I visited the Somers Mansion, the three story former home to five generations of the Somers Family. The mansion sits on a buff overlooking the bay and the bridge to the barrier island where Ocean City is located. The original part of the house was built in 1725 and in 1920 the last family members moved from the home and deeded it to the town. The modern additions of the home have been stripped off so you see the original house.
The historic marker of the home when it was donated by the family
I have to say that I was very disappointed with the condition of both the house and of the rooms and displays inside the house. There was not much to see. The lower level of the home has the main room with the hearth known in most early homes as the “Keeping” or “Everything” room where all the cooking, household chores and socializing was done because of the warmth of the fire.
Here and there were pieces of furniture but nothing labeled or decorated to make the room look ‘period’. Just old furniture here and there to fill the space. Some of the original family china was in the cupboards built into the walls.
The upstairs which must be reached by a rope bannister lead up a narrow stairs to two upstairs bedrooms. The home is not handicapped safe. The front bedroom had a fireplace with a small side room that held spinning wheels and some children’s furniture. There was not much to see in the upstairs.
The tour guide did not offer much in the way of information on the house and the only period pieces of the Somers family that were left inside the house were a chest, a clock, some of the china that was in the side cabinents and a bedwarmer.
Outside the house the Somers Point Garden Club planted a period garden of fruits and vegetables on the back lawn and lead tours of the gardens.
The Somers Mansion Kitchen Garden
The Garden Club planted fruits and vegetables that would have been grown in the time periods of the late 1700’s to early 1800’s. You can walk amongst the beds to see the plantings.
Somers Mansion Kitchen Garden planted by the Garden Club
The whole tour takes less than a half hour and it is more impressive from the outside. You are also not allowed to take pictures of the house for security reasons.
The back of the mansion
The History of the Somers Mansion:
(From the NJ State Historical Site.com):
The mansion and surrounding city bear the name of the family who owned and occupied the house for 200 years.
The Somers Mansion, a three story home constructed of brick in the Flemish bond pattern, sits overlooking the Great Egg Harbor Bay at Somers Point. In the late 1600’s, the property which surrounds the mansion was acquired by John Somers, who operated a ferry service across The Great Egg Harbor Bay to Cape May. He referred to it as Somers Plantation and Somers Ferry and the surrounding settlement, the olders in what became Altantic County and then Somers Point in the mid-18th Century.
The mansion is considered to be the oldest existing house in Atlantic County, predating the County itself. His son, Richard, the first of the family to be born in New Jersey, built what is now referred to as the mansion by 1726. That year the local Society of Friends (Quakers) used the home for a meeting and memorialized it in their minutes, making the earliest recorded date of the home’s existence.
By the end of the 19th century, the mansion’s architecture had been added to and changed to reflect a Victorian style. The house remained in the Somers Family until 1937 when it was deeded by Florence Hayday Brooks and Lulu Hayday Smith, daughters of Hannah Hayday Somers to the Atlantic County Historical Society for the purpose of creating a permanent memorial to the Somers family.
In 1941, it was transferred to the State of New Jersey, dedicated on September 26th, 1942 and in the early 1940’s was restored to its colonial appearance as a Works Progress Administration (WPA) project. Laborers for the WPA both renovated the surviving furnishings and conducted a historical restoration, including the elimination of rooms and architectural details dating to the 19th century. The site was added to the National Register of Historic Places in 1970 and is now a State Historic site.
The Somers Family burial ground further down off Shore Avenue off New York Avenue
Somers Point was originally settled by John Somers, an Englishman and practicing Quaker, who bought the land from Thomas Budd. Early names for the area were Somerset Plantation, Somers Ferry and Somers Plantation named after the first settlers in 1693. The land purchased originally covered all of Somers Point, part of Linwood and went into Egg Harbor Township. In the early years, it was part of Gloucester County, because Atlantic COunt had not yet been named.
The name “Somers Point” was adopted in 1750. It was a seafaring town and sloops, schooners and barges were built in the many shipyards located along the Greate Egg Harbor Bay, Greate Egg Harbor River and Patcong Creek.
The estate overlooking the bay
The back of the mansion and gardens
The Sooy Boatworks was located on Shore Road and the completed ships were rolled on logs down Shore Road to Delaware Avenue and then down to the bay. Shipbuilding and life along the waterways was a very important part of life in early Somers Point.
The Old Broad Street Presbyterian Church in its glory in the entrance to the historic cemetery
The Church and its historic cemetery.
When I was traveling to Salem and Cumberland Counties to visit historical sites, this was the last one on my list the first day of exploring. The Old Broad Street Presbyterian Church sits in the middle of a declining downtown in Bridgeton, NJ like a ghost of its former self. This graceful and elegant church is not used much anymore and sits like a majestic building overlooking a city that has passed it by.
The Church and its historic cemetery.
The church was built in 1792 for the growing Presbyterian congregation who was living in Bridgetown as it was called at the time. The brick walls and roof were completed but it would take another three years for the interior to be finished (Cumberland History.org).
The historic family cemetery
The cemetery is extremely interesting as you visit the historic tombstones and the family plots and try to figure out the connections. The biggest problem with the cemetery is that is has gotten very overgrown in parts of it. It needs a good mowing and the gravestones need to be cleaned as they are wearing away with the elements. It was hard to follow the historical listing but many famous residents and leaders of the community are buried here as well as members of the armed forces from the Revolutionary and Civil Wars and earlier.
The family plots at the cemetery
In some cases, when the families were buried together, it almost told the story of what happened within the family. I saw grave sites where the son or daughter either died in child birth or a disease or in battle and then the devastated parents followed a few years later which was a sad narrative. I saw this many times in the family plots. How many children died of diseases that today are solved by a pill.
The family plots
Some of the notable people buried in the cemetery are Ebenezer Elmer, who represented New Jersey in the United States House of Representatives from 1801-1807 and Jonathan Elmer, who represented New Jersey in the United States Senate from 1789-1791. Lucius Elmer, who represented New Jersey’s First congressional district from 1843-1845. Eilas Seeley, who was the Eleventh Governor of New Jersey serving in 1833. William G. Whiteley, who represented Delaware in the United States House of Representative from 1857 to 1861. Joseph Archibald Clark and Clement Waters Shoemaker, who were two of the founders of Cumberland Glass Manufacturing Company (Wiki).
The David Potter tomb
The history of the Broad Street Presbyterian Church and its cemetery:
(From Cumberland NJ Art.org)
For much of the 18th century in Bridgetown, which will eventually change its name to Bridgeton, there existed no church for Presbyterians, who were a large and growing segment of the local population. For church services, they were forced to conduct services in the Courthouse or travel to churches in Greenwich, Fairfield or Deerfield several miles away.
Family plots and crips
In 1792, about two acres of land were donated along King’s Highway, which was the main road from Bridgeton to Greenwich and ran along the south end of the church construction site. In 1800, this main route was relocated to the north and is today Broad Street (Route 49).
The cemetery grounds on a late summer afternoon.
The basic design of the Broad Street Presbyterian Church was set by it congregation and organizers who requested a masonry building with dimensions of at least forty by fifty feet. By December 1792, the brick walls and roof has been completed but it would take another three years for the interior to be finished.
The church in the early Fall of 2024
The design of the Broad Street Presbyterian Church is that of a meeting house, almost square in proportion. In the 17th and early 18th centuries, many American houses of worship were built in the meeting house form. This design was in contrast to the more formal churches of the period, which were more rectangular than square with an alter and/or communion table and pulpit approached by a long nave and often divided from the congregation by a railing. Broad Street Presbyterian Church has a tall pulpit, accessed by a winding stair and surrounded on three sides by pews so as many congregations as possible could attend and sit as close as possible to the preacher.
The beautifully designed church behind the fence
Above the pulpit is one of the most significant architectural features of the church, the Palladian window with its central window and semicircular arch flanked on each side by smaller windows and all unified by an entablature supported by columns. The name “Palladian” comes from the Venetian architect who originated the design, Andrea Palladio, who worked in 16th century.
The Elmer Family plot
Architects in the 17th and 18th centuries would travel from other parts of Europe to Italy to study architecture and they brought the Palladian style back to England and the American Colonies. Thomas Jefferson acquired an intense appreciation of Palladian architecture and used it extensively in his design for Monticello.
By 1835, the congregation had erected a new church but because the Broad Street church was surrounded by the cemetery, the congregation did not abandon or sell it but rather maintained it exactly as they left it, which is why today it is identified as one of the most pristine and unaltered examples of 18th century church architecture in the United States.
Today the Broad Street Presbyterian Church is used for special services and opened to the pubic by appointment. It is carefully maintained by the Presbyterian congregation of First Presbyterian Church located on Commerce Street in Bridgeton, NJ.
The Greenwich Tea Burning Monument in Greenwich, NJ
I am a firm believer in that you learn something new everyday and on a recent trip to visit historical sites of Southern New Jersey I came across this one in a guide book. I never even knew this monument existed let alone that we had our own version of the Boston Tea Party right here in New Jersey. It really showed me the significance of the Revolutionary War and how people from the past fought for the freedoms that we have today.
The monument in its glory.
On the night of December 22nd, 1774 forty people from the community took possession of tea chests and piling them together burnt them in protest of the Tea Tax that had been imposed on the residents of New Jersey. This act of defiance was a reaction to the actions of the British Rule.
The monument honorarium.
This beautiful and graceful monument lies now at the end of a sleepy country road in Greenwich, NJ which is still surrounded by farmland. It is hard to miss the monument in its location in the middle of a small park surrounded by a small fence. The monument was dedicated in 1908 and then again in 2008 there was a second ceremony to honor the 100th anniversary of the monument (Wiki).
The moument sits down the road from the Museum of Prehistoric History and from the Gibbon House so there are many things to see in Greenwich, NJ on this quiet country road.
The History of the Greenwich Tea Burning in 1774:
(From the Cumberland County, NJ website):
Liberty was not cradled in Philadelphia alone. The spirit was also alive in the inhabitants of Cumberland County when they destroyed a cargo of tea in 1774.
On the evening of Thursday, December 22nd, 1774, a company of about forty young Whigs, disguised as Indians, entered the cellar of Bowen’s house. They took possession of the whole cargo, conveyed the tea chests from the cellar into an adjoining field and piling them together, burnt them in one general conflagration. Forty miles from Philadelphia, was (and still is) the little town of Greenwich, the principal settlement of Cumberland County in 1774.
The Greenwich Tea Burning of 1774 (NJ Historical Society)
It was founded in 1675 by John Fenwick and is older than Philadelphia, which was not founded until 1682. The hand of time has hardly touched Greenwich. It is much the same today as it was three hundred years ago, when the British flag flew high over it. Today you will still find a wide street, which they still call “Ye Greate Street.” It was laid out in 1684 and its course has never been changed.
The storyboard on the event.
The Cohansey Creek is a navigable stream of some size running through the county of Cumberland and emptying into the Delaware Bay. In the autumn of 1774, the quiet inhabitants along the banks of the creek were startled by the appearance of a British brig called called the “Greyhound.” Sailing about four miles up the Cohansey, the brig stopped at the village of Greenwich, which was the first landing from its mouth.
She was laden with a cargo of tea sent out by the East India Tea Company, which was undoubtedly under the impression that the conservative feelings and principals of the people of New Jersey would induce them to submit quietly to a small tax. The result showed that the temper of the people was little understood by the East India Tea Company (Similar to the Toilet Paper Tax of the Governor Florio in the 1990’s).
The storyboard on the event.
Having found an English sympathizer, a Tory, as they were called, one Daniel Bowen, the Greyhound’s crew secretly stored the cargo of tea in the cellar of his house. However, this unusual procedure was noted by the citizens who immediately appointed a temporary committee of five to look after the matter until a county committee might be appointed.
A general committee of thirty-five was later appointed with representatives from Greenwich, Deerfield, Jericho, Shiloh, Bridgeton, Fairfield and perhaps other places.
Greenwich Tea Burning Monument News of the Boston Tea Party had already reached Greenwich and the defiant example was regarded by many of the local settlers as worthy of their own contempt for the British. Fate now presented them with a ready-made opportunity to duplicate the act.
On the evening of Thursday, December 22nd, 1774, a company of about forty young Whigs, disguised as Indians, entered the cellar of Bowen’s house. They took possession of the whole cargo, conveyed the tea chests from the cellar into an adjoining field and piling them together, burnt them in one general conflagration.
Thus, the patriots of Cumberland County living in Greenwich expressed their discontent by reacting to oppressive governmental measures. They had clearly taken a stand for independence and democracy.
Greenwich has been granted the distinction of being one of the five tea-party towns in America, the others being Charlestown, Annapolis, Princeton and Boston. In 1908, the monument seen above was erected in the old market place on Ye Greate Street to commorate the burning of a cargo of British tea on December 22nd, 1774.
The Museum of the City of New York at 1220 Fifth Avenue
I have been a member of the Museum of the City of New York for almost twenty years and what I love about the museum is that its concentration is to be everything about New York City and what makes the City so great. Its development from a Dutch Colony to the Modern Metropolis that it is today. It covers the history so well that they created a permanent display entitled “New York at its Core”, an extensive history of the City from its start as being colonized by the Lenape Indians as a fishing and hunting set of villages on the island.
The “New York at its Core” exhibition (MCNY)
Each display takes you through a different point in the history of the development of the City and how each era brought dramatic changes to the fabric of the City from immigration over the years to the fires that leveled the original City and the raise of Wall Street and the Arts to make New York City the Capital of the World. The almost bankruptcy of the City in 1975 to the attacks on 9/11 have really shaped the direction and change in the City to the COVID-19 pandemic reshaping it again. We see how New York City continues to survive. The exhibition is now updated to add the COVID pandemic to the fabric of what is happening in New York City now. This exhibition will continue to evolve over the coming years.
The entrance to “Timescapes”
The film “Timescapes” in the basement theater again tackles the issues of a changing City since its development and the City continues to morph over time. The movie narrated by Stanley Tucci tells the story of New York from the time of the Dutch settlement to the attacks of 9/11 and like “New York at its Core” the issues that come about after every event. The film is shown five times a day and do take the time to see it when visiting the museum.
A tiny clip of “Timescapes” from the Museum of the City of New York
Evening Talk and Film with the Talking Heads and the film “Stop Making Sense”
Just recently I attended a special event at the Museum to honor the Founding Members of the “Talking Heads” Chris Frantz and Tina Weymouth and their groundbreaking film “Stop Making Sense”. I was lucky to get tickets because the second I saw this on the museum listing I bought the tickets immediately. The event sold out quickly.
‘Talking Heads’ founders Chris Frantz and Tina Weymouth
The event was discussion with the creators of the group and how the Talking Heads emerged as a popular group through the 1980’s and 90’s. I have to admit that the two of them have not changed much but looking a bit older. They enchanted the audience with their time with the group and some new things they have in the works. After a quick Q & A, we watched their popular concert film “Stop Making Sense”.
We had such a good time at the event, the I wrote about it for my blog, “MywalkinManhattan.com”:
Day Two Hundred and Eight: Private Members nights at the New York Museums:
On another recent trip, I visited the exhibition “New York New Music 1980-1986” which was an exhibition on the development of the music scene after the Disco era was over and the rise of MTV. You had a combination of Club Music, Hip Hop, New Wave and the English Wave from Australia and New Zealand coming into the United States plus a resurgence of Rock and Roll after years of the “Disco Duck”. The exhibition highlighted the music of Debbie Harry and Blondie, Run DMC, Cyndi Lauper and Madonna and the rise of music videos. The exhibition brought me back to my last years of high school and my college years as I remembered all these groups.
The “New York-New Music 1980-1986” exhibition
Over the years I have seen exhibitions on everything from the Bankruptcy exhibition of New York City and the rise of crime, the Gilded Era with Alice Claypoole Vanderbilt’s “Electric Light” dress that she wore to Alva Vanderbilt’s famous ball and the wonderful toy exhibitions of early playthings. I have also been to many lectures at the museum with guests such as former Brooklyn President Marky Markowitz.
In 2023, I visited the museum for the first time in months and was able to see the “Gingerbread House Bakeoff” exhibition of well-known and amateur bakers in New York City. The exhibition was a hold over from Christmas and it was interesting to see the detailed gingerbread houses that were on display.
There two that I really liked. One was of Madison Square Park at Christmas time and looked like the pictures I had just taken of the park.
Bryant Park at Christmas time in gingerbread
Christmas scene in New York City
The next exhibition I wanted to see before it closed was the “Food in New York” exhibition. It could have been a little more detailed than what I saw. I thought it was going to have more of the development and history of food in New York and how it pertains to today. It was more artwork related to modern food industry trends. It was interesting but not what I thought it was going to be.
‘Food in New York’ exhibition
Some of the artwork really stood out on the display. I like the Hispanic Ice Carts which you see all over Washington Heights and East Harlem during the warmer months.
Ice Cart “Pimp My Piragua” byt artist Miguel Luciano
Artist Miguel Luciano
“Twilight” by artist Suzanne Anker
The effects of pollination of crops and the loss of bees shown here.
Artist Suzanne Anker
The latest exhibition that I visited on a Members walking tour was the “New York Now: Home” exhibition that opened in the Spring of 2023. The exhibition is based on what the photographers perspective of what a ‘home’ is and how you live through it. There were photos of family events, life outside the home, what a family is, is it your birth family or friends that have become family? There were also some great shots of people taken during the COVID lockdown and how the home became the center point of their lives and sanity. Each photographer gave a different way of looking at these points.
‘New York Now: Home: A Photography Triennial’
The exhibition write up
There were many terrific artists displayed in the exhibition but these are the five that I thought stood out the most:
Photographer and Artist Anders Jones work on the loss of bodegas in his neighborhood due to gentrification.
Artist Anders Jones work at the Museum of the City of New York
I think the museum was looking for a more political and environmental view of food in New York City as opposed to the history and development. It still was an important issue. It also showed all the urban, community and roof gardens that are becoming part of the urban landscape. It is interesting how people are using space to grow food for the benefit of everyone. It was an interesting perspective.
Evening with Walt Stillman for the anniversary of the film, “Last Days of Disco”:
The museum also has a series of talks in movies shot around or about New York City. On a recent trip to the museum I attended the retrospect of director Walt Stillman and his 1998 film “The Last Days of Disco”, which had been a huge hit when it came out. The director talked about the change in times from the 1970’s to the 1980’s and the shift in behavior of the population. There was a moment of time when “Disco was King” and going out was all the rage after years of Vietnam era. Studio 54 led this charge and when it closed in 1980, the party was over.
In conversation with director Walt Stillman the night of the retrospect.
The original trailer for the film.
The Q & A at Lincoln Center for the 20th anniversary of the film.
The series of films deal with the subject matter of New York City and what makes it a special place.
I recently went to see the new Art Deco City-New York exhibition on a private tour. The curator for the show toured us through the era after WWI and during the Depression. Things got more simplistic and cleaner.
You had a youth revolution that wanted to get away from Victorian values and with the lack of resources and money during the Depression, everything became more clean lines, less embellishment and more modern looking.
The exhibit ‘Art Deco City New York’
The bulk of the exhibition came from the collection of Cosmetic owner, Ronald Lauder, who contributed his Art Deco post card collection. Years of collecting showed all of us the changes not just in architecture but attitudes in travel and living. Gone were the bulky and elaborate in was simplistic and clean designs with a fresh approach.
The main gallery with Art Deco post cards
This perspective was shown in the 1939 World’s Fair, where a look to the future showed optimism and a look at new possibilities.
The 1939 World’s Fair
The outfits of that era also represented women and their freedoms from the Victorian era and the excesses. Gone were the days of corsets and bustles and in was the freedom of movement to the modern working woman who have to work to support her family. This reflected in the social life too.
Dresses from the 1930’s
Rockefeller Center and the Empire State Building were the big projects of that era. It showed the optimism and show of the possibilities of the modern era during the Depression and kept people working.
Models of Rockefeller Center
The exhibition was very interesting and informative and shows up in the modern era today.
The latest exhibition I attended was “Songs of New York”, a tribute to the rich music scene of the five boroughs through the ages.
The Exhibition sign for “Songs of New York”
The exhibition delves into the rich history of everything from New Wave to Hip Hop to Rock and Jazz. The interactive exhibition has you stepping on a Borough symbol and you hear its rich history of music.
The interactive display on the third floor
The opening remarks from the curator at the opening night
The reception with drinks and snacks for members
Pictures from ‘Look Magazine’ from the collection
Photographs from Allan Tannenbaum
The career of Allan Tannenbaum
The photos of Janette Beckmann of the ‘Hip Hop’ scene with the start of the careers of LL Cool J and Run DMC
The exhibition packs a lot of information into a small space where the members were able to enjoy the music of New York City.
I went to an Educator’s Night for the new ‘Above Ground’ exhibition on the street art collection of Artist Matin Wong. The artist collected the street art of the 1980’s after the Crash of 1987 slowed the demand for this art.
The ‘Above Ground’ exhibition
The sign from the exhibition
The works in the exhibition
The work ‘Futura’
The sign for ‘Futura’
The works by artist Keith Haring
The works in the galleries were creative and colorful. These artists sending a message with their works.
The art of the exhibition
The art of the exhibition
The gallery displaying the works
The exhibition works were from the period of the mid to late 1980’s and these works Martin Wong bought after the Crash of 1987 to help sustain his artist friends whose sales dried for street art. The collection was donated to the museum after the artist’s passing in 1994 (Museum pamphlet).
Evening with Photographer, Ebet Roberts:
I recently returned to the museum for a special evening event for photographer Ebet Roberts
The special event for music photographer Ebet Roberts: The photographer, Ebet Roberts with the museum curator
The evening was a discussion of the artist’s works from the 1970’s and 80’s. What I thought was interesting is how she seemed to fall into it as an artist with newspapers interested in seeing her photographs.
The photographer’s poster for the event
One of her well known works of a musician couple from the 1970’s
The talk was very interesting as she fell into the profession of just taking pictures of bands while attending the events as reporting. Then the papers wanted to see what pictures she had taken. Liking how she captured the groups in a more human fashion, she continued to take more pictures. This led to private sessions and behind the scenes works, capturing the events before and after a concert. It was a very interesting talk.
Special Members Mornings:
I recently attending a Private Members Morning for the opening of the “Alice in New York” exhibition and to see “He Built this City”, the diorama of New York City. These mornings allow us special time to see all the exhibitions, take tours and for the kids, there are all sorts of activities.
‘Another Wonderland’ exhibition
(From the Museum website)
The Museum of the City of New York, in collaboration with New York City Health + Hospitals Arts in Medicine and the Laurie M. Tisch Illumination Fund, presents ‘Another Wonderland: Abram Champanier’s Alice Mural’ (MCNY.com)
The exhibition celebrates the rescue and decades-long restoration of Alice of Wonderland Visiting New York, a major New Deal–era mural cycle created for the children’s ward at Gouverneur Hospital between 1938 and 1940. Commissioned through the Works Progress Administration’s Federal Art Project, the sixteen-panel series reimagined Lewis Carroll’s beloved characters exploring 1930s New York City—from the subway and Brooklyn Bridge to Coney Island and Central Park—bringing color, fantasy, and joy to a space dedicated to healing (MCNY.com).
After decades of painstaking restoration, and along with two faithfully reproduced panels and a selection of archival photographs, the mural panels will be on view together for the first time in nearly fifty years. The exhibition also situates the mural within the broader story of the WPA and its role in transforming public spaces across New York City (MCNY.com).
The entrance to the exhibition
The description of the exhibition
Alice and her friends leave the novel and arrive in the ‘Big Apple’
Alice and her friends on New York Harbor
They next visited that Statue of Liberty
Alice next took a trip in the subway. At least it wasn’t the 1970’s!
The next flew by the Empire State Building. All I could think about was the airplane scene in the movie ‘Flying Down to Rio’
The clip from “Flying Down to Rio”
They next took a trip on the Staten Island Ferry
Alice visits Coney Island
Taking a plane ride around New York City
Everyone gathering
Alice at the New York Public Library
The end of the exhibition when everyone returns to their books
Queens-born artist Joe Macken began the project in 2004. Over the next 21 years, working first in Middle Village, Queens and later in Clifton Park, New York, he devoted himself to crafting a vast architectural portrait of the city he calls home. Built entirely by hand using everyday materials—including balsa wood, cardboard, and glue—the model spans 50 by 27 feet and comprises over 340 individual sections. It renders the city’s skyline, neighborhoods, and landmarks with remarkable precision, character, and imagination. Macken started with the Comcast Building at 30 Rockefeller Plaza, infusing its familiar form with details that signal his personal artistic vision (MCNY.com).
The model is on view in the Museum’s Dinan Miller Gallery, presented in an installation that balances close looking with an appreciation of the full scale of the model. In the gallery, we encourage you to use the provided binoculars to see the model in greater detail and to watch the video highlighting Macken’s hand-carved buildings. Weather permitting, access to view the north side of the model will be available through the North Terrace (MCNY.com).
The model of New York City
These are the types of events that make the museum unique and special.
Video on the Model by the Artist
The History of the Museum of the City of New York:
(From the Museum of the City of New York website/Wiki):
The Museum of the City of New York is a history and art museum that was founded in 1923 by Henry Collins Brown. The red brick building with marble trim was built between 1929-30 and was designed by architect Joseph H. Freedlander in the neo-Georgian style with statues of Alexander Hamilton and DeWitt Clinton by sculptor Adolph Alexander Weinman, which face Central Park from niches in the facade (Wiki).
The museum was originally located in Gracie Mansion, where available space was limited. One of the first exhibitions was “Old New York” in 1926. This took place in the Fine Arts Building on West 57th Street. The success of the project led to a search for a new, permanent headquarters for the museum (Wiki).
A design competition was held between five invited architects and the Colonial Revival design by Joseph H. Freelander was chosen. The City donated the site on Fifth Avenue and the funds for the construction of the museum was raised by public subscription. The original plans for the museum’s building were scaled back as a result of the Wall Street Crash of 1929. The building was finished and dedicated in 1932.
In 2000, there was talk by then Mayor Rudy Giuliani to move the museum to the historic Tweed Courthouse near City Hall but that was over-turned by the incoming Mayor, Michael Bloomberg. In protect the museum director, Robert R. McDonald resigned.
In coming new museum director, Susan Henshaw Jones, planned an extension to the museum and it was completed in 2008. The extension including renovating the existing gallery spaces and adding a new pavilion. New displays and a remounting of valuable artifacts were done to give the museum a refreshed look. In 2011, the Museum of the City of New York temporarily took over operation of the South Street Seaport Museum which itself reopened in 2012 (Wiki).
The museum has a collection of over 1.5 million objects including many items from the 19th and early 20th centuries including paintings, prints, costumes, decorative objects, furniture and an extensive collection of toys. There are also extensive collections of police and fire items as well as shop models, rare books and manuscripts (Wiki).
The Museum of the City of New York in the early Spring
