Discovering hidden historical and cultural gems in Manhattan & Beyond
Category: Exploring Lower Manhattan
I had a busy Halloween weekend with the Michigan State versus Michigan game and a Gotham City Ghost tour in the afternoon. Halloween searching for ghosts.
Day Two Hundred and Four: Halloween Returns Part I: The Gotham City Ghost Tour/Michigan vs Michigan State Game October 30th, 2021 — mywalkinmanhattan
Please print this guide to haunted sites of Lower Manhattan and have a nice afternoon walking around. It is a nice tour!
Titanic Memorial Lighthouse
Pearl Street/South Street Seaport
New York, NY 10038
(212) 830-7700
https://www.lighthousefriends.com/light.asp?ID=585
https://en.wikipedia.org/wiki/Titanic_Memorial_(New_York_City)
Open: Sunday-Saturday 24 Hours
My review on TripAdvisor:
The Titanic Memorial Lighthouse
I have been to the South Street Seaport dozens of times over the years and can’t believe that I never noticed this memorial dedicated to those lost in the Titanic disaster. I was visiting the Seaport recently after finishing another walk down the length of Broadway for my blog, “MywalkinManhattan.com” and was walking past the Seaport on my way to Chinatown. Something about it this time caught my attention and I stopped to look at the dedication of this small lighthouse.
It was really touching to see that the people from the 1912 disaster were not forgotten in New York City, its ultimate destination. This was the work of Molly Brown, the ‘Unsinkable Molly Brown’ from the movie. She wanted to be sure that the people who survived were never forgotten. The small lighthouse structure sits at the entrance to the main part of the seaport on an island just off the cobblestone walkway into the complex.
The Memorial plaque on the lighthouse
The tower that it was originally placed a top of the Seamen’s Church Institute Building and it was put up for sale and demolished in 1965 and the small lighthouse memorial was donated to the South Street Seaport Museum. It was placed in its current location in 1976 (Friends of the Lighthouse).
The little lighthouse is a touching reminder of Manhattan’s connection to the event over 100 years ago. Try not to miss it when you are visiting the Seaport.
The history of the Titanic Memorial Lighthouse:
(This is from the Friends of the Titanic Memorial Lighthouse website)
On April 15th, 1913, one year after the sinking of the Titanic, the Titanic Memorial Lighthouse and Time Ball, mounted atop the Seamen’s Church Institute, were dedicated to honor the passengers, officers and crew who perished in the tragedy. The dedicatory service opened with a hymn and prayer and then Rt. Rev. David h Greer, Bishop of New York, read the following lines of dedication:
“To the glory of Almighty God and in loving memory of those passengers, officers and crew who lost their lives in the foundering of the steamship, Titanic, on April 15, 1912, I, David Hummell Greer, Bishop of New York and president of the Seamen’s Church Institute of New York, do solemnly dedicate the Titanic Memorial Lighthouse Tower. As its light by night shall guide pilgrims and seafaring men from every clime into this port, so may they follow Him who is the Light of Life across the waves of this troublesome world to everlasting life and looking at noon toward this place to note the time of day, may they remember that our days pass as the swift ships and in view of the shortness and uncertainty of human life, strive to fulfill their duty well as the beat preparation for Eternity. Amen.”
The Titanic Memorial Lighthouse exhibited a fixed green light that could be seen throughout New York harbor and down as far as Sandy Hook. Five minutes before noon each day, a time ball would be hoisted to the top of a steel rod mounted atop the lighthouse and dropped at the stroke of twelve as indicated over the wires from Washington DC. According to The Lookout, the magazine of the Seamen’s Church Institute, the Titanic Memorial Lighthouse would be a much needed daily reminder for ‘in a busy, carless city the average person so soon forgets’.
The Seamen’s Church Institute was established in 1834 and had announced plans for its new twelve story headquarters at South Street and Coenties Slip in Lower Manhattan several years before the loss of the Titanic. The Flemish style building was meant to reflect new York’s Dutch origins and was to be crowned by a tower whose beacon would welcome incoming seamen. The cornerstone for the building was laid one day after the sinking of the Titanic and a week later the institute announced the lighthouse atop their building would be a memorial to the victims of the tragedy.
The Leslie-Lohman Museum of Gay and Lesbian Art
26 Wooster Street
New York, NY 10013
(212) 431-2609
LeslieLohman.org
Open: Sunday 12:00pm-6:00pm/Monday & Tuesday Closed/Wednesday 12:00pm-6:00pm/Thursday 12:00pm-8:00pm/Friday & Saturday 12:00pm-6:00pm
Fee: Suggested donation of $10.00
I recently visited the Leslie-Lohman Museum to see the second half of the “Art After Stonewall” exhibition that I saw at the Grey Gallery at New York University. The art is from just before the Gay Rights Movement just before the Stonewall Uprising and into the depths of the AIDS crisis of the early to mid-80’s.
It was interesting to see the perspective of people ‘coming out’ after the suppression of the 50’s and early 60’s and the wanting to conform to societies standards. People gravitated to the cities to find themselves and found an embracing community that was not always accepted by the status quo of the City. It was that suppression building up on conformity to be a certain type person that lead to riots, that being tired of being harassed all the time.
‘Art After Stonewall’ (picture of Devine)
There was a lot of lesbian art and the changes women felt at the time. Some was the changes in attitude and some of it was militant to the way the outside community treated these women. It was interesting to see the changes in less than a decade of how people saw themselves and the changes that people were capable of making.
‘Art After Stonewall’
The show closed on July 21st, 2019 but there are more shows in the future. The best part of the museum is that they have a suggested donation so if you do not have a lot of money it is a nice way to spend the afternoon and then explore SoHo and Chinatown.
History of the Leslie-Lohman Museum:
We can trace the origins of the Leslie-Lohman Museum back to the civil rights movement of the late 1960’s. In the moment of the Woodstock Music and Art Fair and the Stonewall Inn Uprising, gay art collectors Charles Leslie and Fritz Lohman presented their first exhibition in their SoHo loft in the summer of 1969. This weekend show featured downtown gay artists and was a complete success in attracting over 300 visitors-it because a seminal moment in the history of the Leslie-Lohman Museum and LGBTQ arts and culture.
In the midst of the 70’s gay liberation movement, our founders continued to collect and display the work of gay artists in various storefronts in SoHo while advocating for the preservation of the neighborhood, its unique architecture and the nascent community of artists living and working in its spacious lofts. Finally, settling in a basement gallery at 127-B Prince Street, this space became host to many art exhibitions and various cultural programs.
During the AIDS pandemic of the 80’s, Charles and Fritz created a refuge for ailing artists and their work. Along with providing care and lodging for them, they rescued the work of dying artists from families who, out of shame ignorance, wanted to destroy it. This led to the creation of the Leslie-Lohman Art Foundation in 1987 and to its ever-expanding collection of art. Through perseverance against the federal government, averse to approving a “gay art” organization, the foundation was finally granted tax-exempt in 1990.
Today, thanks to the hard work of generations of activities and artists, our community has gained greater visibility. However, the fight for our rights is not over. The foundation has transitioned into a museum that aims to preserve LGBTQ cultural identity and build community, reclaim scholarship from a queer artists and cultural workers. As we continue to stand at the intersection of art and social justice, we act as a cultural hub for LGBTQ individuals and their communities.
(Leslie-Lohman Museum pamphlet)
The Museum is a non-profit, exempt 501C3.
Grey Art Gallery, New York University
100 Washington Square East
New York, NY 10003
(212) 998-6780
My review on TripAdvisor:
I am finding more and more that the university art galleries are mounting very interesting and clever exhibitions and some as edgy as their large museum counterparts. I recently attended the ‘Art After Stonewall’ exhibition which is created as a two part exhibition with the Leslie-Lohman Museum of Gay and Lesbian Art to showcase the post Stonewall riots to the beginning of the AIDS crisis.
“Art After Stonewall” exhibition
The exhibition was an interesting mix of pictures, video, graphic paintings and posters and documentary work combined to show the mood of the times. Some of the most impressive works came from clips of documentaries on Andy Warhol’s ‘Factory Movies’, and the documentaries on ‘Tongues Untied’ and ‘Paris is Burning’ about the gay crisis about men of color and the racism that they faced even within the Gay Community.
The East Village Art Community from the 1980’s “Art After Stonewall”
Some of the photos of then fringe neighborhoods are funny to see as they have been gentrified beyond what anyone could have thought thirty years ago from the early 1980’s. The East Village of back then and of today are world’s apart.
The College did a good job mounting the show and telling the story that is both humorous and sad at the same time. Also, the Grey Gallery is small so you can get through the exhibition in about an hour.
The Grey Gallery exhibition “Art After Stonewall” This is a Keith Haring poster.
The Mission of the Grey Art Gallery:
The Grey Art Gallery is New York University’s fine arts museum, located on historic Washington Square Park in New York City’s Greenwich Village. As a university art museum, the Grey Art Gallery functions to collect, preserve, study, document, interpret and exhibit the evidence of human culture. While these goals are common to all museums, the Grey distinguishes itself by emphasizing art’s historical, cultural and social contexts, with experimentation and interpretation as integral parts of the programmatic planning. Thus, in addition to being a place to view the objects of material culture, the Gallery serves as a museum-laboratory in which a broader view of an object’s environment enriches our understanding of its contribution to civilization (NYU Grey Gallery History)
The History of the Grey Art Gallery at New York University:
The Grey Art Gallery is located within New York University’s Silver Center-the site of NYU’s original home, the legendary University Building (1835-1892). Winslow homer, Daniel Huntington, Samuel Colt, George Innes and Henry James all lived and worked there, as did Professor F.B.Morse, who established the first academic fine arts department in America on the site now occupied by the Grey Art Gallery.
Demolished in 1892, the original building was replaced by the Main Building (renamed the Silver Center in 2002). Here was located, from 1927 to 1942, A. E. Gallatin’s Museum of Living Art, NYU’s first art museum and the first institution in this country to exhibit work by Picasso, Leger, Miro, Mondrian, Arp and members of the American Abstract Artists group. Gallatin aspired to create a forum for intellectual exchange, a place where artists would congregate to acquaint themselves with the latest developments in contemporary art. In 1975, with a generous gift from Mrs. Abby Weed Grey, the Museum’s original space was renovated, office and a collection storage facility were added and the doors were reopened as the Grey Art Gallery (Museum history).
Exhibitions organized by the Grey Art Gallery encompass aspects of all the visual arts: painting, sculpture, drawing and printmaking, photography, architecture and decorative arts, video, film and performance. In addition to originating its own exhibitions, some of which travel throughout the United States and abroad, the Gallery hosts traveling exhibitions. Award-winning scholarly publications, distributed worldwide are published by the Grey Art Gallery. In conjunction with its exhibitions, the Grey also sponsors public programs including lectures, symposia, panel discussions and films (Museum history).
(This was taken from the Museum’s website).
Visiting a Museum: The Unique, Unusual, Obscure and Historical 