
*Preserve and expand our archives, collections and library to actively chronicle the life of our hamlets, village and town for future generations.
*Develop and implement programs and exhibits so that people of all ages can better understand their connection to history.
*Safeguard our architectural heritage of the 1741 Mesier Homestead.
(This information was taken from the Wappinger’s Falls pamphlet, and I give them full credit for it)
The Mesier Homestead in the summer months
Their wonderful gift shop that should not be missed
Open: Sunday-Monday 9:30am-5:00pm (closes 4:00pm between November and January 5th) The house is only open between April and the beginning of January.
Fee: Adults $18.00/Seniors $15.00/Children (5-18) $9.00/Children (under 5 years old) Free (This is for house and Garden/Garden tours are different and depend on the season. Please check the website)
My review on TripAdvisor:
The front of Boscobel during Christmas time.
the back of the house at Christmas time.
The view from the back of the house of the Hudson River.
The view from the back of the house at twilight.
Entering the house for the evening “Candle Light” walking tour.
I recently visited the Boscobel House and Garden for their Christmas decorations and for a tour of the house at the holidays. Like most houses of its time period (the house was built in 1806), it was Post-Revolutionary War and the decorations would not have been that lavish as in the Victorian times. In 2023, the house had “Evening Hours” where you could take a self-guided tour and then come back to the Visitors Center for pastries, candy and hot drinks of Apple Cider and Hot Chocolate. These were the best nights to attend. For $25.00, you got to take your time in each room and talk with a docent about the history of the house.
The Grand Hallway display Boscobel
The floral displays in the Grand Hallway were amazing.
The Boscobel Grand Staircase in the Great Hall.
When you enter the house from the front entrance, you enter the Grand Hall with its winding staircase decorated in garland, flowers and lights. The Grand Hall was also once used for balls and informal dances. Decorated for the holidays, the Great Hall was dazzling for the Christmas holiday season.
The Great Hall decorated to the hilt for the holidays.
The house was tastefully decorated with garlands and mistletoe along the archways inside the foyer and with holly and mistletoe inside the house. Some of the tables were set for afternoon tea and entertaining in the Front Drawing Room and there was a small table Christmas tree which were just coming into vogue after the War of 1812. The Front Drawing Room was also set for entertaining as would be done in the holidays months in the later 1800’s.
The Front Drawing Room just off the Great Hall.
The Front Drawing Room set for tea during the holidays.
The Front Drawing Room
The Front Drawing Room is where guests would be received when they entered the house. They would be entertained until the Dyckman’s were ready to greet visitors. Tea and refreshments would be served here while they waited. After the guests would be received, if they were going to stay for the afternoon or evening, they would move to the Back Drawing Room for games, entertainment and conversation before moving on to the Dining Room for the main meal.
The Drawing/Music Room is where Mrs. Dyckman would have received guests and where informal entertaining would have happened. There was also musical instruments and player music boxes on display.
The Back Drawing Room with the Table tree.
The Back Drawing Room with the portrait of Mrs. Dyckman.
The Table Top tree in the Back Drawing Room.
Our tour guide, Sam, was fantastic and I hope when you tour the house he is your guide. I was impressed with his knowledge of the house and of the Dyckman family. I had not realized that they were related to the Dyckman Farmhouse family in Inwood (See my review and write ups on the Dyckman Farmhouse here on VisitingaMuseum.com and MywalkinManhattan.com: https://wordpress.com/post/visitingamuseum.com/771)
He told the story of Mr. Dyckman, who had the house built, how he made his fortune, how he died young without ever living in the house and then his son and his wife dying around the same time. The son-in-law then squandered the fortune with a series of bad investments and the house was foreclosed. It sat empty and was falling apart until a group of local citizens saved it. The house is now back in its full beauty and furnished in period furnishings to reflect the time that the house was built. The tour then guides you from the Front and Back Drawing Rooms to the Main Dining Room, where the real entertaining would take place.
The Main Dining Room was set for a Christmas dinner circa 1830’s and 40’s with the elaborate dishes, crystal and silver and laded with the foods of the holiday season. Meals would take several hours and many courses and would be accompanied by good conversation and maybe some music.
The Formal Dining Room’s table was set for a holiday dinner. The candles had been lit (they were electric) and the room had a warm glow to it. The windows must have let in natural light so earlier meals must have been quite nice when in the summer months the sun shined inside the room. There was custom made china set on the places and there was family silver next to it. The side boards were made by Sheraton and the cut glass had been imported from England.
The formal Dining Room set for Christmas dinner.
Another view of the Dining Room.
The fireplace in the Dining Room decorated for the holidays.
The Christmas desserts for dinner in the Dining Room at Boscobel.
In the back of the Dining Room was the dumbwaiter and the service area, The Warming Room, where items would be finished once they came up from the basement kitchen. They would be plated, decorated and served from this area and the timing would have had to be precise so the food did not arrive cold into the Dining Room.
The Warming Room where meals would be finished before serving.
Items to be served at meals in the Warming Room.
We then toured the back areas of the Warming Room, where all the food would have finished and plated. The room had all sorts of gadgets to keep the plates warm and where all the silver and china would have been kept. After the tour of the downstairs was finished, it was time to climb the Grand Staircase to the rooms in the second floor of the home.
The Grand Staircase to the second floor bedrooms.
The other side of the Grand Staircase.
The second floor Landing at the top of the steps is where all the bedrooms were concentrated.
The Card Table at the top of the Landing in Boscobel.
We then toured the upstairs bedrooms, where we learned the family would have ‘camped out’ in for the cold winter months. I was surprised to learn that the whole front of the house was closed off and the upstairs bedrooms would have been sealed off with fireplaces to keep them warm and the cloth hangings around the bed to keep out the drafts. Both mother and son’s bedrooms were nicely furnished with period furniture.
The Mrs. Dyckman’s bedroom at Boscobel.
Peter Dyckman’s Room on the second floor
Peter Dyckman’s Room at Christmas time.
Sills Dyckman’s Room with the nursery.
Sill’s Dyckman’s Room at Christmas time.
The guest room
The Guest Room at Christmas time.
Our last stop was the kitchen in the basement back area of the house where all the food would have been prepared and brought up to the Butler’s Pantry. There were all sorts of kitchen equipment for roasting, baking and boiling. You could tell that it was not easy work cooking these elaborate meals without the modern conveniences that we take for granted today. These cooks had a tougher time with the stoves and fireplaces as a source of cooking.
The Dyckman kitchen preparing Christmas dinner.
The Dyckman basement kitchen during the holidays.
The kitchen during the Christmas
The Dyckman Kitchen where the servants were preparing a holiday dinner.
In the lower level gallery, there was an exhibition of miniature displays by artist Helen Bruce. She created these tiny diorama’s that are on display. She was quite clever in the details.
Bio on Artist Helen Bruce
‘The Seamstress’ by Helen Bruce
‘The Seamstress’ by Helen Bruce
‘The Toy Shop’ by Helen Bruce
“The Toy Shop” by artist Helen Bruce.
“The Rug Merchant” Artist Helen Bruce.
“Seamstress” by artist Helen Bruce.
The gallery was lined with a series of these diorama’s and each was very detailed in their appearance.
After the self-guided tour was over, I was able to walk around the property and see the gardens. At night the gardens were all lit with Christmas lights and the trellises were done with garland.
Boscobel’s Gardens at night during Christmas.
The walkway through the gardens.
The fountain at Boscobel is decorated to the hilt.
The Herb Garden at night.
The Front of Boscobel at night.
The front of Boscobel at night when I left the house.
The back of the house on the way back to the Gift Shop.
When I toured the house in 2019, what I thought was a nice touch at the end of the tour in the kitchen area was that Sam served us cold apple cider and small gingerbread men which I thought was special keeping with the house’s tradition of a place of entertainment. I thought it was gracious and very much welcome.
When I went to the evening Open House in 2023, the gift shop was serving refreshments when we returned from our self-guided tour. They were serving Hot Chocolate, Hot Apple Cider, Doughnuts, cakes, cookies and Christmas candy while we walked around the Visitors Center.
The Gift Shop at Christmas time.
The Gift Shop at Christmas time.
It really was an interesting tour and I will have to return in the summer months.
History of Boscobel House & Gardens:
States Morris Dyckman was a descendant of a German-Dutch family whose roots in New York stretched back to 1662. During the American Revolution, he was a Loyalist serving as a clerk in the British army’s Quartermaster Department. In 1779, he accompanied his quartermaster superiors to England and for the next decade he rebutted the government allegations that the quartermasters had engaged in profiteering. (As the keeper of the department’s ledgers, he well knew how they had fattened their purses, assets Dyckman’s biographer James Thomas Flexner). The officers were eventually cleared, largely because of Dyckman’s testimony. They rewarded him with an annuity.
The portrait of States Dyckman in the Front Drawing Room.
Dyckman returned to America in 1789 after a general amnesty of Loyalists had been declared. Five years later, he married Elizabeth Corne, a member of a distinguished New York family and 21 years his junior. Dyckman returned along to England in 1800 to settle problems with the payment of his annuity. The trip lasted nearly four years but was a success. He returned a rich man worth more than seven million dollars today. Before he left England, he bought many items for the house including silver, china, glass and books for his library.
The architect for the house was unknown but records show that Mr. Dyckman had some influence in the design of the house. Mr. Dyckman died in 1806 at age 51 and the house had only had the foundation finished at time. His 30 year old wife, Elizabeth finished the house in 1808 with the help of her husband’s cousin, William Vermilyea. She furnished the house and added to its inventory. She and her son, Peter lived in the house upon finishing it. She lived in the house until her death in 1823 and her son, Peter died the following year in 1824 at age 27. The house stayed in the family until about 1899 and then was foreclosed on. According to the guide, the house had not been updated at that point and was falling apart. The house had a series of absent owners over the next few years and then sat empty. It was bought by Westchester County in 1924 and the grounds were turned into a park.
Boscobel House & Gardens in winter
In 1945, the park was acquired by the Veterans Administration for a hospital and the owners took care of the exterior for a time. By 1954, the house was considered an excess on the budget and was being sold for $35.00 for demolition.
The house was saved by Historian Benjamin West Frazier and some friends of his who raised about $10,000 to have the house moved and dismantled to save ‘this treasure’. The house was stored in pieces until 1955, when Lila Acheson Wallace, the co-founder of Readers Digest became involved in the project.
She purchased the land that the house now sits on and devoted her time and money to have the house restored and worked with the curators of the Metropolitan Museum of Art, where she was a donor to help restore the house into its period design with landscaped gardens and period furniture. In 1959, she commissioned the firm of Innocenti & Webel to create the gardens that surround the house. The house opened to the public in 1961.
(This information was taken from the Boscobel Museum Booklet and I give them full credit for the information)
I recently had some time to visit the Bronx Museum of the Arts when I was visiting Yankee Stadium recently for a football game. The museum is right down the road on the Grand Concourse. It is an impressive little museum.
I had wanted to see the exhibit “Art Versus Transit: 1977-1987” by artist Henry Chalfant who had recorded the graffiti art on the subway cars during the late 70’s into the early 1980’s. This is before the subway investing in the new subway cars that could be cleaned by hosing them off.
“Art versus Transit: 1977-1987”
The art was interesting as it was an expression of the times just when Hip-Hop was becoming popular and the City was going through the financial crisis. The artist did a good job capturing the times. Not only do we see the art but the music and dance as well of the time.
Subway Art
The other exhibition that I saw was “The Life and Times of Alvin Baltrop” which displayed the artist’s interpreted that Gay Community and the beginnings of the AIDS crisis. It was an another interesting perspective of the times of New York City.
Mission and Background:
The Bronx Museum of the Arts is a contemporary art museum that connects diverse audience to the urban experience through its permanent collection, special exhibitions and education programs. Reflecting the borough’s dynamic communities. The Museum is the crossroad where artists, local residents, national and international visitors meet.
Today an internationally recognized cultural destination. The Bronx Museum of the Arts is committed to presenting new ideas and voices in a global context and making contemporary art a vital, relevant experience. For the past four decades, the Bronx Museum has presented hundreds of changing exhibitions featuring works by culturally diverse and under-represented artists from a spectrum of levels. Exhibition have investigated themes of special interest to the Bronx community while exploring the interplay between contemporary art and popular culture.
A permanent collection of over 2000 artworks in all visual media preserves and documents artists who are not typically represented within traditional museum collections by showcasing work by artists of African, Asian and Latin American ancestry, as well as artists for who the Bronx has been critical to their development. The Museum provides direct support to artists through Artist in the Marketplace, which nurtures the work of 35 emerging artists each year and providers professional development seminars culminating in a multi-site biennial exhibition and catalog.
The Museum’s education department empowers students from grades K-12 by offering a variety of programs that inspire academic proficiency visual literacy and critical thinking. Through the Group Visits Program, students are exposed to the Museum’s works during single-session tours lead by teaching artists. Through In-School Partnerships. Museum educators work with school teachers to encourage scholastic excellence through the application of arts education techniques in addition, the Museum’s Teen Council Program helps Bronx high-school students build applied arts and media skills as they create a variety of visual and text-based materials.
(Bronx Museum of the Arts Mission-Website)
History:
The Museum opened on May 11, 1971, in a partnership between the Bronx Council on the Arts, which was founded in 1961 and the Metropolitan Museum of Art. The opening coincided with a borough-wide “Bronx Day” event. The first exhibit consisted of 28 paintings from the Met’s collection. The Museum was first housed in the first floor rotunda of the Bronx County Courthouse. Additional galleries were located in the Bronx’s Co-op City, Bedford Park and Allerton neighborhoods. In its first 12 years of operation, the museum held over 350 exhibitions.
In 1982, the city purchased a vacant synagogue at 165th Street and the Grand Concourse as a new location for the museum. The new location opened to the public in May 1983 in conjunction with “Bronx Week”, which succeeded “Bronx Day”. The new space was inaugurated with an exhibition of twentieth artwork. It consisted of paintings, photographs and prints borrowed from the Met.
In February 2004, construction began on a $19 million expansion project that doubled the museum’s size 33.000 square feet. The expansion opened in October 2006. In 2008, a arts center was added to accommodate educational programs for local schoolchildren and their families. The Museum no longer charges fees since 2012.
The Bronx Museum of Art and its additions
The original design was by Simon B. Zelnick in 1961 and the extensions were designed by Castro-Blanco, Piscioneri & Feder in 1988 and a second addition in 2006 by Arquitectonica.
Visiting a Museum: The Unique, Unusual, Obscure and Historical 