Category: Exploring New York City by Foot

The Reher Center                                                        99-101 Broadway                                               Kingston, NY 12401

The Reher Center 99-101 Broadway Kingston, NY 12401

The Reher Center

99-101 Broadway

Kingston, NY 12401

(845) 481-3738

Reher Center for Immigrant Culture and History | Kingston NY | Ulster County

Open: Sunday 1:00pm-6:00pm/Monday-Thursday Closed/Friday-Saturday 1:00pm-6:00pm

Admission:

$12.50 Seniors/Students/Children/$17.50 for Adults and Combination tickets

The History of the Reher Center:

(From the museum website)

I recently went to the Roundout section of Kingston to tour the Reher Center and what an interesting tour not just of the exhibit, I recently went to the Roundout section of Kingston to tour the Reher Center and what an interesting tour not just of the exhibit, “Taking Root: Immigrant stories of the Hudson River Valley” but also the historic baking tour. The tour guides really explained how the Reher Bakery, which closed its doors in 1980 was not just a bakery. It was a staple in the community where people got to together not just over bread but community affairs and interaction with other immigrant groups of people.

‘Taking Root: Immigrant stories from the Hudson River Valley’

Our first part of the tour started in the bakery on the first floor of the museum. when Hymie Reher closed the doors of the bakery for good in 1980, he shut the door and created a time capsule that would become the museum. It seemed that the family did not want another business in the space so it just stayed empty all those years. This led to the creation of the museum dedicated to a family whose roots were in Kingston for several generations (it seemed that family members still lived upstairs until the early 2000’s).

The start of the Bakery tour

The tour starts in the front of the bakery where the family would have standing orders ready for customers and this is where the community would come together. Over their orders. Some of the shelves are still stocked with supplies that would have been on the shelves in the 1950’s. The tour guide said that it was not just a bakery but a small grocer as well.

The Grocery display

The Grocery display

The bakery display section

The tour continued in the bakery section where the oven was located and where all the magic took place to produce all the breads, rolls and challah was made. The oven, which is still functional today but can not be used, takes up most of the room. It was a coal and wood burning oven that was used from the turn of the last century until the bakery closed in 1980. The oven was impressive not just for the amount of bread items that needed to be produced each week but the fact that people would come with their food for the sader to cook in the cooling oven.

The oven in the kitchen where the breads and rolls were made

On the other side of the kitchen is the flour bins and the dough mixer where the dough was produced and all the product was portion sized. The storage areas where supplies came in and were held each week to produce what needed to be made for the customers were off to the side. On the tour, you will hear talks from former employees and customers about what life was like in the bakery.

The shared oven where meals were cooked in the cooling oven

The tour would end with a few more conversations with former customers and a quick wrap up in the grocery area. Then each of us got a fresh roll in a bag that was baked by a restaurant in the neighborhood. That was really good. The roll was chewy on the outside and soft on the inside.

The dough mixing machine is to the right and the supply area to the left.

The dough machine

The kitchen storage area

Baking sheets from years and years of making rolls

The last part of the tour was in the new upstairs gallery where the “Taking Root: Immigrant stories of the Hudson River Valley” is on view. This is where immigrants from the United States from the World Wars until today tell their stories in video recording and you can hear how they came to this country. Their lives before they arrived and after they settled in the region. Some of the stories I heard were fascinating.

The timeline of the stories told

The pictures of the immigrant stories told

Pictures and stories from the exhibition

Brief History of the Reher Center:

2002-2007: The idea for the Reher Center was hatched in 2002 when Geoffrey Miller peered into the window of 101 Broadway and observed a time capsule: the space was left untouched since Hymie Reher closed his family’s bakery in the early 1980’s. Geoff describes it as “Falling down a rabbit hole,” as he envisioned preserving and opening the site as a museum. Through a conversation with his friend, Barbara Blas in 2004. Geoff learned that the Rehers and the Blases were long time members of Kingston’s Orthodox synagogue. Agudas Achim and old family friends. Hymie was pleased with Geoff’s vision (Barbara remembers him singing “Happy Days are Here”) and arranged to deed the Reher’s property at 99-101 Broadway to the Jewish Federation of Ulster County.

The front of the bakery

A core committee quickly formed to develop plans to preserve the buildings and expand on Geoff’s initial vision for the site as a museum and cultural center that would honor the Reher family’s legacy and the broader immigrant history of Rondout neighborhood. Its tagline became “Building community by celebrating multiculturalism and our immigrant past.”

2008-2016: Geoff led the all-volunteer Reher Center Committee to restore the storefront and raise $750,000 in funding to stabilize the property under the guidance of preservation architect Marilyn Kaplan. Working with a variety of local organizations and partners, the Reher Center also spearheaded a series of popular programs including an annual Kingston Multicultural Festival, Deli Dinner and Immigrant Gifts to America series.

2016-2018: The Reher Center Committee expanded its Steering Committee and hired its first professional staff to leverage a range of new expertise and develop an interpretive plan for the site. In 2017, Sarah Litvin, Interpretive Planner, and Samantha Gomez-Ferrer, archivist, were hired to inventory, catalog, preserve, research, and digitize the Reher Center’s collection and expand it through conducting oral histories.

The outside displays of the Reher Center

In 2018, thanks to a generous matching donation from the Norman I. Krug family and our committed funders, the Reher Center was able to hire our first Director, Sarah Litvin, to open the site for public programming during summer, 2018. From May to August, the Reher Center was abuzz of activity as we created a new window display featuring historic photos from our collection; created a gallery and mounted our first exhibit, “The Story Continues” and shared the site and our vision for its future on Preview Tours of our historic bakery. Our July 7th “Open House” marked the first time the Reher Center was open for regular on-site programs.

The “Big Night” event in 2025:

In February 2025, I was invited to a very successful special event sponsored by both the Kingston Film Foundation and the Reher Center, a screening of the film, ‘Big Night’ and a sampling of Italian food. Needless to say the event far exceeded what the planners thought and they were completely full and sold out by 6:00pm. The organizer said they were turning people away. They had never seen anything like this. When you mix free Italian food, free wine and an excellent movie, you have a recipe for an excellent event. It was so much fun.

The organizer from the Kingston Film Foundation was explaining the success of the evening to the crowd

The event was funded by the Ulster County Italian American Foundation

I am convinced that it was the food that brought the people in coupled with a very popular film. The caterer who was there that night from Mass Midtown made two versions of the Tripoli, the noodle and meat dish in the film. Trust me when I say, the lines never stopped for that.

The two versions of the Timpano, the Vegetarian and the Meat versions, which were delicious was donated by Masa Midtown in Kingston, NY and the wines were donated by Kingston Wine Company.

Masa Midtown

https://www.masamidtown.com/

My review on TripAdvisor:

https://www.tripadvisor.com/Profile/R4960NKjustinw/mediabatch/13365543?m=19905

Trust me they were very generous with the slices of Timpano

God, it was delicious

The screening room was beyond packed that evening. Put free Italian food and a popular film in front of people and you will get a crowd

This very popular event people in the area will be talking about for a long time. This is what gets you a lot of attention. It really was an excellent event and I had a lot of fun that night. I love the movie ‘Big Night’.

The Timpano in the “Big Night”

The Trailer for the “Big Night”:

The evening was night of good food, wonderful conversation and an excellent movie.

Museum of Illusions                                                77 Eighth Avenue                                                New York, NY 10014

Museum of Illusions 77 Eighth Avenue New York, NY 10014

Museum of Illusions

77 Eighth Avenue

New York, NY 10014

(212) 645-3230

https://www.facebook.com/moi.newyork/

Admission: Adults $24.00/Students-Seniors-Essential Workers $22.00/Children Under Six Free/Family Fee (Two Adults and Two Children $75.00)

Open: Sunday 10:00am-12:00am/Monday-Thursday 10:00am-11:00pm/Friday-Saturday 10:00am-12:00am

https://www.tripadvisor.com/Attraction_Review-g60763-d14203837-Reviews-Museum_of_Illusions-New_York_City_New_York.html

Video on the “Museum of Illusions”

The Museum of Illusions is a interesting museum in that it is a small museum packed with various exhibitions and hands on displays that are interactive for the visitor. Each one is an experience in itself. The visitor participates in what the display has to offer and it plays with both your mind and with your personality and how you react to it.

The main gallery at the Museum of Illusions

There are a lot of brain teasers and mirrors to throw you off or add to the display to entertain you. The optical illusions will test your mind and your senses. There are titled rooms to test your balance and your sense of sight, mirrored rooms to show location and reaction and small displays to show size and distance.

Admittingly it is a very small museum of the steep price of admission ($24.00 for an adult) and you will only be in the museum for about an hour. The problem with this museum is that once you experience it and if they do not change the displays, there is no reason to go back. The small displays can be experienced on two floors.

The Tilted Room display

The afternoon I was here, the museum was packed with summer campers and school aged kids who dominated the place and it is so small that it was hard to maneuver around the museum. Still it was a very interesting museum to experience once as it will test the power of and exercise your brain.

The Clone Table

Me in the Vertical Room

The Illusions Gallery

History of the Museum of Illusions:

(From the Museum Website)

Enter the fascinating world of illusions which will test your confidence in your senses yet amaze you by doing it. It is world that will confuse you completely, educating you in the process. Visit us and you will be thrilled because nothing is what it seems-especially in the Museum of Illusions!

The Infinity Tunnel

Are you ready for a fascinating adventure? We offer an intriguing visual, sensory and educational experience with a handful of new, unexplored illusions.

The Reverse Room

New York, place to experience illusions!

The Museum of Illusions in New York brings you a space that offers wonderous and entertaining insights into the world of illusions which will delight all generations. The museum is a unique place for new experiences and fun with family and friends. Not only is it an exciting place for children, who adore coming, but it’s also a great place for parents, couples and grandparents!

The Optical Illusions of the museum

Enjoy our collection of holograms, look closely at every optical illusion and observe each installation thoroughly. Our exhibits are a brilliant, playful reminder that our assumptions about the world we perceive are often nothing but a shadow of illusions. Our genuine collection of showpieces will most certainly make your jaw drop!

The Museum of Illusions Master of Numbers

The Museum of Illusions amusing, and awesome features will teach you about how the human brain perceives reality. You will come to understand why your eyes see things which your mind cannot initially comprehend. Make sure you visit our playroom with its intriguing and educational games and puzzles. These brain mashers are great fun but also delightfully tricky!

The Magic Prism

Columbia County Historical Society                       5 Albany Avenue                                   Kinderhook, NY 12106

Columbia County Historical Society 5 Albany Avenue Kinderhook, NY 12106

Columbia County Historical Society

5 Albany Avenue

Kinderhook, NY 12106

(518) 758-9265

Open: Sunday 11:00am-4:00pm/Monday-Friday Closed/Saturday 11:00am-4:00pm

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g60899-d12000596-Reviews-Columbia_County_Historical_Society_Museum_Library-Kinderhook_New_York.html

The Columbia County Historical Society Museum

The main building of the Historical Society contains an exhibition on farming. It also contains the society’s library and genealogy center.

The James Vanderpoel House Museum

The afternoon I visited the society, the Vanderpoel House was the only building open but it was interesting to visit. I saw the early American portraits.

History of the House:

One of the finest examples of Federal architecture in Columbia County, the James Vanderpoel House was constructed circa 1819–1820 for prominent Kinderhook lawyer and judge James Vanderpoel. 

Trimmed with marble and built with local brick, the side-gabled structure has two stories, five bays, and rests on a fieldstone foundation. Symmetry and graceful architectural details are found throughout the home. Purchased by the Columbia County Historical Society in 1925, the property is now preserved as an exhibition space showcasing paintings and decorative arts from the CCHS permanent collection and is home to the CCHS Museum Store & Bookshop (CCHS website).

There are two exhibitions going on right now:

New York Portraits from the permanent collection:

Columbia County’s painted portraiture legacy spans more than three centuries of historically significant or artistically important works by self-taught, naïve and itinerant painters, as well as important artists of the time, and including some of the earliest works in America.

In the Portraits of the Permanent Collection shows us how the middle to upper middle class in the early years before photography was created to be remembered. Portraits were the best way to show the families wealth and prestige in the community plus keep families legacies alive. Today many of these families descendants don’t know what to do with them. This is our benefit that we can enjoy these private works of art.

Portraits from the Permanent Collection sign

The Gallery

The Gallery

The New York portraits in the collection

The New York Portrait Collection exhibition

The Portrait Collection-Children’s Portrait

Part of the Portrait and Federal Style exhibitions

Early Hand Tools & Farm Implements: the permanent collection

In the main building, there is also a permanent collection of farming equipment and the development of family farms in New York State. It shows how the agricultural profession has changed from doing everything by hand when farms catered solely to the family to the commercial farms that developed after the Civil War that found new markets for their products. Automation grew the industry but its start with equipment shows how much the process really hasn’t changed that much. It is a very thought provoking exhibit on how industries progress.

The “Early Hand Tools & Farm Implements” exhibitions

The farming equipment galleries

The farming equipment galleries

The farm equipment at the turn of last century that has not changed much to today.

The new exhibition “Dirt Road Life: Images of Rural Community” again shows how life has progressed in this country.

The description of the exhibition and collection of the artwork:

(From the museum website):

In this exhibit an extensive collection of vintage photographs provided by CCHS and Red Rock Historical Society that document what life was like along these dirt roads a century ago are complemented and contrasted with local high school students’ photos of contemporary winter scenes along Chatham’s unpaved network of roads.   The students’ photographs, curated by nationally celebrated photographer Paul Lange, are drawn from a body of work that is the brainchild of Ichabod Crane art teacher Sandy Dwileski.  Dwileski saw an artistic opportunity—winter road scapes rich in subtle hues, shadow contrasts and complex compositions—and set about organizing an outing with her advanced photography class to follow the system of roads mapped by the Chatham Dirt Road Coalition and photograph the journey.

The new exhibition “Dirt Road Life: Images of Rural Community”

The gallery exhibition on “Dirt Road Life”

Pictures from the exhibition

Pictures from the exhibition

The next special exhibition at the museum was the “A Farm, a Family and a Legacy”:

(from the museum website)

Farms have been the heart of Columbia County’s economy and culture throughout its history. One of these was Birge Hill Farm, established in 1785 by Hosea Birge, a Revolutionary War veteran who settled in Chatham, N.Y., in the early years of the republic.

The write up on the exhibition

The deed to the original farm

Here and on other small farms, families and neighbors worked cheek by jowl to sustain their small, tightly woven communities, until vast changes in technology, industry and society forever altered their rural way of life. 

The Birge Family artifacts in this interesting exhibition of family life on a multi generational farm

The farm is currently for sale

This exhibition presents highlights from the Birge Family Collection, donated to the Columbia County Historical Society by Hosea’s fourth great-grandson, Van Calhoun, and Van’s wife, Susan Senecah. The expansive collection comprises more than 200 objects, preserved by family members with remarkable foresight and care over eight generations. In their stories, we see the evolution of farm and family life in Columbia

The family heirloms

The current farmhouse of the family’s

The exhibition was interesting in that it must be hard for a family giving up a way of life and a home that has been in the family for 200 years. It was nice of the family to let us in and see their life in this exhibition.

Federal Style: Refinement, Grace and Symmetry:

America’s newly founded nation beamed with patriotism following its victory in the Revolutionary War. The original foundations of the United States government and culture immediately following its independence is known as the Federal Era (1780–1830).

George Washington and other American icons looked toward the Classical ages of Greece and Rome in forging an identity for the young American Republic through architecture, furniture, textiles, ceramics and works of art. Neoclassical designs and motifs are distinguished through simple lines, a satisfying balance of symmetry and overall elegance that signals strength and democracy. In celebrating 200 years of the James Vanderpoel House, we present its Federal architectural excellence along with diverse material culture representing characteristics of the Federal Style and era in Columbia County and America (CCHS website).

The other buildings that are part of the Society’s museum:

Signage at the Historical Houses

The Crane Schoolhouse

This authentic, circa-1850 one-room schoolhouse served as a public school for the Town of Kinderhook into the 1940s. It replaced an earlier “log cabin-style” single-room school where a man named Jesse Merwin served as school master. Merwin, who was a longtime friend of the writer Washington Irving, is said to have been the “pattern” for Irving’s character of Ichabod Crane in “The Legend of Sleepy Hollow.”

A “Legends & Lore” historic marker, awarded by the New York Folklore Society and William G. Pomeroy Foundation, stands a few yards from the school and commemorates this literary connection. Today, the Ichabod Crane Schoolhouse is a seasonal museum. See exhibitions, period school desks and other objects relating to one-room schoolhouse education in Columbia County.

During the 1950s and ’60s, it was saved from disrepair by a group of local women who retrofitted the space to function as an ad hoc community center. In 1952, former first lady Eleanor Roosevelt visited the schoolhouse to deliver a radio address praising “the work of women” and recognizing their efforts to preserve the historic school.

In 1974, the schoolhouse was moved 200 yards down the road to the Luykas Van Alen House site. That same decade, it was restored to its 1930s appearance. It remains an excellent and intact example of a rural, one-room schoolhouse with a gable roof, clapboard siding and a single pent-roofed entrance. The interior consists of a large classroom with two adjacent cloakrooms — one for boys and one for girls. The building was never modified to have heat or hot water and still retains its original 1929 wood-burning stove, wood flooring, chalkboards and double-hung sash windows(CCHS website).

Luykas Van Alen House

Built circa 1737 and designated a National Historic Landmark in 1967, the Luykas Van Alen house is recognized as one of the best examples of fewer than a dozen historically intact Dutch Colonial houses in the Hudson Valley. 

Located on rural land once used by native Mohican peoples for hunting and seasonal camping, the house was the center of a prosperous farm and home to several generations of the Van Alen family. The last Van Alen descendant to live in the house, Maria Van Alen Herrick, died in 1935. The house was purchased in 1938 by William Van Alen, a descendant of Luykas’ brother, Johannes. In 1964, unable to undertake extensive restorations himself, William generously donated the house to Columbia County Historical Society (CCHS website).

The signage by the Van Alen House

The Lewes Maritime Museum at the Cannonball House                                                                     118 Front Street                                                                   Lewes, DE 19958

The Lewes Maritime Museum at the Cannonball House 118 Front Street Lewes, DE 19958

The Lewes Maritime Museum at the Cannonball House

118 Front Street

Lewes, DE 19958

(302) 645-7670

https://www.historiclewes.org/visit/society-properties/cannonball-house.html

Open: Sunday-Monday Closed/Tuesday-Saturday 10:00am-4:00pm

Admission: $5.00 (this includes admission to the Lewes History Museum)

My review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g34028-d1382665-Reviews-Cannonball_House-Lewes_Delaware.html

My blog on The Lewes Historical Society:

https://visitingamuseum.com/tag/lewes-cannonball-house/

Our Mission:

The Lewes Maritime Museum at the Cannonball House at 118 Front Street

The Lewes Historical Society promotes and advocates the preservation, interpretation, and cultural enrichment of the Lewes region, through museum exhibits, educational programs, historical research, and publications.

About The Lewes Maritime Museum at the Cannonball House

The Cannonball House was built c. 1765 and was once the home of Gilbert McCracken and David Rowland, pilots for the Bay & River Delaware. The Cannonball House has come to symbolize not only the Society, but the town of Lewes as well; previous uses included a restaurant, a laundry store, and, for a time, the mayor’s office. Harkening back to the town’s rich nautical heritage, the Cannonball House is the home of The Lewes Historical Society’s Maritime Museum. Nationally important pieces of maritime art and memorabilia are displayed in the house, including the Fresnel Lens of Fourteen Foot Bank Light. The exhibition of Breaking Britannia’s Grasp is also housed in the museum and is included in your admission.

Featured in many works on Delaware, the Cannonball House is a rare example of a Lewes house remaining on one site its entire existence. The Cannonball House was featured on the 2003 Lewes Business Directory (Lewes Historical Society website).

The front of the museum

Historic Marker

The Cannonball at the house (recreation)

On April 5, 2003, the Cannonball House was honored by the State of Delaware for its close association with the Bombardment of Lewes by the British on April 6th and 7th, 1813 and as the home of two heroes of those fateful days, Gilbert McCraken and his son Henry, both Pilots of the Bay & River Delaware.

The Gilber and Henry McCraken burial site in downtown Lewes

The tip of the anchor that Henry McCraken was buried with in the Episcopal Church cemetery.

The War of 1812 Park, across Front Street from the house and site of one of the two forts that defended Lewes during the bombardment, was also recognized. Gilbert & Henry McCracken served in a volunteer militia composed primarily of Delaware Pilots that defended Lewes until the end of the war in 1815 (Lewes Historical Society website).

Perhaps the two most famous landmarks in Lewes are the Zwaanendael Museum and the Cannonball House. Many visitors come to town seeking the famous house with a cannonball still in its side, yet many are unaware of how close the house was to being lost. During the summer of 1961, several Lewes citizens expressed concern that the town was losing its character as its old homes were slowly being lost. They were especially concerned about the plight of what they knew as the Capt. David Rowland House – an ancient one with a distinguished history; built prior to the revolution, it had been the home of generations of river and bay pilots and had been scarred by cannon fire during the War of 1812 (Lewes Historical Society website).

The inside of the Lewes Maritime Museum at the Cannonball House has many exhibitions to view.

the Pilots display inside the Cannonball Museum

The Philadelphia exhibition

Display at the museum

The lighthouse display

The lighthouse light

The lighthouse display

The Shipping Display

Object from the Shipping Display

The museum had a display about life at sea. This included the bunking of sailors in the hull at that time. This was interesting look at life at that time.

The signs

The signs

Life on the ship

Still the most famous pieces in the museum is the cannonballs.

The Cannonball that hit the house

Cannonballs dredged from the canal.

The second floor ‘Henry Edmonds’ artifacts

Wreckage artifacts on the second floor

Downtown Lewes map

Ship attacks

The New “Wireless Age” exhibition

The ‘Wireless Age’ exhibition

The ‘Wireless Age’ exhibition

The ‘Wireless Age’ exhibition

The Children’s exhibition for the ‘Wireless Age’

The Grounds of the Lewes Maritime Museum at the Cannonball House have all sorts of artifacts on the outside of the property include bells, boats and buildings. Take time during the season to walk the grounds and look over all the items in the garden.

The museum courtyard

The museum courtyard

The bell

The ice house in the courtyard

The Rescue Boat

One night they met on Pilottown Road and decided something needed to be done right then and there – at that moment The Lewes Historical Society was formed. Members were sought, funds raised, and the property was acquired – the historic Burton-Ingram House on Second Street. Two years later in 1963, the young historical society had raised the money to purchase the Rowland House, also commonly called the Cannonball House in honor of its scars from the infamous Bombardment of Lewes (Lewes Historical Society website).

The Historical Marker of Lewes, DE

The museum in the early Spring

The grounds in the early Spring