The entrance to the Art & Design Gallery at FIT at 227 West 27th Street
The exhibition space showcases the work of students, faculty, and distinguished alumni, as well as invited guest artists. This new gallery space is located at the entrance of the Pomerantz main building and the back room exhibition space. This features smallers theme shows and showcases the talents of the FIT professors, professionals and Alumni. The shows are constantly rotating offering a fresh approach to contemporary art.
The Current Exhibition:
Creative Industry: The Alumni Journey Lobby and Gallery
Diverse in medium, this exhibition spotlights the career trajectories of several illustrious FIT alumni, highlighting their innovations and interesting journeys through the creative industries. Co-curated by Troy Richards, dean for the School of Art and Design, and Alumni Relations’ Kseniya Baranova, the work on display features photography, fashion, video, weaving, wallpaper, graphic design, and painting.
“Unconventional Minds at Work: 15 Years of HUE, The FIT Alumni Magazine
The showcased art designs
Artwork “Matter 2008” by artist Susanne Tick
The sign of artist Susanne Tick’s work
Artwork from “Unconventional Minds at Work”
Artwork from “Unconventional Minds at Work”
Artwork from “Unconventional Minds at Work”
Resurgence: The Ingenuity of Artisan Work and Hand-crafted Objects Lobby and Gallery
‘Resurgence’ showcases the ingenuity of artisan work and hand-crafted objects from textiles, jewelry, and decorative accessories. Contributors to this show include FIT alumni, faculty, and students, as well as finalists from the 2022 Global Eco Artisan Awards, a recognition given by the AGAATI Foundation.
Artwork of “Resurgence”
The Gallery at FIT during one of the current exhibitions
The latest exhibition is on the A. Beller & Company clothing line. The designs on display are from 1900-1930 and many of the designs are from the ‘flapper’ era.
The A. Beller & Company exhibition
The A. Beller & Company designs.
The Bio on the manufacturer
The A. Beller & Company designs from 1910-1930.
The A. Beller & Company designs from 1910-1930.
The A. Beller & Company designs from 1910-1930.
The A. Beller & Company designs from 1910-1930.
The museum also did a piece on how Generation Z is reworking vintage clothing designs and reworking them into modern clothing.
The Generation Z gallery of designs.
The write up on reworking of vintage clothing.
Some of the clothing designs.
The new exhibition in September 2023 was “The Unwearable Art” exhibition:
With the tag line “A fashion line no one would dare wear.”
The fashions were very unusual to say the least but unique in every way.
The entrance to the gallery.
“Today-I’m Wearing Uncertainty”
the “Today-I’m Wearing Uncertainty” design sign.
“Today-I’m Wearing Flare Intensity”
The “Today-I’m Wearing Flare Intensity” sign.
“Today-I’m Wearing Something Life Threatening.”
The sign “Today-I’m Wearing Something Life Threatening”
“Today-I’m Wearing Physical Pain”
The sign for “Today-I’m Wearing Physical Pain”
The “Wearing Uncertainty” exhibition offers a different look at fashion, and it’s influences on costumes.
The new “Squishables” exhibition at the Gallery at FIT focuses on therapeutic stuffed animals with themes that the students created as teams. Each one has several colorful soft animals and figures with it. It is a colorful and whimsical display. The exhibition shows how plush toys become an essential tool in coping with anxiety, stress, grief and isolation a person might feel at a time of their lives. This exhibition opened in May of 2024.
The sign on the new exhibition “Squishable”.
The “Unicorn Cafe” display.
The “Under the Sea” display.
The “Graveyard” Halloween display.
The “Alchemy Lab” display.
The “Farm” display.
The “Squishables” Gallery exhibition.
The new exhibition “Squishables” is based on a therapeutic stuffed animal that is created by the students.
The “Denim Devine” exhibition is the Senior Project of the graduates.
The “Denim Devine” exhibition in 2024. This exhibition was created by graduating students to design a wardrobe that was made of entirely of denim. These are their original designs and creations.
The “Denim Devine” entrance.
The winners of the “Denim Devine” exhibition.
The “Denim Devine” display.
The back gallery of “Denim Devine”.
I loved this Disney inspired dress in the exhibition.
One of my favorite dresses from the exhibition.
Another very original design in the exhibition.
Another original design that I liked in the exhibition.
The picture boards for the exhibition and other exhibitions.
The NY Transit Museum Gallery inside Grand Central Station on the first floor
It is amazing to be in a building a record number of times and miss a small gallery that makes an impact on a visitor. This is how I felt when I entered Grand Central Station recently and discovered the New York Transit Museum Gallery. This little gem is tucked into a corner away from the ticket booths and Grand Hall and is free to the public.
The Gallery is a branch of the larger New York Transit Museum in downtown Brooklyn. This smaller space can be toured in about an hour which is perfect in case you need to spend some time in the terminal before your train.
The Gallery was showing an exhibition entitled “Transit Sketches” by six artists who were based in New York City over the last 100 years. It was nice to see different perspectives of the artist though the overall theme was still the same.
“Transit Sketches” at the New York Transit Gallery
Video by Burning Hammer Productions
Tired people going to and from work. Works featured were from artists Ebony Bolt, Marvin Franklin, Naomi Grossman, Joseph Solman, Amy Tenenouser and Hank Virgona. Each artist represented a different time in the subway system, and it was nice to see that nothing really has changed over the years with the exception of the iPhone has replaced the newspaper as a place to do your work on the subway.
Each artist had their own mini gallery show in each section of the museum gallery and all the works showed people after either getting to work in the morning or after a long day at work. It showed the human side of riding the subway and just wanting to get to our destination.
Artist Ebony Bolt created a series entitled “The Bolt Dairies”, where she drew sketches of people either reading or sleeping on the subways and most of the faces were looking down. I took this that she was secretly drawing them while they were content being distracted by whatever means possible from the other riders and the books were full of overlapping faces.
Artist Ebony Bolt on her work on the inspiration of the people on the subway
Artist Naomi Grossman show her works with an interesting approach of capturing the moods of the passengers as they spent their time on the train almost wishing to get off at the next stop. It was a way of looking at the patrons and capturing them after a long day at work.
Artist Marvin Franklin was an MTA worker who worked the lines as a track worker who died on the job in 2007. He was on the job with another worker picking up a non-working dolly on the track whose lights were out and the train operator who hit them did not see them (NY Times.com). His vision to see the people who disappeared after work and became part of the fabric of the City. He showed their stories in his art.
Joseph Solman used to sketch people when they were involved in just trying to ignore what was going on around them. He caught people in a part of time of just trying to keep their space on the subway.
Artist Amy Tenenouser’s work also gives the patron a Birdseye view of average people living their lives and capturing them in a moment in time. She has a good view of the riders on the subway and a whimsical approach.
Artist Amy Tenenouser captures the everyday person.
Hank Virgona’s work shows people in a state of mind
Hank Virgona’s career goes back to the Great Depression, and he captures like many of the artists in the exhibition the everyday person on the subway. Being a native New Yorker, he looks at the riders keeping an uncomfortable position keeping their space. I liked his work on the written word.
The newest exhibition is on the tunnel extension from Grand Central Terminal called the “Grand New Connection”:
The plans for the new tunnel in 1968
The East Side Access program
The new plans for the tunnel
The updates and pictures of what the tunnels are going to look like when finished
The exhibition was interesting at looking what progress in transportation can be in the modern age of New York City. The new boring machines can do a lot more that manmade labor was able to accomplish at the same time. It was interesting to see all these pictures.
In the corner of the gallery there is a very extensive gift shop that features hats with subway numbers and letters representing the routes they take, games, puzzles and books that are all railroad themed catering to both children and adults. It has a nice selection of products to choose from.
The best part of the New York Transit Gallery is that it is free and a nice way to spend the afternoon while waiting to get on your train.
The gift shop at the NY Transit Museum Gallery
The History of the Transit Museum:
(From the museum’s website)
Founded in 1976, the New York Transit Museum is dedicated to telling and preserving the stories of mass transportation-extraordinary engineering feats, workers who labored in the tunnels over 100 years ago, communities that were drastically transformed and the ever-evolving technology, design and ridership of a system that runs 24 hours a day, every day of the year.
Housed underground in a authentic 1936 subway station in Downtown Brooklyn, the Transit Museum’s working platform level spans a full city block and is home to a rotating selection of twenty vintage subway and elevated cars dating back to 1907.
Visitors can board the vintage cars, sit at the wheel of a city bus, step through a time tunnel of turnstiles and explore changing exhibits that highlight the cultural, social and technology history and future of mass transit.
The New York Transit Museum is a self-supporting division of the Metropolitan Transportation Authority, Friends of the New York Transit Museum, a 501c3 not-for-profit organization was established in 1995 to promote and raise funds for the Museum’s operations and programs.
In 2020, COVID had closed this unique little family orientated museum when I visited the NoMAD neighborhood earlier last year and it finally reopened for business right before the holidays. I could see the reasons why in that the museum is very interactive and there are a lot of activities and displays that warrant families touching objects and getting involved with the exhibitions.
The entrance to the new museum at 225 Fifth Avenue
Like most museums in Manhattan, the MoMATH or the Museum of Mathematics is quite pricey at $25.00 ($26.00) for an adult and for students, children over 12 and seniors over 60 it is $20.00. While it may be lot for an average family, a trip there is an eye-opening experience at least to me it was that day.
The sign welcoming you on Fifth Avenue
In 2021 when it reopened, the museum was two full floors of exhibitions with a spiral staircase separating the floors and a gift shop at the entrance. On the main floor there are interesting interactive exhibitions such as the Shapes of Space that show how different shapes fit together on a curved surface. I was not too sure what the point of it was, but the kids seemed to enjoy it and it was interesting to see how they connected. The Square wheeled Trike was interesting as you rode a square wheeled type of bike on a bumpy surface to check velocity. The kids and young parents really liked this.
The “Shapes of Space” exhibition
In 2024, the museum was moved around the corner until the permanent location could be finished. The museum was on one floor with a art gallery in the front of the museum and the back of the museum was all the interactive activities.
The Math “Fractorals” Gallery Exhibit at the Museum of Math
The “Fluids and Fractals” exhibition of artist Karl Sims
Matthew Brandt is an American born artist. Matthew Brandt received his BFA from Cooper Union and MFA from UCLA. Brandt has been the subject of institutional solo shows at the Newark Museum, the Columbus Museum of Art, Virginia Museum of Contemporary Art and SCAD Museum of Art, Savannah (Artist bio).
“Light Grooves”
The interactive display
The interactive display
The displays I enjoyed in the old museum were Motionscape, where you had to walk as fast as you could on the track to check the relationship between velocity, your position and acceleration. It was interesting to see how your body movements when walking affects the way you react. The other display that was really popular was Hoop Curves which was always busy. The exhibit used statistics and a robot arm to shoot the basketball. The kids got a real kick out of this when trying to make a basket.
In 2021, the museum was two stories but in 2024, the museum moved to the new Fifth Avenue location and all the interactive displays were on the first floor, along with an explanation of the math along with the creators of the theory. I found that interesting because you could see who all the mathematicians were who the projects were based on or who had contributed to them.
I started with the “Self-Reflections” exhibit where shapes and sizes mattered, and the use of symmetrical patterns shaped our faces and observations. I got to see how the shapes altered my reflection in the mirrors.
The use of mirrors and shapes
The use of shapes and colors in the experiment
The signage
How we look at ourselves in the mirror
Taking pictures in the ‘mirror’
One of the first interactive displays that I enjoyed was the Tessellation Station, where you could create displays with magnetic tiles on a large board. Later I learned about Tessellation as a form of making shapes fit together in a pattern and then the theory behind that. It was a fun way to use your creativity. This exhibition was very popular in the old museum as well but had been a much bigger interactive display.
The “Tessellation Station” exhibition is a lot of fun
Another was the Tree of Life, where the computer copied the movements of myself and then used them to show the how I moved my arms and legs in a pattern. It was funny to see myself repeated over and over again like a tree with branches. It really did measure the movement of my body. This was a lot of fun because you got to see smaller versions of yourself attached to you.
Me playing with the Tree of Life
Me having fun by the Tree of Life exhibition
The Twist and Roll display showed how to put different shapes and sizes together and show their movement on the board.
The Twist and Roll hands on display
The one display that all the kids got a kick out of was the Math Board, where the colors and shapes of the section of the floor lit up when you walked on them and was controlled by the way you walked on them.
The “Math Morphing-Formula Morph” replaced the “Math Board”
The Museum of Mathematics is a great museum for younger children who want to get physical and have a good time and like the interaction. I learned a few things too about the fundamentals of math and some of its background theories.
The geometrics of the Museum of Mathematics
Still, it is a great museum for kids under the age of twelve and their younger parents. I think anything over that age would warrant a trip to the American Museum of Natural History or the Liberty Science Center with more exhibits that are age appropriate. It is a museum you should visit once or twice with small children who are at the learning stage and just want to have fun.
The Gift Shop
The Museum Gift Shop
The History of the National Museum of Mathematics:
(From the museum website)
The National Museum of Mathematics began in response to the closing of a small museum of mathematics on Long Island, the Goudreau Museum. A group of interested parties (the “working group”) met in August 2008 to explore the creation of a new museum of mathematics-one that would go well beyond the Goudreau in both its scope and methodology. The group quickly discovered that there was no museum of mathematics in the United States, and yet there was a incredible demand for hands0n math programming.
Interactive objects at the Museum of Mathematics
Accomplishments to date include: opening Manhattan’s only hands-on science center, welcoming more than one million visitors; creating the popular Math Midway exhibition, which has delighted millions of visitors at museums throughout the United States and internationally; leading math tours in various U.S. cities; running dozens of Math Encounters and Family Fridays events; delivering a broad array of diverse and engaging programs for students, teachers, and the public to increase appreciation of mathematics and creating the largest public outdoor demonstration of the Pythagorean Theorem ever.
The “Monkeying Around” exhibition at the museum
The Museum Mission:
(From the Museum website)
Mathematics illuminates the patterns that abound in our world. The National Museum of Mathematics strives to enhance public understanding and perception of mathematics. Its dynamic exhibits and programs stimulate inquiry, spark curiosity and reveal the wonders of mathematics. The Museum’s activities lead a broad and diverse audience to understand the evolving, creative, human and aesthetic nature of mathematics.
The “Weights and Balances” exhibition at the museum
Fee: Adults $22.00/Seniors (over 65) $14.00/Current Students with ID $13.00/Free to Members and Children under 12 accompanied by a parent. Free on Friday Nights from 7:00pm-9:00pm. Discount for people with disabilities $13.00-Caregiver Free.
What I love about the Morgan Library & Museum is the level of sophistication and quality of their exhibitions. The museum really makes you think when you tour their galleries and attend their lectures and gallery talks. Their docents and curators bring an exhibition to a whole new level. I always feel like I am taking a college course and will be graded afterwards. They really make you think about the work or what the author or artist is trying to say.
Two of my favorite exhibitions were the “150th Anniversary Celebration of Alice in Wonderland”, which is why I joined the Morgan Library & Museum. I loved the novel and I wanted to get some ideas for our library’s own celebration. They had the original manuscript written by Lewis Carroll, some original prints and memorabilia from various times including posters, books, artwork and decorative items.
The entrance to the “Alice in Wonderland” exhibition
Another wonderful and interesting exhibition was on Mary Shelley’s “Frankenstein” which was a celebration of her life, her works and of the novel through the ages in both context of the novel and in Hollywood. There were various copies of the books in the exhibition as well as the history of the author’s life.
The Frankenstein print
The exhibition showed the clips of the original silent version of the film, the 1931 version with Boris Karloff and the modern version “Young Frankenstein” with Gene Wilder from 1974. I learned from the exhibition that the set used in the 1974 version of the film was from the original 1931 film and it had been in the director’s basement all those years.
The entrance to “It’s Alive: Frankenstein at 200” exhibition at the museum
Another exhibition that was very interesting was the recent American artist Al Taylor with an showing of his drawings. The works were unusual but really stood out was his time in Hawaii and the drawings that inspired him.
Duck Bondage Study by Al Taylor
Untitled by Al Taylor
American artist Al Taylor
A YouTube video on the “David Hockney” Exhibition:
The recent David Hockney Exhibition that I missed.
I rejoined the museum after a long COVID absence and the first exhibition that I attended was the “Beatrix Potter” exhibition on her work on Peter Rabbit. It had many of the early drawings of her children’s books as well as some of her merchandising. The exhibition discusses her life before and after her books were published and then her second act as a farmer and conservationist.
The “Beatrix Potter: Drawn to Nature” exhibition in April 2024:
Beatrix Potter: Drawn to Nature
The entrance to the gallery
The gallery opening
Here work included the initial drawings to the actual books.
Her early gift cards One of her original pieces.The main part of the exhibition.
The gallery of the exhibition
The exhibition is broken into two parts. The first part is on her early life in London with her family and her personal life as a child and an early adult. The second half of the exhibition is on her early books, manuscripts and letters. Then her later life as a ‘gentle farmer’ who ended up preserving and donation over 4000 acres of Lake District land for later generations to enjoy.
These are the original drawings for the book “The Tale of Peter Rabbit”
The original cardThe original card
Other pieces of her works.
Some of the original drawings.
Some letters that she wrote to friends.
All the wonderful novelty items that she helped create. She had a real hand in merchandising way before this became the norm in publishing. She created all the cards, stuffed animals and small books that would become her collection.
Some of her original books.The original Peter Cottontail book.The original drawing from the exhibition.
The stuffed animal of Jeremiah Puddle Duck
The sign as you enter the exhibition.
The end of the exhibition with the author holding one of her pets.
The other exhibition that I saw that day which will be closing soon is the Walton Ford exhibition. Mr. Ford’s works are a reflection on his relationship with nature with works being influenced by trips to the American Museum of Natural History. His works draw from nature.
It is nice to walk among the permanent collection of prints in the lower level and to visit the former private areas of Mr. Morgan’s home. It adds to who he was as a financier and as a homeowner. The home was not as elaborate as you would have thought.
The private part of the museum
I also enjoy the Morgan Cafe on the main level of the museum in the courtyard area of the first floor. The food is a little pricey and a limited menu but the service is wonderful and the quality of the food is very good. You will enjoy the meal and I have heard from other patrons that the Afternoon Tea is very nice as well.
They also have a Dining Room in the Library area that I have heard is very nice as well.
The Morgan Dining Room
They have a nice selection of books, cards and gifts in their Gift Shop just beyond The Morgan Dining Room. I really like their selections at the holidays and their theme books to the exhibitions especially for the “Alice in Wonderland” exhibition.
The Morgan Library giftshop
It is a nice place to take a gallery talk, then a light lunch in the main hall and then a lecture at night. It’s a great way to spend the day.
The History of the Morgan Library & Museum:
(from the Morgan Library & Museum website)
The Museum is a complex of buildings in the heart of New York City and began as the private library of financier Pierpont Morgan, one of the preeminent collectors and cultural benefactors in the United States. As early as 1890, Mr. Morgan had begun to assemble a collection of illuminated, literary and historical manuscripts, early printed books and old master drawings and prints.
Mr. Morgan’s library was built between 1902 and 1906 adjacent to his New York residence at Madison Avenue and 36th Street. Designed by Charles McKim of the architectural firm McKim, Mead & White, the library was intended as something more than a repository of rare materials. Majestic in appearance yet intimate in scale, the structure was to reflect the nature and stature of its holdings.
The side view of the Morgan Library
The result was an Italian Renaissance-style palazzo with three magnificent rooms epitomizing America’s Age of Elegance. Completed three years before McKim’s death, it is considered by many to be his masterpiece. In 1924, eleven years after Mr. Morgan’s passing, his son, J.P. Morgan Jr., known as Jack, realized that the library had become too important to remain in private hands. It what constituted one of the most momentous cultural gifts in the United States history. He fulfilled his father’s dream of making the library and its treasures available to scholars and the public alike by transforming it into a public institution.
Mr. Morgan’s private areas are part of the museum
Over the years, through purchases and generous gifts, The Morgan Library & Museum has continued to acquire rare materials as well as important music manuscripts, early children’s books, Americana and materials from the twentieth century. Without loosing its decidedly domestic feeling, the Morgan also has expanded its physical space considerably.
The Middle Eastern exhibit in the Library.
In 1928, the Annex building was erected on the corner of Madison Avenue and 36th Street, replacing Pierpont Morgan’s residence. The Annex connected to the original McKim library by means of a gallery. In 1988, Jack Morgan’s former residence, a mid-nineteenth century brownstone on Madison Avenue and 37th Street was added to the complex. The 1991 garden court was constructed as a means to unite the various elements of the Morgan campus.
JP Morgan II home which is now part of the Morgan Library.
The largest expansion in the Morgan’s history, adding 75,000 sq ft to the campus was completed in 2006. Designed by Pritzker Prize winning architect Renzo Piano, the project increases exhibition space by more than fifty percent and adds more important visitor amenities, including a new performance hall, a welcoming entrance on Madison Avenue, a new cafe and a new restaurant, a shop, a new reading room and collections storage. Piano’s design integrates the Morgan’s three historical buildings with three new modestly scaled steel and glass pavilions. A soaring central court connects the buildings and serves as a gathering place for visitors in the spirit of an Italian piazza.
The Morgan Library & Museum expansion by Renzo Piano
The Morgan Library & Museum Mission:
The mission of The Morgan Library & Museum is to preserve, build, study, present and interpret a collection of extraordinary quality, in order to stimulate enjoyment, excite the imagination, advance learning and nurture creativity.
The Dorothea Maria Gsell painting “Heron Encircled by a Snake with a worm in his Bill”
A global institution, focused on the European and American traditions, the Morgan houses one of the world’s foremost collections of manuscripts, rare books, music, drawings and ancient and other works of art. These holdings, which represent the legacy of Pierpont Morgan and numerous later benefactors, comprise a unique and dynamic record of civilization as well as an incomparable repository of ideas and of the creative process.
(From the Morgan Library & Museum website and history)
Visiting a Museum: The Unique, Unusual, Obscure and Historical 