I visited the East Point Lighthouse on a glorious sunny day when there was no wind in the forecast, and it made for an excellent visit to this lighthouse right by the sea. I noticed that on almost all sides, there were man-made barriers to protect the lighthouse grounds from erosion.
The bunker that surrounds the lighthouse.
The grounds were a combination of dunes with beach grass, rocks and tiger Lillys all over the property to give it a colorful look. There were misty breezes from the water that felt so good as it got hotter that day. The property is pretty contained and there is parking all around the building, but the lots are small.
The view from the top of the lighthouse that surrounds it.
I bought my tickets in the gift shop ($8.00), was able to look around at the well-stocked shop with its nautical books and tee-shirts and hats with the lighthouse logo on it. You are also able to go to the bathroom.
The entrance to the lighthouse and the gift shop.
The tour of the lighthouse is a self-guided tour, and you are able to climb the stairs and visit each room of the lighthouse as if the lighthouse keeper and his family still lived there. When I was talking with one of the volunteers that morning on the first floor, he told me as they were renovating the lighthouse after the fire and completing it, they put the word out to the community for donations to furnish the lighthouse with items that may have come from the period that the lighthouse was in operations. The donations poured in with family heirlooms that filled each room up.
The first floor kitchen.
On the first floor is the kitchen with its time period ice box and coal stove which shows what life was life for a housewife before WWII. I am sure that electricity was tough getting to lighthouse especially during storms. You had washboards and basins for wash day and all the equipment to clean the house.
The Parlor at the Lighthouse
The lighthouse office of the lighthouse keeper was equipped with all things that are needed to keep the place running from maps to communication equipment to a fully stocked desk. There were no days off in this job. There was even a picture of Clara Noon, who as a little girl was the last child to live in the lighthouse. She visited again as a senior in the early 1990’s.
The Parlor in the lighthouse.
The upstairs had a fully furnished adults’ bedroom with period clothes of the early 1900’s to WWII and the furnishings were of various periods of living in the lighthouse.
The Adult’s bedroom
The Adult’s bedroom
The children’s bedroom was really elaborate with rope beds, children’s furniture, lots of toys from the 1890’s to the 1930’s and a great doll collection. There was even a handmade dollhouse complete with elaborate furniture that was handmade by a local resident. It was very impressive.
The Nursery and Children’s Room
The Children’s Room
Children’s toys in the Children’s room
The Children’s toys and the Sampler
The Dollhouse that is well known in the lighthouse
There were also all sorts of maps and rare books to look at and a complete radio room and then the last set of stairs took you up to the light where you could see the views of the ocean. In fact, the views from all the floors were pretty impressive.
The views from the top of the lighthouse.
It is an amazing self-guided tour that gives you a glimpse into the life of the families that lived here. It may not have been this elaborate as all the items inside the lighthouse, but it gives you a clue on what life must have been like by using your imagination.
The views from the top of the lighthouse.
What was interesting is that the lighthouse opened in 1849 and then became fully automated in 1911 so its use of a lighthouse keeper was pretty much over before WWI. Still over a period of time you can see how the job changed with automation and advancement of technology.
The signal light of the lighthouse.
The top of the lighthouse.
I took time to walk the grounds. The landscaping and the beach dunes gave it a very attractive backdrop.
A wonderful video on the ligthouse tour from YouTube
The History of the East Point Lighthouse:
(From the Cumberland County Historical Division/NJ Lighthouse.com/East Point Tourism Pamphlet):
The East Point Lighthouse is an active lighthouse that was built in 1849, situated on the southern bayshore in Cumberland County, NJ. The ligthhouse originally had a lighthouse keeper to maintain the lights. In exchange for doing this work, they were allowed to live here rent free and were paid the sum of $1.00 per year for their services. It was fully automated by 1911.
The lighthouse was blacked out in WWII and then after the war, the Coast Guard decided the lighthouse was not longer necessary and decommissioned it in 1941. Over the years it deteriorated quickly over time.
In 1955, the Federal Government decided to sell the lighthouse and the property as surplus, and it was purchased by a Long Island construction company but before the sale was consummated it was found that proper disposal procedures were not followed in that the lighthouse was not first offered to the State of New Jersey. The state was interested in the property not because of the lighthouse but because the site was surrounded by the Heisersville Wildlife Refuge and would provide a place for boats to be launched.
The Annual Monarch Butterfly Festival.
Local residents became concerned with the condition of the lighthouse and in February of 1971, the Maurice River Historical Society was founded with the goal of restoring the lighthouse. In July of 1971 before negotiations were complete, the lighthouse was set on fire. Through a series of grants over the years and a lot of dedication from the volunteers, the lighthouse has been reconstructed.
The Dining Room at the ligthouse.
The Lighthouse China
This fully restored and furnished lighthouse with its beacon on each night serves as both an active navigational aid serviced by the United States Coast Guard as well as a year round museum, thanks to the work of the Maurice River Historical Society that manages this historical site.
East Point Lighthouse logo
Through the work of the non-profit historical society that over saw the full restoration, fully furnished, maintains and manages the lighthouse, it’s open to the public to climb/tour and for specials events year round. Both the lighthouse and grounds surrounding the lighthouse are on the National Historic Registry. East Point is the second oldest lighthouse in New Jersey (behind the Sandy Hook Lighthouse) and the only remaining New Jersey land based lighthouse on the Delaware Bay.
The two story Cape Cod style lighthouse with its distinctive red roof by day and blinking red beacon by night, marks the mouth of the Maurice River on the Delaware Bay. East Point is known for its rich maritime history, spectacular views, wide variety of wildlife and beautiful sunsets, making it a popular destination for tourist, artists, photographers, wildlife and history enthusiasts alike.
The Greenwich Tea Burning Monument in Greenwich, NJ
I am a firm believer in that you learn something new everyday and on a recent trip to visit historical sites of Southern New Jersey I came across this one in a guide book. I never even knew this monument existed let alone that we had our own version of the Boston Tea Party right here in New Jersey. It really showed me the significance of the Revolutionary War and how people from the past fought for the freedoms that we have today.
The monument in its glory.
On the night of December 22nd, 1774 forty people from the community took possession of tea chests and piling them together burnt them in protest of the Tea Tax that had been imposed on the residents of New Jersey. This act of defiance was a reaction to the actions of the British Rule.
The monument honorarium.
This beautiful and graceful monument lies now at the end of a sleepy country road in Greenwich, NJ which is still surrounded by farmland. It is hard to miss the monument in its location in the middle of a small park surrounded by a small fence. The monument was dedicated in 1908 and then again in 2008 there was a second ceremony to honor the 100th anniversary of the monument (Wiki).
The moument sits down the road from the Museum of Prehistoric History and from the Gibbon House so there are many things to see in Greenwich, NJ on this quiet country road.
The History of the Greenwich Tea Burning in 1774:
(From the Cumberland County, NJ website):
Liberty was not cradled in Philadelphia alone. The spirit was also alive in the inhabitants of Cumberland County when they destroyed a cargo of tea in 1774.
On the evening of Thursday, December 22nd, 1774, a company of about forty young Whigs, disguised as Indians, entered the cellar of Bowen’s house. They took possession of the whole cargo, conveyed the tea chests from the cellar into an adjoining field and piling them together, burnt them in one general conflagration. Forty miles from Philadelphia, was (and still is) the little town of Greenwich, the principal settlement of Cumberland County in 1774.
The Greenwich Tea Burning of 1774 (NJ Historical Society)
It was founded in 1675 by John Fenwick and is older than Philadelphia, which was not founded until 1682. The hand of time has hardly touched Greenwich. It is much the same today as it was three hundred years ago, when the British flag flew high over it. Today you will still find a wide street, which they still call “Ye Greate Street.” It was laid out in 1684 and its course has never been changed.
The storyboard on the event.
The Cohansey Creek is a navigable stream of some size running through the county of Cumberland and emptying into the Delaware Bay. In the autumn of 1774, the quiet inhabitants along the banks of the creek were startled by the appearance of a British brig called called the “Greyhound.” Sailing about four miles up the Cohansey, the brig stopped at the village of Greenwich, which was the first landing from its mouth.
She was laden with a cargo of tea sent out by the East India Tea Company, which was undoubtedly under the impression that the conservative feelings and principals of the people of New Jersey would induce them to submit quietly to a small tax. The result showed that the temper of the people was little understood by the East India Tea Company (Similar to the Toilet Paper Tax of the Governor Florio in the 1990’s).
The storyboard on the event.
Having found an English sympathizer, a Tory, as they were called, one Daniel Bowen, the Greyhound’s crew secretly stored the cargo of tea in the cellar of his house. However, this unusual procedure was noted by the citizens who immediately appointed a temporary committee of five to look after the matter until a county committee might be appointed.
A general committee of thirty-five was later appointed with representatives from Greenwich, Deerfield, Jericho, Shiloh, Bridgeton, Fairfield and perhaps other places.
Greenwich Tea Burning Monument News of the Boston Tea Party had already reached Greenwich and the defiant example was regarded by many of the local settlers as worthy of their own contempt for the British. Fate now presented them with a ready-made opportunity to duplicate the act.
On the evening of Thursday, December 22nd, 1774, a company of about forty young Whigs, disguised as Indians, entered the cellar of Bowen’s house. They took possession of the whole cargo, conveyed the tea chests from the cellar into an adjoining field and piling them together, burnt them in one general conflagration.
Thus, the patriots of Cumberland County living in Greenwich expressed their discontent by reacting to oppressive governmental measures. They had clearly taken a stand for independence and democracy.
Greenwich has been granted the distinction of being one of the five tea-party towns in America, the others being Charlestown, Annapolis, Princeton and Boston. In 1908, the monument seen above was erected in the old market place on Ye Greate Street to commorate the burning of a cargo of British tea on December 22nd, 1774.
I stopped in at the Museum of Prehistory after a tour of several other historical sites in the area and this little museum is packed with interesting artifacts.
The main gallery
One section was dedicated to the Lenape Indians who lived in the area. There were many artifacts such as arrow heads, spears, pottery and an assortment of fishing and cooking materials. The Native Americans had an interesting system of living that adapted to nature. They developed a sophisticated system of living that was mobile and came with them as they moved around during the seasons.
There is an extensive fossil collection that includes trilobites, shark teeth, crabs, lobsters and they even had a footprint of a dinosaur. What I thought was interesting was the dinosaur eggs (they were not found locally).
Each case is dedicated to subject matter and the whole museum can be seen in less than an hour.
History of the Alan E. Carman Museum of Prehistory:
The Museum was dedicated in 1997, the museum was established to house the Native American artifacts and prehistoric fossils collected by Alan Ewing Carman. Carman was an avocational archaeologist who spent 58 plus years collecting, excavating and researching Native American artifacts from southern New Jersey.
The Alan E. Carman biography
Since Carmen’s original gift to the Society, the museum has acquired a variety of artifacts and specimens from different donors that have enhanced the collection’s research and educational potential. The museum has been and continues to be a valuable resource for archaeologists, paleontologists, students, tour groups and the general public. Come visit our collections to learn more about southern New Jersey’s storied past or to use our extensive research materials.
The Dinosaur bones
Dinosaur bones and eggs at the museum.
To enter the museum is to enter the world of the Native American ancestors that lived in the lower Delaware Valley. The Museum of Prehistory displays an incredible assortment of ancient artifacts and even older fossils that speak to this region’s fascinating prehistory.
The wonderful pottery collection of Native Americans.
Pottery and cooking items of Native Americans.
Our Mission:
(from the museum pamphlet)
The mission of the Cumberland County Historical Society is to preserve and promote the history and heritage of the county through acquisitions, collections, exhibits, research, educational programs and publications for the benefit of current and future generations.
Arrowheads and fishing artifacts.
The Alan Ewing Carman Museum of Prehistory supports this mission through the collection, preservation, interpretation and exhibition of pre-Contact period Native American artifacts from southern New Jersey. The museum serves as an institute for public education and a resource for archaeological research.
About the Collections:
(from the museum pamphlet)
The Native American artifacts were primarily acquired and donated by avocational archaeologist Alan Ewing Carman. Later donations have helped bolster this incredible collection of artifacts that all came from Southern New Jersey. To this day, the collection serves as an excellent resource for public education and academic research.
Six-Hundred-year-old dog bones.
The museum features a recreated burial of a mother dog and her two puppies that were lovingly interred about 800 years ago (museum website).
This video was on the history of Prehistory of the Lenape Indians:
The History of the Museum:
(From the museum pamphlet):
To visit the museum is to enter the world of the Indians who inhabited the lower Delaware Valley. At the end of the last Ice Age, the Paleo (Clovis) Indians were the first primitive people to penetrate this region. Many subsequent Indian cultures followed in their wake, leaving physical evidence of their passing in the earth’s archives. This salvaged evidence exhibited in the form of stone and bone artifacts, pottery and native crafts. When combined, they illustrate the evolution of the Indian societies who occupied southern New Jersey.
A major attraction to the Indians in this sector of the state was fossiliferious stone named “Cohansey Quartzite”. It was mined in the Vinicius of Greenwich, NJ. Other stone materials such as flint, jasper, thyolite and argillite were imported into the area and their mining locations are identified.
The Indians Fire making kits, manufacturing of pottery, use of gourds and flaking techniques, all make an interesting study of native crafts. Bone and shell remains salvaged from refuse pits depict their food sources. Of special interest, is the 800 year old mother dog and her two puppies which were unearthed near Swainton, NJ.
The Indians who inhabited Southern New Jersey at the time of the European contact were the Lenape, pronounced “Len-bop-pay”. Today they are known as the Delaware. Anthropologists have identified over 44 sub-divisions of the Lenape people who inhabited their ancestral homeland (Lenapehoking).
In the southern part of New Jersey, the little Siconese occupied the land along the Cohansey River; the Sewapose, the Maurice River and the Alloways, the Salem Creek and its tributaries. As a visitor enters the Museum, a map of Cumberland County pinpoints 115 areas of occupation which define population levels in Prehistoric times.
Of special interest to the children are over 1000 fossils from four time periods of the earth’s geological development. Extinct trilobites, whale and porpoise vertebrae, crabs, lobsters, squid, mollusks, sting rays and giant shark teeth fill the special display case. Also a foot print in the stone of a bird like dinosaur call a “ Grallator”.
All of these were found in New Jersey, Delaware, Maryland and Virginia. They illustrate a fascinating array of land and marine life which once roamed the earth’s primordial landscape. In addition, a cluster of 87 million year old Dinosaur eggs, a fossilized Snake egg and Turtle egg were donated in 2005. Ribs and remains of extinct reptiles fascinate and delight children on school tours. A wide assortment of publications are available to the public regarding the Indian’s culture and the study of fossils.
The Museum of the City of New York at 1220 Fifth Avenue
I have been a member of the Museum of the City of New York for almost twenty years and what I love about the museum is that its concentration is to be everything about New York City and what makes the City so great. Its development from a Dutch Colony to the Modern Metropolis that it is today. It covers the history so well that they created a permanent display entitled “New York at its Core”, an extensive history of the City from its start as being colonized by the Lenape Indians as a fishing and hunting set of villages on the island.
The “New York at its Core” exhibition (MCNY)
Each display takes you through a different point in the history of the development of the City and how each era brought dramatic changes to the fabric of the City from immigration over the years to the fires that leveled the original City and the raise of Wall Street and the Arts to make New York City the Capital of the World. The almost bankruptcy of the City in 1975 to the attacks on 9/11 have really shaped the direction and change in the City to the COVID-19 pandemic reshaping it again. We see how New York City continues to survive. The exhibition is now updated to add the COVID pandemic to the fabric of what is happening in New York City now. This exhibition will continue to evolve over the coming years.
The entrance to “Timescapes”
The film “Timescapes” in the basement theater again tackles the issues of a changing City since its development and the City continues to morph over time. The movie narrated by Stanley Tucci tells the story of New York from the time of the Dutch settlement to the attacks of 9/11 and like “New York at its Core” the issues that come about after every event. The film is shown five times a day and do take the time to see it when visiting the museum.
A tiny clip of “Timescapes” from the Museum of the City of New York
Just recently I attended a special event at the Museum to honor the Founding Members of the “Talking Heads” Chris Frantz and Tina Weymouth and their groundbreaking film “Stop Making Sense”. I was lucky to get tickets because the second I saw this on the museum listing I bought the tickets immediately. The event sold out quickly.
‘Talking Heads’ founders Chris Frantz and Tina Weymouth
The event was discussion with the creators of the group and how the Talking Heads emerged as a popular group through the 1980’s and 90’s. I have to admit that the two of them have not changed much but looking a bit older. They enchanted the audience with their time with the group and some new things they have in the works. After a quick Q & A, we watched their popular concert film “Stop Making Sense”.
We had such a good time at the event, the I wrote about it for my blog, “MywalkinManhattan.com”:
Day Two Hundred and Eight: Private Members nights at the New York Museums:
On another recent trip, I visited the exhibition “New York New Music 1980-1986” which was an exhibition on the development of the music scene after the Disco era was over and the rise of MTV. You had a combination of Club Music, Hip Hop, New Wave and the English Wave from Australia and New Zealand coming into the United States plus a resurgence of Rock and Roll after years of the “Disco Duck”. The exhibition highlighted the music of Debbie Harry and Blondie, Run DMC, Cyndi Lauper and Madonna and the rise of music videos. The exhibition brought me back to my last years of high school and my college years as I remembered all these groups.
The “New York-New Music 1980-1986” exhibition
Over the years I have seen exhibitions on everything from the Bankruptcy exhibition of New York City and the rise of crime, the Gilded Era with Alice Claypoole Vanderbilt’s “Electric Light” dress that she wore to Alva Vanderbilt’s famous ball and the wonderful toy exhibitions of early playthings. I have also been to many lectures at the museum with guests such as former Brooklyn President Marky Markowitz.
In 2023, I visited the museum for the first time in months and was able to see the “Gingerbread House Bakeoff” exhibition of well-known and amateur bakers in New York City. The exhibition was a hold over from Christmas and it was interesting to see the detailed gingerbread houses that were on display.
There two that I really liked. One was of Madison Square Park at Christmas time and looked like the pictures I had just taken of the park.
Bryant Park at Christmas time in gingerbread
Christmas scene in New York City
The next exhibition I wanted to see before it closed was the “Food in New York” exhibition. It could have been a little more detailed than what I saw. I thought it was going to have more of the development and history of food in New York and how it pertains to today. It was more artwork related to modern food industry trends. It was interesting but not what I thought it was going to be.
‘Food in New York’ exhibition
Some of the artwork really stood out on the display. I like the Hispanic Ice Carts which you see all over Washington Heights and East Harlem during the warmer months.
Ice Cart “Pimp My Piragua” byt artist Miguel Luciano
Artist Miguel Luciano
“Twilight” by artist Suzanne Anker
The effects of pollination of crops and the loss of bees shown here.
Artist Suzanne Anker
The latest exhibition that I visited on a Members walking tour was the “New York Now: Home” exhibition that opened in the Spring of 2023. The exhibition is based on what the photographers perspective of what a ‘home’ is and how you live through it. There were photos of family events, life outside the home, what a family is, is it your birth family or friends that have become family? There were also some great shots of people taken during the COVID lockdown and how the home became the center point of their lives and sanity. Each photographer gave a different way of looking at these points.
‘New York Now: Home: A Photography Triennial’
The exhibition write up
There were many terrific artists displayed in the exhibition but these are the five that I thought stood out the most:
Photographer and Artist Anders Jones work on the loss of bodegas in his neighborhood due to gentrification.
Artist Anders Jones work at the Museum of the City of New York
I think the museum was looking for a more political and environmental view of food in New York City as opposed to the history and development. It still was an important issue. It also showed all the urban, community and roof gardens that are becoming part of the urban landscape. It is interesting how people are using space to grow food for the benefit of everyone. It was an interesting perspective.
The museum is really all things New York.
The museum also has a series of talks in movies shot around or about New York City. On a recent trip to the museum I attended the retrospect of director Walt Stillman and his 1998 film “The Last Days of Disco”, which had been a huge hit when it came out. The director talked about the change in times from the 1970’s to the 1980’s and the shift in behavior of the population. There was a moment of time when “Disco was King” and going out was all the rage after years of Vietnam era. Studio 54 led this charge and when it closed in 1980, the party was over.
In conversation with director Walt Stillman the night of the retrospect.
The original trailer for the film.
The Q & A at Lincoln Center for the 20th anniversary of the film.
The series of films deal with the subject matter of New York City and what makes it a special place.
I recently went to see the new Art Deco City-New York exhibition on a private tour. The curator for the show toured us through the era after WWI and during the Depression. Things got more simplistic and cleaner.
You had a youth revolution that wanted to get away from Victorian values and with the lack of resources and money during the Depression, everything became more clean lines, less embellishment and more modern looking.
The exhibit ‘Art Deco City New York’
The bulk of the exhibition came from the collection of Cosmetic owner, Ronald Lauder, who contributed his Art Deco post card collection. Years of collecting showed all of us the changes not just in architecture but attitudes in travel and living. Gone were the bulky and elaborate in was simplistic and clean designs with a fresh approach.
The main gallery with Art Deco post cards
This perspective was shown in the 1939 World’s Fair, where a look to the future showed optimism and a look at new possibilities.
The 1939 World’s Fair
The outfits of that era also represented women and their freedoms from the Victorian era and the excesses. Gone were the days of corsets and bustles and in was the freedom of movement to the modern working woman who have to work to support her family. This reflected in the social life too.
Dresses from the 1930’s
Rockefeller Center and the Empire State Building were the big projects of that era. It showed the optimism and show of the possibilities of the modern era during the Depression and kept people working.
Models of Rockefeller Center
The exhibition was very interesting and informative and shows up in the modern era today.
The latest exhibition I attended was “Songs of New York”, a tribute to the rich music scene of the five boroughs through the ages.
The Exhibition sign for “Songs of New York”
The exhibition delves into the rich history of everything from New Wave to Hip Hop to Rock and Jazz. The interactive exhibition has you stepping on a Borough symbol and you hear its rich history of music.
The interactive display on the third floor
The opening remarks from the curator at the opening night
The reception with drinks and snacks for members
Pictures from ‘Look Magazine’ from the collection
Photographs from Allan Tannenbaum
The career of Allan Tannenbaum
The photos of Janette Beckmann of the ‘Hip Hop’ scene with the start of the careers of LL Cool J and Run DMC
The exhibition packs a lot of information into a small space where the members were able to enjoy the music of New York City.
I went to an Educator’s Night for the new ‘Above Ground’ exhibition on the street art collection of Artist Matin Wong. The artist collected the street art of the 1980’s after the Crash of 1987 slowed the demand for this art.
The ‘Above Ground’ exhibition
The sign from the exhibition
The works in the exhibition
The work ‘Futura’
The sign for ‘Futura’
The works by artist Keith Haring
The works in the galleries were creative and colorful. These artists sending a message with their works.
The art of the exhibition
The art of the exhibition
The gallery displaying the works
The work by artist Quik
The artist’s write up
The exhibition works were from the period of the mid to late 1980’s and these works Martin Wong bought after the Crash of 1987 to help sustain his artist friends whose sales dried for street art. The collection was donated to the museum after the artist’s passing in 1994 (Museum pamphlet).
I recently returned to the museum for a special evening event for photographer Ebet Roberts
The special event for music photographer Ebet Roberts
The evening was a discussion of the artist’s works from the 1970’s and 80’s. What I thought was interesting is how she seemed to fall into it as an artist with newspapers interested in seeing her photographs.
The photographer, Ebet Roberts with the museum curator
The photographer discussing her work
One of her well known works of a musician couple from the 1970’s
The talk was very interesting as she fell into the profession of just taking pictures of bands while attending the events as reporting. Then the papers wanted to see what pictures she had taken. Liking how she captured the groups in a more human fashion, she continued to take more pictures. This led to private sessions and behind the scenes works, capturing the events before and after a concert. It was a very interesting talk.
These are the types of events that make the museum unique and special.
The History of the Museum of the City of New York:
(From the Museum of the City of New York website/Wiki):
The Museum of the City of New York is a history and art museum that was founded in 1923 by Henry Collins Brown. The red brick building with marble trim was built between 1929-30 and was designed by architect Joseph H. Freedlander in the neo-Georgian style with statues of Alexander Hamilton and DeWitt Clinton by sculptor Adolph Alexander Weinman, which face Central Park from niches in the facade (Wiki).
The museum was originally located in Gracie Mansion, where available space was limited. One of the first exhibitions was “Old New York” in 1926. This took place in the Fine Arts Building on West 57th Street. The success of the project led to a search for a new, permanent headquarters for the museum (Wiki).
A design competition was held between five invited architects and the Colonial Revival design by Joseph H. Freelander was chosen. The City donated the site on Fifth Avenue and the funds for the construction of the museum was raised by public subscription. The original plans for the museum’s building were scaled back as a result of the Wall Street Crash of 1929. The building was finished and dedicated in 1932.
In 2000, there was talk by then Mayor Rudy Giuliani to move the museum to the historic Tweed Courthouse near City Hall but that was over-turned by the incoming Mayor, Michael Bloomberg. In protect the museum director, Robert R. McDonald resigned.
In coming new museum director, Susan Henshaw Jones, planned an extension to the museum and it was completed in 2008. The extension including renovating the existing gallery spaces and adding a new pavilion. New displays and a remounting of valuable artifacts were done to give the museum a refreshed look. In 2011, the Museum of the City of New York temporarily took over operation of the South Street Seaport Museum which itself reopened in 2012 (Wiki).
The museum has a collection of over 1.5 million objects including many items from the 19th and early 20th centuries including paintings, prints, costumes, decorative objects, furniture and an extensive collection of toys. There are also extensive collections of police and fire items as well as shop models, rare books and manuscripts (Wiki).
The Museum of the City of New York in the early Spring
Visiting a Museum: The Unique, Unusual, Obscure and Historical 