Category: Exploring Historic Hudson River Valley

Van Cortlandt House Museum in Van Cortlandt Park at Broadway & West 246 Street                                              Bronx, NY 10471

Van Cortlandt House Museum in Van Cortlandt Park at Broadway & West 246 Street Bronx, NY 10471

Van Cortlandt House Museum

Van Cortlandt Park at Broadway & West 246 Street

Bronx, NY  10471

(718) 543-3344

infor@vchm.org

Open: Tuesday-Friday 10:00am-4:00pm/Saturday & Sunday 11:00am-4:00pm

Admission: $5.00 for Adults/$3.00 for Seniors & Students/Children under 12 are free/General Admission is free on Wednesdays. Guided and group tours are available.

Review on TripAdvisor:

https://www.tripadvisor.com/Attraction_Review-g47369-d103501-Reviews-Van_Cortlandt_House-Bronx_New_York.html?m=19905

The Van Cortlandt House:

Welcome:

Van Cortlandt House during Christmas time

The entrance of the Van Cortlandt House decorated for the Revolutionary era Christmas

I visited the Van Cortlandt House Museum for the their Annual Christmas Decorated House event. The mansion was decorated for Christmas in the 1700’s so it was not overdone as it would during the Victorian times. The front of the house entrance was done with sprays of holly, mistletoe above the door and garlands of pine around the banister and fireplaces. The windows had candles in them and the dining room was set for Christmas luncheon in post-Revolutionary War era.

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Van Cortlandt House for Christmas is Post-Revolutionary War in 2019

The entrance hall welcomes you to a Revolutionary era holiday season

While most of the house is represented during the Dutch era with floors with no rugs, vintage furniture and decorations and the second and third floors are set for family entertainment. The first floor is set for entertaining for the holidays with the formal dining room, family parlor and the formal living room for games and dancing. The formal dining room was the only room decorated post-Revolutionary War era.

van cortlandt mansion xmas ii

Van Cortlandt Mansion at Christmas 1800’s

The current entrance to the house from the back of the building

Until the Victorian era, Christmas was a more religious affair with church service in the morning and luncheon in the afternoon. Things were formal and less elaborate. The acts of gift giving, sleigh rides, tree decorating and card giving came during the affluence of Queen Victoria’s reign in the post Civil-War era. This is the reason why the house is decorated so simply and elegantly.

Dining Room set for Christmas lunch circa 1780’s

In 2019, the site celebrated the holidays with a Sinterklaas, a Dutch Christmas celebration, a candlelight tour and a reading from Santa Claus. Please check their website for more information on future events. The house was closed for most of the COVID years and nothing had been planned. The house was open in December of 2022 for touring again for the holidays but was not decorated as much as in the past.

In 2022, when the house reopened after a long period of COVID, the self-guided tours were back and you could tour the house at your own pace ($5.00 donation) and tour the three floors of furnished rooms. You can see how the family lived from the three generations that lived in the residence.

The tour starts at the front hallway where guests would be received for formal affairs and for business meetings with the head of the household.

You would be greeted by servants at the entrance of the home

On either side of the front hallway is the East and West Parlors where you would be directed where the family would receive you. The West Parlor would have been used for business calls and more informal meetings when meeting with the Van Cortlandt family. The family’s wealth would be on display with fine furniture, china and bric-a-brac that would show off the family’s merchant roots and business.

The West Parlor

The West Parlor decorated for Christmas

The East Parlor on the other side of the entranceway would have been used for more formal affairs. The East Parlor is where the family would formally entertain guests with dancing, music and card playing. This is where long evenings of entertaining would take place and the family would enjoy their holiday celebrations.

The East Parlor

The East Parlor decorated for the Christmas holidays

The Dining Room was toward the back of the hallway and was decorated in the Empire Design of the late 1700’s to early 1800’s. The look is very similar to styles used today and the wallpaper is a copy from one of the styles used by the family that was imported in from France. The table was set for Christmas luncheon circa the late 1780’s.

The Dining Room

The Dining Room at the Van Cortlandt House

There are two sets of stairs to the second level of the house where the family bedrooms were located. There was the formal stairs and then there was the stairs that the servants used to go from floor to floor so that they would not be seen.

The steps upstairs to the second floor

On the second floor of the home are the bed chambers of the family. The main bedrooms for the family were located here and then the nursery and servants quarters were located on the Third floor of the home.

The West Chamber:

The bedroom

The ‘Washington Bedroom’ in the Van Cortlandt House

The East Chamber Bedroom:

The Bedroom:

The Landing of the stairs to the third floor lead to the Nursery, an additional guest room and the enslaved servants quarters. These were kept out of site from the other members of the household. It is a reminder of the pecking order of the household and the conditions that people lived under at this time.

The Second Floor Landing leads to the nursery and servants quarters

The Dutch Chamber was formerly a guest room that is used to show life in early Colonial New York City:

The Dutch Chamber:

The Dutch Chamber shows early life in Colonial America

The Second Floor Setup:

The Nursery:

The nursery set up room:

The servants quarters were to the back of the house and were not the most glamorous place to live in the house. There were drafty and not insulated. The amount of time a servant would be here would have been minimal.

The servants quarters:

The servants quarters:

History of the Van Cortlandt’s:

The Van Cortlandt House Museum, also known as Fredrick Van Cortlandt House or Van Cortlandt House, is the oldest surviving building in New York City’s borough of The Bronx. The Georgian style house, begun in 1748, was build of fieldstone by Fredrick Van Cortlandt (1699-1749) on the plantation that had been owned and farmed by his family since 1691. Fredrick intended the house to be a home for him and his wife, Francis Jay and daughters, Anna Maria, 14 and Eve, 13. His sons, Augustus, 21 and Fredrick, 19, were not intended to be permanent residents of the house.

Sadly, Fredrick died before the new house was completed. In his will written in 1759, Fredrick left the house to his son, James Van Cortlandt (1726-1781) and a lifetime tenancy to his widow, Francis Jay Van Cortlandt (1701-1780).

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The Van Cortlandt House gardens in the Summer

The Van Cortlandt’s were a mercantile family prominent in New York affairs. Fredrick’s father, Jacobus, established a thriving wheat growing and processing business on the plantation including a grist mill for processing the wheat into flour and a fleet of shallow draft boats to carry the flour from the south end his lake down Tibbet’s Brook and out to the Harlem and Hudson Rivers to market. During the Revolutionary War, the house was used by Rochambeau, Lafayette and Washington.

(From History of Van Cortlandt House and Museum)

In 1887, after 140 years of occupancy by the Van Cortlandt family and the community of plantation workers, the property was sold to the City of New York and made a public parkland. Before the house became a museum, it saw a variety of uses including as a temporary police precinct house and as a dormitory for ranch hands responsible for taking care of a herd of buffalo.

Van Cortlandt House historic marker

By 1895, The National Society of Colonial Dames in the State of New York expressed their interest in restoring the house as a museum open to the public. There was only one obstacle keeping the Colonial Dames from this important project, there was no provision in the New York State Law allowing the stewardship of a publicly owned building by a private organization. Undaunted, the first Society President, Mrs. Townsend, took the Society’s cause to Albany where on May 22, 1896 in the 199th session of the New York Legislature, Chapter 837 was approved by the governor and passed by a 3/5 majority to become law.

The Van Cortlandt House dollhouse

After nearly a year if repairs and restoration, Van Cortlandt House Museum was opened to great fanfare on May 25th of 1897. The original license agreement grained custody of the house to the National Society of Colonial Dames in the State of New York for a period of 25 years at a ‘peppercorn’ rent of $1.00 per year. Although the Society no longer pays the city rent, they remain, to this day as dedicated to Van Cortlandt House as they were in 1896.

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Van Cortlandt Park in the Summer Months

In 1967, Van Cortlandt House was added to the National Register of Historic Places and was designated a National Historic Landmark in 1967. The house was declared a New York City Landmark on March 15, 1966, recognizing the historic and architectural importance of both the exterior and interior.

(From the Van Cortlandt House Museum NSCDNY)

The Van Cortlandt House gardens during the winter of 2022

The General Porter Statute in front of the house

The Frances Lehman Loeb Art Center/Vassar College                                                                  124 Raymond Avenue                                             Poughkeepsie, NY 12604

The Frances Lehman Loeb Art Center/Vassar College 124 Raymond Avenue Poughkeepsie, NY 12604

The Frances Lehman Loeb Art Center/Vassar College

124 Raymond Avenue

Poughkeepsie, NY  12604

(845) 437-5632

fllac.vassar.edu

https://fllac.vassar.edu/

blogs.vassar.edu/fllaceducation

Open: Sunday 1:00pm-5:00pm/Monday Closed/Tuesday-Saturday 10:00am-5:00pm

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g48443-d2419076-Reviews-Frances_Lehman_Loeb_Art_Center_at_Vassar_College-Poughkeepsie_New_York.html?m=19905

The Loeb Museum at Vassar College

Visiting The Frances Lehman Loeb Art Center is a wonderful afternoon out. Its best to park in the North Campus parking lot. You can walk the campus on a nice day down to the museum and enjoy the campus architecture. The campus is straight out of an Ivy League handbook. The museum is located by the front gate of the campus, and you can tour the whole museum in about two hours comfortably.

Take time to walk the Art Garden next to it and they have a really nice little downtown off North Campus to wonder around the restaurants and shops. See my review of Pizzeria Bacio Ristorante at 7 Collegeview Avenue near North Campus. The food is excellent!

The Art Sculpture Garden at the Loeb Museum

The Frances Lehman Loeb Art Center opened in 1864 as the Vassar College Art Gallery. The founding members of the college’s Board of Trustees understand art to be an integral part of the academic experience. Vassar therefor became the first college or university in the United States to include an art museum as part of its original plan. Since its inception, the museum has remained a significant part of the Vassar experience.

The Contemporary Galleries at the Loeb Museum

The Frances Lehman Loeb Art Center is a cultural destination both for the Vassar College community and for visitors from the region and around the world who are attracted by the breadth and quality of the art on view. It is unique to the region in its combination of stellar temporary exhibitions and an ongoing installation of the permanent collection that features art through the ages, from ancient Egypt to the present.

Ancient Art gallery with items from Egypt, Greece and Rome.

The collection began with an initial gift from Matthew Vassar of 3,800 works of art, including an important group of Hudson River School paintings and British watercolors. Today, the Art Center’s collection has grown to over 18,000 works of art that span antiquity to the present. Notable holdings include the Warburg Collection of Old Master prints and a wide range of works by major European and American twentieth-century painters, including Georgia O’Keeffe, Pablo Picasso, Jackson Pollock, Joan Miro, Mark Rothko and Andy Warhol.

The Andy Warhol exhibition was being shown on my first trip to the museum

https://www.vassar.edu/theloeb/publications/people-are-beautiful-prints-photographs-and-films-andy-warhol

I went to the museum recently before the closing of the “Beyond the Threshold: Tibetan Contemporary Art” and “Mastery and Merit: Art from the Jack Shear Collection” and got to view the galleries before they closed for the evening. Admittingly I am no expert of Buddhist art, but the Jack Shear collection gave you a perspective on the religion.  The art portrayed Buddha in many forms as Divine. The contemporary works were very interesting as it delved into what modern Tibetans all over the world see in the form of current happenings, playing off other famous works of art (such as the modern version of the Mona Lisa) and a contemporary take on the Buddha. 

The modern take on Buddha from a contemporary perspective

https://www.vassar.edu/theloeb/exhibitions/beyond-threshold-tibetan-contemporary-art

The shows revolve on a continual basis and there are shows being mounted at various times of the year.

Cindy Sherman Art in the collection

The Art Center is housed in a building designed by Cesar Pelli and completed in 1993. The Hildegarde Krause Baker, class of 1911, Sculpture Garden includes works by Frank Stella, Gaston Lachaise and Anthony Caro, among others.

The Alexander Calder work “Mobile” in the collection

Tourism information on the museum:

There are tours for School Groups, Adult Groups, Individuals and Self-Guided for individuals. Please call the museum for more information on this. A centerpiece of the Loeb’s programming is Late Night at the Loeb, held weekly on Thursday evenings. Programming for Late Night is spearheaded by the Loeb Student Committee who organize activities and offerings for students and the general public.

There are creative happens every week. You can also join as a member and there are opportunities to volunteer at the museum.  To learn more about both of these, please call (845) 437-5237.

The famous Picasso is to the left

Disclaimer: This information about the museum came from the museum pamphlets. Please call the above numbers for more information or email them. It is a great afternoon out to just tour the museum and then walk around the campus on a nice day.

The “Stokers of the Earth” painting by Roberto Matta

“Stokers of the Earth” sign

Locust Grove Estate                                                                 2683 South Road (Route 9)                                    Poughkeepsie, NY 12601

Locust Grove Estate 2683 South Road (Route 9) Poughkeepsie, NY 12601

Locust Grove: A National Historic Landmark

2683 South Road (Route 9)

Poughkeepsie, NY  12601

(845) 454-4500

http://www.lgny.org

https://www.lgny.org/

Open: Seasonal-See Below

Visitor Information: The gardens and grounds are open year round from 8:00am to dusk, weather permitting.

House Tours: Offered May through November, daily from 10:00am-5:00pm and weekends in April & December. Groups tours by appointment.

Visitor Center: Open January through March, weekdays from 10:00am-5:00pm. April through December daily from 10:00am-5:00pm.

Fee: Adults $12.00/Children (6-18) $6.00

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g48443-d263920-Reviews-Locust_Grove_Estate-Poughkeepsie_New_York.html?m=19905

The Locus Grove Estate

Overlooking the Hudson River, the 180 acre Locust Grove Estate includes an Italianate villa designed in 1851 by architect Alexander Jackson Davis for artist and inventor Samuel F. B. Morse.

The Locus Grove additions of the tower and back rooms

The estate, with miles of carriage roads, landscaped grounds, historic gardens and Hudson River views, was preserved as a museum and nature preserve by the Young family, whose collection of art and antiques is exhibited in the mansion’s 25 rooms.

Entering Locus Grove for the Christmas holidays

I have visited the house twice for Christmas with the mansions elaborate but tasteful displays and once in the last fall when the foliage was in full peak. The house is an interesting example of turn of the century architecture and innovation of both the Morse and Young family’s love of Locust Grove. Each added their own touch to the house.

The Library right off the main hallway entrance used to be the original Dining Room when the Morse’s owned the house

The Christmas tree in the Library

The Parlor across the hall from the Library

A closer look at the Christmas tree

During the Christmas holiday season, the house is beautifully decorated both inside and out for the holidays, with a formal tree in the back Living room, smaller trees and garland around the house on the first floor and smaller trees with presents in the bedrooms and in the Billiards room.

The Library at Locust Grove for the holidays

One of the rooms set for Afternoon Tea

One of the back offices

When the Young’s moved into the house, they needed more room for entertaining so they added the larger dining room (The Morse’s added the Tower to the home). So the old Dining Room became one of the reception rooms and a library. Some of the smaller rooms were used for social occasions so the first floor was reconfigured.

The Living Room in the Tower addition of the home

The mirror in the Living Room was the last thing left by the Morses

The larger Living Room held the most beautiful Christmas tree with a gorgeous view of the Hudson River from the back window. The room is elaborately decorated for the holidays and the volunteers created a very festive decor for the room. I do not know if the family would have decorated this much but still the halls were decked perfectly.

The Dining Room was set for an formal Christmas lunch with the family’s best china, crystal and silver and had displays of fruits and desserts that would have been served during the holidays. The Morse family spent their holidays in New York City so it would have been the Young’s who spent their holidays here.

The Dining Room set for Christmas lunch

The Christmas tree in the Dining Room

The Butler’s Pantry for the Dining Room

The upstairs to the bedrooms

The house had been added onto twice from the small cottage that had been built by the second owners, the Montgomery family. The back tower and wings were built by the Morse family and the formal dining room by the Young’s for their growing family.

The bedrooms were nicely decorated and the rooms had lots of Christmas decorations that you would not ordinarily see in a bedroom. Each room had its own Christmas tree.

The Master Bedroom with a breakfast nook overlooking the Hudson River

The paintings above the bed are of the Young family

The modern bathroom with hot and cold running water

The Young’s son lived in this room until he died

The Young’s daughter lived in this room until her death

The guest rooms were also nicely decorated

The dollhouse in the guest bedroom

Another guestroom

Guest room

The tour guide told us that the second floor Billiards Room was once a very popular and engaging room in the house for everyone visiting. There was always a lot of action going on in this room.

The Second Floor Billiards Room

The Christmas decorations in the Billiards Room

Our last stop on the second floor was the modern bathroom which was considered extremely innovative for its day. This was the most modern approach to plumbing.

The upstairs bathroom

The last stop on the tour was the downstairs Servants Quarters which were also decorated for the holidays. It showed what the Servants of the household would have been doing on a daily basis to help keep the house running.

The Servants kitchen

The kitchen table in the Servants Quarters

The Servants Dining Room

Our tour guide, Ethel, did a nice job interpreting how each family would have used the house and for what occasions. The Young’s lived here full time until the last owner, Annette, died in 1975 and the Morse family used it as a summer retreat until Samuel Morse died in 1872.

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The view from the back of Locust Grove to the Hudson River during the early fall

The view to the Hudson River from the back of the house during Christmas 2022

The house is tastefully furnished both in turn of the last century decor and some more modern pieces. The grounds in the spring and summer months are in full bloom and in the fall awash with colors from the trees.

Also, don’t miss visiting the small museum of Samuel Morris’s paintings and his development of the telegraph system, where the patents is where most of the family fortune came from. Mr. Morse was an artist, educator and inventor and his life’s work is displayed in the galleries.

The Morse Family

Morse Museum: Samuel Morse family in the early Colonies

Samuel Morse with his career in portrait painting

Samuel Morse’s Portraits

Samuel Morse’s inventions and innovations with the telegraph

Samuel Morse’s innovations

The History of Locust Grove:

Locust Grove has an interesting history. The estate was first owned by Henry Livingston Jr. when he purchased the property from his father in 1771. The estate was such named because of the black locust trees that grew on the property. After his death, the estate was sold to John and Isabella Montgomery who built the original cottage on the estate. Mr. Livingston’s home had been torn down by this point.

The main house at Locust Grove is a villa in the Italianate style designed in 1850. Morse had recalled the elegant villas that he had visited years earlier in the Italian countryside and he sketched towers, windows and floor plans. Construction on the villa, sited on a dramatic bluff overlooking the Hudson River began in 1851 and was completed the following year.

He continued to expand the cottage and the gardens during his time and the family continued to use the house as a summer retreat and living in the winters in their brownstone in Gramercy Park. After Mr. Morse’s death, the family used the house occasionally and then sold it to one of their renters, the Young family.

William and Martha Young added modern amenities to the house like central heat and running water and updated the bathrooms. They added the new dining room and guest bedrooms in the new North Wing of the house. They also brought with the many family heirlooms and their decorative art collection which is still on display in the house.

After their deaths, the Young’s children, Annette and Ennis worked to preserved and restore their family’s homes in here, in New Haven, New York City and Ulster County. After the death of her brother in 1953, Annette Young continued to live at Locust Grove and began donating to museums the art, land and historic houses she inherited so that they would be protected. When she died in 1975, she established a not-for-profit foundation to ensure that Locust Grove with its collections and archives would be protected. The house is now available for touring and for weddings.

(Locust Grove History and Wiki: I give both organizations full credit for this information)

Location: Locust Grove is located on Route 9 in Poughkeepsie, NY, two miles south of the Mid-Hudson Bridge or 11 miles north of Interstate 84.

Locus Grove Gift Shop

Disclaimer: this information is taken from the Locust Grove Historic pamphlet. The site is very interesting and should be added to your list of ‘must sees’ in the area. Please call the site for more information.

Olana State Historic Site                                    5720 Route 9G                                               Hudson, NY 12534

Olana State Historic Site 5720 Route 9G Hudson, NY 12534

Olana State Historic Site

5720 Route 9G

Hudson, NY  12534

(518) 828-0135

Open: 11:00am-3:00pm (check the website for seasonality)

Directions: Located on Route 9G, five miles south of Hudson. Take NYS I-87 to Exit 21, Catskill. Take Route 23 over Rip Van Winkle Bridge. Bear right on Route 9G south. Olana is one mile on the left. Or visit our websites at http://www.Olana.org and http://www.nysparks.com.

Hours: House available by guided tour only. Call for days and hours or visit http://www.olana.org. Reservations suggested; group tours by advance reservation only. Grounds open 8:00am-sunset year around.

http://www.nyparks.com

http://www.olana.org

Admission: $10.00 Adults (Tickets depend on the type of tour you are taking)

TripAdvisor Review:

https://www.tripadvisor.com/Attraction_Review-g47931-d263717-Reviews-Olana_State_Historic_Site-Hudson_New_York.html?m=19905

The front of Olana when we toured the house.

I had not been to the Olana Mansion since 2014 and it was finally nice to see it during the summer when everything was in bloom. The tours were every hour of the day during the warmer months with several types of tours available at different prices. There was a house and garden tour for two hours which I had just missed so I took the house tour.

The story board of Olana pf the family

The house is filled with original family furnishings from when the house was almost sold off in the 1960’s. An industrialist saw a reason to save the house for future generations and raised the money to keep everything intact. It gave us a glimpse into the life of artist Fredrick Church and his family. The tour consists of all the bottom floors of the house and the garden. The unique part of the tour is that the man who was our tour guide partner was the last Mrs. Church’s grandnephew. So, he remembered visiting the house as a child.

We started the tour in the formal gardens that have been replanted. They were in full bloom giving us insight to how the grounds were once landscaped. The gardens were made up of mostly local flowers that were native to the area.

The formal gardens of Olana

The Olana gardens leading to the house.

We explored the views from the porch to see what the family would have experienced when they were at the house in season. There are breathtaking views of the Hudson River and the surrounding Catskill Mountains from the porch of the house. Things have grown in since the family’s time, but it still offers amazing vistas.

The views are beautiful from the porch.

We then toured the house’s first floor where the family did their receiving of guests, their social rooms and the offices of both Mr. & Mrs. Church. Each of the rooms still contained family heirlooms and original furnishings. We started with the Receiving Room where guests would wait to be welcomed by the family or leave a calling card that they were making a visit.

The Receiving Room in the front of Olana

When you look at the walls of the room, it is decorated with Fredrick Church’s artwork. The tour guide told us that the house had the largest collection of Fredrick Church’s paintings in the country. I took this attribute as these were the pieces that he did not sell at the time. The works of the Hudson River School and of his travels abroad were very interesting and lively.

Fredrick Church paintings that line the house.

We toured the house room by room admiring the furnishings and all the artwork of Fredrick Church that lined the walls of the house. This included family members including his wife, Isabel Carnes Church, his partner for the rest of his life.

Isabel Carnes Church, the mistress of the house

On his many trips abroad, Fredrick Church painted many of the sites he had visited that included the Far and Middle East.

Fredrick Church’s painting of “Petra” in the Middle East.

Both Mr. and Mrs. Church kept up social appearances on top of their work. They had a steady stream of guests visit the house and there was a lot of entertaining here.

The view from the porch

The view from the other side of the porch

We next visited the parlor, where the family would gather when they were staying at the house. There were many exotic furnishings from their trips on top of the personal family items. There were musical instruments to keep the family entertained when they were home.

The family piano in the Parlor

The formal Dining Room was more personal with a dining table that extended out for twenty people or open enough for the family to diner in this room.

The formal Dining Room

The formal Dining Room with the collection of painting that the family acquired when they were aboard.

As we finished the visit to the public rooms of the home, we toured the outside of the home as well as we exited out the side door.

The side view of Olana

When we looked up at the home with its combination of Morrish and Arabic design we saw four teapots at the top of the tower. When asked what they meant and why they were there, no one including the tour guide knew. It was figured by a group of landscape architects that it may have something to do with longevity or renewal. This secret died with the family.

The teapots line the roof.

The tour is very interesting and gives you a view on the house and on the family who lived there and how they lived when they were in residence here. They entertained, they worked, they traveled, and they made great art. The location on the hill in the Hudson River Valley shows their investment in the location. This was all kept intact after the 1960’s for us to enjoy.

The views of the Hudson River Valley

History of Olana:

Olana, one of the most important artistic residences and planned landscapes in the United States, is the last and perhaps greatest masterpiece created by Hudson River School artist Fredrick Edwin Church (1826-1900). Church designed the landscape and his Persian style home on and around the same hilltop where, as an eighteen year old student, he sketched spectacular views of the Catskills and the river alongside his mentor Thomas Cole.

The view of the house from the back.

Even in an era defined by personal architectural statements, the home of Fredric and Isabel Church was unique. Delight in the Moorish details of the building and each room. View the original furnishings of the house and walk or jog along the paths and carriage drives of the surrounding landscape, also designed by Church. A designated National Historic Landmark, Olana State Historic Site opened to the public in 1967. The house, its contents and the landscape still look very much as they did in Church’s day.

The inside of Olana in the main rooms

The views of the Hudson River from the porch of the house

Decorations in the historic garden

The story of the grounds and the estate