Category: Exploring the Island of Manhattan

Madam Brett Homestead                                        50 Van Nydeck Avenue                                  Beacon, NY 12508

Madam Brett Homestead 50 Van Nydeck Avenue Beacon, NY 12508

Madam Brett Homestead

50 Van Nydeck Avenue

Beacon, NY 12508

(845) 831-6533

https://www.hudsonrivervalley.com/sites/Madam-Brett-Homestead-/details

https://en.wikipedia.org/wiki/Madam_Brett_Homestead

Admission: Adults $10.00

Open: Sunday-Friday Closed/Saturday (Every Second Saturday) 1:00pm-4:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47291-d263800-Reviews-Madam_Brett_Homestead-Beacon_New_York.html

The Madam Brett Homestead at 50 Van Nydeck Avenue in Beacon, NY.

The Brett Homestead marker

The sign that welcomes visitors

I recently visited the Madam Brett Homestead on a walking tour and discovered that the family had a lot to do with the growth of not just Dutchess County but New York State as well. The house was the homestead for five generations of family members each who added to the home.

The homestead’s historic plaque

Since the family practiced thrift in the home and decor, we get to see the house with period furniture that has been donated back to the house from the family. Also, period pieces have been donated by other members of the community to show the home at different periods of time. It gave us a look into the home life of a prosperous farming and milling family.

The entrance of the Brett Homestead

The tour starts with a short video on the family and how Madam Brett got her inheritance from her father and built on the wealth that he had created. She leased out land with water and mineral rights thus adding to her wealth and had a grist mill that was the only one on the patent, so everyone had to go through her for grain processing.

The china cabinet with family related items.

The homestead was built by Roger Brett and Catherine Rombout Brett on land inherited by her father, which was part of the Rombout Patent (which covered much of lower Dutchess County). The couple had been married in 1703 and had originally moved in with her mother in the family’s manor home in Manhattan. Upon the death of her mother, Catherine inherited the land and the manor house in Manhattan. Land rich and cash poor, she and her husband mortgaged the manor house in Manhattan and built a small home and gristmill. They moved into their Dutch style home on Christmas Day 1709. The house was expanded in 1715. The home was later added on again in the 1800’s to the present house (Brett Homestead Pamphlet).

In the hallway on display is the original Rombout Patent, which everyone on our tour thought was very impressive. It had been found and was given back to the house. It shows the land deal that the settlers made with the Native Americans.

A copy of the Rombout Patent

We next headed to the Dining Room, where the family entertained guests. The room is full of period furniture and silver both family owned and donated to the homestead. The formality of entertaining is shown in the room set up.

The Dining Room at the Brett Homestead

Hannah Brett’s (Madam Brett’s granddaughter) bridesmaid dress was on display as well. This had been worn when she danced the Minuet with Marquis de Lafayette. I thought this was interesting in that she had this altered for the occasion and that it had lasted all these years. She had worn this for the wedding of Cornelia DePeyster, whose wedding dress in the New York Historical Society (Brett Homestead pamphlet). It was donated back to the house by the family descendants for display.

Hannah Brett-Schenck’s bridesmaid dress

Period furniture and decorations adorn the Brett Homestead

The decorative pieces in the Dining Room

The Dining Room fireplace

The kitchen was very interesting because when you walk through it you will see the modern kitchen in the front of the room that was put in around the late 1950’s and early 1960’s compared to the other side of the room which has the original fireplace and kitchen equipment. It shows the contrast in cooking and entertaining over the last two centuries.

The old versus the new in the Brett Homestead kitchen.

The house was constructed in three sections. The original section of the house from 1709, the addition in 1715 and then the grander addition in the 1800’s that gives the house the look it has now. You can see how the house evolved from a small residence to a grand showplace and you can see this in the way it was designed.

The upstairs hallway shows the contrast between the old home and the additions.

Each of the rooms were decorated with period pieces and some of the rooms has themes to them such as one was a Children’s Room, another was the family office and one contained farm equipment. All the items represented a different time in the home’s history.

The Children’s Room with a collection of dolls that creeped visitors out.

The upstairs bedrooms

The period farm equipment display.

The other bedrooms showed guest rooms for visitors to the area, the office where the Brett’s would have conducted business and rooms would have housed many family members.

The Master Bedroom with canopy bed and bedwarmer

The Guest Bedroom

The home office of the family.

The house stayed in the family until the death of Alice Sutcliffe Crary at 85 in 1953. The Melzingah Chapter of the Daughters of the American Revolution purchase the homestead to save it from becoming a supermarket. They have been lovingly restoring and holding events at the homestead as well as contributing to the community at large and promoting Historic Preservation, Education and Patriotism (Madam Brett Homestead pamphlet).

I recently visited the house with a group of people on a tour and we visited the house for Christmas and the local garden club had decorated part of the house for holidays with garland on the bannisters and on some of the mantels. The outside of the house was quite festive.

The house during the holiday season.

The house adorned with wreaths and garland on the holiday tour.

The welcoming entrance to the house during the holiday season.

The docent tours are very interesting and really give you a view of what life was like in the house for the families that lived here. They only take place on the second Saturday of the month so you need to plan ahead.

The Reher Center                                                        99-101 Broadway                                               Kingston, NY 12401

The Reher Center 99-101 Broadway Kingston, NY 12401

The Reher Center

99-101 Broadway

Kingston, NY 12401

(845) 481-3738

Reher Center for Immigrant Culture and History | Kingston NY | Ulster County

Open: Sunday 1:00pm-6:00pm/Monday-Thursday Closed/Friday-Saturday 1:00pm-6:00pm

Admission:

$12.50 Seniors/Students/Children/$17.50 for Adults and Combination tickets

The History of the Reher Center:

(From the museum website)

I recently went to the Roundout section of Kingston to tour the Reher Center and what an interesting tour not just of the exhibit, I recently went to the Roundout section of Kingston to tour the Reher Center and what an interesting tour not just of the exhibit, “Taking Root: Immigrant stories of the Hudson River Valley” but also the historic baking tour. The tour guides really explained how the Reher Bakery, which closed its doors in 1980 was not just a bakery. It was a staple in the community where people got to together not just over bread but community affairs and interaction with other immigrant groups of people.

‘Taking Root: Immigrant stories from the Hudson River Valley’

Our first part of the tour started in the bakery on the first floor of the museum. when Hymie Reher closed the doors of the bakery for good in 1980, he shut the door and created a time capsule that would become the museum. It seemed that the family did not want another business in the space so it just stayed empty all those years. This led to the creation of the museum dedicated to a family whose roots were in Kingston for several generations (it seemed that family members still lived upstairs until the early 2000’s).

The start of the Bakery tour

The tour starts in the front of the bakery where the family would have standing orders ready for customers and this is where the community would come together. Over their orders. Some of the shelves are still stocked with supplies that would have been on the shelves in the 1950’s. The tour guide said that it was not just a bakery but a small grocer as well.

The Grocery display

The Grocery display

The bakery display section

The tour continued in the bakery section where the oven was located and where all the magic took place to produce all the breads, rolls and challah was made. The oven, which is still functional today but can not be used, takes up most of the room. It was a coal and wood burning oven that was used from the turn of the last century until the bakery closed in 1980. The oven was impressive not just for the amount of bread items that needed to be produced each week but the fact that people would come with their food for the sader to cook in the cooling oven.

The oven in the kitchen where the breads and rolls were made

On the other side of the kitchen is the flour bins and the dough mixer where the dough was produced and all the product was portion sized. The storage areas where supplies came in and were held each week to produce what needed to be made for the customers were off to the side. On the tour, you will hear talks from former employees and customers about what life was like in the bakery.

The shared oven where meals were cooked in the cooling oven

The tour would end with a few more conversations with former customers and a quick wrap up in the grocery area. Then each of us got a fresh roll in a bag that was baked by a restaurant in the neighborhood. That was really good. The roll was chewy on the outside and soft on the inside.

The dough mixing machine is to the right and the supply area to the left.

The dough machine

The kitchen storage area

Baking sheets from years and years of making rolls

The last part of the tour was in the new upstairs gallery where the “Taking Root: Immigrant stories of the Hudson River Valley” is on view. This is where immigrants from the United States from the World Wars until today tell their stories in video recording and you can hear how they came to this country. Their lives before they arrived and after they settled in the region. Some of the stories I heard were fascinating.

The timeline of the stories told

The pictures of the immigrant stories told

Pictures and stories from the exhibition

Brief History of the Reher Center:

2002-2007: The idea for the Reher Center was hatched in 2002 when Geoffrey Miller peered into the window of 101 Broadway and observed a time capsule: the space was left untouched since Hymie Reher closed his family’s bakery in the early 1980’s. Geoff describes it as “Falling down a rabbit hole,” as he envisioned preserving and opening the site as a museum. Through a conversation with his friend, Barbara Blas in 2004. Geoff learned that the Rehers and the Blases were long time members of Kingston’s Orthodox synagogue. Agudas Achim and old family friends. Hymie was pleased with Geoff’s vision (Barbara remembers him singing “Happy Days are Here”) and arranged to deed the Reher’s property at 99-101 Broadway to the Jewish Federation of Ulster County.

The front of the bakery

A core committee quickly formed to develop plans to preserve the buildings and expand on Geoff’s initial vision for the site as a museum and cultural center that would honor the Reher family’s legacy and the broader immigrant history of Rondout neighborhood. Its tagline became “Building community by celebrating multiculturalism and our immigrant past.”

2008-2016: Geoff led the all-volunteer Reher Center Committee to restore the storefront and raise $750,000 in funding to stabilize the property under the guidance of preservation architect Marilyn Kaplan. Working with a variety of local organizations and partners, the Reher Center also spearheaded a series of popular programs including an annual Kingston Multicultural Festival, Deli Dinner and Immigrant Gifts to America series.

2016-2018: The Reher Center Committee expanded its Steering Committee and hired its first professional staff to leverage a range of new expertise and develop an interpretive plan for the site. In 2017, Sarah Litvin, Interpretive Planner, and Samantha Gomez-Ferrer, archivist, were hired to inventory, catalog, preserve, research, and digitize the Reher Center’s collection and expand it through conducting oral histories.

The outside displays of the Reher Center

In 2018, thanks to a generous matching donation from the Norman I. Krug family and our committed funders, the Reher Center was able to hire our first Director, Sarah Litvin, to open the site for public programming during summer, 2018. From May to August, the Reher Center was abuzz of activity as we created a new window display featuring historic photos from our collection; created a gallery and mounted our first exhibit, “The Story Continues” and shared the site and our vision for its future on Preview Tours of our historic bakery. Our July 7th “Open House” marked the first time the Reher Center was open for regular on-site programs.

The “Big Night” event in 2025:

In February 2025, I was invited to a very successful special event sponsored by both the Kingston Film Foundation and the Reher Center, a screening of the film, ‘Big Night’ and a sampling of Italian food. Needless to say the event far exceeded what the planners thought and they were completely full and sold out by 6:00pm. The organizer said they were turning people away. They had never seen anything like this. When you mix free Italian food, free wine and an excellent movie, you have a recipe for an excellent event. It was so much fun.

The organizer from the Kingston Film Foundation was explaining the success of the evening to the crowd

The event was funded by the Ulster County Italian American Foundation

I am convinced that it was the food that brought the people in coupled with a very popular film. The caterer who was there that night from Mass Midtown made two versions of the Tripoli, the noodle and meat dish in the film. Trust me when I say, the lines never stopped for that.

The two versions of the Timpano, the Vegetarian and the Meat versions, which were delicious was donated by Masa Midtown in Kingston, NY and the wines were donated by Kingston Wine Company.

Masa Midtown

https://www.masamidtown.com/

My review on TripAdvisor:

https://www.tripadvisor.com/Profile/R4960NKjustinw/mediabatch/13365543?m=19905

Trust me they were very generous with the slices of Timpano

God, it was delicious

The screening room was beyond packed that evening. Put free Italian food and a popular film in front of people and you will get a crowd

This very popular event people in the area will be talking about for a long time. This is what gets you a lot of attention. It really was an excellent event and I had a lot of fun that night. I love the movie ‘Big Night’.

The Timpano in the “Big Night”

The Trailer for the “Big Night”:

The evening was night of good food, wonderful conversation and an excellent movie.

Museum of Illusions                                                77 Eighth Avenue                                                New York, NY 10014

Museum of Illusions 77 Eighth Avenue New York, NY 10014

Museum of Illusions

77 Eighth Avenue

New York, NY 10014

(212) 645-3230

https://www.facebook.com/moi.newyork/

Admission: Adults $24.00/Students-Seniors-Essential Workers $22.00/Children Under Six Free/Family Fee (Two Adults and Two Children $75.00)

Open: Sunday 10:00am-12:00am/Monday-Thursday 10:00am-11:00pm/Friday-Saturday 10:00am-12:00am

https://www.tripadvisor.com/Attraction_Review-g60763-d14203837-Reviews-Museum_of_Illusions-New_York_City_New_York.html

Video on the “Museum of Illusions”

The Museum of Illusions is a interesting museum in that it is a small museum packed with various exhibitions and hands on displays that are interactive for the visitor. Each one is an experience in itself. The visitor participates in what the display has to offer and it plays with both your mind and with your personality and how you react to it.

The main gallery at the Museum of Illusions

There are a lot of brain teasers and mirrors to throw you off or add to the display to entertain you. The optical illusions will test your mind and your senses. There are titled rooms to test your balance and your sense of sight, mirrored rooms to show location and reaction and small displays to show size and distance.

Admittingly it is a very small museum of the steep price of admission ($24.00 for an adult) and you will only be in the museum for about an hour. The problem with this museum is that once you experience it and if they do not change the displays, there is no reason to go back. The small displays can be experienced on two floors.

The Tilted Room display

The afternoon I was here, the museum was packed with summer campers and school aged kids who dominated the place and it is so small that it was hard to maneuver around the museum. Still it was a very interesting museum to experience once as it will test the power of and exercise your brain.

The Clone Table

Me in the Vertical Room

The Illusions Gallery

History of the Museum of Illusions:

(From the Museum Website)

Enter the fascinating world of illusions which will test your confidence in your senses yet amaze you by doing it. It is world that will confuse you completely, educating you in the process. Visit us and you will be thrilled because nothing is what it seems-especially in the Museum of Illusions!

The Infinity Tunnel

Are you ready for a fascinating adventure? We offer an intriguing visual, sensory and educational experience with a handful of new, unexplored illusions.

The Reverse Room

New York, place to experience illusions!

The Museum of Illusions in New York brings you a space that offers wonderous and entertaining insights into the world of illusions which will delight all generations. The museum is a unique place for new experiences and fun with family and friends. Not only is it an exciting place for children, who adore coming, but it’s also a great place for parents, couples and grandparents!

The Optical Illusions of the museum

Enjoy our collection of holograms, look closely at every optical illusion and observe each installation thoroughly. Our exhibits are a brilliant, playful reminder that our assumptions about the world we perceive are often nothing but a shadow of illusions. Our genuine collection of showpieces will most certainly make your jaw drop!

The Museum of Illusions Master of Numbers

The Museum of Illusions amusing, and awesome features will teach you about how the human brain perceives reality. You will come to understand why your eyes see things which your mind cannot initially comprehend. Make sure you visit our playroom with its intriguing and educational games and puzzles. These brain mashers are great fun but also delightfully tricky!

The Magic Prism

Columbia County Historical Society                       5 Albany Avenue                                   Kinderhook, NY 12106

Columbia County Historical Society 5 Albany Avenue Kinderhook, NY 12106

Columbia County Historical Society

5 Albany Avenue

Kinderhook, NY 12106

(518) 758-9265

Open: Sunday 11:00am-4:00pm/Monday-Friday Closed/Saturday 11:00am-4:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60899-d12000596-Reviews-Columbia_County_Historical_Society_Museum_Library-Kinderhook_New_York.html

The Columbia County Historical Society Museum

The main building of the Historical Society contains an exhibition on farming. It also contains the society’s library and genealogy center.

The James Vanderpoel House Museum

The afternoon I visited the society, the Vanderpoel House was the only building open but it was interesting to visit. I saw the early American portraits.

History of the House:

One of the finest examples of Federal architecture in Columbia County, the James Vanderpoel House was constructed circa 1819–1820 for prominent Kinderhook lawyer and judge James Vanderpoel. 

Trimmed with marble and built with local brick, the side-gabled structure has two stories, five bays, and rests on a fieldstone foundation. Symmetry and graceful architectural details are found throughout the home. Purchased by the Columbia County Historical Society in 1925, the property is now preserved as an exhibition space showcasing paintings and decorative arts from the CCHS permanent collection and is home to the CCHS Museum Store & Bookshop (CCHS website).

There are two exhibitions going on right now:

New York Portraits from the permanent collection:

Columbia County’s painted portraiture legacy spans more than three centuries of historically significant or artistically important works by self-taught, naïve and itinerant painters, as well as important artists of the time, and including some of the earliest works in America.

In the Portraits of the Permanent Collection shows us how the middle to upper middle class in the early years before photography was created to be remembered. Portraits were the best way to show the families wealth and prestige in the community plus keep families legacies alive. Today many of these families descendants don’t know what to do with them. This is our benefit that we can enjoy these private works of art.

Portraits from the Permanent Collection sign

The Gallery

The Gallery

The New York portraits in the collection

The New York Portrait Collection exhibition

The Portrait Collection-Children’s Portrait

Part of the Portrait and Federal Style exhibitions

Early Hand Tools & Farm Implements: the permanent collection

In the main building, there is also a permanent collection of farming equipment and the development of family farms in New York State. It shows how the agricultural profession has changed from doing everything by hand when farms catered solely to the family to the commercial farms that developed after the Civil War that found new markets for their products. Automation grew the industry but its start with equipment shows how much the process really hasn’t changed that much. It is a very thought provoking exhibit on how industries progress.

The “Early Hand Tools & Farm Implements” exhibitions

The farming equipment galleries

The farming equipment galleries

The farm equipment at the turn of last century that has not changed much to today.

The new exhibition “Dirt Road Life: Images of Rural Community” again shows how life has progressed in this country.

The description of the exhibition and collection of the artwork:

(From the museum website):

In this exhibit an extensive collection of vintage photographs provided by CCHS and Red Rock Historical Society that document what life was like along these dirt roads a century ago are complemented and contrasted with local high school students’ photos of contemporary winter scenes along Chatham’s unpaved network of roads.   The students’ photographs, curated by nationally celebrated photographer Paul Lange, are drawn from a body of work that is the brainchild of Ichabod Crane art teacher Sandy Dwileski.  Dwileski saw an artistic opportunity—winter road scapes rich in subtle hues, shadow contrasts and complex compositions—and set about organizing an outing with her advanced photography class to follow the system of roads mapped by the Chatham Dirt Road Coalition and photograph the journey.

The new exhibition “Dirt Road Life: Images of Rural Community”

The gallery exhibition on “Dirt Road Life”

Pictures from the exhibition

Pictures from the exhibition

The next special exhibition at the museum was the “A Farm, a Family and a Legacy”:

(from the museum website)

Farms have been the heart of Columbia County’s economy and culture throughout its history. One of these was Birge Hill Farm, established in 1785 by Hosea Birge, a Revolutionary War veteran who settled in Chatham, N.Y., in the early years of the republic.

The write up on the exhibition

The deed to the original farm

Here and on other small farms, families and neighbors worked cheek by jowl to sustain their small, tightly woven communities, until vast changes in technology, industry and society forever altered their rural way of life. 

The Birge Family artifacts in this interesting exhibition of family life on a multi generational farm

The farm is currently for sale

This exhibition presents highlights from the Birge Family Collection, donated to the Columbia County Historical Society by Hosea’s fourth great-grandson, Van Calhoun, and Van’s wife, Susan Senecah. The expansive collection comprises more than 200 objects, preserved by family members with remarkable foresight and care over eight generations. In their stories, we see the evolution of farm and family life in Columbia

The family heirloms

The current farmhouse of the family’s

The exhibition was interesting in that it must be hard for a family giving up a way of life and a home that has been in the family for 200 years. It was nice of the family to let us in and see their life in this exhibition.

Federal Style: Refinement, Grace and Symmetry:

America’s newly founded nation beamed with patriotism following its victory in the Revolutionary War. The original foundations of the United States government and culture immediately following its independence is known as the Federal Era (1780–1830).

George Washington and other American icons looked toward the Classical ages of Greece and Rome in forging an identity for the young American Republic through architecture, furniture, textiles, ceramics and works of art. Neoclassical designs and motifs are distinguished through simple lines, a satisfying balance of symmetry and overall elegance that signals strength and democracy. In celebrating 200 years of the James Vanderpoel House, we present its Federal architectural excellence along with diverse material culture representing characteristics of the Federal Style and era in Columbia County and America (CCHS website).

The other buildings that are part of the Society’s museum:

Signage at the Historical Houses

The Crane Schoolhouse

This authentic, circa-1850 one-room schoolhouse served as a public school for the Town of Kinderhook into the 1940s. It replaced an earlier “log cabin-style” single-room school where a man named Jesse Merwin served as school master. Merwin, who was a longtime friend of the writer Washington Irving, is said to have been the “pattern” for Irving’s character of Ichabod Crane in “The Legend of Sleepy Hollow.”

A “Legends & Lore” historic marker, awarded by the New York Folklore Society and William G. Pomeroy Foundation, stands a few yards from the school and commemorates this literary connection. Today, the Ichabod Crane Schoolhouse is a seasonal museum. See exhibitions, period school desks and other objects relating to one-room schoolhouse education in Columbia County.

During the 1950s and ’60s, it was saved from disrepair by a group of local women who retrofitted the space to function as an ad hoc community center. In 1952, former first lady Eleanor Roosevelt visited the schoolhouse to deliver a radio address praising “the work of women” and recognizing their efforts to preserve the historic school.

In 1974, the schoolhouse was moved 200 yards down the road to the Luykas Van Alen House site. That same decade, it was restored to its 1930s appearance. It remains an excellent and intact example of a rural, one-room schoolhouse with a gable roof, clapboard siding and a single pent-roofed entrance. The interior consists of a large classroom with two adjacent cloakrooms — one for boys and one for girls. The building was never modified to have heat or hot water and still retains its original 1929 wood-burning stove, wood flooring, chalkboards and double-hung sash windows(CCHS website).

Luykas Van Alen House

Built circa 1737 and designated a National Historic Landmark in 1967, the Luykas Van Alen house is recognized as one of the best examples of fewer than a dozen historically intact Dutch Colonial houses in the Hudson Valley. 

Located on rural land once used by native Mohican peoples for hunting and seasonal camping, the house was the center of a prosperous farm and home to several generations of the Van Alen family. The last Van Alen descendant to live in the house, Maria Van Alen Herrick, died in 1935. The house was purchased in 1938 by William Van Alen, a descendant of Luykas’ brother, Johannes. In 1964, unable to undertake extensive restorations himself, William generously donated the house to Columbia County Historical Society (CCHS website).

The signage by the Van Alen House