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Newark Museum                                                                         49 Washington Place                                                               Newark, NJ 07102

Newark Museum 49 Washington Place Newark, NJ 07102

Newark Museum

49 Washington Place

Newark, NJ  07102-3176

https://www.newarkmuseumart.org/

https://www.facebook.com/Newark.Museum/

Telephone: (973) 596-6550/Fax: (973) 642-0459

Volunteer Office: (973) 596-6337/Member Travel Office: (973) 596-6643/Group Tours: (973) 596-6613

Open: Wednesday-Sunday 12:00pm-5:00pm

Closed: Mondays (except for Dr. Martin Luther King Jr. Day and President’s Day), Tuesdays, January 1st, July 4th, Thanksgiving Day and December 25th.

Admission: Adult $15.00/Seniors-Children 5 and UP/Veterans/Children 5 and under Free

Amenities: Museum Shop, Junior Shop, Museum Cafe and onsite parking.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46671-d217958-Reviews-Newark_Museum-Newark_New_Jersey.html?m=19905

The Newark Museum at 49 Washington Place in Newark, NJ.

I have been a member of the Newark Museum for 29 years and have enjoyed the experience. There is a lot of things to do at all times of the year.

During the Summer months, I enjoy “Jazz in the Garden” where local and international jazz musicians perform in the beauty of the back garden of the museum under the trees. These almost hour and a half performance can be enjoyed on sunny, clear days in the gardens and in the auditorium on a rainy afternoon. It is something I look forward to every summer.

Jazz in the Garden at the Newark Museum. The gardens are amazing in the summer months.

The Newark Garden in the back of the museum.

Jazz in the Garden was a big event before the pandemic. It is on hiatus for now. It had resumed after COVID with a fee and did not happen in the Summer of 2023. Still, I had enjoyed these concerts for years.

I heard Vanessa Rubin perform at the last ‘Jazz in the Garden’. She is amazing.

The New entrance opened where the original once was:

Newark Museum III

The new entrance to the Newark Museum

The video celebration of the new entrance reopening

Entering the foyer of the museum

During December of 2019 I attended a holiday afternoon tea at the Ballantine House, the historic home attached to the museum. The Ballantine’s were one of the oldest families in Newark, NJ and were once major brewers in the city. They were considered High Society in Newark and the home, and its renovation reflect that.

Ballentine House

The outside of the Ballantine House in 2019.

A new tradition was started this year with a Holiday Afternoon Tea and tour of the mansion. The caterer did a nice job with the food and their was plenty of it. We had finger sandwiches, various scones and pastries and different varieties of teas.

After the tea, we had a tour of the house and a talk about how the Ballantine’s and their crowd celebrated the holidays. They would be an open house for the neighbors during the holidays and then on Christmas day were church services in the morning and then a lunch afterwards with the family.

Ballantine House set for the neighborhood open house

Entering the newly renovated Ballantine House.

Another nice event is the Members Mornings of specialty tours of the galleries on a Sunday morning and a light breakfast afterwards. These are really nice, and you get a more in-depth view of the galleries with the docents. This is where I highly recommend membership.

The Ballantine House model

The Ballantine House reopened after a two year renovation of the property and I toured it in January of 2024 to see the redesign of the home. The home had been cleaned and new signage and carpeting had been added to the site. They were new signs with interpretations of the house with some major design changes.

The Ballantine children in portrait.

The house had gotten some much needed renovation work and cleaning and the house looked sparkling and looked like someone had just moved in. In 2024, the house continued its tradition of being decorated for the Christmas holidays but with a twist to it

The Foyer of the Ballantine House

The fireplace in the Foyer of the home at the holidays

The front door ablaze with colors

The Reception/Receiving Room for guests.

The Receiving Room at the Ballantine House.

The Reception Room decorated for the holidays

We started the tour clock wise through all the rooms on the first floor starting with the Reception Room where guests would be received for a visit and would wait until the Ballantine’s were ready to greet you. We then moved onto the Library where the whole family would gather in the evenings to read and converse with one another in a more casual setting.

The Library

The Library at the Ballantine House

Mr. Ballantine’s chair and desk in the Library of the Ballantine House.

The Library decorated for the Christmas holidays:

The Library decorated for the Christmas holidays:

The Library decorated for the Christmas holidays:

The Dining Room

The Dining Room set for dinner.

The Dining Room sideboard.

The Dining Room decorated for the Christmas holidays:

The Dining Room decorated for the Christmas holidays:

The Billiard Room across the hall from the Dining Room.

The Billiard Room at the Ballantine House.

The Parlor at the Ballantine House.

The Parlor for receiving guests for afternoon tea

The other side of the parlor.

The Parlor set for tea.

The Parlor set up for the Christmas Eve Tea:

The Parlor set for the Christmas Eve Tea service of the neighbors:

The Parlor would have been set for a light reception on Christmas Eve for the neighbors in the immediate neighborhood to stop in and join the family for a casual conversation and have a light snack. No one would stay more than an hour and it was in bad manners to stay longer than that.

The reception foods would be replenished as they ran out and this would take place for about two to three hours on Christmas Eve night as people would be leaving for church services or on their way to other celebrations.

The tour took us next upstairs to see the renovated bedrooms on the second floor and the galleries where some of the jewelry and art objects were on display.

The Staircase decorated for the Christmas holidays

The beautiful stained glass window on the landing to the second floor.

Mr. & Mrs. Ballantine’s Bedroom

The Boudoir where Mrs. Ballantine did her work.

The Boudoir where Mrs. Ballantine worked.

Alice’s bedroom on the second floor that was adjoined to her parents room by the way of the Boudoir.

Alice’s bedroom on the second floor looking over Washington Park.

The staircase to the Third Floor to Alice’s family apartment.

This was the main room of the apartment that was used by the family for entertaining friends and family. Alice, her husband and their four children lived in this apartment until 1919 at the time of Mrs. Ballantine’s death. Then her daughter moved to another part of Newark and then onto Morris County.

The Third floor apartment for Alice and her family that Mrs. Ballantine build for Alice and her family.

The beautiful skylight in Alice’s apartment on the Third floor of the Ballantine house.

The decorative fireplace that worked in Alice’s family apartment on the third floor of the house

On my most recent trip to the museum, I attended the opening of the new ‘Norman Bluhm Metamorphosis’ exhibition on February 11th, 2020.

Norman Bluhm

Artist Norman Bluhm

Norman Bluhm: Metamorphosis celebrates six decades of painting by post-war American artist Norman Bluhm (1920-1999), who combined action painting with a lavish sense of color and formal experimentation on a grand scale.

Norman Bluhm Newark Museum II

Paintings and works on paper dating from 1947 to 1998 are on view in the Museum’s Special Exhibition Gallery and the Traphagen promenade galleries surrounding the Charles W. Engelhard Court (Newark Museum publication press release).

Norman Bluhm Newark Museum

These large works showcase the artist’s work over a fifty year period.

Norman Bluhm Newark Museum III

Norman Bluhm’s work is quite dramatic

In 2022, I went on the first Members Morning that we had in almost two years. We toured the “Carlos Villa: Worlds in Collusion” exhibition featuring the works by American San Franciso born artist of Philippine decent Carlos Villa.

Carlos Villa I

Artist Carlos Villa in the exhibition “Worlds in Collison”

Video on the Exhibition “Carlos Villa: Worlds in Collison”

What made this exhibition interesting was the feather work that he used in his art. He was trying to capture the ethnic history of identity not just of the Asian but the Pan-Pacific cultures of Hawaii. He used robes and other costumes to show the dynamic of the background of these cultures. Not just that but what describes Americans who are not of white decadency and where their role plays in society. The impression I got from his work and from the tour was feeling like an outsider in the country he was born in.

Carlos Villa

One of the feathered cloches that are in the exhibition

I also visited the interactive exhibition “Endangered”, showing video screenings of nature on the walls of the Natural Science Galleries. The exhibition highlights how human behavior is affection the natural environment and what we can do to stop it.

In the Summer of 2022, we had a member’s tour of one of the ongoing exhibitions at the museum and the docent described the works of local Brooklyn based artist Saya Woolfalk.

Artist Saya Woolfalk

http://www.sayawoolfalk.com/

The “Endangered” exhibition:

I joined the membership one morning to tour the exhibition on artist Saya Woolfalk who is based out of Brooklyn. Her current exhibition “Tumbling into Landscape” is being featured on a long-term exhibition. The works are a communication with nature and our relationship with nature and with one another. When you walk through it you are so relaxed between the music and the lighting. The artist ‘uses science fiction and fantasy to reimagine the world in multiple dimensions’ (Newark Museum).

The videos in the Saya Woolfalk exhibition

Her look at nature is very interesting. She looks at our relationship with the natural world and to each other and where we belong. Here works have a calming effect on the visitor and our interaction with the art.

‘The Four Virtues’ (Justice, Prudence, Temperance and Fortitude)

She even did a study of the Hudson River School and how her art worked into that perspective of nature. She included between six paintings from the School of Art with a self-portrait of herself.

It was interesting how she used her own self to compare to the stylized view of nature taken on by these past artists.

Recently, I joined other members for a special “Members Morning” that happen every third Thursday entitled “The Art of Collecting Abstracts”. It was a look at the contemporary works that have been collected by the Newark Museum over the years. We got a look at works from the early part of the last century to today. Each of the pieces chose were a way for us to think about the artist and what they were trying to convey. Some used bold strokes and colors to tell their story. I thought they were quite colorful.

Work by artist Max Webber “Voices”

https://en.wikipedia.org/wiki/Max_Weber_(artist)

The Max Webber sign for ‘Voices’.

Helen Frankenthaler “Untitled”

https://www.frankenthalerfoundation.org/artworks/paintings

https://en.wikipedia.org/wiki/Helen_Frankenthaler

The sign for Helen Frankenthaler’s “Untitled”

The group of us on the tour walked through various galleries, admiring and learning about the contemporary collections of abstract work from artists from various periods. Each docent took their take on pieces they admired in the collection.

Abstract by Ilya Bolotwosky “Study for Mural for Hall of Medicine, Public Health Building, New York World’s Fair.

https://en.wikipedia.org/wiki/Ilya_Bolotowsky

Sign for Ilya Bolotwosky’s work

Mashell Black’s “Legally Right”

https://www.mashellblack.com/

Mashell Black sign for ‘Legally Right’

Artist Reg Sylvester’s work “Apocalyptic Blues’

https://maximillianwilliam.com/artist/reginald-sylvester-ii/

The sign for Reginald Sylvester’s “Apocalyptic Blues”

The tour was an interesting view of the some of the newest works as well. These members mornings are a great way to learn abou the collection.

I recently in April 2024 I went to the Members Open House to see the exhibition of artist Bony Ramirez :

The description sign for the exhibition.

Artist Bony Ramirez

https://bonyramirez.com

Artist Bony Ramirez is a Dominican artist born in the Dominican Republic and works in New Jersey. He is known for his island influences in his works and reflects life in the Caribbean nation. He uses all sorts of materials to achieve his works of art (Artist’s bio).

The gallery opening of the artist’s work on the second floor of the museum.

The write up on his work.

Cow sculpture

Painting and sculpture

One of the artist’s paintings on Colonialization.

One of the artist’s recent sculptures.

The exhibition was small and it was one of the first shows that the artist mounted at a major museum. I thought the work was okay but nothing dramatic. Still it was a nice opening and a reception. The artist seemed thrilled by it all.

Newark Museum History and Highlights tour:

Welcome to the Newark Museum. Our unique approach to exhibiting our extraordinary art and science collections provides unforgettable experiences for people of all ages. It is a place where people of different generations, cultures and communications encounter a robust science collection and world-class act including the arts of Africa, Ancient arts, Arts of Asia, Decorative arts and American art.

The American Wing galleries at the Newark Museum. The Max Webber piece is to the right.

Take an inspirational journey through our many galleries. Marvel at shooting stars in our popular planetarium. Travel to another era in the Victorian Ballantine House, a National Historic Landmark. Pause at a Tibetan Buddhist altar consecrated by His Holiness, the 14th Dalai Lama. Stroll through our beautiful sculpture garden, visit our Museum Shops and enjoy delicious light fare or snacks at our Cafe (will be reopening soon).

For the Lunar New Year in 2025, the Newark Museum had a wonderful family celebration for Chinese New Year. The museum had all sorts of games and crafts for the kids and tours for the families.

A Chinese musical group started the festivities for Chinese New Year at the Newark Museum. This was the folk band from JTL Band. They sang traditional songs in Chinese.

The group entertained the crowd with a wide applause

After the performance, we were treated to a Ribbon Dance. Dancer Lina Liu

The traditional Ribbon Dance by the Lina Liu Artist Group

The beauty of the dance

The end of the performance

The museum did a wonderful job with all the entertainment. The Planetarium also had a interesting show in the Moon and the phases that show in the evening sky. It was a very interesting show. Even though it was geared towards children, they made it so easy to understand in fun and engaging way.

The museum did a nice job for the Lunar holidays. In 2026, they had another interesting festival of Korean music and dance.

Entertainment from the Korean Cultural Society

The best was the resfreshments at the end of the program. They had the most delicious Korean Chicken and Dumplings along with other dishes.

The Korean dishes I enjoyed that afternoon. I had to go back for seconds of the chicken and dumplings.

Coming back for seconds

I then walked around the main hall to enjoy the works of local Korean-American artists. I have to admit it was a quick afternoon

The works of local artists

Come visit us. You’ll wonder why you waited:

(from the website and from the museum pamphlet)

The Newark Museum exhibits world-class art and science in a unique way. Visitors feel enriched by what they had planned to see and excited about the unexpected discoveries that they made along the way.

Newark Museum II

The new entrance of the museum

American Art:

With more than 12,000 paintings, sculptures, works on paper and multimedia art, the American art collection at the Newark Museum, many on view in the Picturing America galleries, is one of the finest in the country. Surveying four centuries, the Museum’s American holdings range from the Colonial to the Contemporary and are particularly strong in works from the 19th and early 20th centuries.

Ancient Art:

The Museum’s art of the ancient Mediterranean cultures, Egypt, the Near East, Greece and Rome, includes a remarkable array of classical antiques, as well as an Egyptian collection featuring the coffin lid of Henet-Mer. The Eugene Schaefer Collection of ancient glass offers a visual history of the evolution of glass technology in Egypt, Greece, Rome and the Islamic worlds and dates from 1500 B.C. to 1400 A.D.

Arts of Africa:

With works ranging from Moroccan textiles in South African beadwork to contemporary fine art, the Museum’s African art collection is as diverse as the continent itself. The collection is among the most comprehensive in the United States with more than 4,000 art works dating from the 17th century to the present day. Its holdings are also distinguished for their breadth of artistic representation, including masks and figural statuary, dress and adornment, photography and paintings.

Arts of Native North America:

The Native North American art collection spans the continental United States, as well as Alaska and Canada. Most of the works date from the 19th to the late 20th centuries. The collection represents the diversity and richness of indigenous arts with a range of object types including tools, household items, personal effects, clothing, ritual and ceremonial objects, paintings and drawings.

Arts of Asia:

The most extraordinary historical collection of Tibetan art in the Western Hemisphere is on permanent view. Additional galleries dedicated to the arts of Japan, Korea, China as well as South and Southeast Asia feature superior examples of sculptures, paintings, ceramics and decorative arts from the past 2,000 years.

Decorative Arts:

Furniture, silver, ceramics, glass, jewelry, costumes and textiles comprise the vast Decorative Arts holdings, which range from the 16th century to the present. A wide variety of American and European household furnishings create an international context for New Jersey-made and owned objects displayed in rotating gallery installations.

Ballantine House:

Built in 1885 for Jeanette and John Holme Ballantine of the celebrated Newark beer-brewing family, this brick and limestone mansion was designated a National Historic Landmark in 1985. Wander through history in House & Home, a suite of eight Victorian period rooms and accompanying thematic galleries depicting how people have decorated their homes in America, from the 1650’s to the present day.

Ballentine House

The Ballantine House

Science:

You will also find New Jersey’s first planetarium here and an 83,000-specimen natural Science Collection, which is the basis of the exhibit Dynamic Earth: Revealing Nature’s Secrets, located in the Victoria Hall of Science. This engaging exhibit features interactive and multimedia displays that make the natural sciences come alive and help adults and children better understand the natural world.

Newark Fire Museum:

Housed in the circa 1860 Ward Carriage House in the Alice Ransom Dreyfuss Memorial Garden, the newly refurbished Newark Fire Museum tells the story of the challenges faced by firefighters in the 19th century and includes historic fire apparatus and equipment. An exciting new exhibit adds a potentially life-saving element to our mission with a high-tech interactive Fire Safety Center designed to teach fire safety and prevention to children and families.

The Newark Fire Museum in the gardens.

1784 Old Stone School House:

The oldest standing school building in Newark, this one-room school hosted generations of students between 1784 and the early 20th century. Recently restored, its detailed bring the past to life: the foundation built with sandstone from a local Newark quarry, the floorboards sawed by hand from trees cut from a local forest and the old cast iron stove used to heat the school with wood provided by the students.

The Old Stone Schoolhouse in the gardens.

The historic plaque at the Old Stone Schoolhouse

Planetarium:

The Alice and Leonard Dreyfuss Planetarium provides an immersive, out-of-this-world experience through which adults and children can learn about astronomy, planetary science and space travel. Featured is a state-of-the-art, full dome digital video system, a 5.1 surround-sound system and a Zeiss ZKP3B star projector.

Disclaimer: This information was taken directly from the Newark Museum pamphlet. The museum is the pride and joy of the State of New Jersey. It has great programming and wonderful events. Please call or email the museum for more details.

Camp Merritt Memorial Monument Intersection of Knickerbocker Road and Madison Avenue                                Cresskill, NJ 07626

Camp Merritt Memorial Monument Intersection of Knickerbocker Road and Madison Avenue Cresskill, NJ 07626

Camp Merritt Memorial Monument

Intersection of Knickerbocker Road and Madison Avenue

Cresskill, NJ  07626

http://www.bergen.nj.us

http://www.bergencountyhistory.org/Pages/campmerritt.html

My review on TripAdvisor:

Camp Merritt Memorial Monument marks the center of an important World War I embarkation camp, where more than one million U.S. soldiers passed through on their way to and from the battlefields of Europe.

The Front of the Camp Merritt Memorial Site

The inscription on the memorial

In August 1919, the Bergen County Freeholders purchased land for the monument from what was the approximate center of the camp at the intersection of Madison Avenue and Knickerbocker Road in Cresskill. In 1922, work on the shaft commenced. Modeled on the Washington Monument, the memorial is a 65′ high granite obelisk. On the base are the names of the 578 people who died in the camp, mostly as a result of the 1918 worldwide influenza epidemic.

The historic memorial facing the circle lawn

A large Art Deco style carved relief by the sculptor Robert Ingeroll Aitkin (1878-1949) shows a striding “doughboy” with an eagle flying overhead. Set into a large boulder is a copper plaque with a relief of the Palisades, illustrating that Camp Merritt was used as an area for embarkation, designed and made by the local artist Katherine Lamb Tait. In the ground is a three dimensional stone carving of the map of Camp Merritt.

The artist Robert Ingeroll Aitkin

https://en.wikipedia.org/wiki/Robert_Ingersoll_Aitken

https://americanart.si.edu/artist/robert-aitken-40

Artist Robert Ingeroll Aitkin was an American born artist who studied at the California School of Design. He was known for his historical sculptures (Wiki).

The “Doughboy” on the back of the memorial

Camp Merritt Site III

The troops training at the site during WWI

The Camp Merritt Monument was dedicated on May 30, 1924 by a number of state and federal dignitaries. General John J. “Black Jack” Pershing gave the dedicatory address to a crowd of 20,000 people. Camp Merritt, located midway between Cresskill and Dumont and 12 miles from Hoboken, received its first soldiers in October 1917. Originally called Camp Tenafly”, and covering an area that included Cresskill, Demarest, Dumont, Haworth and Tenafly, it was eventually named for General Wesley Merritt, a gallant Civil War officer who was in the service of his country from 1855 to 1900.

The historic marker sits before the memorial

Little publicity surrounded the camp as it was deemed vitally important to keep troop movements a secret. The soldiers would march with their heavy packs and supplies to the trains or over the Palisades to the Hudson River to board boats that would take them to their European-bound ships docked in Hoboken. The last soldier passed through in the beginning of 1920.

The map of the camp behind the memorial

The camp was 770 acres in size and had a capacity of 42,000 men (two thousand of them officers). It was strategically built near major rail lines, facilitating the transport of soldiers to the camp. It contained 1300 buildings of all varieties.  The base hospital alone was composed of 93 buildings. A staff of 300 nurses treated 55,000 sick men. 8000 men representing 40 different nationalities were nationalized in the Camp and made citizens of the US. Camp Merritt had its own newspaper, the Merritt Dispatch established and edited by Charles Philip Barber, which was the only printed record of the camp’s activities. The editor and staff of the Merritt Dispatch were the first to promote the idea of the monument.

Another view of the back of the memorial

After the camp was sold, it suffered three suspicious fires while the buildings were idle, each one worse than the last. The second fire in March of 1921 destroyed a hundred buildings. The third fire was the most spectacular, destroying almost all of what was left of the camp and detonating two stores of dynamite that had been stored for demolition purposes. Eighteen fire companies (including three from New York City, which came by way of the Dyckman Street Ferry) struggled to prevent the fires from spreading to adjacent homes. Other fire companies came from Tenafly, Closter, Bergenfield, Cresskill, Demarest, Teaneck, Hackensack and Palisades.

The Monument is located on the traffic circle and can be reached by foot and is illuminated at night.

The signs from around the circle describing the site:

Sign One:

Sign Two:

Sign Three:

Sign Four:

The closing of the site and purchase from Bergen County, NJ for development.

http://www.bergen.nj.us

2015 Bergen County Division of Cultural and Historic Affairs

Disclaimer: This information was taken directly from a pamphlet from The Bergen County Division of Cultural Affairs & Historic Affairs in Bergen County, New Jersey. You must stop off on one of the side streets to see the monument and the information boards on the site are off to the west side of the circle. Try to walk around the monument on the circle itself to see the most detail.

Historic Cold Spring Village                                 720 Route 9                                                         Cape May, NJ 08204

Historic Cold Spring Village 720 Route 9 Cape May, NJ 08204

Historic Cold Spring Village

720 Route 9

Cape May, NJ  08204

(609) 898-2300

hcsv.org

https://hcsv.org/

Open: 10:00am-4:30pm, Tuesdays through Sundays/Monday Closed

Seasonal: June 23rd to September 2nd

Fee: $14.00 for adults and $12.00 for children 3-12. Children under 3 admitted for free.

Admission is free with membership. Please call (609) 898-2300, ext. 10 for accessibility. Pet Friendly and free parking.

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g46341-d268948-Reviews-Historic_Cold_Spring_Village-Cape_May_Cape_May_County_New_Jersey.html?m=19905

Historic Cold Spring Village in the summer of 2023. The 1800’s came to life when you visit.

Historic Cold Spring Village IV

The welcoming sign

Historically clothed interpreters demonstrate blacksmithing, pottery, printing, basket weaving and more! Visit an Early American schoolhouse, take part in hands-on activities and crafts and sample historic games and horse-drawn wagon rides on weekdays.

The Visitor’s Center at Historic Cold Spring Village

The village is also home to an organic farm complete with a horse, chickens, sheep and more! Visitors will also find a Welcome Center, Country Store, Bakery, Ice Cream Parlor, Cold Spring Grange Restaurant and Cold Spring Brewery.

Historic Cold Spring Village

The Map of the Village

Historic Cold Spring Village is a non-profit, open air living history museum dedicated to preserving the rich heritage of southern New Jersey. During the summer months, interpreters and artisans in period clothing preserve the trades, crafts and heritage of “the age of homespun.” From October-May, the emphasis is on teaching history through school trips to the Village, classroom visits by the education department and interactive teleconferences with schools throughout the U.S.

The Visitor’s Center exhibition is open in off season.

Our Education Program relates the history of the region to the broader scope of New Jersey, American and World History. Historic Cold Spring Village offers programs for students of all ages and programs can be adapted to any grade level. Please contact the Village for a more detailed description of each program.

Historic Cold Spring Village’s educational offerings are designed to comply with the 2009 New Jersey Core Curriculum Content Standards for Social Studies as established by the New Jersey Department of Education.

The Visitor’s Center exhibitions at Historic Cold Spring Village.

Stroll the shaded lanes of Historic Cold Spring Village’s 30 acres as you step back in time to an early American South Jersey farm community. Craft persons, tradesmen, housewives and farmers are eager to share their experience as you visit the Village’s 27 historic buildings. The Village is located on Route 9, four miles south of Rio Grande and three miles north of Cape May City. Visitors from the north, take the Garden State Parkway to Exit 4A and follow the signs to the Village.

For additional information on Historic Cold Spring Village programs, projects or events, please call, fax, email or visit our website.

Telephone: (609) 898-2300

Fax  (609) 884-5926

Email 4info@hcsv.org

Web: http://www.hcsv.org

Give the Past a Future: Invest in the future of HCSV by making a tax-deductible charitable contribution, volunteering or becoming a member. For additional information, call (609) 898-2300, ext. 10.

The Village’s educational programs meet the following standards:

6.1 US History, America in the World

6.2 World History/Global Studies

6.3 Active Citizenship in the 21st Century

The Marshallville One-Room Schoolhouse Experience

In the circa 1850 Marshallville Schoolhouse, students experience a typical Early American school day. Students ‘make their manners’, discover the subject studied by Early American students, write with quill pens and learn the consequences of not following classroom rules.

Historic Cold Spring Village V

The Schoolhouse

The Marshallville Schoolhouse is available free of charge for teachers who wish to personally recreate a ‘school day of the past’ for their class. Village staff is available to run the program for a fee.

‘Visits to the Past’

Field trips to Historic Cold Spring Village offer students and teachers the opportunity to experience the past first hand. Select Village buildings, like the print shop, schoolhouse, blacksmith shop and inn are open exclusively for school groups. Costumed interpreters interact with students while demonstrating the trades and crafts of Early America. Field trips are held mid-May through early June. Call or email for fees and dates.

Historic Cold Spring Village III

The gift shop offers all sorts of old fashioned goodies

We see America Learning: Teaching Early American History through ‘I Visits’

Distance learning programs are offered to schools nationwide. The programs are delivered via a state of the art broadband IP (Internet Protocol) systems and are adaptable to any grade level. If your school does not have a teleconference camera, our distance learning programs are also available through Skype using just your classroom computer and a webcam.

An Early American School Day: A typical day in an Early American rural school.

The Story of Old Glory: The origins and early history of the flag of the United States, using a collection of reproduction historic flags from the 17th Century through the Civil War.

Past Versus Present: A comparison of contemporary everyday objects with their Early American equivalents for example, a flashlight vs a lantern; digital camera vs daguerreotype.

Four Great Inventions (and one that almost was): Explores the creation of the steam boat, the steam locomotive, the daguerreotype camera, the telephone and difference engine, an 1832 attempt to build a mechanical computer.

Hearth and Home: An exploration of the role of the domestic arts practiced by 1800’s housewife with an emphasis on food preparation including hearth cooking.

Gone for a soldier: A day in the life of a Civil War Infantryman: Includes discussions of uniforms, equipment, camp life, food and weapons.

Welcome Centers: Taverns, Inns and Wayside Stops: A presentation utilizing our circa 1836 Dennisville Inn, A former stagecoach stop in Dennisville, NJ to explain the important part buildings such as these played in a community.

Historic Cold Spring Village II

The Inn at the Historic Cold Spring Village

Revisiting the Country Store: An Important Community Resource: A look at the vital role of a general store in the life of rural America as a purveyor of goods, social center, post office, etc.

The War of 1812: More than the Star-Spangled Banner: An overview of the “Second War of Independence”,

Fiber Arts: A domestic program primarily including weaving and spinning interpretations.

The First Frontier: Whaler Yeomen in Colonial New Jersey: The story of the first permanent European settlers in New Jersey as well as a discussion of how the Eastern Seaboard was the original American Frontier.

Early American Trades: Explores the important role a printer, woodwright, blacksmith, bookbinder or tinsmith, had in an Early American community. Includes in-workshop demonstrations.

Disclaimer: This information is taken directly from the Cold Springs Village pamphlet. Please call them at the above number or email address for more information.

The Penn Museum, The University of Pennsylvania Museum of Archaeology & Anthropology                                                      3260 South Street                                  Philadelphia, PA 19104

The Penn Museum, The University of Pennsylvania Museum of Archaeology & Anthropology 3260 South Street Philadelphia, PA 19104

The Penn Museum, The University of Pennsylvania of Archaeology & Anthropology

3260 South Street

Philadelphia, PA  19104

(215) 898-4000

https://www.penn.museum/

Phone: General Information: (215) 898-4000/Membership & Membership Events: (215) 898-5093/Public Programs: (215) 898-2680/Group Sales (adult, senior and college admission): (215) 746-6774/Education/K-12 Tours: (215) 746-6774/Museum Shop: (215) 898-4046.Facility Rentals: (215) 898-3024

Open: Sunday 10:00am-5:00pm/Monday Closed/Tuesday 10:00am-5:00pm/Wednesday 10:00am-8:00pm (first Wednesday of the month otherwise 5:00pm)/Thursday-Saturday 10:00am-5:00pm

Museum Library Hours:

Tuesday, Wednesday, Thursday: 9:00am-9:00pm/Monday, Friday, Saturday: 9:00am-5:00pm/Sunday: 1:00pm-5:00pm/Closed holidays

Pepper Mill Café Hours:

Monday: 10:00am-1:00pm/Tuesday through Friday: 8:30am-4:30pm/Saturday and Sunday: 10:00am-4:30p

Fee: Adults $18.00/Seniors $16.00 (over 65)/Children 17-5 $13.00/Military and Children under 5 and Members Free/Penn Museum Members/Penn Card Holders/HUP/CHOP Employees: Free

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g60795-d138271-Reviews-Penn_Museum-Philadelphia_Pennsylvania.html?m=19905

The entrance to the Penn Museum at 2360 South Street

Looking for a tranquil place to study or relax? Try the Museum’s garden’s and galleries or the Museum Library. For a bite to eat, stop by the Pepper Mill Café. Come by during Reading Days and Exams for free coffee and tea and extra study space on campus (from the Penn website).

The University of Pennsylvania Museum and Gardens

Museum Shop: A wide selection of books, games, fine jewelry and crafts from around the world can be purchased at the Museum Shop. Open during Museum hours.

The museum gift shop

I visited the Penn Museum on days I have come to Philly for the Penn versus Cornell games and for the Christmas holidays (the museum is across the street from the football stadium.

When I visited Philadelphia recently, I was able to visit the museum at more length rather before and after a football game. I really got a chance to see all the displays and look at all the artwork. It is a fascinating museum with many artifacts found on digs conducted by the university. It takes a lot of time to explore each culture.

The museum has three floors of exhibition space which is broken into different centuries. The museum has a lot of artifacts from their digs over the last two hundred years. Many of the artifacts are on display have the background of where the artifacts were found and how they researched. Each room has a different area of the world they are coming from.

On the Upper floors is the Asian, Egyptian and Roman exhibitions on artifacts, the Mid-level is the Middle Eastern, African, Egyptian, Mexican and North American/Native American Galleries.

The History of the University of Pennsylvania Museum:

(from the College website)

The Penn Museum is one of the premier international museums of archaeology and anthropology right here on the University of Pennsylvania campus. An active research and teaching center, the Penn Museum has teams engaged in more than 50 expeditions and research projects worldwide. Three floors of public galleries feature art, artifacts and remarkable stories from every inhabited continent on earth.Here is a selection of the interesting artifacts and art that I saw at the museum:

The Eastern Mediterranean Gallery:

The Eastern Mediterranean Galleries of Roman and Greek art

Transforming understanding of the human experience. Home to over a million extraordinary artifacts and archaeological finds from Africa, Asia, the Americas and the Mediterranean, the Penn Museum has been uncovering our shared humanity across continents and millennia since 1887.

The Greek Galleries

The Roman/Italian Galleries:

The entrance to The Roman Galleries

The Roman Galleries

The Roman Galleries

The Roman Galleries tell the story of the influence of Ancient Roman on the Mediterranean Sea. trade routes to the the Middle East and Asia and the influence of the Roman Empire on the world at the time.

The Pre-Columbian Gallery:

The Pre-Columbian exhibition is based on artifacts from the Mayan, Aztec and Incan civilizations. The artifacts show very advanced societies in both education, science and art.

The entrance to the Pre-Columbian galleries

The Pre-Columbia room

The Pre-Columbian galleries

The ‘Margarita’ panel

The ‘Margarita’ panel

I also got a quick tour of the  Sphinx Gallery on my way out. On my most recent trip to the museum, I only had about an hour so I concentrated on the Egyptian Galleries and the special exhibition “The Stories We Wear”.

The Egyptian Galleries:

For a small museum, the Egyptian Galleries were pretty extensive. Much of the artifacts had come from Penn digs in Egypt back in the last century when museums used to sponsor and then fill their museums with artifacts. 

There is a selection of small statuary, jewelry and decorative objects. Some of the collection highlights are the Sphinx of Ramesses the Great from Memphis, Egypt 1293-1185 BC located in the Egypt (Sphinx) Gallery.

The Sphinx Gallery is very interesting

The Sphinx guards the Gallery

Egyptian Gallery artifacts

The main Egyptian Gallery

On my first trip to the museum as well as my most recent, I was able to quickly tour the Mexican Galleries with the statues of the Sun and Water gods and the stone calendars. The Standing Figure located in the Mexico and Central America Gallery from Veracruz, Mexico from 500-700 CE. The Gallery has one of the largest collections of Mayan Stone statues in the world.

In the Special Exhibition Gallery, “The Stories We Wear”:

The exhibition was based on how what we wear and change into transforms us into someone new. The exhibition featured sports uniforms, Chinese Opera gowns, Princess Grace Kelly’s formal dress, drag performers costume as well as an array of accessories that adorn people.

“The Stories We Wear” exhibition

https://www.penn.museum/on-view/galleries-exhibitions/the-stories-we-wear

More of the interesting galleries that I visited:

The galleries at the Penn Museum

The Middle Eastern Galleries

From Groundbreaking excavations to ongoing innovation. Our journey as an institution began with an excavation of the ancient Mesopotamian city of Nippur, the first American excavation in the Middle East and a groundbreaking undertaking in the history of archaeological research.

Ancient works of art

Since that time, over 300 field excavations and anthropological research projects around the world have set us apart as an active research and educational institution. Today, our mission is fulfilled by 22 curators, 5 teaching specialists and over 150 affiliated consulting scholars.

The Mesopotamians Galleries

We are stewards of our remarkable history and humanity. Out vast and varied collection of archaeological finds and ethnographic objects is organized in eleven curatorial sections documenting the peoples of Africa, Asia, Oceania and the Americas.

The art from Ur

Harp from the City of Ur

Ram hiding in the thicket from the City of Ur

The Queen Puabi display

These holdings as well as the Museum Archives of excavation and research projects, are used by researchers and borrowing institutions worldwide. And our curators and interpretive planners draw on these rich resources to provide compelling context to our galleries, where visitors can travel the globe in a day.

Middle Eastern works with a Roman influences

The Penn Museum Mission:

In bridging archaeology, the study of objects made by humans, with anthropology, the science of humanity, we chart a course for finding one’s own place in the arc of human history.

We are dedicated to telling powerful stories that emerge from excavations and research across the world. And nowhere else in the Western hemisphere will you be greeted by a 3000 year old, 15 ton Egyptian sphinx!

If there is one thing that 10,000 years of human history have taught us, it is that we have more in common than we think. In the canon of human existence, our past, present and future paths are inextricably intertwined.

What does the Code of Hammurabi have to do with the U.S. constitution? How can archaeology help to predict climate change? And what radical social changes accelerated by ancient plagues could be replicated in a post-COVID world?

Information about the museum:

Group Tours: Discounts are available for groups of 10 or more. Private tours and lectures are offered. Call (215) 746-8183 or email grouptickets@pennmuseum.org for information and reservations.

Public Gallery Tours: Penn Museum docents offer tours most Saturdays and Sundays at 1:30pm and Wednesdays at 6:30pm. Please check our website, http://www.penn.museum, for topics (Tour topics are subject to change; cancellation of tours may occur).

Accessibility: The Museum is wheelchair accessible and provides other accommodations. http://www.penn.museum/visit/accessibility.

Parking & Transit: Visit http://www.penn.museum/directions-and-parking for parking information. Parking meters and lots are nearby. The Museum is near SEPTA bus routes 21, 30, 40 and 42 and the SEPTA University City Station (Regional Rail trains).

Rent the Penn Museum: Hold your next special event in our beautiful historic building. http://www.penn.museum/rentals.

The Penn Museum sparks curiosity, wonder and endless exploration. We invite everyone to join our incredible journey of discovery and dig deeper. The museum is also a nice place to relax at after the games were over and walking all over the Penn Campus. The front of the museum has nice gardens and seating area right near the museum’s fountains and pool. There is a lot more I want to explore at the museum but that is for my next trip to Philadelphia.

The front of the Penn Museum on the Penn Campus