Category: Historic Sites of New York State

First Reformed Dutch Church of Fishkill                             1153 Main Street                                                                Fishkill, NY 12524

First Reformed Dutch Church of Fishkill 1153 Main Street Fishkill, NY 12524

First Reformed Dutch Church of Fishkill

1153 Main Street

Fishkill, NY 12524

(845) 896-4546

Open: Church Services are on Sundays at 10:00am

https://www.facebook.com/FirstReformedChurchofFishkill/

Home Page

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47724-d263921-Reviews-First_Reformed_Church_of_Fishkill-Fishkill_New_York.html

After visiting three historical homes in the Fishkill area covering the towns of Hopewell Junction and Wappingers Falls, my last stop of the day was the First Dutch Reformed Church of Fishkill, NY. The church was closed at this point with services being on Sunday’s only starting at 10:00am. I was able to tour around the church admiring its architecture, looking over the DuBois House which is also owned by the church and exploring the cemetery.

The cemetery was the most interesting being the final resting place of many of the ‘first families’ of the area, including family plots of the Van Wyck and Brinckerhoff families, who also intermarried with each other. There were sections dedicated just to the families and then to the blended ones.

There were also members of the DuBois Family among others. What was interesting was toward the back of the cemetery near the new playground was the Van Wyck Family Vault. This large mound is noted with the stone maker in the front of the vault.

The Van Wyck family vault at the Fishkill Reformed Church Cemetery

The Church played an important role in worshipping in the community as it does today.

The Founding of the Church:

(From the Church records)

On October 10th, 1715, the Revered Petrus Vas of Kingston, NY under the direction of the Classis of Amsterdam, started two Dutch Reformed Churches, one in Poughkeepsie and the other in Fishkill. This occurred when the population of the are increased and they did not want to keep travelling to New Paltz for worship.

The First Reformed Dutch Church of Fishkill, NY at 1153 Main Street

The Church today:

(From the Church website)

The 20th Century brought additional changed to the property. Some gravestones were moved to make space for the Christian Education Building, which was constructed in 1964. The old chapel, a 19th century addition to the property was torn down. The playground is now located where the chapel was once. A Memorial Garden was added to the cemetery in 1980 and includes a columbarium for cremains. The sanctuary’s exterior was refurbished in 1975, the steeple reshingled and the rooster regilded in 1984.

In 1992, a condition survey was done (the church is the centerpiece of the Fishkill Village National Historic District). This report concluded that the sanctuary is one of the most significant nonresidential 18th Century buildings in New York, if not the country. The framing is a perfect example of an upside-down boat. While it was urged to pursue National Landmark Status for the church itself, it has not yet been done.

The Cemetery:

In 1995, a report on the preservation of cemetery gravestones was done. A Boy Scout Eagle Project, in 2002, recorded pictures and inscriptions of each stone in the cemetery and created a finder’s map of the cemetery.

The Enoch Crosby marker for a spy for the American forces during the Revolutionary War

The trial was performed here, and Enoch Crosby was allowed to escape. This marker is dedicated to that event.

The cemetery behind the church with the DuBois House and Church to the right:

The DuBois House:

(From the Church website)

The property was expanded in 1991 with the purchase of the DuBois House (named for the founding elder of the church). There is no record of when it was built but with structural similarities to the Van Wyck House made it believed to be built in the mid 1700’s. Abraham Brinckerhoff Rapalje purchased the house with fifty-four acres of land from his uncle, Abraham Brinckerhoff in 1790. Rapalje was the man hired by the consistory to do finish work after the church was enlarged following the Revolution. The house served as the hearing room for the court proceedings of the Committee of Safety over which John Jay, who would later become our nation’s first Supreme Court Justice presided.

The Committee of Safety played an important role in the story of Enoch Crosby, the Revolutionary Spy. The house was originally located east of its present location and was moved in 1929 to make way for the expansion of the Albany Post Road, now Route 9. The building is used for service to the community and church. It contains the church parlor and offices for the Minister and Secretary on the first floor and the office of the Music Director.

The Brinckerhoff/Van Wyck family plots

The Van Wyck family plot

The full Dutch Reformed Church of Fishkill cemetery and church

The Van Wyck Family Vault:

The History of the Dutch Reformed Church of Fishkill, NY:

By 1716, the population of the area had grown enough (though the whole county had only 440 people) that the settlers wanted their own church instead of having to cross the river to New Paltz or Kingston where the two closest Reformed Churches were located. Therefore, on October 10th, 1716, the Reverend Petrus Vas from Kingston under the direction of the Classis of Amsterdam started two Dutch Reformed Churches, one in Poughkeepsie and one in Fishkill.

While Poughkeepsie began building immediately, Fishkill did not begin building until 1725. Tradition and most published sources have it that Madame Brett by now a widow and the wealthiest landowner in the area gave the land for a churchyard while the land the church occupied was given by Johannes Ter Boss.

However, two deeds registered at the County Courthouse tell a different story. The first parcel of land, “it being that certain piece of land on which the Dutch Church so called now stands” was given by Madame Brett, through Jacob DuBois, it being the intent of him that the Reformed Nether Dutch Congregation of Rumbouth precinct “always be kept and preserved as a church or public edifice for the particular sole and only use and benefit of the aforementioned church to worship the Almighty God, in and to and for no other ends purposes use or uses whatsoever.” The second deed states that Obidiah Cooper and Esther, his wife, gave another small parcel of land to the church. These records were written thirty years after the fact and were not filed in Poughkeepsie until 1915.

There is also a deed from 1747 in which Johannes Ter Boss sells a parcel of land north of the Fishkill’s, reserving one acre for a meeting house. Every published history has this acre for the Rombout Presbyterian Church, which was built in 1747 about three miles from First Reformed. So, it would appear that there was confused between DuBois and Ter Boss, probably due to the old handwriting and a Frenchman, born in Leyden, Holland and a Dutchman. Another supporting piece of information is that there is no Ter Boss listed in the church records of The First Reformed Church, while the DuBois family is prominent, starting with Peter DuBois, the first elder.

It took seven years to build the original sanctuary. Field stone was brought by ox teams and the local inhabitants, and their slaves did the building. Work proceeded slowly because the men had fields to attend and families to support. The sanctuary was a small, square building with a hip roof and a cupola in the center, which supported a bell. The central door opened onto the street as the side door does today.

In 1785 the congregation decided to enlarge the original building. The east and west walls were taken down and the building was lengthened. A second story was added, and balconies suspended by iron rods were put into seat slaves. The tower and the steeple made with beams 18″ square and 80″ long rose 120 feet above the ground. The west end had four small windows.

In the midst of the reconstruction, John Stickland, an English traveler wrote “Here is a large Dutch Church, rapidly going to decay, probably never to be repaired.” However, construction continued, and the consistory hired Abraham Brinckerhoff Rapalje, who lived next door to build the new pulpit, new pews and to enclose the square lower section of the tower.

Five years later, in 1795, they hired him again to shingle the spire. With construction finished, the spire was topped with a gilded cock, symbolic of Peter’s denial of Jesus. It is actually about three feet high. It is one of the few left in the country.

The expanded sanctuary was remodeled in 1806. Columns were added to support the balconies and the pulpit and side pews were lowered to the level of the rest of the sanctuary. More alterations were made in 1854, when the balconies were narrowed and lowered. An alcove was made in the west end for the pulpit and the four small windows were replaced by the stained glass and painted windows. The alcoves and doors on each side of the tower were added.

The church decorated for Christmas in 2022

The chandeliers were imported from Holland and can be lowered by chains to the level of the pews for service. Gas replaced candles in the chandeliers in 1858. In 1908, they were electrified. In the late 1800’s, most of the ‘extra’ original property was sold for building lots at $100.00 each no one foreseeing the need for parking lots of the future.

(Disclaimer: I changed a few things around from the church history to make it flow better. More details are on the above link to the church’s history).

The entrance to the First Reformed Church of Fishkill in December 2022 decorated for the holidays.

Van Wyck Homestead Museum                           504 U.S. 9                                                        Fishkill, NY 12524

Van Wyck Homestead Museum 504 U.S. 9 Fishkill, NY 12524

Van Wyck Homestead Museum

504 U.S. 9

Fishkill, NY 12524

(845) 896-0560

https://www.hudsonrivervalley.com/sites/Van-Wyck-Homestead-Museum-/details

https://en.wikipedia.org/wiki/Van_Wyck_Homestead_Museum

Admission: Free

Open: Sunday 1:00pm-4:00pm/Monday-Saturday Closed/June-October

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47724-d263982-Reviews-Van_Wyck_Homestead_Museum-Fishkill_New_York.html

The Van Wyck Homestead at 504 U.S. 9

Visiting the Van Wyck Homestead is like stepping back into the past to see a part of our nation’s history. The homestead sits at a once pivotal point location in the Hudson River Valley and during the Revolutionary War, George Washington established his main northern supply depot here in October of 1776. After the war was over, the Van Wyck family returned to the home and lived here for five generations until the late 1800’s. The last member of the family, Sidney Van Wyck hung himself in the barn on the property (Van Wyck Homestead pamphlet).

The house was built in two sections. The original section of the house off to the right of the building is the original section of the home that was built in 1732 and the larger section of the home was finished in the 1750’s.

The marker of the original home

When you enter the homestead, you are greeted in the hallway that runs the length of the main part of the home. To the right of the hallway is old living room and to the right of the hallway is the combination kitchen and dining room. The stairs leading to the upstairs, now serving as offices, are at the end of the hallway.

Another piece of Van Wyck furniture in the old Dining Room with the display case holding family heirlooms that have been donated over the years.

The former Dining Room of the Van Wyck home with the fireplace of the addition of the house. The crib in front of the fireplace is a recent donation from the Van Wyck family and had been used by the family for generations.

The family portrait above the fireplace was recently returned to the home and fit perfectly above the fireplace. The Spinning Wheel is another family heirloom donated to the house.

An original piece of Van Wyck furniture returned to its home

When you step down the stairs into the smaller part of the original part of the house, you will be greeted in by the original kitchen and living space. This was used by the family for all functions of work and social aspects of the farm.

Items used in Colonial and Victorian kitchens

Items in the Colonial kitchen display which have not changed much over the years.

The Colonial Kitchen at the Van Wyck Homestead

To the right of the hallway is the old Living Room that is now used as a lecture hall and where meetings are held. The room was dedicated to George Washington for the service that he did for the area during the war.

The old Dining Room and lecture room

The Revolutionary War displays in the old Living Room

The room is lined with displays that are dedicated to the family and the war years. All sorts of artifacts and pictures are displayed here.

The display case in the old Dining Room

In the back of the home is the old Library that is now used a Research Library on the history of the area and of the Van Wyck family. Here you can research your roots in the community.

The Research Library at the Van Wyck Homestead

The Research Library at the Van Wyck Homestead

When you walk the grounds, the story boards tell the story of the home as it played a role in the history of the region and its place in the war years.

The Path to Victory

On the grounds of the home is also a working garden and the working beehive oven that is a recreation of the original that once stood on the property.

The Van Wyck Garden and outdoor over towards the back

History of the Van Wyck Homestead:

(From the Museum pamphlet)

In 1732, Cornelius Van Wyck from Hempstead, Long Island, acquired 959 acres from Madame Brett. He built the small east wing of the Van Wyck Homestead. By 1757, the larger west wing of the home had been added. During the Revolutionary War, George Washington established his main northern supply depot here in October of 1776. The Van Wyck house was requisitioned by the Continental Army to serve as the depot’s headquarters.

At the end of the Revolutionary War, the house reverted back to the owner, Issac Van Wyck. The old barracks and huts used for the war were torn down and the land went back to farming. The Van Wyck descendants lived in the house until the late 1800’s.

The original part of the house was built in 1732

By the mid-twentieth century, the house stood empty and was slated to be torn down for the new Interstate 84. The Fishkill Historical Society was formed in 1962 and after going to Albany, members were successful in getting the historical building saved and I-84’s plan changed. The Fishkill Historical Society was able to purchase the property and begin the restoration. This work is ongoing as we maintain this historical structure and grounds.

The Homestead is listed on the National Register and is part of the Hudson River Valley National Heritage Area. It is also part of the Rochambeau Trail which celebrates the French Alliance with the new United States.

The historic marker outside the house donated by the Daughters of the American Revolution. A cemetery for soldiers of the American Revolution were buried somewhere near the estate. When graves were discovered south of the museum, this could have been one of the resting places for them (Van Wyck pamphlet).

Brinckerhoff House Historic Site/East Fishkill Historical Society                                                                                          68 North Kensington Drive                                            Hopewell Junction, NY 12524

Brinckerhoff House Historic Site/East Fishkill Historical Society 68 North Kensington Drive Hopewell Junction, NY 12524

Brinckerhoff House Historic Site/East Fishkill Historical Society

68 North Kensington Drive

Hopewell Junction, NY 12524

(845) 227-4136

https://www.facebook.com/profile.php?id=100057186982344

Admission: Free

Open: Sundays 1:00pm-4:00pm/Monday-Saturday Closed/June-August

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47922-d24829233-Reviews-Brinckerhoff_House_Historical_Site-Hopewell_Junction_New_York.html

The Brinckerhoff House Historical Site

The Brinckerhoff House Historical Site was built in three different time periods with the oldest part of the house to the right, the main part of the house was built second and the Sun Room and porch to the left was built last. The house opens up in all parts but you can see the distinct different in the style of the design.

The entrance of the original homestead

The entrance of the Homestead has the schoolhouse and icehouse to the left of the entrance and the blacksmith shop and the carriage house to the right. The Blacksmith shop has a real blacksmith on duty working when the house is open for tours.

The original section of the house in the “Everything Room” where cooking, dining and socializing took place for the first generation of the family. This is the original part of the home that was built around 1755 by John G. Brinckerhoff and his bride, Marie Terboss for their family. There was a single upper room for the family as well. The main room is where all the cooking, eating, socializing and work was done by the family.

The original Brinckerhoff Kitchen in the first section of the home

When their family grew, the moved out and John’s brother, George G. and his wife, Elizabeth Wilcox moved into the house. After the Revolutionary War was over (both brothers were captains in the local militia), George G. added the main addition to the house with four additional rooms in the eastern wing of the house.

The addition showed the affluence of the family in that they could have separate rooms for socializing and higher ceilings meaning that they could heat the house properly.

The formal Dining Room in the Victorian times set for entertaining. A hot chocolate service is on the table which was a luxury at the time.

The formal Living Room is where socializing and work was done. Spinning and needlepoint as well as dressmaking where done by the ladies here.

The Living Room at the Brinckerhoff House

In the main hallway of the addition to the home services as a display area for all sorts of artifacts that deal with the different time periods of the home. These items are from the Revolutionary War.

Display cases in the main hall

Visiting the Historical Society at Christmas time and for the their Afternoon Tea:

Arriving at the Brinckerhoff House for the holidays on a beautiful sunny day

During a recent Christmas event held at the house in December of 2022, the house was decked out for the holidays. The Brinckerhoff house held its annual Holiday Tea, which it not held since 2019 due to COVID. This popular fundraising event was sold out that day.

The Brinckerhoff House ready for the holidays in December 2022

Approaching the house on the estate. The Van Wyck Barn is to the right.

Santa’s Sleigh for when Santa comes to visit the Brinkerhoff House

This sold out event really showcased the beauty of the house during a Revolutionary Christmas. Homes would be decorated in natural garlands and fruits of the season and the house would be decorated with candles. There was a Christmas tree in the home but that would not be seen until the Victorian era.

The Keeping Room decked out for the Afternoon Tea at the Brinkerhoff House

The Family Room at the Brinkerhoff House for the holiday in 2022

The Living Room decorated for the Afternoon Tea

The Living Room decorated for the Afternoon Tea at Christmas 2022

The family Christmas tree would not have been part of a Revolutionary Christmas but a Victorian era decoration in the late 1800’s

A Children’s wish list for Santa during the Victorian era with all sorts of playthings; dolls, sleighs, tea sets and books

The Strawberry Festival in Spring 2025:

Please read my entire blog on “Attending the Strawberry Festival at the Brinckerhoff House”:

The Brinckerhoff farm and estate. This used to cover hundreds of acres

The entrance to the property before the festival began

The Brinckerhoff House before the start of the Strawberry Festival

https://eastfishkillhistoricalsociety.org/

https://destinationdutchess.com/listingsv/the-brinckerhoff-house-east-fishkill-historical-society

https://www.facebook.com/p/Brinckerhoff-House-Historic-SiteHome-of-East-Fishkill-Historical-Society-100057186982344/

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47922-d24829233-Reviews-Brinckerhoff_House_Historical_Site-Hopewell_Junction_New_York.html

My review on VistitingaMuseum.com:

https://visitingamuseum.com/tag/east-fishkill-historical-society/

When the festival began and before the Strawberry Shortcakes came out that afternoon, there were all sorts of activities and docent led tours. The first one that I went to was the 1820 Schoolhouse.

The historic sign for the 1820 One Room Schoolhouse of Upper Hopewell

The entrance to the schoolhouse

Even though the schoolhouse is from the early part of the 1800’s, it is amazing how it still relates to classrooms of today. I am still convinced it is the connection that students have with their teachers establishes the fundamentals of a good education and learning.

The schoolhouse from the back of the building

The inside of the classroom has not changed in two hundred years

The schoolhouse classroom is similar to today

I will be quite honest in saying that outside the potbelly stove, the classroom here is pretty much the same as the lecture halls that I see at our college campus.

Games and books of the past are similar to those of today

The items of the classroom of the 1800’s. I am not too sure the use of the Apple press but the children may have had chores to do outside the classroom.

A discipline system that should be brought back

After the tour and talk at the schoolhouse and a talk with other educators on the status of the modern classroom (we all had a lot to say on this), I went over to tour the barn.

The Van Wyck Barn

The historic sign of the mid-1800’s barn

The historic marker of the 1845 barn

The actor who was working at the barn told us about wood making and about saws and how to maintain them for work on the farm.

Next to the barn, there was a small blacksmith building where the volunteer was demonstrating items that would have to been made or maintained to keep work on the farm going. Never a dull moment on the farm.

Keeping the fires going and a certain amount of heat is needed to fix these items and create the objects needed on the farm.

The objects and items made at the blacksmith

I know that these tours may seem hokey to some but the volunteers who were at both the barn and the blacksmith were really interesting in their demonstrations. There was a lot of time, talent and creativity needed to keep these aspects of the farm in working conditions.

The rains had really made the grounds lush and all the flowers and trees were in full bloom. The gardens were really well maintained and it was really pretty to walk arounds the grounds of the house.

The gardens by the schoolhouse

In the little pen by the Ice House, they set up a small petting zoo with little goats who looked terrified of us. If we had something to feed them, trust me they would have been less shy.

These little lambs were so cute

I was trying to wave them down but they huddled together

Walking around the grounds

The Icehouse was closed that day

The crowds were starting to get bigger around 1:30pm because that was when the Strawberry Shortcakes were being served.

Since they were a little behind as the high school students were inside preparing the Strawberry Shortcakes, I decided to tour the Brinckerhoff House again. They had a Butter Making class going on in the old kitchen section of the home and there were early American displays in all the cases. All the first floor rooms were open and I got a chance to see some of the new artifact donations.

There were all sorts of displays of clothing, furnishings and assorted dish ware on display in the Living Room and Dining Room.

Early American display of women’s clothing

Early American display of Men’s clothing

The Dining Room on the first floor was all set for tea

The Dining Room led to the bedrooms and the old kitchen

The old Main Bedroom on the first floor

Some the artifacts in the second floor bedroom

Some of the paperwork and artifacts in the main foyer

As I exited the house, I passed the door to the roof cellar. I did not think they would put this on the tour. Only the first floor of the house is open to the public.

The door to the root cellar

I took a tour around the grounds and passed the old outhouse

As soon as I finished the tour of the house and grounds the first trays of Strawberry Shortcakes started to come out and I never saw such a mad dash to get something.

The tent set up to sit and relax and eat

As I went to reach for a Strawberry Shortcakes on one of trays. I swear this woman grabbed two off the tray and practically barreled into me. I know they looked good but I could not believe the way some people behave. These were plenty of trays coming outside.

After I avoided the collusion, I was able to get one of the shortcakes off the tray and sit down. The Historical Society had plenty of seating under the tent and what was nice was they had ice cold lemonade as well. It made the perfect afternoon snack and the reason why everyone was here. When I had taken the initial tour of the property three years earlier, the tour guide told me that they went through 600 of these. I could believe it.

The Strawberry Shortcake with homemade whipped cream

I hate to say this but I waited almost four years to finally try this shortcake and admittingly it was well worth the wait.

The strawberries were so juicy and fresh. I was not sure if they were from a local farm but by the sweetness and juiciness these were not imported.

Yum!

The family remained in the house until the death of George G. in 1812 when his brother moved back in and then it was sold to Thorn Purdy in 1814. The Purdy family added the west wing of the house in 1830 that houses a small summer kitchen with a fireplace, crane and small brick oven.

The house was donated to the East Fishkill Historical Society by developer Gustav Fink in 1974 along with three acres when he could not sell it for redevelopment.

History of the Brinckerhoff-Pudney-Palen House:

(From Museum Pamphlet)

Around 1755, John G. Brinckerhoff and his bride, Marie Terboss purchased the land that the home sits on today. The original structure consisted of one room that included a kitchen with a large fireplace and beehive oven and a single upper room.

When their family their family grew, the house and farmed were conveyed to John. G.’s brother, George G. Brinckerhoff and his wife, Elizabeth Wilcox. In 1755, John G. and George G. were given commissions as Lieutenants in the Dutchess County Militia. Both men were promoted to Captain and were active with the Committee of Safety of the Rombout Precinct.

After the war in 1785, George G. built a four-room addition to the original east wing of the house. This is the largest section of the house and contains a spacious center hall, graced by elegant architectural features. The small paned windows, enclosed staircases, Dutch doors and wrought iron “HI” hinges were characteristics of the 18th century. A small shed was added around the same time.

When Captain George G. Brinckerhoff died in 1812, Captain John G. Brinckerhoff took possession of the farm again and in 1814 sold it to Thorn Pudney who christened it “ARCADIA”. The Pudney family would remain at “ARCADIA” for the next 60 years. In 1830, the family added the western wing of the house featuring a small summer kitchen complete with a fireplace, crane and a brick oven with an iron door cast at Fishkill Landing. It also contains an indoor stone cistern in the basement to collect rainwater for cooking, washing and drinking.

In 1875, Edward Palen purchased “ARCADIA” from Thorn Pudney’s son Jacob and changed the character of the farm by focusing on dairy production. It was very convenient to ship their milk to marker in New York City via the rail line two miles away at Hopewell Junction.

Edward Palen’s son, James H. would eventually take over the farm. The Palen farm produced their own lumber from the trees grown on the farm. As James Palen’s health began to fail, the farm was sold to Banton Moore in 1926, who rented it to Gene Satterlee. Gene continued dairy farming for many years until a fire burned the cow barn in 1970.

The house and the farm were sold one last time in 1974 to local developer Gustav Fink, who after many unsuccessful attempts to sell the house to be restored gave the house and three acres to the East Fishkill Historical Society. At this time, the old farmhouse was in a poor state of repair.

The Brinckerhoff Historical Sites Schoolhouse and Icehouse on the estate

Through the continuing efforts of the East Fishkill Historical Society’s members and many years of fundraising and restoration, the Brinckerhoff-Pudney-Palen House has once again been resurrected to its original condition and stands as a fine example of an original Hudson River Valley Dutch farmhouse.

On the grounds are also the 1870 Icehouse, the 1826 Schoolhouse, the 1880 John Hyatt Blacksmith Shop and the 1845 Carriage Barn from the Van Wyck family.

The 1880 John Hyatt Blacksmith Shop

The Van Wyck Carriage Barn from 1845

The entrance to the Brinckerhoff home with the Schoolhouse from 1826 to the left and the Blacksmith Shop to the right and the main homestead of the estate.

Don’t forget to visit the Brinckerhoff House gift shop at the end of your tour! This helps with the fundraising efforts to support this wonderful home.

The Brinckerhoff Gift Shop

Hessel Museum of Art-Bard College Campus                         33 Garden Road                                                                  Annandale-On-Hudson, NY 12504

Hessel Museum of Art-Bard College Campus 33 Garden Road Annandale-On-Hudson, NY 12504

Hessel Museum of Art-Bard College Campus

33 Garden Road

Annandale-On-Hudson, NY 12504

https://ccs.bard.edu/museum

Open: Sunday 11:00am-5:00pm/Monday-Tuesday Closed/Wednesday-Saturday 11:00am-5:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g29820-d1069234-Reviews-Hessel_Museum_of_Art_at_Bard_College-Annandale_on_Hudson_New_York.html

The Hessel Museum on the Bard Campus

When I was visiting Rhinebeck for the recent Sheep and Wool Festival (See day One Hundred and Forty-Nine on “MywalkinManhattan.com), I decided to visit Bard College and their contemporary art museum, the Hessel Museum. When approaching the museum, it almost appears to be a fortress with several large pieces of contemporary sculpture on the grounds outside the building.

Day One Hundred and Forty-Nine:

https://wordpress.com/post/mywalkinmanhattan.com/10723

Once upon entering the museum, you are greeted by many welcoming volunteers who will check your vaccination card and ID and your mask and then you can enter the museum for viewing. At the time I was there, NY State still had a lot of their mandates.

There were a couple of interesting exhibitions going on when I visited. The first one I visited that afternoon was “Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection”, which was many of the works of the founder of Bard’s private collection that had been donated to the school. I have to admit that the works were very contemporary with lots of squiggles and political themes.

The show piece from the exhibition

Many of the works you had to look at a second time to try to find the meaning in them. I was having a tough time relating the titles to the works. Reading the exhibits press release, the exhibition said “Hessel’s dedication to the depiction of the human figure as an essential act of examining the self and social relations. The exhibit focuses, with a few exceptions, on drawing as a discrete, stand-alone practice and preoccupation of artists rather than as a tool to create studies for works in other mediums. Drawing is a way of thinking and the intimacy of the act is echoed in much of the subject matter depicted in the exhibition (Museum website).

Ms. Hessel traveled extensively and had relationships with many artists along the way, who touched on the themes of the day. She traveled from Germany to Mexico City and then onto New York City at different phases of her life and it shows in the collection that she amassed. The collection twists and turns in its theme from room to room.

The opening exhibition room of the “Closer to Life” exhibition

The other exhibition I toured was the current “With Pleasure: Pattern and Decoration in American Art 1972-1985” which was an interesting exhibition of design of the home and space which seemed to be an art movement in the early to mid 1980’s that I never noticed when I was in high school and college. It seemed that home design went from the home furnishings to a form of art.

The “With Pleasure: Pattern and Decoration in American Art 1972-1985” logo

This I had seen the artist’s starting to design things like dishware and placemats for everyday use and in things like wallpaper from the dining room. There was a cross over in home design as artists became more commercialized and their work showed up on walls and floors. It is not too different today with people like Martha Stewart and her paint and home furnishing collections or Halston designing for JC Penny with the Halston II Collection.

Some of the art was quite colorful

The art in those galleries really looked something you would find in the average person’s home in the era. Some of the ‘over the top’ really looked like it belonged on a rug or on wallpaper. As the exhibition’s literature stated, “the exhibition examines the Pattern and Decorative movement’s defiant embrace of forms traditionally coded as feminine, domestic, ornamental or craft based and thought to be patterns and arranging them in intricate, almost dizzying and sometimes purposefully gaudy designs” (Exhibition literature).

I returned to the Hessel Museum in the summer of 2023 and they were having some performance art out on the lawn when I got there (I was wondering why there were not parking spaces). One guy walked up to me complaining how lousy it was and it did not make sense. I told him that that was contemporary art for you. It’s not supposed to make sense. He just smiled.

I toured the two new exhibitions that were being shown at the museum.

Artist Erika Verzutti had her “New Moons” exhibition

The first exhibition was by Artist Erika Verzutti with her “New Moons” exhibit. Frankly, I did not get here work. It made no sense to me. I was not sure what she was going after. I read her exhibit work and did not see any planetary connections. There were a few pieces that I thought were colorful and pretty creative in the works of the exhibition but the rest of it I just did not understand. I could tell the security guards were bored because no one was coming into this part of the museum.

“New Moons” exhibition piece

The main gallery of the “New Moons” exhibition

I thought this piece was very interesting

The “Indian Theater: Native Performance, Art and Self-Determination since 1969”

The other exhibition was the “Indian Theater: Native Performance, Art and Self-Determination since 1969”. Outside the museum they were showing the performance from the exhibition (the one that the patron was complaining about) and inside, the works were very contemporary and again some of the works did not make much sense to me. There were a few standouts though that I thought made a statement.

One of the galleries from the “Indian Performance” exhibition

“Indian Headdress” by artist Dan Claxton (Lakota)

Artist Dan Claxton (Lakota)

“Counterblaste” by artist Gabrielle L’Hirondelle Hill (Metis) was interesting

Artist Gabrielle L’Hirondelle Hill (Metis)

Both exhibitions in the summer of 2023 were a little far reaching even for me who likes contemporary works. I think it is in the eye of the beholder but I like the fact that the Hessel Museum brings these works to the public. They do make you think.

The Hessel Museum doesn’t offer just interesting art but it approaches it in a thought-provoking way, asking the patrons to see beyond not just what is on the walls but think about the exhibit from the era in which the art is from and ask ‘does this still ring true today’. The Hessel asks us to think ‘out of the box’ and look at their works from different perspectives.

Some I understood and some I didn’t but I still enjoyed wondering the galleries and exploring the art on its terms. I think that’s what contemporary or just art in general does. We need to think about it. The museum also has a nice little gift shop to explore.

The History of the Hessel Museum:

About CCS Bard:

Established in 1990, the Center for Curatorial Studies (CCS Bard) is an incubator for experimentation in exhibition-making and the leading institution dedicated exclusively to curatorial studies-a discipline exploring the historical, intellectual and social conditions that inform curatorial practice.

The Center for Curatorial Studies has several interconnected parts:

The Hessel Museum of Art, built in 2006, presents experimental group exhibitions and monographic shows and also draws from the Marieluise Hessel Collection of Contemporary Art, comprised of more than 3,000 objects collected contemporaneously from the 1960’s to the present day. The Hessel Museum is open and free to the public. Public sculptures by Franz West, Cosima von Bonin and other artists surround the Museum. Please see the museum page for more details.

CCS Bard hosts a range of public events throughout the year. All events are free and open to the public. Please see upcoming events on the website.

The CCS Bard Archive provides access to a wide range of primary materials documenting the history of the contemporary visuals arts and the institutions and practices of exhibition-making since the 1960’s. Please see our research center page for further details.

The Graduate program in Curatorial Studies is an intensive course of study in the history of contemporary art, the institutions and practices of exhibition making and the theory and criticism of contemporary art since the 1960’s. Throughout its over thirty-year history, the program has actively recruited perspectives underrepresented in contemporary art and cultivated a student body representing a diverse spectrum of backgrounds in a board effort to transform the curatorial field. Please see the school page for further details.

The Center for Curatorial Studies is part of Bard College and located on their Annandale-on-Hudson campus. Bard acts at the intersection of education and civil society, extending liberal arts and sciences education to communities in which it has been undeveloped, inaccessible or absent. Through its undergraduate college, distinctive graduate programs, commitment to the fine and performing arts, civic and public engagement programs and network of international dual-degree partnerships, early colleges and prison education initiatives, Bard offers unique opportunities for students and faculty to study, experience and realize the principle that higher-education institutions can and should operate in the public interest. For more details on the Bard College, please see their website.