The Somers Point Historical Society at 745 Shore Road
I visited Somers Point, NJ recently to see the historical shore town and explore their small museums. The Somers Point Historical Society differs from its neighbor down the road, the Atlantic County Historical Society in that its concentration is on the Town of Somers Point and not the entire county.
The Somers Point Historical Society sign welcomes you
The Somers Point Historical Society started in 1987 as part of the “Save City Hall” campaign to save the historic City Hall building. The plan was to highlight the history of Somers Point and its place in the community and to save some of the older buildings in the town.
The City Hall was saved and it was renovated for the new library. The organization was also helped with funding and applying for National Historic Recognition for the Bayfront Historic District that lies between Shore Drive and Bay Avenue on the waterfront district of the town (Somers Point Historical Society website).
The building that the society is housed in was originally a Baptist Church that was built in 1886 and later became the Somers Point Library. When the new library was built, the Society bought the building and the organization was formed. The museum started with about 600 artifacts and it has grown much largers since.
The Somers Point Historical Society main room
The museum is based around the one main room that tells the history of the Town of Somers Point. One display is on the USS Somers named after Commandant Richard Somers. Our tour guide told us that there is always a Somers named vessel in service with the Navy. There was a complete display on the navel vessels including a section on Master Commandant Richard Somers.
Display on items from the USS Somers plus ships and boats
The number of items in the collection includes weapons, dishes, photographs, nautical items and pictures of all the Navy vessels named after Richard Somers. These historical items show the contribution that Richard Somers made to the armed forces of the United States. There were also family hierlooms among the artifacts. It was told to me there will always be a USS Somers in service dedicated to him.
More items from the USS Somers
There was a nice display on the trolley car system that used to line the shore traveling from Atlantic City down the coast to Somers Point. This was a picture taken during the holiday season when shopping at the shore was pleasant experience.
Christmas shopping at the shore must have been fun
When the Lindenwood Historical Society folded for business, the Society inherited their impressive collection of ship models. There are all sorts of styles and designs of ships that line the entire room. There is very interesting display of clamming and shellfish harvesting equipment that is on display along with period clothing. It really showed how much shellfish production has not changed much over the years. There was an extensive display of shipbuilding materials showing the town’s shipbuilding yards and production that used to be part of the town’s businesses.
Fishing equipment and shipbuilding tools along with period clothing
There is also a very extensive theater and arts program that is part of the town’s past and current social life. Being so close to Ocean City, NJ and its most famous summer resident, Grace Kelly there is a strong sense of theater and the arts around the community.
The theater playbills and items dealing with the local ‘arts’ scene.
The one thing that the historical society helps you remember that this is still a shore community and tourism plays a huge role in the history and make up of the town. You can see by the artifacts that things are geared towards the water and the extensive shipbuilding and fishing industries.
The Society also runs all sorts of fundraisers, movie nights and car shows to help raise money for the Society and does a lot of outreach to the community.
It is a fascinating look into the past of the shore community of Somers Point, NJ.
The Old Broad Street Presbyterian Church in its glory in the entrance to the historic cemetery
The Church and its historic cemetery.
When I was traveling to Salem and Cumberland Counties to visit historical sites, this was the last one on my list the first day of exploring. The Old Broad Street Presbyterian Church sits in the middle of a declining downtown in Bridgeton, NJ like a ghost of its former self. This graceful and elegant church is not used much anymore and sits like a majestic building overlooking a city that has passed it by.
The Church and its historic cemetery.
The church was built in 1792 for the growing Presbyterian congregation who was living in Bridgetown as it was called at the time. The brick walls and roof were completed but it would take another three years for the interior to be finished (Cumberland History.org).
The historic family cemetery
The cemetery is extremely interesting as you visit the historic tombstones and the family plots and try to figure out the connections. The biggest problem with the cemetery is that is has gotten very overgrown in parts of it. It needs a good mowing and the gravestones need to be cleaned as they are wearing away with the elements. It was hard to follow the historical listing but many famous residents and leaders of the community are buried here as well as members of the armed forces from the Revolutionary and Civil Wars and earlier.
The family plots at the cemetery
In some cases, when the families were buried together, it almost told the story of what happened within the family. I saw grave sites where the son or daughter either died in child birth or a disease or in battle and then the devastated parents followed a few years later which was a sad narrative. I saw this many times in the family plots. How many children died of diseases that today are solved by a pill.
The family plots
Some of the notable people buried in the cemetery are Ebenezer Elmer, who represented New Jersey in the United States House of Representatives from 1801-1807 and Jonathan Elmer, who represented New Jersey in the United States Senate from 1789-1791. Lucius Elmer, who represented New Jersey’s First congressional district from 1843-1845. Eilas Seeley, who was the Eleventh Governor of New Jersey serving in 1833. William G. Whiteley, who represented Delaware in the United States House of Representative from 1857 to 1861. Joseph Archibald Clark and Clement Waters Shoemaker, who were two of the founders of Cumberland Glass Manufacturing Company (Wiki).
The David Potter tomb
The history of the Broad Street Presbyterian Church and its cemetery:
(From Cumberland NJ Art.org)
For much of the 18th century in Bridgetown, which will eventually change its name to Bridgeton, there existed no church for Presbyterians, who were a large and growing segment of the local population. For church services, they were forced to conduct services in the Courthouse or travel to churches in Greenwich, Fairfield or Deerfield several miles away.
Family plots and crips
In 1792, about two acres of land were donated along King’s Highway, which was the main road from Bridgeton to Greenwich and ran along the south end of the church construction site. In 1800, this main route was relocated to the north and is today Broad Street (Route 49).
The cemetery grounds on a late summer afternoon.
The basic design of the Broad Street Presbyterian Church was set by it congregation and organizers who requested a masonry building with dimensions of at least forty by fifty feet. By December 1792, the brick walls and roof has been completed but it would take another three years for the interior to be finished.
The church in the early Fall of 2024
The design of the Broad Street Presbyterian Church is that of a meeting house, almost square in proportion. In the 17th and early 18th centuries, many American houses of worship were built in the meeting house form. This design was in contrast to the more formal churches of the period, which were more rectangular than square with an alter and/or communion table and pulpit approached by a long nave and often divided from the congregation by a railing. Broad Street Presbyterian Church has a tall pulpit, accessed by a winding stair and surrounded on three sides by pews so as many congregations as possible could attend and sit as close as possible to the preacher.
The beautifully designed church behind the fence
Above the pulpit is one of the most significant architectural features of the church, the Palladian window with its central window and semicircular arch flanked on each side by smaller windows and all unified by an entablature supported by columns. The name “Palladian” comes from the Venetian architect who originated the design, Andrea Palladio, who worked in 16th century.
The Elmer Family plot
Architects in the 17th and 18th centuries would travel from other parts of Europe to Italy to study architecture and they brought the Palladian style back to England and the American Colonies. Thomas Jefferson acquired an intense appreciation of Palladian architecture and used it extensively in his design for Monticello.
By 1835, the congregation had erected a new church but because the Broad Street church was surrounded by the cemetery, the congregation did not abandon or sell it but rather maintained it exactly as they left it, which is why today it is identified as one of the most pristine and unaltered examples of 18th century church architecture in the United States.
Today the Broad Street Presbyterian Church is used for special services and opened to the pubic by appointment. It is carefully maintained by the Presbyterian congregation of First Presbyterian Church located on Commerce Street in Bridgeton, NJ.
I stopped in at the Museum of Prehistory after a tour of several other historical sites in the area and this little museum is packed with interesting artifacts.
The main gallery
One section was dedicated to the Lenape Indians who lived in the area. There were many artifacts such as arrow heads, spears, pottery and an assortment of fishing and cooking materials. The Native Americans had an interesting system of living that adapted to nature. They developed a sophisticated system of living that was mobile and came with them as they moved around during the seasons.
There is an extensive fossil collection that includes trilobites, shark teeth, crabs, lobsters and they even had a footprint of a dinosaur. What I thought was interesting was the dinosaur eggs (they were not found locally).
Each case is dedicated to subject matter and the whole museum can be seen in less than an hour.
History of the Alan E. Carman Museum of Prehistory:
The Museum was dedicated in 1997, the museum was established to house the Native American artifacts and prehistoric fossils collected by Alan Ewing Carman. Carman was an avocational archaeologist who spent 58 plus years collecting, excavating and researching Native American artifacts from southern New Jersey.
The Alan E. Carman biography
Since Carmen’s original gift to the Society, the museum has acquired a variety of artifacts and specimens from different donors that have enhanced the collection’s research and educational potential. The museum has been and continues to be a valuable resource for archaeologists, paleontologists, students, tour groups and the general public. Come visit our collections to learn more about southern New Jersey’s storied past or to use our extensive research materials.
The Dinosaur bones
Dinosaur bones and eggs at the museum.
To enter the museum is to enter the world of the Native American ancestors that lived in the lower Delaware Valley. The Museum of Prehistory displays an incredible assortment of ancient artifacts and even older fossils that speak to this region’s fascinating prehistory.
The wonderful pottery collection of Native Americans.
Pottery and cooking items of Native Americans.
Our Mission:
(from the museum pamphlet)
The mission of the Cumberland County Historical Society is to preserve and promote the history and heritage of the county through acquisitions, collections, exhibits, research, educational programs and publications for the benefit of current and future generations.
Arrowheads and fishing artifacts.
The Alan Ewing Carman Museum of Prehistory supports this mission through the collection, preservation, interpretation and exhibition of pre-Contact period Native American artifacts from southern New Jersey. The museum serves as an institute for public education and a resource for archaeological research.
About the Collections:
(from the museum pamphlet)
The Native American artifacts were primarily acquired and donated by avocational archaeologist Alan Ewing Carman. Later donations have helped bolster this incredible collection of artifacts that all came from Southern New Jersey. To this day, the collection serves as an excellent resource for public education and academic research.
Six-Hundred-year-old dog bones.
The museum features a recreated burial of a mother dog and her two puppies that were lovingly interred about 800 years ago (museum website).
This video was on the history of Prehistory of the Lenape Indians:
The History of the Museum:
(From the museum pamphlet):
To visit the museum is to enter the world of the Indians who inhabited the lower Delaware Valley. At the end of the last Ice Age, the Paleo (Clovis) Indians were the first primitive people to penetrate this region. Many subsequent Indian cultures followed in their wake, leaving physical evidence of their passing in the earth’s archives. This salvaged evidence exhibited in the form of stone and bone artifacts, pottery and native crafts. When combined, they illustrate the evolution of the Indian societies who occupied southern New Jersey.
A major attraction to the Indians in this sector of the state was fossiliferious stone named “Cohansey Quartzite”. It was mined in the Vinicius of Greenwich, NJ. Other stone materials such as flint, jasper, thyolite and argillite were imported into the area and their mining locations are identified.
The Indians Fire making kits, manufacturing of pottery, use of gourds and flaking techniques, all make an interesting study of native crafts. Bone and shell remains salvaged from refuse pits depict their food sources. Of special interest, is the 800 year old mother dog and her two puppies which were unearthed near Swainton, NJ.
The Indians who inhabited Southern New Jersey at the time of the European contact were the Lenape, pronounced “Len-bop-pay”. Today they are known as the Delaware. Anthropologists have identified over 44 sub-divisions of the Lenape people who inhabited their ancestral homeland (Lenapehoking).
In the southern part of New Jersey, the little Siconese occupied the land along the Cohansey River; the Sewapose, the Maurice River and the Alloways, the Salem Creek and its tributaries. As a visitor enters the Museum, a map of Cumberland County pinpoints 115 areas of occupation which define population levels in Prehistoric times.
Of special interest to the children are over 1000 fossils from four time periods of the earth’s geological development. Extinct trilobites, whale and porpoise vertebrae, crabs, lobsters, squid, mollusks, sting rays and giant shark teeth fill the special display case. Also a foot print in the stone of a bird like dinosaur call a “ Grallator”.
All of these were found in New Jersey, Delaware, Maryland and Virginia. They illustrate a fascinating array of land and marine life which once roamed the earth’s primordial landscape. In addition, a cluster of 87 million year old Dinosaur eggs, a fossilized Snake egg and Turtle egg were donated in 2005. Ribs and remains of extinct reptiles fascinate and delight children on school tours. A wide assortment of publications are available to the public regarding the Indian’s culture and the study of fossils.
The Museum of the City of New York at 1220 Fifth Avenue
I have been a member of the Museum of the City of New York for almost twenty years and what I love about the museum is that its concentration is to be everything about New York City and what makes the City so great. Its development from a Dutch Colony to the Modern Metropolis that it is today. It covers the history so well that they created a permanent display entitled “New York at its Core”, an extensive history of the City from its start as being colonized by the Lenape Indians as a fishing and hunting set of villages on the island.
The “New York at its Core” exhibition (MCNY)
Each display takes you through a different point in the history of the development of the City and how each era brought dramatic changes to the fabric of the City from immigration over the years to the fires that leveled the original City and the raise of Wall Street and the Arts to make New York City the Capital of the World. The almost bankruptcy of the City in 1975 to the attacks on 9/11 have really shaped the direction and change in the City to the COVID-19 pandemic reshaping it again. We see how New York City continues to survive. The exhibition is now updated to add the COVID pandemic to the fabric of what is happening in New York City now. This exhibition will continue to evolve over the coming years.
The entrance to “Timescapes”
The film “Timescapes” in the basement theater again tackles the issues of a changing City since its development and the City continues to morph over time. The movie narrated by Stanley Tucci tells the story of New York from the time of the Dutch settlement to the attacks of 9/11 and like “New York at its Core” the issues that come about after every event. The film is shown five times a day and do take the time to see it when visiting the museum.
A tiny clip of “Timescapes” from the Museum of the City of New York
Just recently I attended a special event at the Museum to honor the Founding Members of the “Talking Heads” Chris Frantz and Tina Weymouth and their groundbreaking film “Stop Making Sense”. I was lucky to get tickets because the second I saw this on the museum listing I bought the tickets immediately. The event sold out quickly.
‘Talking Heads’ founders Chris Frantz and Tina Weymouth
The event was discussion with the creators of the group and how the Talking Heads emerged as a popular group through the 1980’s and 90’s. I have to admit that the two of them have not changed much but looking a bit older. They enchanted the audience with their time with the group and some new things they have in the works. After a quick Q & A, we watched their popular concert film “Stop Making Sense”.
We had such a good time at the event, the I wrote about it for my blog, “MywalkinManhattan.com”:
Day Two Hundred and Eight: Private Members nights at the New York Museums:
On another recent trip, I visited the exhibition “New York New Music 1980-1986” which was an exhibition on the development of the music scene after the Disco era was over and the rise of MTV. You had a combination of Club Music, Hip Hop, New Wave and the English Wave from Australia and New Zealand coming into the United States plus a resurgence of Rock and Roll after years of the “Disco Duck”. The exhibition highlighted the music of Debbie Harry and Blondie, Run DMC, Cyndi Lauper and Madonna and the rise of music videos. The exhibition brought me back to my last years of high school and my college years as I remembered all these groups.
The “New York-New Music 1980-1986” exhibition
Over the years I have seen exhibitions on everything from the Bankruptcy exhibition of New York City and the rise of crime, the Gilded Era with Alice Claypoole Vanderbilt’s “Electric Light” dress that she wore to Alva Vanderbilt’s famous ball and the wonderful toy exhibitions of early playthings. I have also been to many lectures at the museum with guests such as former Brooklyn President Marky Markowitz.
In 2023, I visited the museum for the first time in months and was able to see the “Gingerbread House Bakeoff” exhibition of well-known and amateur bakers in New York City. The exhibition was a hold over from Christmas and it was interesting to see the detailed gingerbread houses that were on display.
There two that I really liked. One was of Madison Square Park at Christmas time and looked like the pictures I had just taken of the park.
Bryant Park at Christmas time in gingerbread
Christmas scene in New York City
The next exhibition I wanted to see before it closed was the “Food in New York” exhibition. It could have been a little more detailed than what I saw. I thought it was going to have more of the development and history of food in New York and how it pertains to today. It was more artwork related to modern food industry trends. It was interesting but not what I thought it was going to be.
‘Food in New York’ exhibition
Some of the artwork really stood out on the display. I like the Hispanic Ice Carts which you see all over Washington Heights and East Harlem during the warmer months.
Ice Cart “Pimp My Piragua” byt artist Miguel Luciano
Artist Miguel Luciano
“Twilight” by artist Suzanne Anker
The effects of pollination of crops and the loss of bees shown here.
Artist Suzanne Anker
The latest exhibition that I visited on a Members walking tour was the “New York Now: Home” exhibition that opened in the Spring of 2023. The exhibition is based on what the photographers perspective of what a ‘home’ is and how you live through it. There were photos of family events, life outside the home, what a family is, is it your birth family or friends that have become family? There were also some great shots of people taken during the COVID lockdown and how the home became the center point of their lives and sanity. Each photographer gave a different way of looking at these points.
‘New York Now: Home: A Photography Triennial’
The exhibition write up
There were many terrific artists displayed in the exhibition but these are the five that I thought stood out the most:
Photographer and Artist Anders Jones work on the loss of bodegas in his neighborhood due to gentrification.
Artist Anders Jones work at the Museum of the City of New York
I think the museum was looking for a more political and environmental view of food in New York City as opposed to the history and development. It still was an important issue. It also showed all the urban, community and roof gardens that are becoming part of the urban landscape. It is interesting how people are using space to grow food for the benefit of everyone. It was an interesting perspective.
The museum is really all things New York.
The museum also has a series of talks in movies shot around or about New York City. On a recent trip to the museum I attended the retrospect of director Walt Stillman and his 1998 film “The Last Days of Disco”, which had been a huge hit when it came out. The director talked about the change in times from the 1970’s to the 1980’s and the shift in behavior of the population. There was a moment of time when “Disco was King” and going out was all the rage after years of Vietnam era. Studio 54 led this charge and when it closed in 1980, the party was over.
In conversation with director Walt Stillman the night of the retrospect.
The original trailer for the film.
The Q & A at Lincoln Center for the 20th anniversary of the film.
The series of films deal with the subject matter of New York City and what makes it a special place.
I recently went to see the new Art Deco City-New York exhibition on a private tour. The curator for the show toured us through the era after WWI and during the Depression. Things got more simplistic and cleaner.
You had a youth revolution that wanted to get away from Victorian values and with the lack of resources and money during the Depression, everything became more clean lines, less embellishment and more modern looking.
The exhibit ‘Art Deco City New York’
The bulk of the exhibition came from the collection of Cosmetic owner, Ronald Lauder, who contributed his Art Deco post card collection. Years of collecting showed all of us the changes not just in architecture but attitudes in travel and living. Gone were the bulky and elaborate in was simplistic and clean designs with a fresh approach.
The main gallery with Art Deco post cards
This perspective was shown in the 1939 World’s Fair, where a look to the future showed optimism and a look at new possibilities.
The 1939 World’s Fair
The outfits of that era also represented women and their freedoms from the Victorian era and the excesses. Gone were the days of corsets and bustles and in was the freedom of movement to the modern working woman who have to work to support her family. This reflected in the social life too.
Dresses from the 1930’s
Rockefeller Center and the Empire State Building were the big projects of that era. It showed the optimism and show of the possibilities of the modern era during the Depression and kept people working.
Models of Rockefeller Center
The exhibition was very interesting and informative and shows up in the modern era today.
The latest exhibition I attended was “Songs of New York”, a tribute to the rich music scene of the five boroughs through the ages.
The Exhibition sign for “Songs of New York”
The exhibition delves into the rich history of everything from New Wave to Hip Hop to Rock and Jazz. The interactive exhibition has you stepping on a Borough symbol and you hear its rich history of music.
The interactive display on the third floor
The opening remarks from the curator at the opening night
The reception with drinks and snacks for members
Pictures from ‘Look Magazine’ from the collection
Photographs from Allan Tannenbaum
The career of Allan Tannenbaum
The photos of Janette Beckmann of the ‘Hip Hop’ scene with the start of the careers of LL Cool J and Run DMC
The exhibition packs a lot of information into a small space where the members were able to enjoy the music of New York City.
I went to an Educator’s Night for the new ‘Above Ground’ exhibition on the street art collection of Artist Matin Wong. The artist collected the street art of the 1980’s after the Crash of 1987 slowed the demand for this art.
The ‘Above Ground’ exhibition
The sign from the exhibition
The works in the exhibition
The work ‘Futura’
The sign for ‘Futura’
The works by artist Keith Haring
The works in the galleries were creative and colorful. These artists sending a message with their works.
The art of the exhibition
The art of the exhibition
The gallery displaying the works
The work by artist Quik
The artist’s write up
The exhibition works were from the period of the mid to late 1980’s and these works Martin Wong bought after the Crash of 1987 to help sustain his artist friends whose sales dried for street art. The collection was donated to the museum after the artist’s passing in 1994 (Museum pamphlet).
I recently returned to the museum for a special evening event for photographer Ebet Roberts
The special event for music photographer Ebet Roberts
The evening was a discussion of the artist’s works from the 1970’s and 80’s. What I thought was interesting is how she seemed to fall into it as an artist with newspapers interested in seeing her photographs.
The photographer, Ebet Roberts with the museum curator
The photographer discussing her work
One of her well known works of a musician couple from the 1970’s
The talk was very interesting as she fell into the profession of just taking pictures of bands while attending the events as reporting. Then the papers wanted to see what pictures she had taken. Liking how she captured the groups in a more human fashion, she continued to take more pictures. This led to private sessions and behind the scenes works, capturing the events before and after a concert. It was a very interesting talk.
These are the types of events that make the museum unique and special.
The History of the Museum of the City of New York:
(From the Museum of the City of New York website/Wiki):
The Museum of the City of New York is a history and art museum that was founded in 1923 by Henry Collins Brown. The red brick building with marble trim was built between 1929-30 and was designed by architect Joseph H. Freedlander in the neo-Georgian style with statues of Alexander Hamilton and DeWitt Clinton by sculptor Adolph Alexander Weinman, which face Central Park from niches in the facade (Wiki).
The museum was originally located in Gracie Mansion, where available space was limited. One of the first exhibitions was “Old New York” in 1926. This took place in the Fine Arts Building on West 57th Street. The success of the project led to a search for a new, permanent headquarters for the museum (Wiki).
A design competition was held between five invited architects and the Colonial Revival design by Joseph H. Freelander was chosen. The City donated the site on Fifth Avenue and the funds for the construction of the museum was raised by public subscription. The original plans for the museum’s building were scaled back as a result of the Wall Street Crash of 1929. The building was finished and dedicated in 1932.
In 2000, there was talk by then Mayor Rudy Giuliani to move the museum to the historic Tweed Courthouse near City Hall but that was over-turned by the incoming Mayor, Michael Bloomberg. In protect the museum director, Robert R. McDonald resigned.
In coming new museum director, Susan Henshaw Jones, planned an extension to the museum and it was completed in 2008. The extension including renovating the existing gallery spaces and adding a new pavilion. New displays and a remounting of valuable artifacts were done to give the museum a refreshed look. In 2011, the Museum of the City of New York temporarily took over operation of the South Street Seaport Museum which itself reopened in 2012 (Wiki).
The museum has a collection of over 1.5 million objects including many items from the 19th and early 20th centuries including paintings, prints, costumes, decorative objects, furniture and an extensive collection of toys. There are also extensive collections of police and fire items as well as shop models, rare books and manuscripts (Wiki).
The Museum of the City of New York in the early Spring
Visiting a Museum: The Unique, Unusual, Obscure and Historical 