Tag: Bergen County History

Gallery Bergen, West Hall                                                          Bergen Community College                                                     400 Paramus Road                                                             Paramus, NJ 07652

Gallery Bergen, West Hall Bergen Community College 400 Paramus Road Paramus, NJ 07652

Gallery Bergen-West Hall

Bergen Community College

400 Paramus Road

Paramus, NJ  07652

Open: Monday-Friday-10:00am-5:00pm/Closed on Saturdays and Sundays/After hours by Appointment

Free to the public

https://bergen.edu/community/gallery-bergen

https://www.facebook.com/GalleryBergenAtBergenCommunityCollege/

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46712-d15515383-Reviews-Gallery_Bergen_West_Hall-Paramus_New_Jersey.html?m=19905

I never realized until just recently that we have an art gallery on the Bergen Community College campus. I have been teaching here since 2013 and just found out about this little ‘gem’ that is tucked in the second floor of West Hall.

This wonderful little gallery can be accessed on the Main Campus of Bergen Community College and is open to the public for viewing. The Art students of Bergen Community College show their works in student shows and the Retailing students show their work outside the Gallery.

Gallery Bergen VIII.jpg

Gallery Curator Professor Tim Blunk

The Gallery is a reasonably sized space and viewing the Gallery Bergen takes a reasonable amount of time that is not over-whelming. It is a nice way to spend the afternoon when visiting the campus.

Gallery Bergen II

Please visit the Bergen Community College for future shows.

Gallery Bergen recently showed, “Belongings: Photographs at the Borders of Citizenship” exhibition which is showing the works of Dorothea Lange, Ansel Adams and Clem Albers (1942) and Tamara Merino (2018). This exhibition pairs two sets of photographic records, two tragic experiences of people on two sides of the US border, separated by seventy-five years in America’s cultural and political struggle over who belongs and who doesn’t (Bergen Gallery Press Release).

Gallery Bergen

A former exhibition was “Lines of Fire/Lines of Ice” . This exhibition is art being presented to get us to think of our effects on nature. The Gallery Bergen is presenting art that might help us change our views of ourselves in the world (Curator).

gallery bergen V

Curator’s Statement:

“It is 2019. Fires advance; glaciers retreat. Oceans rise; deserts spread. The Homo sapiens population grows exponentially; entire species of fish, mollusks, insects, amphibians and birds perish each day. Lines are being redrawn on the surface of the earth-lines that can be seen from space. Yes these same lines are often blurred or erased when viewed through the lens of ideology”-Tim Blunk, Curator.

See Performance Artist Jaanika Peerna perform the ‘Glacier Elegy’ similar to the one she did at opening night.

The Gallery is curated by Professor Tim Blunk, Director Gallery Bergen.

In April 2019, the Student Art Show is going on in the Gallery. This was where students were showing off their end of the semester projects.

Gallery Bergen VI

Student Show at Gallery Bergen

A former show by Hackensack-based artist Lauren Bettini, whose exhibition “On the Mend” was an exploration of the female body, displaying themes of “Women’s work” through accounts of women who bear scars, both physically and emotionally. This unique installation utilizes the entirely of the gallery, literally tying together embroidery of surgical procedures are “mended” through the appearance of the physical act of sewing. The exhibition is a platform to celebrate the beauty of their altered bodies while women stand strong together to share their stories.

Lauren Bettini

Artist Lauren Bettini

https://www.facebook.com/events/bergen-community-college-west-hall/lauren-bettinis-solo-art-show-reception/652924371815699/

It is an interesting take on what we endure in life and how we sometimes hide it from society.

Lauren Bettini II

“On the Mend” Exhibition Summer 2019

The mounted three-dimensional castings of woman’s hands are used to symbolize a movement of women joining together, sharing their stories and helping each other heal. This platform to honor women who have survived medical surgeries, celebrates the beauty of their altered bodies and pays homage to centuries of women who have created are in the form of sewing and embroidering (Gallery Bergen Promotional packet).

The recent ‘NJSeoul: New Art from the Korean Diaspora’ that  opened for the Fall of 2019. The show was a combination of paintings, pictures and visual art from five different Korean artists. The show also features video art and interesting short films.

Gallery Bergen VII.jpg

New show from September 12th-October 31st 2019

Some information of the Exhibition on Studio Bergen

The exhibition that opened for the Fall semester 2019 is the ‘(Pro) Found Objects’, the Bergen Community College Faculty Exhibition. The exhibition features works from 19 different Professor/Artists whose work includes statuary, photos, paintings, video art and clothing construction.

Gallery Bergen Professor Show III.jpg

This painting is by Professor Juan Leon

Gallery Bergen Professor Show

This painting is by artist Juan Leon

Gallery Bergen Professor Show II

This painting is by Professor Ada Goldfeld

The opening night on November 14th 2019 featured a performance by the Music Department and a performance by the head of the Drama Department from the upcoming show “I do, I do”. Then everyone had time to look over the art before a light reception at the end of the evening.

Opening in the Spring of 2020, Gallery Bergen is featuring “Ornithology: Patterns of Flight” that features birds in flight, sound and behavior. I saw the exhibition as man’s perception of birds at play and at rest and our concept of aviation in terms to humans. How do we communicate with the natural world, if we can and how do we relate as humans to the natural world.

Gallery Bergen Birds

‘Moche-Bird Runner’ by Susan Haviland

The art was everything from visual to video and showed the artist’s interpretation of the bird world. This was my favorite piece in the show.

Gallery Bergen Birds V

‘Ashes to Gold’ by Caroline Bergonzi

Each artist had a unique take on their art.

Gallery Bergen Birds II

‘Deep Song’ by Susan Haviland

During the musical performance part of the opening, one of the artist’s in the exhibition teamed up with another musician and performed their concept of birds in flight. To that our Dance Department created a performance that encompassed the whole gallery.

Gallery Bergen Birds IV

Our Adjunct Dance Professor’s performed that night

Gallery Bergen Birds III

Professor Justin Watrel at Gallery Bergen Opening

Here I am admiring the art that night. It was a wonderful exhibition. The Gallery Openings are an interesting night of art and music. The receptions are not bad either. Our Culinary Department does a nice job with appetizers and desserts.

This time lapse on YouTube is from the opening night of ‘Patterns of Flight’ at Bergen Community College

With the Gallery Bergen closed with campus being closed, Curator Tim Blunk created this  YouTube video “20Big20: Quarantine and Protest” on the pandemic and racial strife:

Another exhibition that the College has is BCCAnimation:

In the era of COVID, Gallery Bergen has created new exhibitions via YouTube. This is for the new “Black Lives Matter @BCC: Photographs from the Live Protest”:

These are photos from all over the country during the Summer of 2020 protests.

Gallery Bergen recently hosted the Student Exhibition 2021 virtually:

The creative approach to Gallery Bergen in the era of COVID keeps us active.

When Gallery Bergen reopened in 2021, the first big exhibition was “The Ramapough Nation: Excavating Identity”, the art of the nation.

The exhibition featured works by local Native American artists.

The exhibition contained visual arts by local indigenous artists, panel discussions (see Facebook page) and gallery talks.

The new exhibition that recently opened in the Fall 2021 is “Zoom Out: Works from Bergen Community College Artists”, a faculty show of works from the professors from the art department.

“Zoom Out” exhibition

Works from the Opening Night:

The opening night of “Zoom Out” with works in the visual arts

The “Zoom Out” exhibition was a selection of faculty works in the visual arts, painting, graphics and sculpture. One professor created an interesting piece of video art reworking the movie “Psycho” by Alfred Hitchcock.

The video creation on the movie “Psycho”

New Works from “Zoom Out”

Work by curator and Professor Tim Blunk

In the Spring of 2022, Gallery Bergen has exhibited “Art in History: the photographers of the Great Depression”, with photos from the Depression era of the 1930’s. It was a heart-breaking display of a very dark time in our country’s history. I could see that many people don’t realize that this was only 80 years ago. It gave a view into the lives ordinary people whose lives were affected by the falling economy. Lives were upended by things like the Stock Market Crash and the Dust Bowl.

“Art in History: the photographers of the Great Depression” exhibition

The photographers were part of the WPA where people from the arts part of the government program were to keep artisans working during the Great Depression. The works are a heartbreaking reminder of how fast life can change.

I was lucky that I got to sit in on Professor Tim Blunk’s class that afternoon for the lecture on the exhibition. It is scary how much these students didn’t learn in high school about this time. What amazed me was that how much this is still going on not just all over the world but in our own state as well. I have travelled to parts of the New Jersey that remind me of these pictures.

The BCC Student Art Show 2022 was the first time in two years the students got to showcase their work in the Gallery

Asian Awareness Month in 2022 brought interesting speakers and engaging movies to Gallery Bergen.

The lectures and independent films were very interesting and brought wonderful conversations to Gallery Bergen during the celebrated month of April.

In June of 2022, I attended the opening of the “Reflection/Refraction/Manhattan: Photographs by Jin Hong Kim” exhibition at Gallery Bergen, celebrating this local Korean-American photographer/artist. Each of the works was from a section of Manhattan from the Hudson Yards to Midtown to Lower Manhattan giving a almost surrealist look at the City in the Post-COVID era. It was as if the artist asked us to look at Manhattan again from a different lense or perspective.

The new exhibition by local photographer Jinhong Kim

Each of the pictures looked as one patron said, “like something that Salvador Dali might do.” It gave buildings in Manhattan movement and asked us to look at them a second time.

The Exhibition “Pulse: Resonating Earth” by artist Poramit Thantapalit is very engaging and fascinating to walk through.

From the Gallery Bergen Website:

During the fall of 2022, Gallery Bergen will be transformed into an aquatic installation by Thai artist Poramit Thantapalit. His medium is trash – as in found plastic bottles, plastic bags, and other refuse that might have as easily found its way into the Hackensack River, a landfill, or the Great Pacific Garbage Patch. Instead, Poramit breathes life into these materials, shaping luminous organic sculptures that undulate and pulse from the ceiling and wall. They make the viewer forget their origins in their newly aggregated forms.

There is a genre referred to as eco-art, or “trash art,” but this is something very different. “Jackson Pollock painted with house paint, but he wasn’t a house painter,” says Gallery Bergen director and curator Tim Blunk. “Poramit’s deft artistic hand and his understanding of transforming quantity into quality creates work that transcends its materials.” PULSE: Resonating Earth will be embellished with several performance events, including the scheduled opening gala on September 22 and its closing on December 8. Both will include dance performance pieces by BCC faculty member Lynn Needle and her Art of Motion Dance Theatre and Steinway pianist Carolyn Enger. The opening will include excerpts from Needle’s work, The Poseidon Project – An Aquatic Myth – a suite with live music and dance, including narrated choreographed sections, each connecting to aquatic myth, legend, and nature.

Pictures from the Exhibition:

Story from the exhibition on Land Acknowledgement.

The exhibition:

All the art displays of Poramit Thantapalit’s work in Gallery Bergen

Picture One:

Beautiful works

Picture Two:

Picture Three:

Picture Five:

Picture Six:

The colorful interactive art of Gallery Bergen in 2022 of artist Poramit Thantapalit

The Faith Ringgold: Coming to Jones Road-Her Exhibition on moving to Englewood, NJ

These were the works by the artist when she moved from Harlem to New Jersey.

The artist bio with the exhibition.

The Exhibition in Gallery Bergen

The Exhibition in Gallery Bergen

Her work based on the George Washington Bridge

Another interesting work

The Gallery Opening of “Faith Ringgold-Coming to Jones Street” at Gallery Bergen

Some of the works in the exhibition

“We come to America” by Faith Ringgold

More works in Gallery Bergen

The Theme of “Coming to Jones Road”

The new exhibition “The Cup Flows Over: Art from the Soul of Iran” starting in October 2023 and runs through the end of November 2023:

The Art from the soul of Iran.

Gallery Bergen: September 21 – November 21, 2023

(From the Gallery Bergen Website)

In Munich, Germany:

Glockenbachwerkstatt Community Center with events at the Bellevue di Monaco Cultural Center in Munich, Germany: 

October 24 – December, 2023

Works from “The Cup Flows over: Art from the Soul of Iran” exhibition

Gallery Bergen announces the opening of a collaborative exhibition of contemporary Iranian artist to take place this fall in two locations – its own gallery on the campus of Bergen Community College in Paramus, NJ and the Bürgerhaus Glockenbachwerkstatt (Glockenbach Townhouse Workshop) located in Munich, Germany. The Cup Flows Over: Art from the Soul of Iran features work by prominent artists such as Berlin-based Parastou Forouhar, younger Iranian artists living and working in California and Berlin, as well as artists living in Iran. The choice of two separate venues divided between Europe and the US speaks directly to the reality of the Iranian diaspora. 

Art works from the “The Cup Flows Over: Art from the Soul of Iran”

This exhibition seeks to move beyond the headlines to explore the ongoing and historic struggles of immigration and the diaspora experience, of merging with and simultaneously changing the culture of newly adopted countries. The artists make use of a variety of media including film, video, photography, fabric work and installation while invoking ancient Persian texts to describe their new realities.

Art works from “The Cup Flows Over: Art from the Soul of Iran”

The title comes from an ancient Persian ghazal by the renowned lyric poet Hafez (c. 1365): 

“Last night I took my troubles to

                The Magian sage whose keen eyes see

A hundred answers in the wine

                Whose cup he, laughing, showed to me.

I questioned him, “When was this cup

                That shows the world’s reality

Handed to you?” He said, “The day

                Heaven’s vault of lapis lazuli

Was raised, and marvelous things took place

                By Intellect’s divine decree,

And Moses’ miracles were made

                And Sameri’s apostasy.”

He added then, “That friend they hanged  

                High on the looming gallows tree—

His sin was that he spoke of things

                Which should be pondered secretly,

The page of truth his heart enclosed

                Was annotated publicly.”

BY HAFEZ

TRANSLATED BY DICK DAVIS

Anonymous work from “The Cup Flows Over: Art from the Soul of Iran” exhibition.

In the art of Iran, reality’s cup overflows.

The curators are organizing several livestreamed events that will connect the two spaces with live music, poetry and discussion. Opening receptions and events are planned for September 21 at Gallery Bergen (US) and for the Bürgerhaus Glockenbachwerkstatt on October 24. 

Art works from “The Cup flows Over: Art from the Soul of Iran”.

The paintings “Death” and “Devil’s Confrontation” by artist Raven.

The Bürgerhaus Glockenbachwerkstatt (Glockenbach Townhouse Workshop) is located in the cultural and artistic heart of Munich. The “Glocke” is a popular community center with childcare, workplaces, art studios, and a neighborhood café. It is around the corner from the Bellevue di Monaco, a residential and cultural center for refugees. The Bellevue offers diverse culture programming ranging from panel discussions on topics of migration and diversity to films from and about the home countries of their guests, to theater plays and concerts presenting artists from all over the world (Gallery Bergen Website).

Performance artist Sholeh Asgary and artist David Rothenberg performing “Shabah e Baad”.

https://www.sholehasgary.com/

As part of the exhibition, Iranian-American sound/performance artist Sholeh Asgary and ECM recording artist/clarinetist David Rothenberg performed on November 3rd, 2023. In the performance of ‘Shabah e Baad’ (Ghost Winds), Asgary vocalizes recordings of water bodies transcribed into notation for voice with the help of electronics and synthesizers for notes beyond human capability (Gallery Bergen press release).

Performance artist Sholeh Asgary and artist David Rothenberg performing “Shabah e Baad”.

Art works from “The Cup Flows Over: Art from the Soul of Iran”

The exhibition in February to April 2024 is “Arrivals/Departures EAST80WEST: The Bicoastal realities of Immigration”. The exhibition’s theme is based on seven contemporary artists from both the West and East coasts that are connected by US interstate 80 and how they examine the bicoastal realities of new immigrants to the United States.

The “Arrivals/Departures East80West: The Bicoastal realities of Immigration”.

The “Arrivals and Departures” exhibition gallery.

Native American art

The exhibition was fascinating in that it looked at different perspectives of how immigration has happened whether forced or not. I think back to European immigration in the 1600 and 1700’s and how this affected the Americas to what is happening today.

The Yamar Paintings

The biography of Layqo Nuna Yawar and his work.

New York scenes
The biography of Hobong Kim

The works of Hobong Kim.

Street scenes by Hobong Kim

The exhibition explored different elements of how environment changes us and shapes us.

Migrant farmers and workers

The exhibition also explores their sense of place in the scheme of life.

More work by Hobong Kim

Do we erase part of ourselves.

Who are you?

It delves into a place of self. What an interesting aspect of life. How much of yourself do you have to give up to fit in?

The exhibition makes you think about this.

The latest exhibition is by artist Jeramy Turner ‘A Cautionary Tale for Billionaire’s” that opened on January 23rd, 2025.

The artist perspective on the show

Artist Jeramy Turner

https://www.jeramyturner.com/

Jeramy Turner is an American born self-taught painter. In the beginning of 1986 as an attempt to create films, one frame at a time. They were large-scaled to emulate the screen in a movie theater.  She began with the intention of using visual art as a tool of protest. Her paintings are most often depictions of capitalists’ vulnerability. Her work often features animals, as symbols of forces of resistance, and terrified bankers (Artist bio)

‘The CEOs” paintings showing the dark side of business

Gallery Bergen on the Bergen Community College campus in Paramus, NJ

The painting ‘Wage Earner’

The sign for “Wage Labor”

The painting “Deluge”

The sign for “Deluge”

The painting “Of Course We Rule”

The sign for “Of Course We Rule”

The painting “Elephant”

The sign for “Elephant”

The painting “Crash”

The sign for “Crash”

The painting “ Kapital”

The sign for “Kapital”

A view of the gallery display for the Jeramy Turner Show for “A Cautionary Tale for Billionaires”

In the Spring of 2025, Gallery Bergen had its Spring Student show and there was some interesting art to see. It was a wonderful Opening on April 24th, 2025.

The Bergen Institute for the Creative Arts (BICA), Fashion at Bergen, and Gallery Bergen:

 Gallery Bergen presents its annual BCC Student Art Expo 2025 at Gallery Bergen (3rd Floor, West Hall) from April 24 through May 2. The college community and public are invited. All artistic media from BCC students and the Institute for Learning in Retirement are represented, including fashion design, painting, 2D and 3D design, animation, sculpture, and photography.

The reception featured hors d’oeuvres by the Culinary Arts program with a live music performances by BCC music graduates, Kurley Skeletons.

The Gallery Bergen Student Spring 2025

The Spring 2025 Student show

The Spring 2025 Student show

The Student Show has some unique pieces of art that can be admired and debated. Really take time to admire the students works.

Spring 2025 Student show

These were some of the standouts that I enjoyed at the show with my favorite being ‘Temple of Love’ video which I thought was very clever.

The Spring 2025 Student show

The Spring 2025 Student show

The Spring 2025 Student show

“Little Demons”, one of my favorite pieces at the show.

“Little Demons” sculpture

The “Little Demons” sculpture

The Spring 2025 Student Show

The interesting nudes

The back part of the Gallery

The back part of the museum

The Spring 2025 Student show

The “Harvey” painting

One of the most interesting works at the show was the art music video “Temple of Love”

The “Temple of Love” video

The art surrounding them”Temple of Love” video

The “Temple of Love” video”, my favorite piece of the show.

The sculpture “Vibrant Vito Guest” below the video

That evening to close out the Opening was the band ‘Kurly Skelatons’, who had graduated from Bergen Community College a few years ago.

The band “Kurley Skeletons’ performing

https://www.instagram.com/kurley.skeletons/

Their first song of the evening

One of the lead singers solo original songs

A clip of the solo song

The last song of the evening

The concert was interesting as the music contemporary and rhythmic.

At the end of the evening, there was a light reception and we enjoyed being outside on the patio over looking the golf course.

The patio view

Watching ‘The Temple of Love’ again

It was a nice crowd that evening

The Spring 2025 Student Show offered interesting art and music and equally interesting visuals. The students did a nice job.

In the Fall of 2025, Gallery Bergen featured the exhibition of Artist Gregg Bormann entitled ‘Personal Effects’. The exhibit featured work by the artist based on Hollywood works that featured the dark and macabre. The works included clips of films done in video collage and surrealist works based on film scenes.

“The full exhibition “I’m Laughing at Clouds”

“Eyes without a Face”

The reception after the opening

It was an interesting take on the movie magic of these films.

In the Fall of 2025, Gallery Bergen exhibited ‘Tesla’s de Solidaridad: Art & Connection to Guatemala ‘, an exhibition of local Guatemalan artist, mostly from Jersey City.

The promotion poster

The exhibition was a celebration of works by Guatemalan artists who live in the United States, especially in the New York City area.

The gallery opening

Works by artist Lucas Emilio Romero

Artist Lucas Emilio Romero explaining his works at the show

Work by artist Nivia Hernandez

Works by artist Juan Carlos Vail Lucas

The work ‘Ayer’

The crafts of Guatemala

A local jazz band played at the opening with lyrics in Spanish.

The Jazz band performing

Gallery Bergen

The Jazz performance at Gallery Bergen the night of the Opening of the Exhibition

The James Rose Center                                                            506 East Ridgewood Avenue                                     Ridgewood, NJ 07450

The James Rose Center 506 East Ridgewood Avenue Ridgewood, NJ 07450

The James Rose Center

506 East Ridgewood Avenue

Ridgewood, NJ  07450

Phone: (201) 446-6017

Email: http://www.jamesrosecenter.org

Fee: Adults $8.00/Children $5.00

Open: Tuesday-Sunday-10:00am-4:00pm/Closed Mondays

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46772-d15190166-Reviews-James_Rose_Center-Ridgewood_New_Jersey.html?m=19905

Originally designed as his own home, today the James Rose Center serves as the headquarters of a non-profit educational foundation, the mission of which is to improve the environment through research, education, preservation and design.

I recently toured the James Rose House with members of the Ridgewood Historical Museum. We had a lecture on the house and James Rose’s work in the industry as an architect and the other projects he had worked on over the years before his death in 1991.

James Rose Center

James Rose House at 506 East Ridgewood Avenue

http://jamesrosecenter.org/

The lecture was followed by a tour of the house with the group and then a small lecture and tour with the guide. We got to see the whole house, what he was trying to achieve in the design and the renovation work on the house as it is in pretty bad shape. The materials that were used to build the house were not the best quality and have rotted over the years. There is a lot of restoration work on the house that is needed.

We were able to walk all around the house and what struck me was the use of nature in the design of the house. He used the trees and brook on the property to achieve the aesthetic of the design of the house but over the years it has been used against it as the trees have either grown too big around the house or have died, in which one did and caused thousands of dollars of damage on the house. Still, it was an interesting tour of how the house was used as a studio and a family home for him, his mother and unmarried sister.

History:

James Rose (1913-1991) was a maverick landscape architect whose rebellious nature caused one writer to refer him as the “James Dean of Landscape Architecture.” Here Rose created a unique work of art fusing modern sculpture, architecture and landscape into a single unified place for living.

(Information from the Center’s pamphlet)

For its unique modern spatial language, its expression of an alternative approach to conventional post war suburban residential development and as the constantly changing laboratory of one of landscape architecture’s most inventive minds, the Ridgewood home of James Rose is one of the twentieth century’s most important landscapes.

The Front of the house

The Vision:

Rose began  the design while in Okinawa during World War II with a model he made from scrapes found in construction battalion headquarters. “I wanted the spaces flowing easily from one to another, divided for privacy and for convenience.” Rose wrote in 1943. “I wanted the arrangement flexible and varied. Most of all, I wanted all this integrated with the site in a design that seemed to grow, to mature and to review itself as all living things do.”

The Reality:

Constructed in 1953, Rose described his home as a “tiny village” build on an area half the size of a tennis court. It was a composite of three buildings-a main house for his mother, a guesthouse for his sister and a studio for himself. This experimental landscape achieves a fusion of indoors and outdoors perhaps unequaled by other leading designers of this time. Rose later described it as “neither landscape nor architecture, but both; neither indoors, nor outdoors but both.”

The Metamorphosis:

It was conceived to accommodate rapid twentieth century charge. “I decided to go at the construction as you might a painting or sculpture.” Rose wrote. “I set the basic armature of walls and roofs and open spaces to establish their relationships but left it free in detail to allow for improvisation. In that way it would never be “finished,” but constantly evolving from one stage to the next-ametamorphosis,” Rose wrote, “such as we find commonly in nature.”

Consistent with this, the design changed dramatically during the almost forty years Rose lived here. From 1961, when Rose was invited by the Japanese government to participate in a World Design Conference (WoDeCo), he founded a mirror to his modern American design sensibility in the ancient culture of Japan. In changes such as the addition of the roof garden and zendo in the early 1970’s a fusion of ancient East and modern West is effected as Rose compares the filigrees of plant forms to the filigrees of structure. “In the bare architecture outline is a pattern of organic (rather than cosmetic) decoration and an inter division of space.”

The Reincarnation:

Unfortunately in the eighties this remarkable design, built to accommodate rapid growth went into rapid disrepair. Neglect, fire and water damage threatened complete destruction until a foundation was established by Rose, Dean Cardasis and a few of Rose’s close friends was formed just before Rose’s death in 1991. In 1993 the rehabilitation of this important property began and continues to this day. The site serves students, scholars and the general public in its new life as the James Rose Center for Landscape Architectural Research and Design.

The rehabilitation reversed rampant deterioration of the previous decade. Support systems were revamped.  Fire damage was repaired. The leaking roof was rebuilt and Rose’s roof garden was reconstructed. Salvageable wood was reconditioned and woven with new lumber. Garden pools were rebuilt and important planting edges re-established. Murals and other original artwork were reconditioned. Through the center’s ongoing efforts, Rose’s enduring creation has entered a new stage of its metamorphosis from which it will continue to evolve.

But it remains consistent with its origins as a important modern work and serves the same larger purpose it always had for Rose to pose for us elemental questions about the nature of design. “Change is the essence,” Rose observed. “To reveal what is always there is the trick. The metamorphosis is seen minute by minute, season by season, year by year. Through this looking glass, ‘finish’ is another word for death.”

(Ridgewood-James Rose Center History)

James Rose, landscape theorist, author and practitioner

Along with Garrett Eckbo and Dan Kiley, James C. Rose was one of the leaders of the modern movement in American landscape architecture. Rose was only five years old when his father died and with his mother and older sister, moved to New York City from rural Pennsylvania. He never graduated from high school (because he refused to take music and mechanical drafting) but nevertheless managed to enroll in architecture courses at Cornell University. A few years later he transferred as a special student to Harvard University to study landscape architecture. He was soon expelled from Harvard in 1937 for refusing to design landscapes in the Beaux Arts manner.

The design experiments for which he was expelled served as a basis for a series of provocative articles expounding modernism in landscape design, published in 1938 and 1939 in Pencil Points magazine (now Progressive Architecture). Subsequently Rose authored many other articles, including a series with Eckbo and Kiley as well as four books which advance both the theory and practice of landscape architecture in the twentieth century.

Rose was employed briefly in New York City in 1941 as a landscape architecture by Tuttle, Seelye, Place and Raymond where he worked on the design of a staging area to house thirty thousand men to Camp Kilmer, New Jersey. For a short time, Rose had a sizable practice of his own in New York City but he quickly decided that large-scale public and corporate work would impose too many restrictions on his creative freedom and devoted most of his post WWII career to the design of private gardens.

Fusion of indoor and outdoor space:

In 1953, he began building one of his most significant designs, the Rose residence in Ridgewood, New Jersey. Rose conceived of the design while stationed in Okinawa, Japan in 1943. He made the first model from scraps found in construction battalion headquarters. After construction, the design was published in the December 1954 issue of Progressive Architecture, juxtaposed to the design for a traditional Japanese house built in the garden of the Museum of Modern Art in New York City; the article cites Rose’s design for its spatial discipline. The design clearly expresses Rose’s idea of fusion between indoor and outdoor space as well as his notion that modern environmental design must be flexible between indoor and outdoor space as well as his notion that modern environmental design must be flexible to allow for changes in the environment as well as in the  in the lives of its users.

Practice based on improvisation:

From 1953 until his death, Rose based an active professional practice in his home. Like Thomas Church and many others. Rose practiced a form of design/build because it gave him control over the finished work and allowed him to spontaneously improvise with the sites of his gardens. As a result of this, most examples also exist in Connecticut, Florida, Maryland, California and abroad.

.

Establishment of a landscape research and design study center:

James C. Rose was one of the most colorful figures in twentieth century landscape design. While skeptical of most institutions during his lifetime he served as guest lecturer and visiting critic at numerous landscape architecture and architecture schools. Before he died he set in motion an idea which had been in his mind for forty years; the establishment of a landscape research and design study center and created a foundation to support the transformation of his Ridgewood residence for this purpose. Rose died in his home in 1991 of cancer.

(James Rose Foundation-James Rose Center)

The upper part of the house.

The upper part of the house

The upper floors and garden

The upstairs near Ridgewood Avenue

The upstairs of the house.

Westwood Heritage Society Museum/Westwood Train Station Broadway and Westwood Avenue                                Westwood, NJ 07675

Westwood Heritage Society Museum/Westwood Train Station Broadway and Westwood Avenue Westwood, NJ 07675

Westwood Heritage Society Museum

Westwood Train Station

Broadway & Westwood Avenue

Westwood, NJ 07675

(201) 666-9682

http://www.westwoodheritage.org

https://www.facebook.com/hfwhalen/

Hours: The Second Saturday of every month; 10:00am-2:00 pm

Admission: Free

TripAdvisor Review:

I had visited the Westwood Heritage Society Museum during its one day opening in the month and no one was there to greet me. It seems that they closed at noon. I was able to walk around the train station’s main room and look around at all the old pictures of town, its history and the interesting facts of how the town grew

Westwood NJ Rail Station where the museum is located

The Westwood NJ Train Station is the home for the Westwood Heritage Society Museum

Many prestigious families of Bergen County, NJ have helped shape the town including members of the Demerest, Blauvelt, Wortendyke and Haring families. These early members of Bergen County Society have left their mark on the politics and construction of the current town. These names are part of the founding families of the town.

The sign in Veterans Park

There are displays of family life in town, life on the railroads, the history of how the railroad came to town, the growth of the town, residents of the town and a display on railroad conductor, Mr. Blauvelt himself.

There are many sets of pictures in the display cases and there is an on-going slide show of pictures on the main wall of the terminal showing the past and present of the town.

They let us tour the bomb shelter that is beneath the train station. This is interesting.

I recently toured the museum with my students on the second Saturday in November of 2022 and met with the members of the Westwood Heritage Society. They put all their displays out when the museum was open from 10:00am-12:00pm. There were some interesting things to see. There was the history of the businesses, schools, the fire and police department and town government. They had some interesting artifacts from Veterans of the Wars as well.

Displays of memorabilia at the museum

If you like the history of railroads into the new suburbs or are from Westwood and are interested in its history, this museum is worth coming to for the afternoon. Take time to walk along the tables and view all the artifacts. There are some interesting things to see.

The glassworks of Westwood

Some of the items from the veterans of foreign wars.

Artifacts from the railroad

The main building of the train station is always open during business hours, so you will have plenty of time to look at all the displays. If you get there on the second Saturday of the month, you might get to talk with a member of the Heritage Society. It only takes about an hour to see all the displays.

The history of the town is in all these notebooks

History:

The Westwood Museum, which is housed in the Westwood Train Station building, was established and held its ‘Grand Opening’ on Memorial Day of 2002.

The Museum serves as an exhibit gallery for the numerous artifacts of Westwood’s past and records of its history that have been acquired or compiled by the Society.

Westwood Heritage Society Museum III

Historic Westwood, NJ

The Historic Displays that line the walls on the history of the town:

Historic homes and businesses of prominent members of the Westwood community

Historic Homes of Westwood

Historic businesses in Westwood

Prominent residents of Westwood, NJ

Historic Downtown Westwood NJ

The commercial we created for the Downtown Westwood, NJ for Bergecco-Parc Consulting Inc.

The Project for “It’s Wonderful in Westwood, NJ-Be a Tourist in your Own Town”:

https://mywalkinmanhattan.com/tag/exploring-downtown-westwood-nj

Waldwick Signal Tower                                                               1 Bohnert Place                                                                  Waldwick, NJ 07463

Waldwick Signal Tower 1 Bohnert Place Waldwick, NJ 07463

Waldwick Signal Tower

1 Bohnert Place

Waldwick, NJ  07463

http://www.wctower@optimum.net

http://www.allaboardwaldwick.org/

https://www.facebook.com/pages/Erie-Railroad-Signal-Tower-Waldwick-Yard/135792839782599

Open: Please note the website for when the two buildings, the tower and the railroad station museum are open.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46892-d10366154-Reviews-Erie_Railroad_Signal_Tower-Waldwick_New_Jersey.html?m=19905

This was the second time I visited the Waldwick Signal Tower, one of the last surviving of its kind on the railroad line. The architectural Queen Anne Style depot was built in 1886. The depot was called ‘Waldwick’ meaning “Light in the Woods”. The railroad signal tower was erected in 1890 in a similar style as the depot (Waldwick Historical Society).

The Signal Tower sign welcomes you.

The history of the Signal Tower as it was once one of six towers between New York and New Jersey.

The tower is a two story museum right next to the tracks in a rather obscure location in the back which you have to reach coming off Hopper Road to 1 Bohnert Place and the parking lot is off to the side.

The Signal Tower still sits on the Pascack Line that leads into New York City.

There is some walking here and not ADA accessible as the building was built so long ago but you can see it from a car from the parking lot and get a feel for its look and purpose at an earlier time in history. The main room downstairs had an interesting exhibition of railroad deeds from the various railroads that used to be part of the system of Bergen County whereas the upstairs which can be reached from the outside.

The outside of the Waldwick Signal Tower.

On the lower level of the Signal Tower has the exhibitions on the artifacts of the train station that includes the signal lightening, telephone pole protectors and items used at the station.

The downstairs gallery at the Waldwick Signal Tower.

The schedules and signal lights of the tower.

The map of the railroad into New York City and out into the suburbs.

The exhibition on the signal lights used by the conductors on the rail line.

Upstairs you get a better view of the tracks and the surrounding area. There was a train video going the first time I was there and there are members of the Waldwick Historical Society on hand to answer any questions.

The upstairs Conductor’s office is set up as it would have during the time of the tower in service.

The tower’s signal board on the second floor.

The tower is well organized with exhibitions on both floors and in a very interesting way. The displays are interactive and very detailed and the volunteers were there to talk to visitors about the site.

Waldwick Signal Tower History:

Waldwick’s Train Signal Tower is both historically and architecturally significant. It is a rare historical treasure for its residents and railroad enthusiasts from far and wide. Before the turn of the 20th Century, the Waldwick rail yard was an active repair depot and turn station for the Erie Main Line from Jersey City, NJ to Port Jervis, NY and was a major employer in Waldwick thus  contributing  to the borough’s residential and commercial growth.

The ornate Queen Anne style building was built in 1890 and housed the mechanism connecting switches and signals allowing trains to safely move from one track to another. The tower men who operated the switches by hand had great power indeed in their time.

Another view of the signal tower.

By the mid-1980’s, upgrades in computerized signal equipment warranted the elimination of the tower. The tower was slated for demolition in June 1987. The Waldwick Historical Society members led by Kay Williams campaigned to place the tower on The National Registry of Historical Places. This accomplishment allowed the tower to at least stay dormant till the next wave of enthusiasts came along in 1999.

Waldwick Signal Tower III

The tower before the renovation

Michael Brunkhorst and Glenn Corbet banded together a group of citizens to form the All Aboard committee of Waldwick’s Historical Society. Curtis Springfield of Wanaque, who is the great-grandson of the renowned locomotive engineer, Harvey Springfield, got wind of the tower’s trials. He stepped up to the plate and purchased the tower for $6,000 then gave the Tower to the Borough of Waldwick as a gift to preserve for future generations in honor of the trainman’s family name.

The small All Aboard group set out to create awareness of the tower’s existence and it’s plight. Before long, fund drives were organized grant applications were filed. The response of a number of supporters including Mr. Robert Keeble, have given this project a solid start.

Meticulous measures are currently being made and can now be witnessed at the track end of Bohnert Place, to maintain the tower’s historical authenticity. Attention is being given to the placement of exact shaped decorative shingles and the repair and replacement of the original slate roof are among the initial stages of it’s restoration.

Waldwick Signal Tower

The Waldwick Signal Tower in the Spring 2024.

The Mission Statement:

The All Aboard continues seeking membership and financial support to complete the tower with the vision of becoming “The Harvey Springfield Memorial Tower at Waldwick” for generations of Waldwick citizens and for rail enthusiasts everywhere. If funding continues the tower is sure to be the pride of Waldwick with time and care.

This information comes from the Waldwick Historical Society’s pamphlet.

All Aboard Waldwick

Bless this tower, standing tall,

With Memories we share with all;

Bless the levers standing there,

Their work now finished,

with a prayer;

Bless this time in history now,

Remembering its always, this we vow;

Bless the ones who share this song,

And keep us all in health and strong.

Words by Helen Taylor.

A Brief History of the Borough of Waldwick

Pre-1700: Lenni-Lepane Indians inhabited the land.

1600’s: European farmers settled the land.

Late 1700’s: Franklin Turnpike is a toll road.

1840’s: The railroad connecting Jersey City with Suffern is built and ran through Waldwick, then named New Prospect.

1852: Erie Railroad Company takes over the railroad.

1880: New Prospect becomes a depot.

1886: An architectural Queen Anne Style depot is built. The Depot is called ‘Waldwick’ meaning “Light in the Woods”. The depot brings more commerce to the area also called ‘Orville Township’.

1890: The Railroad Signal Tower is erected in a similar style as the Depot.

1919: The small railroad hamlet is incorporated as the Borough of Waldwick.

The history of the tower.

Disclaimer: This information is taken directly from the Waldwick Historical Society pamphlet and I give them full credit for the information. Try to take time to see both  the tower and the museum by the train station. The Whistle Stop Restaurant is around the corner and has a reputation for excellent sandwiches and ice cream.

The Waldwick Whistle Stop Restaurant at 27 Fredrick Street.

https://www.facebook.com/waldwickwhistlestop

My review on TripAdvisor:

https://www.tripadvisor.com/Restaurant_Review-g46892-d8660054-Reviews-Waldwick_Whistle_Stop-Waldwick_New_Jersey.html?m=19905

My review on DiningonaShoeStringinNYC@Wordpress.com:

The burgers here are really good as are the chicken fingers.

The Cheeseburgers and fries are excellent and very reasonable at the Waldwick Whistle Stop Restaurant.