Category: Experiences and Tours

Fort Delaware                                                      5516 NY Route 97                               Narrowsburg, NY 12764

Fort Delaware 5516 NY Route 97 Narrowsburg, NY 12764

Fort Delaware

5516 NY Route 97

Narrowsburg, NY  12764

(845) 252-6660

http://sullivanny.us/Departments/ParksRecreation/FortDelaware

Open: Last Weekend in June until Labor Day Weekend (repairs will be made on the facility after that until next year) Friday-Sunday 10:00am-5:00pm (last tour at 4:00pm) and Monday (Labor Day) 10:00am-5:00pm

Fee: Adults $7.00/ Seniors (62+) $5.00/ Children 4-12 $4.00/Veterans with ID and Children under 5 with adults Free. Special rates for school groups and group tours

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g48227-d3386995-Reviews-Fort_Delaware_Museum-Narrowsburg_Catskill_Region_New_York.html?m=19905

 The front of the recreation of Fort Delaware

Fort Delaware is a recreation of an old fort that used to be located on the Pennsylvania side of the Delaware River. It is a great place to take children who like to learn from ‘hands on history’ and watch Blacksmiths, Candle makers and farmers wives perform chores and show the way of life at a time before the Revolutionary War.

Fort Delaware historic sign

According to one of the actors I was talking to who was the Blacksmith, this type of fort would not be one people would have lived in full time. It was meant more for when the Native Americans would have attacked the settlement, which he said only happened once and for the most part the settlers and the Native Americans got along well.

As you tour the fort, you will see all the things that were done to support the settlement from  raising poultry and cows, candle stick making, the process to weave wool and flax from the raw materials, to weaving and spinning yarn to the process of making clothes and the work of the Blacksmith in making nails, axes and shoeing for horses.

The historic marker of the fort

Inside each of the little cabins, it will show the life inside and outside the fort at that time period including living quarters, a small school, workman’s shops and where the members of the fort did their business for trade. You can also walk the outside  decks that overlook the river to see how the gunneries worked and where the munitions were held.

The front of the fort being decorated for Halloween

You can see the entire fort in about an hour and for small children, I think they would find it fascinating. For teenagers, unless they like history, I don’t think they would find it that interesting.  Leave yourself about an hour for touring.

Fort Delaware III

The inside living quarters

 

History of the Museum:

The Fort Delaware Museum is a recreation of the original fort and was built in 1957 by James W. Burbank, the second Sullivan County historian. Burbank was fascinated with the history of the settlement which at the time was called Cushetunk. He was influenced by the Davy Crockett craze at the time in the 50’s and wanted the fort to be a money making venture. He added things like pillories and stocks which were popular at the time. He ran Fort Delaware from 1957 to 1970 when he sold it to the County. The County of Sullivan runs it under the Department of Parks, Recreation and Beautification (History of Fort Delaware-RecordonLine.com).

The sign that welcomes you to the fort

History of the Fort:

(From the County of Sullivan Parks & Recreation Department)

Much attention is paid to the people who settled the main cities of New York but those who decided to take on the wilderness are often forgotten. At Fort Delaware, the daily life of the wilderness settler is explored through exhibits, crafts, demonstrations and tours. The Fort is a reconstruction of the original frontier settlement of the Cushetunk settlement on the Delaware River, with its stockades and stout log homes, which offered the only protection from hostile Native Americans and later English troops. The Fort consists of a small settlement entirely surrounded by high log walls or stockades. During your visit, you will see the blockhouse (where arms and ammunition were stored), settlers cabins, a spinning, weaving and barn loom area, blacksmith shop, candle-making shed and much more. Period-dressed interpreters demonstrate 18th century life skills, including: cooking, baking bread, animal care, dipping candles and the firing of a 1/2 pound British swivel cannon.

Background of the Fort:

Fort Delaware is a representation of the first white settlement on the Upper Delaware River called Cushetunk. Today’s Fort represents the development of the settlement over a thirty year period. The original settlers were farmers who came primarily from Central Connecticut and were of English descent. They were searching for more land because it had become too crowded in Connecticut to suit colonial farming techniques. A group of Connecticut men formed “The Delaware Company” and became proprietors. In the traditional New England way of land distribution they owned the land and either sold or leased it to farmers moving into this frontier, these proprietors moved their families to the frontier and never sold their land. The Delaware Company purchased land from the Lenape Indians, with the first deed signed in 1754.

The land purchased was a 10 mile long strip along both sides of the Delaware River (situate in modern day New York and Pennsylvania). Procedures for filing land claims were very different in the 18th Century. Also at that time, the States of Pennsylvania and New York were engaged in a boundary dispute , disputes of other colonies really didn’t matter much to those early Connecticut farmers, so they claimed the land for Connecticut! They called their community “Cushetunk”. To those white settlers, it sounded like what the Lenapes were calling the place. KASH-ET-Unk or “a place of red stone hills”.

By 1760, there were thirty cabins, a gristmill and a sawmill. Each spring saw the arrival of more people willing to hack a new life out of the frontier. These people faced hardships they probably never conceived of in Connecticut. Indian attacks, the remote wilderness, rough winters and the possibly that farming this land would not sustain them. They came into the area during the French and Indian Wars (1755-1763). In 1761, a stockade was erected around three homes to serve as protection for the entire settlement against attack. In 1763, the settlement was attacked by a Lenape war party. The lower part of the settlement was destroyed with no known survivors. By the time the war party moved up the settlement, people had gathered into the Fort for protection. The attackers were held off with two casualties among the settlers.

It is this Fort, which is represented today at Fort Delaware even though it was known as “the lower fort” during the 18th Century. Another Fort was situated in the upper part of the settlement. The Fort was never used as a Military post, only for civilian protection. In 1764, a rafting business was introduced into the community and became very successful. It brought cash into the community on a steady basis and Cushetunk experienced a lot of development. In the years between the French and Indian Wars and the American Revolution, the fort was abandoned as the threat of Indian attack decreased and people began building what they called “fair houses”. The period of the American Revolution (1775-1783) was a turbulent time for the people of Cushetunk. Generally, the inhabitants were “Tories” (or those who were loyal to the Crown). However, there were also a handful of patriots or Whigs as well.

As time went on neighbors became hated enemies. Many residents of Cushetunk took up arms for the British and Continental armies. Some fought with local militias. In some instances families were torn, brothers fighting on opposing armies. There were many occurrences in the settlement of neighbors (who once depended on each other for survival) fighting, looting and even murdering each other. Some of the Patriots from the settlement fought not far from their homes at the Battle of Minisink on July 21, 1779. After the Revolution, the Patriots returned victorious to reclaim their land and many loyalists left to settle in Canada. Today the descendants of these early settlers can still be in the area.

The fort being decorated for a Halloween event

(This information on the history of Fort Delaware and the settlement was taken from the County of Sullivan Department of Parks and Recreation and I give them full credit on the information. Please see the attached website for more information on the Fort).

 

Long Beach Island Historical Association Museum            129 Engleside Avenue                                      Beach Haven, NJ 08008

Long Beach Island Historical Association Museum 129 Engleside Avenue Beach Haven, NJ 08008

Long Beach Island Historical Association Museum

129 Engleside Avenue

Beach Haven, NJ  08008

(609) 492-0700

http://www.lbimuseum.com/

Open: July and August Sunday-Saturday 10:00am-4:00pm/June & September Saturday & Sunday 12:00pm-4:00pm. Special Appointments can be made at other times of the year and the museum is open for special events held by the town and for the holidays.

Fee: Adults: $5.00 donation/Children under 12 years old Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g46292-d11444615-Reviews-Long_Beach_Island_Historical_Museum-Beach_Haven_Long_Beach_Island_New_Jersey.html?m=19905

This seasonal museum is a ‘must see’ on Long Beach Island when visiting the town of Beach Haven. It is the perfect rainy day place to visit. The museum covers all aspects of the history of the island from its time when the Native Americans lived and fished here to the coming of the English. The museum shows in pictures and artifacts how the island was developed into a Summer resort retreat catering to middle class and wealthy tourist mostly from Philadelphia.

The Long Beach Island Historical Society at 129 Engleside Avenue.

The artifacts range from arrowheads and fishing equipment that the Native Americans left behind to a recent discovery of an old wooden boat created by the Leni-Lenape  tribe. The museum describes in detail life in the Victorian Age on the island with a series of pictures of the old resort hotels, most of which have burned down over the last 100 years, to artifacts that from this time including china, silver and menus from the hotels. There is also a creation of a Victorian room, a telephone operator office, rail office and a children’s toy display from that time.

The Front Room of the museum during the Elf Workshop in 2023.

This is an interesting display of the fishing industry on the island as well. There is all sorts of equipment that has been used over the last 100 years and the progress that has been made in the industry. There are exhibits on the whaling industry and its lasting affects on the island.

The nautical display at the Long Beach Historical Society.

There is also the story of the shifting of the tides and the disappearance of Tucker’s Island, a small island to the south of Long Beach Island that has since disappeared underwater due to the shift in the currents. Each area of the museum contains interesting pieces of the island’s past and you should take the time to look at each section carefully.

The disappearance of Tuckerton Island and the rise of the railroads in the area.

For such a small museum, it is packed with interesting facts and a fascinating story of the development of the New Jersey shoreline and the role it is playing in our ever changing life down the shore.

The Lucy Evelyn exhibition.

Pound Fishing at the museum.

The back room display with the history of the community.

I stopped in for a recent special event that the Society was having to celebrate Halloween. The museum was having an ‘Ghost Fest-Open House” event for families and what a nice program they had for the kids and their family members that was socially distanced and safe.

The ‘Ghost Fest’ Halloween Festival at the museum.

There were pony rides, a maze to explore, marshmallow toasting by the fire to make smores, corn hole tossing, games of chance, a gift store for the kids and even a costume parade with the “Jersey Devil” which the kids seemed to get a kick out of when he came out.

The Jersey Devil lead the Halloween Parade

There were also self-guided tours of the museum which were a lot of fun as well as people were coming in and out looking at the holiday displays. It was a nice that the museum had a safe program for the patrons and members of the community.

The Museum was decked out for Halloween

In November of 2021, the museum had the nicest little Christmas festival. They had tables around the front hall of the museum called “The Elves Workshop” with stations that the kids could create arts and crafts for the Christmas holidays with cookie decorating, gingerbread house creating and making a jewel covered Christmas tree among other things. The museum was decorated for the upcoming holidays.

Santa is on his way to Long Beach Island is the front display of the museum

The community involved in the Christmas activities.

From 4:00pm to 6:00pm that evening, the participants went the park across the street to roast marshmallows and Smores over open fire pits while Christmas music played in the background and the gazebo was lit with Christmas lights as it got dark. It was quite a site.

The Museum really puts you in the Christmas spirit with events like these.

It really put you in the holiday spirit.

The Christmas window at the Historical Society.

Mission Statement:

The Long Beach Island Historical Association collects, preserves and interprets the history of Long Beach Island through its educational programs, guest lecturers, walking tours, special events and an ever growing research center. The museum, situated at the center of Beach Haven’s Historic District, showcases 24 exhibits which include over 450 photographs and hundreds of artifacts for the sole purpose of encouraging the public to not only understand out island’s rich history but also to appreciate the people and events who helped in shaping its character (Museum Website).

The front section of the historical society.

History of the Museum and Town:

Before the colonial period the native Lenape tribes in the local area travelled in wooden dugout canoes to the island seasonally, to escape the heat, fish, gather clams to eat and shells for jewelry and trade. The early local colonists used the barrier islands much the same, seasonally to fish, whale (semi-permanent campus were established as early as 1690), gather salt hay, bayberry & beach plum and make sea salt.

The Victorian Room display.

The Victorian Room display.

As the settlers became more established, ports such as Clamtown (later Tuckerton) were established about 1700 on the mainland and roads improved. Cattle were grazed on Tucker’s Island by 1735. Permanent seasonal accommodations were built on the island for men coming to fish and hunt; such as the Philadelphia Company House (started as Horners in 1815, became Bonds from 1851-1909) near Tuckers Island just south of what is now called Holgate and the Mansions of Health in Surf City (1822-1850). There was a “boarding hotel” at Barnegat inlet from about 1820 and the first manned lighthouse was built at the inlet in 1834. A manned lighthouse was built on Tucker’s Island in 1848, where a community, later called Sea Haven was springing up.

The hotel display and the office displays.

The island’s “modern” history begins as the railroads reached south to Toms River and Barnegat; with the Tuckerton Railroad reaching Manahawkin and Tuckerton by 1872. The railroad allowed visitors (and goods needed for comfortable living) to reach the shore quickly and also allowed for shore products to be shipped to Philadelphia & New York all year. The first year-round life-saving stations were were established in 1871. Land Development companies laid out Beach Haven in 1872 and Barnegat City (now Barnegat Light) in 1878, with sailboats and steam launches begin used to transfer visitors and goods from mainland railroad to the island. The Parry House, Engleside and later the Baldwin hotels. were built in Beach Haven and the Oceanic & Sunset in Barnegat City.

The Tuckerton & Long Beach Land & Improvement Co. principals were also major stockholders in the Baldwin Locomotive Co., the Tuckerton Railroad and the Pennsylvania Railroad. After they and their wealthy Philadelphia friends built houses in Beach Haven, the PRR was convinced to build a railroad trestle to LBI which opened in 1886 (abandoned 1935) leading to an extended property boom from the 1880’s-1920’s, especially in Beach Haven. Other smaller communities such as: Spray Beach (1889), Beach Haven Terrace, Brant Beach, Surf City (Inc. in 1899) and Harvey Cedars (Inc. in 1894) were established along the railroad.

The hotel display of objects.

Although most of the houses built were still seasonal, the presence of the railroad (and later the 1914 automobile bridge) made permanent business & year round living on the island feasible. Census records show that the island’s permanent population was 33 people in 1880, increasing to 522 in 1910 and 1827 in 1930.

The Toy display at the museum.

After the Depression of the 1930’s and the Second World War, development resumed in the “Cape Cod” period 1846-1962; assisted by the completion of the Garden State Parkway to Manahawkin in 1954 and the opening of the four-lane causeway (to replace the old two-lane wooden bridge) in 1956. The 1962 storm and early 70’s economic problems temporarily delayed development. By the late 70’s, the island was essentially “built out”. Most recent building boom of the period 1980-2007 consists of teardown/replacement of existing homes.

The telephone operator.

Because of early erosion in Barnegat City, Surf City and elsewhere and the extensive tear-downs of the 1980’s and 1990’s, the majority of the surviving 19th century and early 20th century structures on LBI are in Beach Haven. The Beach Haven Historic District (running from 5th to Chatsworth, east of Bay Avenue/LBI Boulevard) was created in 1983 in response to the increasing loss of historic structures and conflicting building styles. As of 2012, it is the only historic district on LBI.

The Shark Attack in 1916.

(From the Museum website: I give full credit to the Long Beach Island Historical Association Museum for this information)

The Greater Cape May Historical Society                         6531/2 Washington Street                                                      Cape May, NJ 08204

The Greater Cape May Historical Society 6531/2 Washington Street Cape May, NJ 08204

The Greater Cape May Historical Society

6531/2 Washington Street

Cape May, NJ  08204

(609) 884-9100

http://www.capemayhistory.org/

http://www.capemayhistory.org/about-us.html

Open: Colonial House Museum hours:

Wednesday-Saturday, 1:00pm-4:00pm June 15th-September 15th

Open during Victorian Weekend in October. Special exhibits at Halloween and Christmas.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g46341-d286395-Reviews-The_Colonial_House-Cape_May_Cape_May_County_New_Jersey.html?m=19905

The Historical Society at Christmas time.

The Cape May Historical Society in the summer of 2023.

What an interesting visit I had to the Cape May Historical Society’s Memucan Hughes Colonial House. This tiny museum is only open between June 15th-September 15th and after that only for special events.

It is an fascinating little home that was built somewhere between 1730 to 1760. The original house no one is too sure if it had been built for the original owner or had been there and added on to as the records for the age of the house are unclear.

The welcoming sign at Christmas

The sign in the summer of 2023.

The home consists of two small downstairs room filled with period furniture and decorations and there is an upstairs with three small rooms that have just opened up to the public. The front room Mr. Hughes used as a tavern that he kept open until almost the 1800’s. He had catered to a growing whaling industry that needed some form of entertainment in this quiet town that was isolated from the rest of the state.

The Pub in the front room of the house for meals and conversation.

The Front Room of the house served as a pub for visiting travelers.

The room was set up for dining and amusements. The Lincoln Crib is in the background.

The Lincoln crib was built by Abraham Lincoln’s father.

The Arrowhead and Pipe collection in the Pub Room.

The front of the house is decorated as tavern to greet guests. There were tables filled with games and items that would have catered to the trade but still you knew you were in someone’s home. There are vintage card tables, board games and some household items.

The Living room at the Cape May Historical Society

The back room is a closed off kitchen with a fireplace and spinning wheels and wash tubs, all the things to run a household. There were also children’s toys, kitchen and garden gadgets and family items to personalize the house.

The narrow stairs lead to the upper bedrooms and the attic loft.

The upstairs bedrooms and the attic room were open in the summer of 2023, and I got to see the whole house. The upstairs is supposedly haunted, but I did not see anything. What I did see was how large the house really was and why the family of eight were able to live in this small house.

The upstairs bedroom

The upstairs bedroom

The attic loft room was supposed to be haunted but I saw nothing.

During the Victorian Age, the family came into a more prosperous life and built the big house in the front of the home.

The Hughes mansion in the Victorian times sits right in front of the old house and is now a B & B

The Hughes family lived in the house until the Victorian age and then they built the house on the front of the property and moved the smaller house to the back of the grounds. The house had been moved three times since its original location on the main road a few blocks away.

The tour itself is only about a half hour long and the guides do a nice job explaining the history of the house. On the gloomy day I visited, the museum was very busy with people visiting the house and with its connection to colonial history and the popularity of the musical, “Hamilton”, it is making it a popular destination when visiting Cape May.

History of the Museum:

The sign outside the house

The mission of the Greater Cape May Historical Society is to collect, preserve, document, interpret and share the history of Greater Cape May and to enhance the appreciation of that history through the Society’s historic site, The Colonial House Museum, collections, research, exhibitions, educational programs and publications.

The Hughes family home during the Christmas Holiday season 2022

All are invited to visit the Colonial House Museum, a 1700’s era house. The house was moved to its present site next to City Hall when the Hughes Family built the grand Victorian that is now a Bed & Breakfast.

The Hughes family home of the 1700’s at Christmas time.

The house decorated for the holidays in 2025

Th Ed front of the house decorated for the holidays

Come visit us and see the House as it was with a Tavern Room and a Common Room when it was owned by Memucan Hughes. On display are period furnishings and other period household items.

The Hughes family home of the late 1800’s

The Society presents an annual exhibit dedicated to an unique chapter of Greater Cape May History along with special events for Halloween and Christmas.

Disclaimer: This information was taken directly from the Greater Cape May Historical Society’s pamphlet, and I give them full credit for it. Please call the above number for more information and selected openings.

The Cape May Historical Society in the summer of 2023.

Montclair Art Museum                                            3 South Mountain Avenue                       Montclair, NJ 07042

Montclair Art Museum 3 South Mountain Avenue Montclair, NJ 07042

Montclair Art Museum

3 South Mountain Avenue

Montclair, NJ   07042

Phone: (973) 746-5555/Membership: (973) 259-5147

http://www.montclairartmuseum.org

https://www.montclairartmuseum.org/

Open Wednesday-Sunday 12:00pm-5:00pm/Monday & Tuesday Closed

Fee:  Non-Member Adults $12.00/Seniors (65+) and Students with ID $10.00/Members and Children under 12 Free

 

I have made many trips to the Montclair Art Museum over the years and have always found it to be a very interesting and engaging museum. The curators mount fascinating exhibitions sometimes from the permanent collection and sometimes from traveling shows.

The galleries are smaller and more compact so the exhibitions are not over-whelming like in the bigger museums. You can see each exhibition in about forty-five minutes to an hour and you will still see a lot. There are also smaller exhibition spaces which specialize in one artist and you might see about a dozen pieces.

There are two exhibitions going on currently in the museum. One is “Constructing Identity in American”, which is a permanent collection show of more than 80 paintings, sculptures and works on paper that will address a variety of characteristics that contribute to one’s sense of self, including civic, cultural, artistic, religious, professional and sociopolitical identities, sense of place and personal space and non-conformity. This exhibition goes far beyond portraits to explore other aspects of sense of self (Museum pamphlet).

Montclair Art Museum II

“Constructing Identity in America” exhibit

The other exhibition is called “Undaunted Spirit: Art of Native North America” which focuses on the Native American culture from Prehistoric times to the modern era. It , seems that by the end of the Civil War the Victorians were collecting art and objects of the Native Americans fearing that their cultural was disappearing. There is a lot of focus on pottery, both modern and pre-colonial, clothing construction, jewelry making with turquoise and silver and basket-making which was all the rage at the turn of last century. I like the modern aspects of the art as they are ushering a new era of artists of the southwest and giving them a voice. Take time to look at the detail work of the show.

Montclair Art Museum III.jpg

“Undaunted Spirit: Art of Native North America” exhibit

 

History of the Montclair Art Museum:

(This information was provided by the Montclair Art Museum)

Mission Statement: The Montclair Art Museum, together with its Vance Wall Art Education Center, engages our diverse community through distinctive exhibitions, educational programs and collection of American and Native American Art. Our mission is to inspire and engage people of all ages in their experience with art, including the rich inter-cultural and global connections throughout American history and the  continuing relevance of art to contemporary life.

Montclair Art Museum.jpg

The Montclair Art Museum

Vision, Values and Diversity Statement:

After 100 years of service, MAM is recognized as the leading American art museum and community art school in Northern New Jersey. As a organization, we value: artistic inspiration, diversity of voices, individual and group creativity and the importance of all arts to a civil, inclusive and forward-thinking society.

We respect and welcome individual differences and strive to maintain an environment that fosters productivity, creativity and individual satisfaction by celebrating the diversity of race, gender, nationality, age, religion, sexual orientation and physical abilities.

Montclair Art Museum VI

Native American Galleries

During our second century, we will invigorate our collections and curatorial presentations; expand our educational services audience; support artists, their work and connections; pursue productive institutional partnerships and embrace new media and technology. We will also secure MAM’s financial stability and preserve its facilities and other assets in a prudent and sustainable way.

A notable community institution with an international reputation, the Montclair Art Museum (MAM) is still located in the same-though now thrice expanded-building in which it opened in 1914. Situated amid a beautiful tree-lined residential area of Montclair New Jersey, just 12 miles west of New York City, the Museum is esteemed for its holdings of American and Native American Art, its exhibitions, its family and public programs and its art school. It welcomes more than 65,000 visitors annually.

Montclair Museum II

The entrance of the Montclair Museum

The Museum was a pioneer: one of the country’s first museums primarily engaged in collecting American Art (including the work of contemporary non academic artists) and among the first dedicated to the study and creation of a significant Native American art collection. This pioneering spirit still reverberates in the  Museum’s pursuit and presentation of high-quality art that characterize and celebrates American’s diversity, including the recent launch of its Contemporary Art Program, in 2010, providing MAM an opportunity to showcase dynamic contemporary work and expand the Museum’s contemporary art holdings. A main showcase dynamic contemporary work and expand the Museum’s Contemporary holdings.

A main feature of the MAM program is to explore the interplay between historical and contemporary art to our understanding of the larger historical context in which art is created, presenting work that is being challenging and accessible. A key component of the Contemporary Art Program is it New Direction exhibition series of solo artists, established in 2011. Artists featured in the series include Marina Zurch, Saya Woolfalk, Spencer Finch and Sanford Biggers. Most recently in Spring 2015, MAM presented its largest and most ambitious exhibition of contemporary art to date, “Come as You Are: Art of the 1990’s”.

From its founding, the Montclair Art Museum has maintained a vital presence in its surrounding community. The Museum’s collection began with gifts from prominent Montclair residents that included both American and Native American art, laying the foundation for the Museum’s holdings. MAM’s Inness Gallery is one of the only galleries in the world dedicated to the work of America’s greatest landscape painter, who spent the last nine years of his life in Montclair, from 1885 onward and who drew inspiration from the local landscape. Other well-known artists followed in his footsteps, cementing Montclair’s reputation as an intellectual center and artist’s colony, a reputation its retains to this day.

Mam’s collection has grown to over 12,000 works. The American collection, which started with a gift of 36 paintings from William T. Evan’s, comprises paintings, prints, drawings, photographs and sculpture dating from the 18th century to the present and features excellent works by Benjamin West, Asher B. Durand, John Singer Sargent, Edward Hooper, Georgia O’Keeffe, Andy Warhol and Roy Lichtenstein as well as younger and emerging artists such as Louise Lawler, Chakaia Booker, Whitfield Lovell and Willie Cole.

The museum’s superb holdings of traditional and contemporary American Indian art and artifacts, New Jersey’s largest, represent the cultural achievements in weaving, pottery, wood carving, jewelry and textiles of indigenous Americans. The collection was begun by Annie Valentine Rand and carried on by her philanthropic daughter Florence Rand Lang, one of the Museum’s founders and continues to grow with philanthropic daughter Florence Rand Lang, one of the Museum’s founders and continues to grow with commissioned works, gifts and purchases that celebrate the vitality and modernity of traditional forms and beliefs. Among the contemporary American Indian artists represented are Tony Abeyta, Dan Namingha, Jaune Quick-to-see Smith, Allan Houser , Bently Spang and Marie Watt.

Equally important for its community presence and its reputation are the Museum’s public and family programs and art school, serving everyone from toddlers to senior citizens. Collaborations with numerous cultural and community partners bring artists, performers and scholars to the Museum on a regular basis.Guests have included Holland Cotter, John Elderfield, Bill T. Jones, Jeff Koons, Faith Ringgold, Winfred Rembert, Kiki Smith, Philip Pearlstein, Shirin Neshat and Lorna Simpson. More than 10,000 K-12 students from 190 school districts visit the Museum every year. Free Family Days, a Family Lab, MAM Park Bench, Home School Days and Birthday Art Parties allow families to experience art in variety of different ways. As the New Jersey affiliate of the Scholastic Art & Writing Awards, MAM opens opportunities to creative teenagers to gain national recognition for their work. The Museum also provides programs for seniors and special needs individuals-such as the hearing impaired and people with Alzheimer’s as well as training for teachers in the arts.

MAM’s art school, now the Yard School of Art, has been an integral part of the Museum’s life nearly from the beginning. It was founded in 1924 just 10 years after the Museum itself and has operated continuously since then offering courses year-round to kids, teens, adults and seniors. Courses cross a broad range of the artistic spectrum, including drawing, painting, collage, pastel, printing making and illustration. In 2011, the school launched two new areas: a Ceramics Studio and a Digital Media Lab.

In 2014, MAM celebrated its Centennial with a yearlong program of activities, which included a Birthday Party on January 15, exactly 100 years from the day of its founding that attracted thousands of visitors. In honor of the Centennial the Museum also commissioned internationally renowned artist Spencer Finch to create a site-specific installation that has transformed the Museum’s facade, making it a more inviting point of entry.

The first institution in New Jersey designed as a museum and one of the first in the nation to be accredited by the American Association of Museums, the Montclair Art Museum as it marks its Centennial, continues to seek novel ways, through its exhibitions, educational programs and outreach efforts to inspire and inform its growing and ever more diverse audiences.

(This information on the history of the Montclair Art Museum was taken from their website and I give the Museum full credit for the history of the Montclair Art Museum).