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The National Museum of Mathematics                                     225 Fifth Avenue                                                                   New York, NY 10010

The National Museum of Mathematics 225 Fifth Avenue New York, NY 10010

The National Museum of Mathematics

225 Fifth Avenue

New York, NY 10010

(212) 542-0566

https://momath.org/

https://www.facebook.com/MoMath1/

Open: Sunday-Saturday 10:00am-5:00pm

Fee: Adults $25.00/Seniors-Children-Students $20.00/Members are Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60763-d3726207-Reviews-National_Museum_of_Mathematics-New_York_City_New_York.html?m=19905

The Museum of Mathematics at 225 Fifth Avenue

https://momath.org/

In 2020, COVID had closed this unique little family orientated museum when I visited the NoMAD neighborhood earlier last year and it finally reopened for business right before the holidays. I could see the reasons why in that the museum is very interactive and there are a lot of activities and displays that warrant families touching objects and getting involved with the exhibitions.

The entrance to the new museum at 225 Fifth Avenue

Like most museums in Manhattan, the MoMATH or the Museum of Mathematics is quite pricey at $25.00 ($26.00) for an adult and for students, children over 12 and seniors over 60 it is $20.00. While it may be lot for an average family, a trip there is an eye-opening experience at least to me it was that day.

The sign welcoming you on Fifth Avenue

In 2021 when it reopened, the museum was two full floors of exhibitions with a spiral staircase separating the floors and a gift shop at the entrance. On the main floor there are interesting interactive exhibitions such as the Shapes of Space that show how different shapes fit together on a curved surface. I was not too sure what the point of it was, but the kids seemed to enjoy it and it was interesting to see how they connected. The Square wheeled Trike was interesting as you rode a square wheeled type of bike on a bumpy surface to check velocity. The kids and young parents really liked this.

The “Shapes of Space” exhibition

In 2024, the museum was moved around the corner until the permanent location could be finished. The museum was on one floor with a art gallery in the front of the museum and the back of the museum was all the interactive activities.

The Math “Fractorals” Gallery Exhibit at the Museum of Math

The “Fluids and Fractals” exhibition of artist Karl Sims

The Art Gallery exhibition

The art in the Gallery

The art gallery at the Museum of Mathematics

‘Light Grooves’ by artist Matthew Brandt

Artist Matthew Brandt

https://matthewbrandt.com/

Matthew Brandt is an American born artist. Matthew Brandt received his BFA from Cooper Union and MFA from UCLA. Brandt has been the subject of institutional solo shows at the Newark Museum, the Columbus Museum of Art, Virginia Museum of Contemporary Art and SCAD Museum of Art, Savannah (Artist bio).

“Light Grooves”

The interactive display

The interactive display

The displays I enjoyed in the old museum were Motionscape, where you had to walk as fast as you could on the track to check the relationship between velocity, your position and acceleration. It was interesting to see how your body movements when walking affects the way you react. The other display that was really popular was Hoop Curves which was always busy. The exhibit used statistics and a robot arm to shoot the basketball. The kids got a real kick out of this when trying to make a basket.

In 2021, the museum was two stories but in 2024, the museum moved to the new Fifth Avenue location and all the interactive displays were on the first floor, along with an explanation of the math along with the creators of the theory. I found that interesting because you could see who all the mathematicians were who the projects were based on or who had contributed to them.

I started with the “Self-Reflections” exhibit where shapes and sizes mattered, and the use of symmetrical patterns shaped our faces and observations. I got to see how the shapes altered my reflection in the mirrors.

The use of mirrors and shapes

The use of shapes and colors in the experiment

The signage

How we look at ourselves in the mirror

Taking pictures in the ‘mirror’

One of the first interactive displays that I enjoyed was the Tessellation Station, where you could create displays with magnetic tiles on a large board. Later I learned about Tessellation as a form of making shapes fit together in a pattern and then the theory behind that. It was a fun way to use your creativity. This exhibition was very popular in the old museum as well but had been a much bigger interactive display.

The “Tessellation Station” exhibition is a lot of fun

Another was the Tree of Life, where the computer copied the movements of myself and then used them to show the how I moved my arms and legs in a pattern. It was funny to see myself repeated over and over again like a tree with branches. It really did measure the movement of my body. This was a lot of fun because you got to see smaller versions of yourself attached to you.

Me playing with the Tree of Life

Me having fun by the Tree of Life exhibition

The Twist and Roll display showed how to put different shapes and sizes together and show their movement on the board.

The Twist and Roll hands on display

The one display that all the kids got a kick out of was the Math Board, where the colors and shapes of the section of the floor lit up when you walked on them and was controlled by the way you walked on them.

The “Math Morphing-Formula Morph” replaced the “Math Board”

The Museum of Mathematics is a great museum for younger children who want to get physical and have a good time and like the interaction. I learned a few things too about the fundamentals of math and some of its background theories.

The geometrics of the Museum of Mathematics

Still, it is a great museum for kids under the age of twelve and their younger parents. I think anything over that age would warrant a trip to the American Museum of Natural History or the Liberty Science Center with more exhibits that are age appropriate. It is a museum you should visit once or twice with small children who are at the learning stage and just want to have fun.

The Gift Shop

The Museum Gift Shop

The History of the National Museum of Mathematics:

(From the museum website)

The National Museum of Mathematics began in response to the closing of a small museum of mathematics on Long Island, the Goudreau Museum. A group of interested parties (the “working group”) met in August 2008 to explore the creation of a new museum of mathematics-one that would go well beyond the Goudreau in both its scope and methodology. The group quickly discovered that there was no museum of mathematics in the United States, and yet there was a incredible demand for hands0n math programming.

Interactive objects at the Museum of Mathematics

Accomplishments to date include: opening Manhattan’s only hands-on science center, welcoming more than one million visitors; creating the popular Math Midway exhibition, which has delighted millions of visitors at museums throughout the United States and internationally; leading math tours in various U.S. cities; running dozens of Math Encounters and Family Fridays events; delivering a broad array of diverse and engaging programs for students, teachers, and the public to increase appreciation of mathematics and creating the largest public outdoor demonstration of the Pythagorean Theorem ever.

The “Monkeying Around” exhibition at the museum

The Museum Mission:

(From the Museum website)

Mathematics illuminates the patterns that abound in our world. The National Museum of Mathematics strives to enhance public understanding and perception of mathematics. Its dynamic exhibits and programs stimulate inquiry, spark curiosity and reveal the wonders of mathematics. The Museum’s activities lead a broad and diverse audience to understand the evolving, creative, human and aesthetic nature of mathematics.

The “Weights and Balances” exhibition at the museum

Math Geographics

Video on the displays

The displays are so interesting

Turtle Back Zoo                                                                         500 Northfield Avenue                                                            West Orange, NJ 07052

Turtle Back Zoo 500 Northfield Avenue West Orange, NJ 07052

Turtle Back Zoo

500 Northfield Avenue

West Orange, NJ 07052

(973) 731-5800

https://www.facebook.com/TurtleBackZoo/

https://en.wikipedia.org/wiki/Turtle_Back_Zoo

Open: Sunday-Saturday 10:00am-3:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60796-d1448643-Reviews-Turtle_Back_Zoo-West_Orange_New_Jersey.html

The entrance to Turtle Back Zoo

I have been coming to the Turtle Back Zoo since I was in elementary school when we used to come here on field trips. I remember as a child having lunch on the lawn with my class and feeding the animals. That was back in the 1970’s with the old zoo set up. I had read that the zoo was falling apart by 1995 and they were ready to close it down. Like anything else, these zoos and parks need an update every few years to keep them relevant.

The directions on where to go when you enter the zoo

In 2000, as master plan was started in what direction the zoo wanted to go and in the next twenty years, I have seen the results of that hard work. You have many nicer displays, some still being too small for the respective animals, but a more realistic environment created for them. Back in 2016 when I joined the board of another zoo, I visited the Turtle Back Zoo for the first time since 1976. I visited a much improved and engaging zoo with nice displays and more diverse animals.

The new zoo set up has a good flow

On Groundhog’s Day, I went to see the small festival that the zoo was running that ended up being a ten-minute talk with an audience of the staff, volunteers and local politicians. I thought the zoo could do so much more to build on the reputation of this event. They introduced the new groundhog, Miss ‘Edwina of Essex’, who replaced ‘Essex Ed’. They said he had retired to Florida (I was not sure if he died or was somewhere else that day). Still, it was a cute little event with the groundhog trying to walk off and escape and a weather prediction of an early spring.

Groundhog’s Day Celebration 2023:

Miss ‘Edwina of Essex’ will be the star of Groundhog’s Day festivities in the future

The indoor set up for Groundhog’s Day at the Turtle Back Zoo in 2023

Read my blog on MywalkinManhattan.com” Day “Two Hundred and Sixteen: Meeting ‘Edwina from Essex’ at the Turtleback Zoo-Happy Groundhog’s Day”:

https://wordpress.com/post/mywalkinmanhattan.com/21731

Edwina and her trainer

After the event was over, I got a chance to walk around the zoo for an hour and even though it was the middle of the winter, there was a lot going on at the zoo. I spent the next hour or so walking the exhibits and watching the feedings. Being the middle of the winter with snow all around, a lot of the displays were closed, and the animals were inside as it was too cold for them.

The flowers that line the paths of the zoo from the old days

I started the tour of the zoo at the Flamingo pool. Watching these graceful animals communicate in their own language amongst themselves was interesting. The flamingos looked at us humans with amusement almost as if they were cracking a joke at our expense. They walked around their pool in groups, and it was fascinating to see how they moved in cliques. Some stayed at one part of the display while others moved around conversing about something.

The flamingos sleeping on this cold morning

The flamingos carried on a nice conversation at our expense

I visited the Petting Zoo that was pretty much closed, but the animals were out having their afternoon meal. I swear the rams and sheep looked at me like an alien from Outer Space. I have never gotten such an inquisitive look from another animal before. They all just stared at me and stopped eating. I guess they had not seen a visitor in a long time with the exception of the staff with the weather being what it has been.

The goats gave me the strangest looks that afternoon

The lions and giraffes were all inside warming up as this weather was not something they are used to, and I will have to revisit these exhibits in warmer weather. The Penguin House was a lot of fun to visit. The penguins are so engaging and had just finished their feeding time. They looked like they were ready to play.

The pelicans were swimming around in the Penguin tanks

Penguins’ dove and swam all around me, looking at me through the glass and trying to communicate with a lot of chirping. They looked so happy to see another person beside the trainers. As I followed them as they swam around the tank, they looked to me like they were trying to show me their swimming skills. I felt like they were trying to befriend me as some sort of strange new penguin. They are really used to seeing humans and find ways to engage with us.

The penguins at the Turtle Back Zoo are so friendly

I got to watch the sea lion feeding and watch the seals and otters swim around their tanks. The otters, which are an outdoor animal looked so cold that they swam for a bit after their feeding and then raced inside their burros to get out of the weather.

I stopped into to the Sea Turtle Recovery Building to see what the zoo was doing to help the turtles with their health and how the recovery was done. Separate tanks where the turtles are monitored for their therapy are on display and you can see the different stages they go through before being released into the wild.

The display sign by the tanks

The Sea Turtles in the rehabilitation center

The Big Cat Country exhibition had the poor cougars and mountain lions walking around in circles in the snow looking like they were not too sure what to do next. They did not look that happy to be outside, but I am sure being cooped up was not good for them either.

The Cheetah looked so cold that day

The Train Ride through the park was closed for the season as was the carousel and the restaurant. Those will have to be revisited in the Spring. I revisited the Reptile House one more time before I left for the day.

The giant turtle in the Reptile House

There is a variety of snakes, lizards and other wild creatures on display here and it the one exhibit where the animals seemed happy in their environment as they had plenty of room to move around and stretch. I swear that those snakes know that you are there. They just stare at you when you walk by looking like they are plotting to get out of the glass displays.

The giant lizard in the Reptile House

I will visit again in the Spring and talk about the comparisons with the weather and how it affects the animal’s behavior. They are no different than us with adapting to the change of the seasons. Many of these animals come from environments where this type of cold is not what they are used to and it is hard for them.

The Puff Fish in the Fish Tanks in the Touch Tank Display

There will be a lot more to see in the warm weather when I return.

The Bear Statute by the Bear Den

The History of Turtle Back Zoo:

(From the Zoo’s Website)

The Turtle Back Zoo came into conception in 1962 when the Essex County Parks Commission President, William Wachenfeld, awarded a $400,000 contract to Max Drill Inc. to build a 15.5-acre zoo in the South Mountain Reservation Park. It was designed to be a seasonable park for children.

The Turtle Back Zoo logo

Designer Tjark Reiss was hired to design the park and he created exhibits based on Hans Christian Anderson’s nursery rhyme themes and other children’s stories. There were to be farm animals and an antique train ride that took visitors on a mile round trip ride through the zoo’s surrounding woodlands.

The Turtle Back Zoo opened June 3rd, 1963, with a collection of 140 animals of 40 species. The zoo took its name from a rock formation located on the mountain side east of the zoo. The Lenape Indians called this formation Turtle Back Rock. The pattern on the rocks created by large basaltic crystals makes it appear that you are standing on the back of an enormous tortoise.

In 1973, the zoo’s animal collection had grown to 850 animals of 275 species. In 1975, a Zoological Society was established to promote the zoo and provide funding support through memberships and other fund-raising efforts. The first board meeting took place in September of 1975. In 1978, the Board of Commissioners that directly administered the park was replaced with Department of Parks, Recreation and Cultural Affairs under the direction of the County Executive.

The Children’s Statute by the entrance of the zoo

In 1995, the zoo fell into disrepair and the zoo was almost shut down in 1995 (Wiki).

In 2000, the zoo completed a new master plan with accreditation from the American Zoo and Aquarium Association as its major focus. The zoo started to replace the antiquated 1960’s style cages with larger, more naturalistic habitats for its animals. In 2005, the zoo completed a new 1.8-million-dollar Essex County Animal Hospital at the Turtle Back Zoo to serve the zoo’s animal residents and serve as a animal quarantine facility for the growing animal collection.

That year the zoo demolished the original administration building and education center and replaced them with a new 11,000 square foot complex that included a walk-through gift shop, a new visitor friendly entrance and exit, a 4,000 square foot reptile center, administration offices a new group entrance and two classrooms opening to an auditorium. A new picnic pavilion and an animal themed playground were opening in 2006.

In September of 2006, the Turtle Back Zoo was granted accreditation by the American Zoo and Aquarium Association. This distinct honor places the Turtle Back Zoo amongst the elite zoos and aquariums of the United States and means that the zoo adheres to the highest standards of zoos in the country.

The Touch Tanks with stingrays in them

Come to the Zoo on Groundhog’s Day to meet “Edwina of Essex”

Edwina of Essex County on Groundhog’s Day 2023

Hessel Museum of Art-Bard College Campus                         33 Garden Road                                                                  Annandale-On-Hudson, NY 12504

Hessel Museum of Art-Bard College Campus 33 Garden Road Annandale-On-Hudson, NY 12504

Hessel Museum of Art-Bard College Campus

33 Garden Road

Annandale-On-Hudson, NY 12504

https://ccs.bard.edu/museum

Open: Sunday 11:00am-5:00pm/Monday-Tuesday Closed/Wednesday-Saturday 11:00am-5:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g29820-d1069234-Reviews-Hessel_Museum_of_Art_at_Bard_College-Annandale_on_Hudson_New_York.html

The Hessel Museum on the Bard Campus

When I was visiting Rhinebeck for the recent Sheep and Wool Festival (See day One Hundred and Forty-Nine on “MywalkinManhattan.com), I decided to visit Bard College and their contemporary art museum, the Hessel Museum. When approaching the museum, it almost appears to be a fortress with several large pieces of contemporary sculpture on the grounds outside the building.

Day One Hundred and Forty-Nine:

https://wordpress.com/post/mywalkinmanhattan.com/10723

Once upon entering the museum, you are greeted by many welcoming volunteers who will check your vaccination card and ID and your mask and then you can enter the museum for viewing. At the time I was there, NY State still had a lot of their mandates.

There were a couple of interesting exhibitions going on when I visited. The first one I visited that afternoon was “Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection”, which was many of the works of the founder of Bard’s private collection that had been donated to the school. I have to admit that the works were very contemporary with lots of squiggles and political themes.

The show piece from the exhibition

Many of the works you had to look at a second time to try to find the meaning in them. I was having a tough time relating the titles to the works. Reading the exhibits press release, the exhibition said “Hessel’s dedication to the depiction of the human figure as an essential act of examining the self and social relations. The exhibit focuses, with a few exceptions, on drawing as a discrete, stand-alone practice and preoccupation of artists rather than as a tool to create studies for works in other mediums. Drawing is a way of thinking and the intimacy of the act is echoed in much of the subject matter depicted in the exhibition (Museum website).

Ms. Hessel traveled extensively and had relationships with many artists along the way, who touched on the themes of the day. She traveled from Germany to Mexico City and then onto New York City at different phases of her life and it shows in the collection that she amassed. The collection twists and turns in its theme from room to room.

The opening exhibition room of the “Closer to Life” exhibition

The other exhibition I toured was the current “With Pleasure: Pattern and Decoration in American Art 1972-1985” which was an interesting exhibition of design of the home and space which seemed to be an art movement in the early to mid 1980’s that I never noticed when I was in high school and college. It seemed that home design went from the home furnishings to a form of art.

The “With Pleasure: Pattern and Decoration in American Art 1972-1985” logo

This I had seen the artist’s starting to design things like dishware and placemats for everyday use and in things like wallpaper from the dining room. There was a cross over in home design as artists became more commercialized and their work showed up on walls and floors. It is not too different today with people like Martha Stewart and her paint and home furnishing collections or Halston designing for JC Penny with the Halston II Collection.

Some of the art was quite colorful

The art in those galleries really looked something you would find in the average person’s home in the era. Some of the ‘over the top’ really looked like it belonged on a rug or on wallpaper. As the exhibition’s literature stated, “the exhibition examines the Pattern and Decorative movement’s defiant embrace of forms traditionally coded as feminine, domestic, ornamental or craft based and thought to be patterns and arranging them in intricate, almost dizzying and sometimes purposefully gaudy designs” (Exhibition literature).

I returned to the Hessel Museum in the summer of 2023 and they were having some performance art out on the lawn when I got there (I was wondering why there were not parking spaces). One guy walked up to me complaining how lousy it was and it did not make sense. I told him that that was contemporary art for you. It’s not supposed to make sense. He just smiled.

I toured the two new exhibitions that were being shown at the museum.

Artist Erika Verzutti had her “New Moons” exhibition

The first exhibition was by Artist Erika Verzutti with her “New Moons” exhibit. Frankly, I did not get here work. It made no sense to me. I was not sure what she was going after. I read her exhibit work and did not see any planetary connections. There were a few pieces that I thought were colorful and pretty creative in the works of the exhibition but the rest of it I just did not understand. I could tell the security guards were bored because no one was coming into this part of the museum.

“New Moons” exhibition piece

The main gallery of the “New Moons” exhibition

I thought this piece was very interesting

The “Indian Theater: Native Performance, Art and Self-Determination since 1969”

The other exhibition was the “Indian Theater: Native Performance, Art and Self-Determination since 1969”. Outside the museum they were showing the performance from the exhibition (the one that the patron was complaining about) and inside, the works were very contemporary and again some of the works did not make much sense to me. There were a few standouts though that I thought made a statement.

One of the galleries from the “Indian Performance” exhibition

“Indian Headdress” by artist Dan Claxton (Lakota)

Artist Dan Claxton (Lakota)

“Counterblaste” by artist Gabrielle L’Hirondelle Hill (Metis) was interesting

Artist Gabrielle L’Hirondelle Hill (Metis)

Both exhibitions in the summer of 2023 were a little far reaching even for me who likes contemporary works. I think it is in the eye of the beholder but I like the fact that the Hessel Museum brings these works to the public. They do make you think.

The Hessel Museum doesn’t offer just interesting art but it approaches it in a thought-provoking way, asking the patrons to see beyond not just what is on the walls but think about the exhibit from the era in which the art is from and ask ‘does this still ring true today’. The Hessel asks us to think ‘out of the box’ and look at their works from different perspectives.

Some I understood and some I didn’t but I still enjoyed wondering the galleries and exploring the art on its terms. I think that’s what contemporary or just art in general does. We need to think about it. The museum also has a nice little gift shop to explore.

The History of the Hessel Museum:

About CCS Bard:

Established in 1990, the Center for Curatorial Studies (CCS Bard) is an incubator for experimentation in exhibition-making and the leading institution dedicated exclusively to curatorial studies-a discipline exploring the historical, intellectual and social conditions that inform curatorial practice.

The Center for Curatorial Studies has several interconnected parts:

The Hessel Museum of Art, built in 2006, presents experimental group exhibitions and monographic shows and also draws from the Marieluise Hessel Collection of Contemporary Art, comprised of more than 3,000 objects collected contemporaneously from the 1960’s to the present day. The Hessel Museum is open and free to the public. Public sculptures by Franz West, Cosima von Bonin and other artists surround the Museum. Please see the museum page for more details.

CCS Bard hosts a range of public events throughout the year. All events are free and open to the public. Please see upcoming events on the website.

The CCS Bard Archive provides access to a wide range of primary materials documenting the history of the contemporary visuals arts and the institutions and practices of exhibition-making since the 1960’s. Please see our research center page for further details.

The Graduate program in Curatorial Studies is an intensive course of study in the history of contemporary art, the institutions and practices of exhibition making and the theory and criticism of contemporary art since the 1960’s. Throughout its over thirty-year history, the program has actively recruited perspectives underrepresented in contemporary art and cultivated a student body representing a diverse spectrum of backgrounds in a board effort to transform the curatorial field. Please see the school page for further details.

The Center for Curatorial Studies is part of Bard College and located on their Annandale-on-Hudson campus. Bard acts at the intersection of education and civil society, extending liberal arts and sciences education to communities in which it has been undeveloped, inaccessible or absent. Through its undergraduate college, distinctive graduate programs, commitment to the fine and performing arts, civic and public engagement programs and network of international dual-degree partnerships, early colleges and prison education initiatives, Bard offers unique opportunities for students and faculty to study, experience and realize the principle that higher-education institutions can and should operate in the public interest. For more details on the Bard College, please see their website.

Yale University Art Gallery                                 1111 Chapel Street                                              New Haven, CT 06510

Yale University Art Gallery 1111 Chapel Street New Haven, CT 06510

Yale University Art Gallery

1111 Chapel Street

New Haven, CT 06510

(203) 432-0600

https://artgallery.yale.edu/

Open: Sunday 10:00am-6:00pm/Monday-Thursday Closed/Friday 5:00pm-8:00pm/Saturday 10:00am-6:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g33851-d104343-Reviews-Yale_University_Art_Gallery-New_Haven_Connecticut.html

On trips to New Haven, CT in 2021 and 2025 for the Yale-Cornell game, I had enough time after the game to visit one of the University’s art museum’s that was located down the road from the stadium, the Yale University Art Museum. This four story museum displays the history of art from all over the world. It is by no means a small museum gallery and you will need more than one afternoon this very detailed museum.

The Yale University Art Gallery at 1111 Chapel Street

I started on the first floor with their Ancient Art galleries featuring items from digs that the university sponsored over 100 years ago. There are works from the Ancient Near East, Egypt and Europe from tiles from Mesopotamia to small idols from Egypt and funeral pieces from Europe beautifully displayed and lit.

The Ancient Arts Galleries

Babylonian Tiger

Palace carving of a genie

The gallery showed the level of sophistication of these societies and the advancement thousands of years ago. This lead to the Middle Ages Gallery showing the change of art after the fall of the Roman Empire.

The Ancient Galleries were a favorite of mine

The Ancient Galleries

The Ancient Galleries

In 2021, I raced through most of the other floors because I had an hour before the museum closed. I concentrated on the first floor and then went upstairs to see the special exhibition.

I next ventured next to the “On the Basis of Art: 150 Years of Women at Yale”, a current exhibition that showcased the work of Alumni of the Fine Arts School of Yale whose works were influencing the art community all over the world.

The “On the Basis of Art” exhibition

The show “showcases and celebrates the remarkable achievement of an impressive roster of women artists who have graduated from Yale University. Presented on the occasion of the two major milestones, the 50th Anniversary of coeducation at Yale College and the 150th anniversary of the first women students at the University, who to study at the Yale School of the Fine Arts when it opened in 1869.

The exhibition features works draws entirely from the collection of the Yale University Gallery that span a variety of media, such as painting, sculpture, drawings, prints, photography and video since 1891(Yale University website).

The exhibition spread over several galleries displaying all sorts of interesting art. What I enjoyed most was some of the contemporary drawings and sculpture. Their works were colorful and bold some of which I was impressed with the message the works were trying to portray. Some I understood and some I had to take a second look.

One of the works that really captured my attention was the work of a Black media artist from the 1970’s and her views of racism of always feeling like the only one in the room. It was a sensitive and very emotional viewpoint of a educated and sophisticated woman who always felt marginalized. It was a very honest approach to the work and you felt for her.

The Contemporary Galleries

In 2025, I had a quick tour of the ‘Nusantana’ exhibition of textiles from Southern Asia.

The display sign for the ‘Nusantara’ exhibition

The entrance to the ‘Nusantara’ Indonesian textiles exhibition

The exhibition:

(from the Yale Art Gallery website)

Nusantara: Six Centuries of Indonesian Textiles presents one of Southeast Asia’s most significant artistic accomplishments: woven textiles. Exploring the ancient interisland links found in this culturally diverse maritime region, the exhibition features a wide array of textiles from the 14th to the 20th century drawn from the Yale University Art Gallery’s exceptional holdings—from the batiks of Java to the ikat of Sumba, and from ceremonial cloths and ritual weavings to clothing, shrouds, and architectural hangings.

Especially remarkable are several early textiles that are intricately patterned with tie-dyed designs, while select three-dimensional objects, such as sculptures, headgear, and combs, are also included to provide context. Nusantara—from the original name for the Indonesian archipelago—offers a broad overview of the rich imagery and technical mastery of this remarkable art form.

The textile display

The textile display

For the last half hour in the museum, I was able to quickly tour the each of the other galleries touring the Contemporary Galleries, the Asian Galleries, admiring some of the idols on display and then taking a quick tour of the African Galleries admiring masks and statuary.

I started with a quick tour of the Asian Galleries.

The Asian Galleries

The Asian scrolls in the Asian Gallery

The Asian Gallery

The Asian Gallery

I then toured the Contemporary Galleries with the modern approach to painting.

The Contemporary Gallery

The Contemporary Gallery

They even had a Basquiat in the collection

I rushed through the Middle Ages Gallery as all the religious art has always creeped me out.

The Middle Ages galleries

I then toured the African Collections.

The African Collection

The African Collection

The African Collection

The African Gallery

One of the interesting pieces I saw in the collection

The last collection I toured was the Indo-Pacific Art collection.

The description of the Gallery

The gold art from the collection

The interesting textiles

There is a lot to see here

You will need more than an hour to tour this museum and admire its works. I will be back in the future.

History of the Museum:

(from the Museum’s website)

The Yale University Art Gallery collects, preserves, studies and presents art in all media, from all regions of the globe and across time. The museum’s exceptional collection, numbering nearly 300,000 objects, is the core of its identity. It sustains and catalyzes all we do.

Exploring the galleries

Founded in 1832, The Gallery is the oldest university art museum in America. Today, it is a center for teaching, learning and scholarship and is a preeminent cultural asset for Yale University, the wider academic community and the public. The museum is open to all, free of charge and is committed to engaging audiences through thoughtful, creative, and relevant exhibitions, programs and publications.

The Museum’s Collection:

The Gallery’s encyclopedic collection can engage every interest. Spanning one and a half city blocks and three buildings, the museum features more than 4,000 works on display as well as a rooftop terrace and a sculpture garden.

The Pacific Rim Collection

Galleries showcase artworks from ancient times to the present, including vessels from Tang-dynasty China, early Italian paintings, textiles from Borneo, treasures from American art, masks from West Africa, modern and contemporary art, ancient sculptures, masterworks by Degas, Van Gogh and Picasso and more

The Museum Gift Shop