Tag: nj museums

Franklin Mineral Museum                                       32 Evans Street                                              Franklin, NJ 07416

Franklin Mineral Museum 32 Evans Street Franklin, NJ 07416

Franklin Mineral Museum

32 Evans Street

Franklin, NJ  07416

(973) 827-3481

franklinmineralmuseum.com

Open: Sunday 11:00am-5:00pm/Monday-Friday 10:00am-4:00pm/Saturday 10:00am-5:00pm

Fee:  Combination Rock Collecting & Museum: Adults $15.00/Children 3-16 $10.00/Seniors (65+) and Veterans $12.00; Museum Only: Adults $10.00/Children 3-16 $8.00/Seniors & Veterans $9.00. See packages on the website.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g46449-d2172670-Reviews-Franklin_Mineral_Museum-Franklin_New_Jersey.html?m=19905

 The front of the Franklin Mineral Museum

The front of the Franklin Mineral Museum

I recently visited the Franklin Mineral Museum on a trip to Sussex County wanting to learn more of the mining history of New Jersey. I never realized that the mines were so close to my home in Bergen County. I have to admit though that the museum is a little dated with the typed signs and no video information on the exhibits. What is lacks in modern QR codes and Virtual Reality it makes up in depth of collection and historical artifacts.

The historical sign outside the museum

Where the museum shines though is in its depth of display, the interesting artifacts that the museum contains with both fossils and Native American pieces. It really shows the extent of Paleontology in the State of New Jersey and how the make up of the Earth and its history is shown in the displays. Many of the fossils have been found all over the State. The Native American pieces were from both North and South American with a impressive selection of Pre-Columbian art.

The Native American Gallery with pieces from all over the Americas

The Native American collection

The beauty of some of the artifacts

This piece of Inca silver impressed me as most of these artifacts were melted down for the minerals by the Spanish

Two of the exhibits that I thought stood out that you must see is the “Fluorescent Room”, which when left alone when the lights go out is an illumination of colors due to the fluorescent make up of the minerals in the rocks. It displays all the colors of the rainbow. When the lights go back on they just look like ordinary rocks. Take time when the lights are out to really look at the colors of the stones. I was told that the blue or violet ones are the rarest.

The Fluorescent Room before the lights got out

The gallery with the lights off when the magic happens

The Collection in full view

Samples of the mineral’s as they glow

Another stand out display is the simulated “Mine Replica” that takes you in a tunnel and then maze of the make up of working in a mine complete with ladders down the lower tunnels, a working office of the foreman, the mine car tracts and displays on how miners went about there business. It shows how hard and dangerous the mining industry is and was back then to today. Try to see this display first as it takes time to tour.

The Mine entrance

The simulated mine walk through

The Franklin Mine sign

The simulated mine walk

The toilet area of the mine

The miners at work in the mine simulation

Before you go inside to the museum, take some time to look through the quarry for rocks and minerals. You are given a bag to keep your specimens and there is a fluorescence light to check if you found anything. At first I thought this was just for little kids but later discovered that I found some ‘glowing rocks’ that I could take home and I found this fascinating. I never knew these types of rocks existed in New Jersey.

The Path to the Quarry area where the minerals were located

The path to the quarry area

The quarry area where you can collect specimens of minerals

The quarry was busy in the afternoon

The beauty of the quarry in the Fall of 2024

Give yourself about three hours to really explore these rooms and it will give you a clear indication of how New Jersey formed as a State and its role in the evolution of the Earth. There are some really interesting displays to see and read about. 

History of the Museum & Mines:

(This information was provided by the Franklin Mineral Museum pamphlet)

Due to the depletion of zinc and other ores the Franklin Mine closed operations in 1954. In preservation of the mining heritage the local Kiwanis Club started an annual mineral show donating the funds to charitable causes. Popularity of the show lead to the formation of the Franklin Mineral Museum, a non-profit educational museum, incorporated July 1, 1963, which is governed by a board of trustees and powered by a dedicated staff. Of note: Although the Kiwanis Club is no longer involved with the museum, the original sign still hangs over the outside door to the mine replica.

The former Buckwheat engine house, thought to be the hoist house that supplied the power to lift the mined ore from the Buckwheat open pit was donated to the museum in 1963. The mine replica was installed and made a permanent display inside the hoist house. Of note: Around 1940, the original replica was a modular unit displayed at the local community center “Neighborhood House” and was used to show the miners’ families how they worked inside the mine. Prior to being reconstructed inside the engine house the modular replica was used at the NJ Zinc Company for the purpose of training mine rescue workers.

A mineral repository was also added in 1963 to the museum. The first mineral exhibit was donated by the NJ Zinc Company to the Kiwanis Club for display in the then permanent mine replica. The collection consisted of 71 specimens and mill samplings, including 11 fluorescents. The first mineral exhibit was later used as a traveling exhibit is displayed in the “Local Mining District Mineral” room of the museum. (Of note: The collection was originally on display in 1920 at the local high school and then moved around to several other locations, then the Neighborhood House in 1940.

On October 9, 1965, the Franklin Mineral Museum opened to the public. On June 20, 1968, the State of New Jersey declared the Borough of Franklin, NJ “The Fluorescent Mineral Capital of the World”. The discovery of more than 200 varieties of minerals from the working mines brought forth the great phenomena of mineral wonders from this area, particularly brilliant fluorescent minerals. On September 24, 1971, the State of New Jersey declared the Franklin Mineral Museum an Historic Site. Today this museum houses the most comprehensive display of local fluorescent minerals in the world.

The Museum is broken down into several rooms and displays: 

World Minerals “Welsh Hall”:

*There are approximately 6000 world-wide specimens and some from outer space.

*The three rock types are displayed. Igneous, metamorphic and sedimentary.

*Displays include meteorites, solidified lava, a volcanic bomb, pumice the floating rock, gold and birthstones in natural and gem forms.

The Mineral Room

The Mineral Room

*The hollow rocks called geodes are formed from air bubbles in lava and often contain crystals. (Wilfred Welsh, a former teacher from Saddle River, NJ and his wife, Mary, collected and donated the majority of specimens in this room. This collection represents the passion they had for minerals. New specimens are continually added to this exhibit).

The Mineral Room

“Mine Replica”:

*In the lower level, left tunnel, the can in the alcove represents the miners’ “bathroom”. If a miner showed up late for work it was his job to carry the cans at the end of the shift (Where the expression “Going to the Can” comes from).

‘Hitting the can’

*This area contains the “Wall of Zinc”. The exhibit demonstrates the layers of various zinc ores that may have been visible in the mine.

*The original ore cars were pulled by mules.

*The miners of the 1800’s used candles & oil wick lamps on top of their helmets. Later in the 1900’s the carbide light was used to do away with candles. Water dripping on carbide produced acetylene gas which provided better light.

*Rats were prevalent in the mines. They stole lunches out of the metal lunch boxes if not locked. Most importantly they were very good indicators of cave-ins and provided early warning signs.

*The office exhibit represents that of a NJ Zinc scientist. This exhibit and open display area with “Sam” show mining artifacts. “Sam” is the original miner statue that stood outside of the museum, now replaced by a bronze statue sculptured by Carey Boone Nelson.

*Upstairs show the stope and pillar mining used in the 1900’s

*The large drill weighed 300 pounds and took two men to operate.

*The man cage (mine elevator) delivered men to their work levels inside the mine. A signal bell was rung to alert the operator.

 

Artifacts:

The artifacts of Native American, Artic & Aztec tribes, representing various regions are displaying in this exhibit.

“Fossils & Artifacts”:

*Petrified wood, the large circles along the wall are slices of fossilized tree trunk. The wood has been replaced with mineral over a long period of time. The tree rounds are estimated to date back to the Triassic Age 230 million years ago.

*The dinosaur footprint is from a Grallator, that roamed NJ. Grallator means “stilt walker”. This was a herding dinosaur known only from its fossilized footprints. Grallator-type footprints have been found in formations dating from the late Triassic through to the early Cretaceous periods. It is said to have up to five toes.

*The large bone is from a Mastodon.  Mastodons are an extinct group of mammal; species related to elephants. They inhabited North and Central America during the late Miocene or late Pliocene up to their extinction at the end of the Pleistocene  10,000 to 11,000 years ago. Their genus name is Mammut and they are members of the order Proboscidea. They lived in herds and were predominately forest dwelling animals.

*Coprolite is fossilized dinosaur dung.

*The giant shark tooth is from the Megalodon one of the largest most powerful predators. It is an extinct species of shark that lived approximately 28 to 1.5 million years ago, during the Cenozoic Era. Fossil remains suggest that this giant shark reached a maximum length of 46-59 feet. Some believe that the Megalodon still swims in the deep waters today and are larger in size than originally thought.

The Fossil Room

The Fossil Room

The Fossil Room

The Fossil Room

The Fossil Room

The Fossil Room

*Trilobites are extinct arthropods, distant relatives of modern lobsters, horseshoe crabs and spiders. Trilobites existed for approximately 300 million years. They lived from the Lower Cambrian Period (521 million years ago) to the end of the Permian (240 million years ago). Trilobites were probably the first life forms with complex eyes with some species having hundreds of individual lenses per eye. 

“Fluorescent Room”:

The Fluorescence of the Franklin ores was discovered accidentally in the early 1900’s. Sparks from primitive electrical equipment in the mines caused the rocks to glow. Sparking equipment in the mines caused the rocks to glow. Sparking equipment was built and the fluorescents were used to follow ore zones and to monitor the quality of mill concentrates. Later, fluorescence was used to determine if exploratory drill holes were close to the ore body. If the holes would glow red. Calcite further from the holes had no fluorescence.

The Fluorescent Room

The reason why some minerals fluoresce is because of the impurities in the mineral. The ultraviolet light rays dislodge and excite electrons from their orbits in a molecular structure of the mineral and in their efforts to get back in the orbit, the electrons give off energy in the form of light.

Fluorescence refers to the emission of visible light from a substance being irradiated by ultraviolet light which the human eye can not see.

In the displays:

The large exhibit displays some of the finest fluorescent minerals from the local mining district, shown under shortwave ultraviolet light. Most local fluorescent minerals look fairly ordinary in natural light and only fluoresce under shortwave ultraviolet light. The exhibit on the opposite wall identifies local specimens in alphabetical order under shortwave ultraviolet light. Only a few local minerals fluoresce under long wave ultraviolet light, some of which are displayed in the first case you enter.

“Local Mining District Mineral Room”:

*Every mineral on display is from the local mining district of Franklin or Sterling-Hill.

*Several geological events produced the wealth of mineral species found in this area.

*The first one mined in Franklin was magnetite iron ore. Searching for more magnetite, zinc was discovered.

The Mineral Room

The discovery of zinc in the minerals franklinite, willemite and zincite brought on a new era of mining. Between 1848 and 1897 several small companies began underground zinc mining and continued to do so until the great consolidation of 1897.

In 1897, these smaller companies consolidate to from the New Jersey Zinc Company which operated in Franklin until 1954 and then closed after exhausting the mineral resources available.

The Franklin open cut “surface mining” with an underground opening to the mine is across the street and currently under water. The open cut was originally named the “Buckwheat Mine”. The “buckwheat dump” is the collecting area of the museum, comprised of discarded rock from that mine.

*The mine produced 22 million tons of ore worth 500 million dollars.

*Many uses for Zinc include sunscreen, pennies, paint, batteries…

*Solid zinc bars are on display in this room.

In this exhibits:

*The left side of the room as you walk in, displays various species of local minerals. The primary economic ores mined were willemite, franklinite and zincite. See a sample that contains all of these minerals in “High Grade Franklin Ore” located on the floor next to the Franklinite Crystal model.

Willemite: Colorless to white, gray, flesh-red, dark brown, honey-yellow, apple-green, blue, Fluorescent (green) under shortwave ultraviolet light.

Franklinite: is an oxide mineral. Commonly occurs with willemite, calcite and red zincite forming small black octahedral crystals. Franklinite was only found here in the local mining district until recently.

Zincite: A mineral form of zinc oxide. Its crystal form is rare in nature except at the Franklin and Sterling Hill Mines. The hexagonal crystal is red-colored (mostly due to iron and manganese) and associated with willemite and franklinite. Some zincite fluoresces yellow under long wave light.

*You can collect for these mineral species on the “buckwheat dump” located on the property of the museum.

Amethyst on display

*On display are small amounts of gold found here.

*The corner floor display consists of local common rocks and minerals some of which contain iron. There was an iron furnace located at the now Police station at the edge of the Franklin pond. Most of the iron mined here was called magnetite. Magnetite is highly magnetic.

Some minerals on display are on loan from various institutions and major universities. We have out minerals on display in museums all over the world. The majority of the specimens are acquired through donations or purchased for the betterment of the museum.

The Mineral Room

As of this publication, the Franklin-Sterling ore deposits have produced 359 different mineral species about 10% of all those known to man. More mineral species than anywhere else on earth, 19 of these are unique to the area, 92 of which are fluorescent.

(This information on the museum and on their displays is taken from the Franklin Mineral Museum pamphlet and I give the museum full credit for the information. Please check the website for more information about programs at the museum.)

 

 

World War II Lookout Tower Museum & Memorial  Sunset Boulevard Lower Township near Cape May Point, NJ 08204

World War II Lookout Tower Museum & Memorial Sunset Boulevard Lower Township near Cape May Point, NJ 08204

World War II Lookout Tower Museum & Memorial

Sunset Boulevard

(609) 884-5404/(800) 275-4278

http://www.capemaymac.org

Open: Sunday-Saturday 10:00am-4:00pm

Fee:  Adults $6.00, the first child free with paying adult and the next child $3.00 (3-12)/Veterans $3.00/Active Military Free

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g46341-d2256593-Reviews-World_War_II_Lookout_Tower-Cape_May_Cape_May_County_New_Jersey.html?m=19905

The Lookout Tower from Sunset Beach

The World War II Lookout Tower Museum & Memorial is an interesting look of how our armed forces used these towers to watch the coastlines for U-boats and enemy ships during the war. Several German submarines were spotted along the coasts of New York and New Jersey during the war and the threat of attack was uncertain. As the war progressed on though, we found that this was a war being fought in the air and these towers were actually obsolete by the end of the war.

The World War II Tower

The tower is very interesting and very easy to climb. Don’t let the height fool you, there are only about a 100 stairs with landings on all three levels with displays on them. 

The bottom level has a gift shop and display pictures of the history of the tower. The second level has shots of veterans of the wars before when the were enlisted and today (when they were much older). There were a lot of local veterans to the Cape May area.

World War II Tower

World War II Tower pictures

The top level was manned by a docent who talked about the history of the tower, provided pictures of the area before and after World War II and the role it played during the war. She discussed the only ship attack since Pearl Harbor was right off the coast of New Jersey as well as the ‘Blackouts’ that were conducted in town to stymie any attacks.

World War II Tower

Take time to look over all the displays and pictures and the role Cape May had in the war to help protect the East Coast.

History of the World War II Lookout Tower Museum & Memorial:

Why is Fire Control Tower No. 23 administered by the Mid-Atlantic Center for the Arts & Humanities (MAC):

Like the Cape May Lighthouse, Fire Control Tower No. 23 is owned by the State of New Jersey (specifically the Department of Environmental Protection Division of Parks). As was the case with the Lighthouse, the State lacks the funds to restore and operate these historic structures. Instead it has leased them to the area’s leading cultural and historic preservation organization, the Mid-Atlantic Center for the Arts & Humanities (MAC). Founded in 1970, MAC saved and restored the 1879 Emlen Physick Estate and operates it as Cape May’s only Victorian house museum. Starting in 1986, MAC spent 15 years (and some $2 million) on the restoration of the Cape May Lighthouse.

In 2004, MAC signed a 20 year lease for Fire Control Tower No. 23. After raising one million dollars (from the New Jersey Historic Trust, the Casino Reinvestment Development Authority, a Small Cities Block Grant administered by the New Jersey Department of Community Affairs and Lower Township and a Save America’s Treasures Grant administered by the U.S. Department of the Interior), MAC restored the Tower in 2008-09 and opened it to the public in April 2009. MAC is also mounting permanent Memorial Plaques in the Tower that will allow family members to honor veterans of any war or engagement.

(This information was taken from the World War II Lookout Tower pamphlet proved by the Mid-Atlantic Center for the Arts & Humanities)

Was Fire Control Tower No. 23 used for spotting fires?

No, it was used for spotting enemy ships during World War II and aiming guns to fire on them.

This Fire Tower was part of Fort Miles. So, where was Fort Miles anyway?

Fort Miles was never a building. It was a number of fire control towers, gun batteries plus barracks and support buildings on both sides of Delaware Bay. By World War II, the military used a spread-out series of towers and batteries, whose firing ranges overlapped to protect a large territory. Its largest guns and headquarters were located on the Delaware side (in what is now Cape Henlopen State Park), since the shipping channel hugs the Southern shore of Delaware Bay.

Were there any other Fire Control Towers?

Yes, there were originally 15 concrete fire control towers, 11 on the Delaware side and four here in New Jersey. Of the four in New Jersey, the ones in North Wildwood and Wildwood Crest have been destroyed, while the one on Beach Avenue in Cape May has been engulfed by the Grand Hotel (with only its top visible, sticking above the roof). One of the towers in Cape Henlopen State Park in Delaware has been restored and opened to the public.

Were there any naval battles in the Delaware Bay?

No. German submarines sank many merchant vessels off the coast of Cape May but no German ships ever got up the Delaware River to attack the Philadelphia Navy Yard, Philadelphia or Camden.

Was Fire Control Tower No 23 built here or prefabricated?

The Fire Control was built here in June, 1942 by using a sliding tube shaped form.  A ring of reinforced concrete was poured. When that solidified, the form was slid up and more concrete was poured. The whole Tower was formed this way except for the top, which required a form of its own. The whole process took only two and a half days.

Was the Cape May area important during World War II?

Yes, the Cape May area was a beehive of military activity during World War II. Cape May harbor had a Naval Air Station, a Coast Guard base and an airport. Naval Air Station Wildwood (where the County Airport is now) trained aircraft carrier pilots. Cape May Shipbuilders on Wilson Drive, where the Cape May Whale Watcher is now, built Navy tugboats and dredges. The Northwest Magnesite plant, which made an ingredient used in firebricks for steel mills, was located across Sunset Boulevard from Fire Control Tower No. 23.

(This information was taken from the World War II Tower pamphlet and I give them full credit for it.)

The Greater Cape May Historical Society                         6531/2 Washington Street                                                      Cape May, NJ 08204

The Greater Cape May Historical Society 6531/2 Washington Street Cape May, NJ 08204

The Greater Cape May Historical Society

6531/2 Washington Street

Cape May, NJ  08204

(609) 884-9100

http://www.capemayhistory.org/

http://www.capemayhistory.org/about-us.html

Open: Colonial House Museum hours:

Wednesday-Saturday, 1:00pm-4:00pm June 15th-September 15th

Open during Victorian Weekend in October. Special exhibits at Halloween and Christmas.

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g46341-d286395-Reviews-The_Colonial_House-Cape_May_Cape_May_County_New_Jersey.html?m=19905

The Historical Society at Christmas time.

The Cape May Historical Society in the summer of 2023.

What an interesting visit I had to the Cape May Historical Society’s Memucan Hughes Colonial House. This tiny museum is only open between June 15th-September 15th and after that only for special events.

It is an fascinating little home that was built somewhere between 1730 to 1760. The original house no one is too sure if it had been built for the original owner or had been there and added on to as the records for the age of the house are unclear.

The welcoming sign at Christmas

The sign in the summer of 2023.

The home consists of two small downstairs room filled with period furniture and decorations and there is an upstairs with three small rooms that have just opened up to the public. The front room Mr. Hughes used as a tavern that he kept open until almost the 1800’s. He had catered to a growing whaling industry that needed some form of entertainment in this quiet town that was isolated from the rest of the state.

The Pub in the front room of the house for meals and conversation.

The Front Room of the house served as a pub for visiting travelers.

The room was set up for dining and amusements. The Lincoln Crib is in the background.

The Lincoln crib was built by Abraham Lincoln’s father.

The Arrowhead and Pipe collection in the Pub Room.

The front of the house is decorated as tavern to greet guests. There were tables filled with games and items that would have catered to the trade but still you knew you were in someone’s home. There are vintage card tables, board games and some household items.

The Living room at the Cape May Historical Society

The back room is a closed off kitchen with a fireplace and spinning wheels and wash tubs, all the things to run a household. There were also children’s toys, kitchen and garden gadgets and family items to personalize the house.

The narrow stairs lead to the upper bedrooms and the attic loft.

The upstairs bedrooms and the attic room were open in the summer of 2023, and I got to see the whole house. The upstairs is supposedly haunted, but I did not see anything. What I did see was how large the house really was and why the family of eight were able to live in this small house.

The upstairs bedroom

The upstairs bedroom

The attic loft room was supposed to be haunted but I saw nothing.

During the Victorian Age, the family came into a more prosperous life and built the big house in the front of the home.

The Hughes mansion in the Victorian times sits right in front of the old house and is now a B & B

The Hughes family lived in the house until the Victorian age and then they built the house on the front of the property and moved the smaller house to the back of the grounds. The house had been moved three times since its original location on the main road a few blocks away.

The tour itself is only about a half hour long and the guides do a nice job explaining the history of the house. On the gloomy day I visited, the museum was very busy with people visiting the house and with its connection to colonial history and the popularity of the musical, “Hamilton”, it is making it a popular destination when visiting Cape May.

History of the Museum:

The sign outside the house

The mission of the Greater Cape May Historical Society is to collect, preserve, document, interpret and share the history of Greater Cape May and to enhance the appreciation of that history through the Society’s historic site, The Colonial House Museum, collections, research, exhibitions, educational programs and publications.

The Hughes family home during the Christmas Holiday season 2022

All are invited to visit the Colonial House Museum, a 1700’s era house. The house was moved to its present site next to City Hall when the Hughes Family built the grand Victorian that is now a Bed & Breakfast.

The Hughes family home of the 1700’s at Christmas time.

The house decorated for the holidays in 2025

Th Ed front of the house decorated for the holidays

Come visit us and see the House as it was with a Tavern Room and a Common Room when it was owned by Memucan Hughes. On display are period furnishings and other period household items.

The Hughes family home of the late 1800’s

The Society presents an annual exhibit dedicated to an unique chapter of Greater Cape May History along with special events for Halloween and Christmas.

Disclaimer: This information was taken directly from the Greater Cape May Historical Society’s pamphlet, and I give them full credit for it. Please call the above number for more information and selected openings.

The Cape May Historical Society in the summer of 2023.

Montclair Art Museum                                            3 South Mountain Avenue                       Montclair, NJ 07042

Montclair Art Museum 3 South Mountain Avenue Montclair, NJ 07042

Montclair Art Museum

3 South Mountain Avenue

Montclair, NJ   07042

Phone: (973) 746-5555/Membership: (973) 259-5147

http://www.montclairartmuseum.org

https://www.montclairartmuseum.org/

Open Wednesday-Sunday 12:00pm-5:00pm/Monday & Tuesday Closed

Fee:  Non-Member Adults $12.00/Seniors (65+) and Students with ID $10.00/Members and Children under 12 Free

 

I have made many trips to the Montclair Art Museum over the years and have always found it to be a very interesting and engaging museum. The curators mount fascinating exhibitions sometimes from the permanent collection and sometimes from traveling shows.

The galleries are smaller and more compact so the exhibitions are not over-whelming like in the bigger museums. You can see each exhibition in about forty-five minutes to an hour and you will still see a lot. There are also smaller exhibition spaces which specialize in one artist and you might see about a dozen pieces.

There are two exhibitions going on currently in the museum. One is “Constructing Identity in American”, which is a permanent collection show of more than 80 paintings, sculptures and works on paper that will address a variety of characteristics that contribute to one’s sense of self, including civic, cultural, artistic, religious, professional and sociopolitical identities, sense of place and personal space and non-conformity. This exhibition goes far beyond portraits to explore other aspects of sense of self (Museum pamphlet).

Montclair Art Museum II

“Constructing Identity in America” exhibit

The other exhibition is called “Undaunted Spirit: Art of Native North America” which focuses on the Native American culture from Prehistoric times to the modern era. It , seems that by the end of the Civil War the Victorians were collecting art and objects of the Native Americans fearing that their cultural was disappearing. There is a lot of focus on pottery, both modern and pre-colonial, clothing construction, jewelry making with turquoise and silver and basket-making which was all the rage at the turn of last century. I like the modern aspects of the art as they are ushering a new era of artists of the southwest and giving them a voice. Take time to look at the detail work of the show.

Montclair Art Museum III.jpg

“Undaunted Spirit: Art of Native North America” exhibit

 

History of the Montclair Art Museum:

(This information was provided by the Montclair Art Museum)

Mission Statement: The Montclair Art Museum, together with its Vance Wall Art Education Center, engages our diverse community through distinctive exhibitions, educational programs and collection of American and Native American Art. Our mission is to inspire and engage people of all ages in their experience with art, including the rich inter-cultural and global connections throughout American history and the  continuing relevance of art to contemporary life.

Montclair Art Museum.jpg

The Montclair Art Museum

Vision, Values and Diversity Statement:

After 100 years of service, MAM is recognized as the leading American art museum and community art school in Northern New Jersey. As a organization, we value: artistic inspiration, diversity of voices, individual and group creativity and the importance of all arts to a civil, inclusive and forward-thinking society.

We respect and welcome individual differences and strive to maintain an environment that fosters productivity, creativity and individual satisfaction by celebrating the diversity of race, gender, nationality, age, religion, sexual orientation and physical abilities.

Montclair Art Museum VI

Native American Galleries

During our second century, we will invigorate our collections and curatorial presentations; expand our educational services audience; support artists, their work and connections; pursue productive institutional partnerships and embrace new media and technology. We will also secure MAM’s financial stability and preserve its facilities and other assets in a prudent and sustainable way.

A notable community institution with an international reputation, the Montclair Art Museum (MAM) is still located in the same-though now thrice expanded-building in which it opened in 1914. Situated amid a beautiful tree-lined residential area of Montclair New Jersey, just 12 miles west of New York City, the Museum is esteemed for its holdings of American and Native American Art, its exhibitions, its family and public programs and its art school. It welcomes more than 65,000 visitors annually.

Montclair Museum II

The entrance of the Montclair Museum

The Museum was a pioneer: one of the country’s first museums primarily engaged in collecting American Art (including the work of contemporary non academic artists) and among the first dedicated to the study and creation of a significant Native American art collection. This pioneering spirit still reverberates in the  Museum’s pursuit and presentation of high-quality art that characterize and celebrates American’s diversity, including the recent launch of its Contemporary Art Program, in 2010, providing MAM an opportunity to showcase dynamic contemporary work and expand the Museum’s contemporary art holdings. A main showcase dynamic contemporary work and expand the Museum’s Contemporary holdings.

A main feature of the MAM program is to explore the interplay between historical and contemporary art to our understanding of the larger historical context in which art is created, presenting work that is being challenging and accessible. A key component of the Contemporary Art Program is it New Direction exhibition series of solo artists, established in 2011. Artists featured in the series include Marina Zurch, Saya Woolfalk, Spencer Finch and Sanford Biggers. Most recently in Spring 2015, MAM presented its largest and most ambitious exhibition of contemporary art to date, “Come as You Are: Art of the 1990’s”.

From its founding, the Montclair Art Museum has maintained a vital presence in its surrounding community. The Museum’s collection began with gifts from prominent Montclair residents that included both American and Native American art, laying the foundation for the Museum’s holdings. MAM’s Inness Gallery is one of the only galleries in the world dedicated to the work of America’s greatest landscape painter, who spent the last nine years of his life in Montclair, from 1885 onward and who drew inspiration from the local landscape. Other well-known artists followed in his footsteps, cementing Montclair’s reputation as an intellectual center and artist’s colony, a reputation its retains to this day.

Mam’s collection has grown to over 12,000 works. The American collection, which started with a gift of 36 paintings from William T. Evan’s, comprises paintings, prints, drawings, photographs and sculpture dating from the 18th century to the present and features excellent works by Benjamin West, Asher B. Durand, John Singer Sargent, Edward Hooper, Georgia O’Keeffe, Andy Warhol and Roy Lichtenstein as well as younger and emerging artists such as Louise Lawler, Chakaia Booker, Whitfield Lovell and Willie Cole.

The museum’s superb holdings of traditional and contemporary American Indian art and artifacts, New Jersey’s largest, represent the cultural achievements in weaving, pottery, wood carving, jewelry and textiles of indigenous Americans. The collection was begun by Annie Valentine Rand and carried on by her philanthropic daughter Florence Rand Lang, one of the Museum’s founders and continues to grow with philanthropic daughter Florence Rand Lang, one of the Museum’s founders and continues to grow with commissioned works, gifts and purchases that celebrate the vitality and modernity of traditional forms and beliefs. Among the contemporary American Indian artists represented are Tony Abeyta, Dan Namingha, Jaune Quick-to-see Smith, Allan Houser , Bently Spang and Marie Watt.

Equally important for its community presence and its reputation are the Museum’s public and family programs and art school, serving everyone from toddlers to senior citizens. Collaborations with numerous cultural and community partners bring artists, performers and scholars to the Museum on a regular basis.Guests have included Holland Cotter, John Elderfield, Bill T. Jones, Jeff Koons, Faith Ringgold, Winfred Rembert, Kiki Smith, Philip Pearlstein, Shirin Neshat and Lorna Simpson. More than 10,000 K-12 students from 190 school districts visit the Museum every year. Free Family Days, a Family Lab, MAM Park Bench, Home School Days and Birthday Art Parties allow families to experience art in variety of different ways. As the New Jersey affiliate of the Scholastic Art & Writing Awards, MAM opens opportunities to creative teenagers to gain national recognition for their work. The Museum also provides programs for seniors and special needs individuals-such as the hearing impaired and people with Alzheimer’s as well as training for teachers in the arts.

MAM’s art school, now the Yard School of Art, has been an integral part of the Museum’s life nearly from the beginning. It was founded in 1924 just 10 years after the Museum itself and has operated continuously since then offering courses year-round to kids, teens, adults and seniors. Courses cross a broad range of the artistic spectrum, including drawing, painting, collage, pastel, printing making and illustration. In 2011, the school launched two new areas: a Ceramics Studio and a Digital Media Lab.

In 2014, MAM celebrated its Centennial with a yearlong program of activities, which included a Birthday Party on January 15, exactly 100 years from the day of its founding that attracted thousands of visitors. In honor of the Centennial the Museum also commissioned internationally renowned artist Spencer Finch to create a site-specific installation that has transformed the Museum’s facade, making it a more inviting point of entry.

The first institution in New Jersey designed as a museum and one of the first in the nation to be accredited by the American Association of Museums, the Montclair Art Museum as it marks its Centennial, continues to seek novel ways, through its exhibitions, educational programs and outreach efforts to inspire and inform its growing and ever more diverse audiences.

(This information on the history of the Montclair Art Museum was taken from their website and I give the Museum full credit for the history of the Montclair Art Museum).